Director Guillermo del Toro talks about what it was like to collaborate with his Oscar-nominated cast and discusses voicing the creature in The Shape of Water.
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Title: Hodejegerne (2011)
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| Cast overview, first billed only: | |||
| Aksel Hennie | ... | ||
| Synnøve Macody Lund | ... | ||
| Nikolaj Coster-Waldau | ... | ||
| Eivind Sander | ... | ||
| Julie R. Ølgaard | ... |
Lotte
(as Julie Ølgaard)
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| Kyrre Haugen Sydness | ... |
Lander
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Valentina Alexeeva | ... |
Natasja
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Reidar Sørensen | ... |
Brede Sperre
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| Nils Jørgen Kaalstad | ... |
Stig
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Joachim Rafaelsen | ... |
Brugd
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Mats Mogeland | ... |
Sunded
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Gunnar Skramstad Johnsen | ... |
Monsen 1
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Lars Skramstad Johnsen | ... |
Monsen 2
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Signe Tynning | ... |
TV-vertinne
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Nils Gunnar Lie | ... |
TV-vert
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Roger Brown an Executive Headhunter and a part-time high end painting thief finds himself embroiled in a cat and mouse game when he tries to destroy Clas Greve's career prospects. However, Clas is a former member of a special tactical military force and will stop at nothing to ensure Roger is out of the picture and the job is his. Written by Paddy McManus
Black Panther star Winston Duke takes us behind the scenes of Marvel's record-breaking movie, and Guillermo del Toro reminisces about Pan's Labyrinth's past Oscar success.
Dark Scandinavian crime movies being all the rage lately, this intelligent, action-packed thriller didn't disappoint. I went into the film without reading the book or indeed knowing a single thing about the film. I enjoyed it.
I was drawn into this northern world with its interesting people and beautiful natural scenery. What also made this movie stand out was the fast-paced plot with many unusual and unexpected twists. It is the kind of film that has you glued to your seat to see what could possibly happen next to the main character. Roger Brown, the headhunter, becomes headhunted. (But what's the story with the English name??)
No movie is perfect. There were a few plot problems and I have to admit I looked at my watch half way through, despite the fast pace.
Perhaps the film could be faulted for showing only two types of Norwegians: rich sophisticates and yokels (all blond of course). Aren't there any ordinary middle-class people in Norway?
Also, some of the scenes may be too difficult for the squeamish to watch. Not exessive, but just a little over the top.
I'd give this film a higher score, but I am not a fan of the genre. Still, I did enjoy it for what it was and would recommend it to anyone. It's a good movie.