Clean may refer to:
Clean (stylized as Clean.) is the second EP release by American noise rock band Whores. It was released on October 29, 2013, via Brutal Panda Records. The EP was produced and mixed by Ryan Boesch, who is known for his engineering work for acts such as Melvins, Helmet and Foo Fighters.
Upon its release, Clean generally received positive reviews. Natalie Zina Walschots of Exclaim! praised the album, writing: "The songs are appallingly catchy and "Blue Blood," in particular, drives its hooks in as deeps as barbed porcupine quills, refusing to be dislodged. Rarely has an act of musical self-immolation been so enjoyable."Orlando Weekly music reviewer Bao Le-Huu stated: "Dealing in exhilarating violence and rampaging heaviness, this record is kin to releases by bands like Unsane and Pissed Jeans, but with more concussive torque and searing clarity." Andy O'Connor of Pitchfork was rather mixed in his assessment of the album: "It doesn't push or expand the genre, and it doesn't feel like that's the point: it, more or less, feels like they wanted something to put on their merch table, and an excuse to ditch town for a week, and Clean is serving that purpose. Not the worst thing in the world, but also not the most inspired."Sputnikmusic staff reviewer Greg Fisher felt that the album "may not appeal to those who seek experimentation in heavy music", while stating that the band's "ultra-loud brand of noise rock seethes with enough unbridled anger, songwriting dexterity and alluring hooks to exert a lasting impact."
Clean is the second full-length studio album from industrial band Deitiphobia, released in 1994 by Myx Records. It is the earliest Deitiphobia album not to feature Brent Stackhouse, who left in 1992, and was also the band's debut for the Myx label. The album features Sheri Shaw, who remained with Deitiphobia until it dissolved in 2001, and Michael Knott, who produced Fear of the Digital Remix and was also the founder of the band's previous record label, Blonde Vinyl.
All songs written and performed by Deitiphobia.
In computer science, Clean is a general-purpose purely functional computer programming language. For much of the language's active development history it was called Concurrent Clean and emphasized concurrency, but this was dropped at some point.
The language Clean first appeared in 1987 and is still being further developed. It shares many properties with Haskell: referential transparency, list comprehension, guards, garbage collection, higher order functions, currying and lazy evaluation.
An integrated development environment (IDE) is included in the Clean distribution.
Clean's method for dealing with mutable state and I/O is done through a uniqueness typing system, in contrast to Haskell's use of monads. The compiler takes advantage of the uniqueness type system to generate more efficient code, because it knows that anything with a uniqueness type can only be used once. Therefore, a unique value can be changed in place.
Clean is a 2004 low-budget film directed by French director Olivier Assayas, starring Nick Nolte and Maggie Cheung. It was jointly funded by Canada, France, and United Kingdom sources.
Cheung plays Emily Wang, a former video jockey, who has been in a tempestuous relationship with Lee Hauser (played by James Johnston of Nick Cave and the Bad Seeds), a rock musician, for several years. Lee's friends feel that Emily is bad for him, accusing her of being a junkie. As the film opens, the pair have arrived in Hamilton, Canada, to see Metric perform. Their young son, Jay, is living in Vancouver with Lee's parents.
Following an argument in their motel room, Emily walks out on Lee and, after taking some heroin, falls asleep in her car. When she returns to the motel the following morning, she finds that Lee has died of a drug overdose, and the Ontario Provincial Police are investigating. As Emily attempts to force her way into the room to see Lee, the Police find the heroin in her bag and she is arrested.
Clean is the fourth studio album by the contemporary worship duo Shane & Shane. The album was released on October 19, 2004 by Inpop Records label, and the producer on the effort is Will Hunt.
Kevan Breitinger of About.com told that the duo "have found a niche with their pitch-perfect blend of dueling acoustic guitars and impassioned vocals, and made it very much their own," which he proclaimed that "nobody does it better." At Christianity Today, Russ Breimeier said that the album "seems to continue a pattern of alternating between rough-around-the-edges acoustic indie pop and a more polished radio-friendly sound", which it "leans toward the latter." This leads to the duo getting "bogged down in boring acoustic balladry." At Cross Rhythms, Tim Holden highlighted that the songs "are delivered with a pleasant acoustic guitar-lead rock feel that occasionally has a bit of a kick to it." Jesus Freak Hideout's Jessica Vander Loop vowed that this is an "arousing worship album."
Use me as much as you can
Cause you've never been
More than a friend
Cause I try to push you away
And make myself clean
And forget you hurt me
CLEAN
I don't want to be
I don't need to be
I don't want to be
CLEAN
I don't want to be
I don't need to be
I don't want to be
Pressure, the less that I feel
The more that I heal
And put back the peices
Cause you keep taking my sould
Keep from letting it go
And setting me free
You keep bringing me down
Keep my head above ground
The ground that I lay
Cause I try myself everyday
And say it's o.k.
For bringing me pain...
CLEAN
I don't want to be
I don't need to be
I don't want to be
CLEAN
I don't want to be
I don't need to be
I don't want to be
And when I step outside this place
All I see is empty
And when I look into your face
All I see is emptiness
CLEAN
I don't want to be
I don't need to be
I don't want to be
CLEAN
I don't want to be
I don't need to be
I don't want to be
Clean may refer to: