- published: 05 Apr 2013
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Hungarian dance refers to the folk dances practised and performed by the Hungarians, both amongst the populations native to Hungary and its neighbours, and also amongst the Hungarian diaspora.
According to György Martin, a prominent folklore expert, Hungarian dances can be divided into two categories. The first refers to dances performed in the middle ages while the second relates to the 18th and 19th century.
Improvisation is often mentioned as being characteristic of Hungarian dance. "The peasant dance is not one which is set absolutely according to rule; the dancer constructs his steps according to his mood and ingenuity."
The most important stylistic feature of the dance within the Carpathians is the unusually large amount of personal improvisation. Observers have never failed to notice the individual nature of the Hungarian dance during the previous two centuries. This dancing is individual to such an extent that it is often difficult for scholars to establish the communal laws regulating individual creativity and improvising. Folk dance research has shown that this individuality is not merely poetic licence, but genuine features. Daniel Berzsenyi wrote, "Its secret laws are not ordered by craft. The laws are its own and enthusiasm sets the limit."
Johannes Brahms (German: [joˈhanəs ˈbʁaːms]; 7 May 1833 – 3 April 1897) was a German composer and pianist. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. In his lifetime, Brahms's popularity and influence were considerable. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs", a comment originally made by the nineteenth-century conductor Hans von Bülow.
Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus. A virtuoso pianist, he premiered many of his own works. He worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed some of his works and left others unpublished.
Brahms is often considered both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Baroque and Classical masters. He was a master of counterpoint, the complex and highly disciplined art for which Johann Sebastian Bach is famous, and of development, a compositional ethos pioneered by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and other composers. Brahms aimed to honour the "purity" of these venerable "German" structures and advance them into a Romantic idiom, in the process creating bold new approaches to harmony and melody. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers. Within his meticulous structures is embedded, however, a highly romantic nature.
1 (one; /ˈwʌn/ or UK /ˈwɒn/, also called unit, unity, and (multiplicative) identity), is a number, a numeral, and the name of the glyph representing that number. It represents a single entity, the unit of counting or measurement. For example, a line segment of unit length is a line segment of length 1.
One, sometimes referred to as unity, is the integer before two and after zero. One is the first non-zero number in the natural numbers as well as the first odd number in the natural numbers.
Any number multiplied by one is that number, as one is the identity for multiplication. As a result, one is its own factorial, its own square, its own cube, and so on. One is also the result of the empty product, as any number multiplied by one is itself. It is also the only natural number that is neither composite nor prime with respect to division, but instead considered a unit.
The glyph used today in the Western world to represent the number 1, a vertical line, often with a serif at the top and sometimes a short horizontal line at the bottom, traces its roots back to the Indians, who wrote 1 as a horizontal line, much like the Chinese character 一. The Gupta wrote it as a curved line, and the Nagari sometimes added a small circle on the left (rotated a quarter turn to the right, this 9-look-alike became the present day numeral 1 in the Gujarati and Punjabi scripts). The Nepali also rotated it to the right but kept the circle small. This eventually became the top serif in the modern numeral, but the occasional short horizontal line at the bottom probably originates from similarity with the Roman numeral I. In some countries, the little serif at the top is sometimes extended into a long upstroke, sometimes as long as the vertical line, which can lead to confusion with the glyph for seven in other countries. Where the 1 is written with a long upstroke, the number 7 has a horizontal stroke through the vertical line.
The F major scale (or the key of F) consists of the pitches F, G, A, B♭, C, D, and E. Its key signature has one flat.
Its relative minor is D minor and its parallel minor is F minor.
F major key is the home key of the English horn, the basset horn, the horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these instruments is written in C major key. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.)
E minor is a minor scale consisting of the pitches E, F♯, G, A, B, C, and D. Its key signature has one sharp. The E harmonic minor raises the note D to D♯.
Its relative major is G major, and its parallel major is E major.
Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (unfretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar.
Actors: Reiner Schöne (actor), Christof Wackernagel (actor), Quirin Berg (producer), Max Wiedemann (producer), Holger Handtke (actor), Gregor Törzs (actor), Dennis Satin (director), Markus Boysen (actor), Barbara Thielen (producer), Mirko Lang (actor), David Vogt (miscellaneous crew), Robert Meller (actor), Bettina Vogelsang (editor), Hans Brückner (actor), Jessica Richter (actress),
Genres: ,Actors: Damian Chapa (actor), Tino Struckmann (producer), Tino Struckmann (director), Tino Struckmann (writer), Tino Struckmann (actor), Read Ridley (producer), Seth Scofield (miscellaneous crew), Seth Scofield (actor), Caspar von Winterfeldt (actor), John Beale (actor), Caspar von Winterfeldt (producer), Jack Dimich (actor), Leslie Mills (actress), Samuel Meadows (miscellaneous crew), Samuel Meadows (actor),
Plot: Klaus Muller, a battle-hardened veteran, finds himself fighting for his life on the Russian front. Surrounded by overwhelming numbers of Russian tanks and planes, he and his men are doomed until famed German tank ace, Michael Wittmann, shows up in his Tiger Tank and saves the day. Once wounded, Klaus is transferred to Normandy to serve under Field Marshal Rommel just days before the Allied invasion. Much to his surprise, he finds that his beloved Klaudia is also stationed nearby as a field nurse. Unfortunately, so is her father, who is working with the French resistance and now finds himself pursued by the ruthless Gestapo officer Brahms, whose search leads him to Klaus and Klaudia attempting a rescue. They are caught and imprisoned. As D-Day begins and the Allies attack from the beaches and the sky, they escape from the prison, fighting the Gestapo in the middle of the biggest invasion in world history. We follow the D-Day invasion through the scared eyes of Sgt. Roberts whose path will cross with Muller in unexpected ways, as their individual fights lead them to cross paths.
