Hellboy II: The Golden Army

Hellboy II: The Golden Army is a 2008 American supernatural superhero film based on the fictional character Hellboy created by Mike Mignola. The movie was written and directed by Guillermo del Toro and is a sequel to the 2004 film Hellboy, which del Toro also directed. Ron Perlman reprises his starring role as the eponymous character. The Golden Army was produced by Universal Studios and Relativity Media and released by Universal Pictures. Unlike the first film, which featured a darker gothic atmosphere, Hellboy II features a fantasy atmosphere.

Plot

During Christmas 1955, an 11-year-old Hellboy is told a bedtime story by his adoptive father, Trevor Bruttenholm, involving an ancient war between man and magical creatures, started by man's greed. After defeat of the magical creatures' forces, the master of the goblin blacksmiths offers to build an indestructible mechanical army for the elven King Balor. Encouraged by his son Prince Nuada, Balor orders the building of this Golden Army. The humans are devastated by the army. Balor is ridden with guilt and forms a truce with the humans: Man will keep his cities and the magical creatures will keep their forests. Nuada does not agree with the truce and leaves in exile. The magical crown controlling the army is broken into three pieces, one going to the humans and the other two kept by the elves.

Hellboy

Hellboy is a fictional superhero created by writer-artist Mike Mignola. The character first appeared in San Diego Comic-Con Comics #2 (Aug. 1993), and has since appeared in various eponymous miniseries, one-shots and intercompany crossovers. The character has been adapted into two live-action feature films in 2004 and 2008 that starred Ron Perlman in the title role, and two straight-to-DVD animated films, as well as two video games – Asylum Seeker and The Science of Evil.

A well-meaning demon whose true name is Anung Un Rama ("and upon his brow is set a crown of flame"), Hellboy was summoned from Hell to Earth as an infant demon on December 23, 1944 (given as his birth date by Mike Mignola) by Nazi occultists (spawning his hatred for them). He was discovered by the Allied Forces; amongst them, Professor Trevor Bruttenholm, who formed the United States Bureau for Paranormal Research and Defense (BPRD). In time Hellboy grew to be a large, red-skinned man with a tail, horns (which he files off, leaving behind the signature circular stumps on his forehead), cloven hooves for feet, and an over-sized right hand made of stone. He has been described as smelling of dry-roasted peanuts. Although a bit gruff, he shows none of the malevolence thought to be intrinsic to demons, and has a strong sense of humor. This is said to be because of his upbringing under Professor Bruttenholm, who raised him as a normal boy.

Golden

Golden means made of, or relating to gold.

Golden can refer to:

Places

United Kingdom

United States

Elsewhere

Copyright Act

Copyright Act (with its variations) is a stock short title used for legislation in Australia, Canada, Hong Kong, India, Malaysia, New Zealand, the United Kingdom and the United States relating to the copyright. The Bill for an Act with this short title will usually have been known as a Copyright Bill during its passage through Parliament.

List

Australia

Canada

Hong Kong

India

Malaysia

New Zealand

United Kingdom

United States

Copyright Act of 1976

The Copyright Act of 1976 is a United States copyright law and remains the primary basis of copyright law in the United States, as amended by several later enacted copyright provisions. The Act spells out the basic rights of copyright holders, codified the doctrine of "fair use," and for most new copyrights adopted a unitary term based on the date of the author's death rather than the prior scheme of fixed initial and renewal terms. It became Public Law number 94-553 on October 19, 1976 and went into effect on January 1, 1978.

History and purpose

Before the 1976 Act, the last major revision to statutory copyright law in the United States occurred in 1909. In deliberating the Act, Congress noted that extensive technological advances had occurred since the adoption of the 1909 Act. Television, motion pictures, sound recordings, and radio were cited as examples. The Act was designed in part to address intellectual property questions raised by these new forms of communication. (see House report number 94-1476)