Metallica - Enter Sandman [Surround 5.1 Audio at 96kHz 16-bit Lossless]

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• published: 06 Oct 2015
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"Enter Sandman" James Hetfield, Lars Ulrich, Kirk Hammett Get Metallica's Black Album in DVD audio here ▶︎ http://www.amazon.com/gp/offer-listing/B00005ATQM/ref=as_li_tl?ie=UTF8&camp;=1789&creative;=9325&creativeASIN;=B00005ATQM&linkCode;=am2&tag;=ricmagno-20&linkId;=MVEIB6NLGKCIIBSE "Enter Sandman" was the first song Metallica had written for their 1991 eponymous album, Metallica. Metallica's songwriting at that time was done mainly by rhythm guitarist James Hetfield and drummer Lars Ulrich, after they gathered tapes of song ideas and concepts from the other members of the band, lead guitarist Kirk Hammett and bassist Jason Newsted. Ulrich's house in Berkeley, California was used for this purpose. "Enter Sandman" evolved from a guitar riff that Hammett wrote. Originally, the riff was two bars in length, but Ulrich suggested the first bar be played three times. The instrumental parts of the song were quickly finished, but Hetfield did not come up with vocal melodies and lyrics for a long time. The song was among the album's last to have lyrics, and the lyrics featured in the song are not the original; Hetfield felt that "Enter Sandman" sounded "catchy and kind of commercial" and so to counterbalance the sound, he wrote lyrics about "destroy[ing] the perfect family; a huge horrible secret in a family" that included references to crib death. For the first time in Metallica's history, however, Ulrich and producer Bob Rock told Hetfield that they felt he could write better lyrics. Nevertheless, according to Ulrich, the song was the "foundation, the guide to the whole record" even before it had lyrics. "Enter Sandman" had what Hetfield described as a "wall of guitars"— three rhythm guitar tracks of the same riff played by himself to create a "wall of sound". According to engineer Randy Staub, close to 50 takes of the drums were recorded because Ulrich did not record the song in its entirety, but rather recorded each section of the song separately.[7] Because it was difficult to get in one take the "intensity" that the band wanted, numerous takes were selected and edited together.[6] Staub mentioned that the producing team spent much time in getting the best sound from each part of the room and used several combinations of 40 to 50 microphones in recording the drums and guitars to simulate the sound of a live concert. The bass guitar sound also gained importance with Rock; as Newsted states, Metallica's sound was previously "very guitar-oriented" and that "when he [Rock] came into the picture, bass frequencies also came into the picture." As the first single, "Enter Sandman" was also the first song to be mixed, a task that took roughly ten days because the band and Bob Rock had to create the sound for the entire album while mixing the song. Composition "Enter Sandman" moves at a tempo of 123 beats per minute for 5:32, running slightly above the average song length of the album. It begins with a clean guitar intro similar to the main riff; an E minor chord on a guitar using the wah-wah pedal is then introduced, followed by heavy use of tom-tom drums. Distorted guitars then build up to the main riff, which starts 56 seconds into the song and utilizes variations of the E/B♭ tritone. P. J. Howorth, in The Wah Wah Book, characterized the main riff as "sinister". The song then follows a common structure, playing two iterations of a verse, a pre-chorus, and a chorus. On the chorus and pre-chorus, the song modulates one whole tone, up to F♯, and after the second chorus, Hammett plays a guitar solo with the main, pre-chorus, and chorus riffs in the background. Hammett makes use of the wah-wah pedal and a wide range of scales, including e minor pentatonic, B minor, F♯ minor, E minor, and the E dorian mode. One of the final licks of the solo was inspired by the Heart song "Magic Man" as used in Ice-T's "Personal". Just a few seconds before the solo ends, the breakdown starts, in which the clean drum intro starts, then the clean guitar intro when the last notes of Kirk's solo echo over it into the background, are heard together with Hetfield teaching a child the "Now I Lay Me Down to Sleep" bedtime prayer and reciting a variation of the lullaby rhyme "Hush Little Baby" where he is heard saying "Hush little baby don't say a word, and never mind that noise you heard. It's just the beasts under your bed, in your closet, in your head". After building again to a chorus, the song starts to fade out while the band plays the same riffs as the buildup intro in reverse order. Lyrically, the song is about "nightmares and all that come with them", according to Chris True of Allmusic. The title is a reference to the sandman, a character from Western folklore who makes children sleep.