Genres: War,Actors: Karl Schönböck (actor), Walter Giller (actor), Gert Haucke (actor), Hans-Peter Korff (actor), Georg Lehn (actor), Constanze Engelbrecht (actress), Joachim Roering (director), Joachim Roering (writer), Hans-Joachim Grubel (actor), Hans-Jürgen Schatz (actor), Jürgen Watzke (actor), Sibylle Nicolai (actress), Mario Lohmann (actor),
Plot: Friedemann von Sarau, an old "honorable" hunter, is near to death after a stroke. His last will is to shoot his final deer. But there's a problem: There are no more deer in his hunting district and he can't travel anymore...
Keywords: food-in-title, hunting, satire, strokeActors: Ana Maria Magalhães (actress), Glauber Rocha (director), Norma Bengell (actress), Jece Valadão (actor), Glauber Rocha (writer), Glauber Rocha (producer), Glauber Rocha (actor), Geraldo Del Rey (actor), Maurício do Valle (actor), Tarcísio Meira (actor), Antonio Pitanga (actor), Glauber Rocha (writer), Luiz Carlos Lacerda (actor), Carlos Alberto Diniz (producer), João Melo (miscellaneous crew),
Genres: ,Subscribe for more classical music: http://bit.ly/YouTubeHalidonMusic Listen to our playlist "The best of classical music" on Spotify: http://spoti.fi/2nv7mvw Like us on Facebook: http://www.facebook.com/halidonmusic/ ▶ BUY the full MP3 album from our music store: http://bit.ly/12n15po ♫♫♫ Special Price ♫♫♫ ▶ BUY on Amazon: http://amzn.to/1nZaSHh Follow us here: https://www.facebook.com/halidonmusic/ https://twitter.com/halidonmusic http://www.halidon.it/index.php More music here: https://play.spotify.com/user/halidon THE BEST OF BRAHMS 1. Hungarian Dance No 1 In G Minor 2. Hungarian Dance No 3 In F Major 03:07 3. Hungarian Dance No 5 In G Minor 05:31 4. Hungarian Dance No 5 In F Sharp Minor 07:53 5. Hungarian Dance No 6 In D Major 08:56 6. Hungarian Dance No 7 In F Major 12:24 7...
My Classical music channel https://www.youtube.com/channel/UC5p_ZYS7lMPpiFijxgLtakA Johannes Brahms (1833 - 1897) 1.Hungarian Dance #5 In G Minor 2.Cradlesong, Op. 49/4 3.Waltz In A Flat, Op. 39/15 4.Symphony No. 1 In C Minor, Op. 68 5.Hungarian Dance #1 In G Minor 6.Intermezzo In E Flat - Andante Moderato - Piu Adagio - Un Poco Piu Andante 7.Violin Concerto In D Major, Op. 77 8.Variations On A Theme Of Joseph Haydn, Op. 56a 9.Piano Trio In E-Flat Major, Op. 40 10.Symphony #2 In D, Op. 73 - 3. Allegretto Grazioso 11.Piano Concerto No. 2 In B-Flat Major, Op. 83 12.String Quintet In G Major, Op. 111 13.Pieces For Piano, Op. 76 - Intermezzo In A Minor 14.Symphony No. 1 In C Minor, Op. 68
Sir Georg Solti Chicago Symphony Orchestra Symphony No. 4 in E minor, Op. 98 by Johannes Brahms is the last of his symphonies. Brahms began working on the piece in Mürzzuschlag, then in the Austro-Hungarian Empire, in 1884, just a year after completing his Symphony No. 3, and completed it in 1885.The work was given its premiere in Meiningen on October 25, 1885 with Brahms himself conducting. The piece had earlier been given to a small private audience in a version for two pianos, played by Brahms and Ignaz Brüll. Brahms' friend and biographer Max Kalbeck, reported that the critic Eduard Hanslick, acting as one of the page-turners, exclaimed on hearing the first movement at this performance: "For this whole movement I had the feeling that I was being given a beating by two incredibly intel...
Johannes Brahms Hungarian Dance No. 5 in G minor The German composer, pianist, and conductor Johannes Brahms (1833-1897) was one of the most significant composers of the 19th century. His works greatly enriched the romantic repertory.
