All rights reserved

"All rights reserved" is a phrase that originated in copyright law as a formal requirement for copyright notice. It indicates that the copyright holder reserves, or holds for their own use, all the rights provided by copyright law under one specific copyright treaty.

Origins

The phrase appears to have originated as a result of the Buenos Aires Convention of 1910. Article 3 of the Convention granted copyright in all signatory countries to a work registered in any signatory country, as long as a statement "that indicates the reservation of the property right" (emphasis added) appeared in the work. The phrase "all rights reserved" was not specified in the text, but met this requirement.

Other international copyright treaties did not require this formality. For example, the Universal Copyright Convention (UCC), adopted in 1952, adopted the © symbol as an indicator of protection. (The symbol had been introduced in the US by a 1954 amendment to the Copyright Act of 1909.) The Berne Convention rejected formalities altogether in Article 4 of the 1908 revision, so authors seeking to protect their works in countries that had signed on to the Berne Convention were also not required to use the "all rights reserved" formulation. However, because not all Buenos Aires signatories were members of Berne or the UCC, and in particular the United States did not join UCC until 1955, a publisher in a Buenos Aires signatory seeking to protect a work in the greatest number of countries between 1910 and 1952 would have used both the phrase "all rights reserved" and the copyright symbol.

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.

Down Town

"Down Town" was the a 1987 release by The Justified Ancients of Mu Mu (better known as The KLF). The song is gospel music driven by house music rhythms, incorporating a sample of Petula Clark's 1964 single "Downtown".

Origins

In 1987, Bill Drummond and Jimmy Cauty formed The Justified Ancients of Mu Mu (The JAMs), and busily released provocatively sample-heavy electronic music with beatbox rhythms and Drummond's socially aware raps. Their debut single "All You Need Is Love" and album 1987 (What the Fuck Is Going On?) were both investigated by the Mechanical Copyright Protection Society, who ordered The JAMs to recall and destroy all unsold copies of 1987. A new single, "Whitney Joins The JAMs", followed, along with a satirically edited version of the album, 1987 (The JAMs 45 Edits), and the debut release from spinoff project Disco 2000, "I Gotta CD". By the time of the release of "Whitney Joins The JAMs", the duo's independent record label had been renamed KLF Communications, and in the coming year The Justified Ancients of Mu Mu would mutate into The KLF. In the meantime, "Down Town" was The JAMs' and KLF Communications' final release of 1987, a 7" and 12" single release of 30 November. It did not enter the UK Singles Chart, but made inroads into the UK independent chart.

European Patent Office

The European Patent Office (EPO) is one of the two organs of the European Patent Organisation (EPOrg), the other being the Administrative Council. The EPO acts as executive body for the Organisation while the Administrative Council acts as its supervisory body as well as, to a limited extent, its legislative body. The actual legislative power to revise the European Patent Convention lies with the Contracting States themselves when meeting at a Conference of the Contracting States.

Within the European Patent Office, examiners are in charge of studying European patent applications, filed by applicants, in order to decide whether to grant a patent for an invention. The patents granted by the European Patent Office are called European patents.

Function, status and location

The European Patent Office (EPO) grants European patents for the Contracting States to the European Patent Convention. The EPO provides a single patent grant procedure, but not a single patent from the point of view of enforcement. Hence the patents granted are not European Union patents or even Europe-wide patents, but a bundle of national patents. Besides granting European patents, the EPO is also in charge of establishing search reports for national patent applications on behalf of the patent offices of Belgium, Cyprus, France, Greece, Italy, Lithuania, Luxembourg, Malta, Netherlands, San Marino, and Turkey.

European Patent Convention

The European Patent Convention (EPC), also known as the Convention on the Grant of European Patents of 5 October 1973, is a multilateral treaty instituting the European Patent Organisation and providing an autonomous legal system according to which European patents are granted. The term European patent is used to refer to patents granted under the European Patent Convention. However, a European patent is not a unitary right, but a group of essentially independent nationally-enforceable, nationally-revocable patents, subject to central revocation or narrowing as a group pursuant to two types of unified, post-grant procedures: a time-limited opposition procedure, which can be initiated by any person except the patent proprietor, and limitation and revocation procedures, which can be initiated by the patent proprietor only.

The EPC provides a legal framework for the granting of European patents, via a single, harmonised procedure before the European Patent Office. A single patent application, in one language, may be filed at the European Patent Office at Munich, at its branches at The Hague or Berlin or at a national patent office of a Contracting State, if the national law of the State so permits.