Johannes Brahms - Symphony No. 1 in C minor, Op. 68 Conductor: Leonard Bernstein Vienna Philharmonic Orchestra (Wiener Philharmoniker) 0:56 - Un poco sostenuto – Allegro – Meno allegro 18:41 - Andante sostenuto 29:45 - Un poco allegretto e grazioso 35:26 - Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro
Brahms - Sextet No. 1 & 2 - Members of Berlin Philharmonic Octet
Johannes Brahms - Piano Concerto No. 1 in D minor, Op. 15 00:00 I. Maestoso 24:06 II. Adagio 38:45 III. Rondo Hélène Grimaud, piano, Southwest German Radio Symphony Orchestra | SWR Sinfonieorchester Baden-Baden und Freiburg, Michael Gielen, 17.IV.2005. Johannes Brahms was 20 years old when, in 1853, he first made the acquaintance of Robert Schumann through a letter of recommendation provided by the famous violinist Joseph Joachim. It was Schumann's unabashed praise of the music that Brahms showed him that, more than anything else, provided the young composer with the courage necessary to begin work on a full-scale symphony the next year. That courage, however, fell short in the end -- Brahms felt himself too inexperienced and was too haunted by the "footsteps of a giant" (Beethoven) to b...
I. Allegro non troppo II. Allegretto quasi Menuetto & Trio III. Allegro Jacqueline du Pre - cello Daniel Barenboim - piano
Sir Georg Solti Chicago Symphony Orchestra Symphony No. 3 in F major, Op. 90, was written in the summer of 1883 at Wiesbaden, nearly six years after he completed his Second Symphony. In the interim Brahms had written some of his greatest works, including the Violin Concerto, two overtures (Tragic Overture and Academic Festival Overture), and the Second Piano Concerto.The premiere performance was given on 2 December 1883 by the Vienna Philharmonic Orchestra, under the direction of Hans Richter. 0:00 I.Allegro con brio (F major), in sonata form. 13:55 II.Andante (C major), in a modified sonata form. 23:42 III.Poco allegretto (C minor), in ternary form (A B A'). 30:12 IV.Allegro (F minor/F major), in a modified sonata form.
The third movement of the Symphony No.3 by Brahms, in a recording by the Berlin Philharmonic under the legendary conductor Wilhelm Furtwangler. This movement contains one of Brahms's most delectable melodies, tender, wistful, rich in poignancy. I have tried to select photos that will fit well with the overall mood of the piece. I hope you enjoy it. The recording is a live one, so there is some (very minor) audience noise. It's hardly distracting. If you have any comments or suggestions please contact me...
Faces of Classical Music http://facesofclassicalmusic.blogspot.com/ • Johannes Brahms (1833 - 1897) ♪ Hungarian Dances [1869 (No.1-10), 1880 (No.11-21)] 1. Hungarian Dance No.1 in G minor [Orchestrated by Johannes Brahms] 0:00 2. Hungarian Dance No.2 in D minor [Orchestrated by Johan Andreas Hallén (1846-1925)] 2:57 3. Hungarian Dance No.3 in F major [Orchestrated by Johannes Brahms] 5:33 4. Hungarian Dance No.4 in F sharp minor [Orchestrated by Paul Juon (1872-1940)] 7:52 5. Hungarian Dance No.5 in G minor [Orchestrated by Martin Schmeling (?-1943)] 12:03 6. Hungarian Dance No.6 in D major [Orchestrated by Martin Schmeling] 14:22 7. Hungarian Dance No.7 in F major [Orchestrated by Martin Schmeling] 17:31 8. Hungarian Dance No.8 in A minor [Orchestrated by Hans Gál (1890-1987)] 19:06 9....
Download this song on iTunes: https://itunes.apple.com/us/album/sleep-through-night-lullabies/id1145306625 Order the physical CD on Amazon: https://www.amazon.com/Sleep-Through-Night-John-McClung/dp/B01KMX1QKC Or you can download the song (along with many others) at http://mcclungmusic.com/kids_music 12 hours of calming, peaceful music for your baby, which hopefully will give you enough time for a good night's sleep. =) After many requests, 13 of our most popular lullabies are now available for download on iTunes and on physical CD. This will make it much easier for those of you with iPhones to download lullabies to your phones. Let me know in the comments which lullabies we should include on the next album. Don't forget to click Subscribe for more music. New lullabies are upl...
Johannes Brahms - Op.49 No.4 Wiegenlied / Lullaby (original composition)
I. Un poco sostenuto - Allegro ∙ II. Andante sostenuto ∙ III. Un poco Allegretto e grazioso ∙ IV. Adagio - Più andante - Allegro non troppo, ma con brio - Più allegro ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙ Stanisław Skrowaczewski, Dirigent ∙ Alte Oper Frankfurt, 22. März 2013 ∙ Website: http://www.hr-sinfonieorchester.de Facebook: http://www.facebook.com/hrsinfonieorchester
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One of the most introspective and moving sets of piano miniatures of the Romantic period. The Op.118 pieces feature the thematic density and contrapuntal mastery that typifies Brahms, and these two recordings, full of depth and imagination, are rightly recognised as benchmark performances. [Descriptions below] The first Intermezzo in A minor is written in a highly condensed sonata form, and yet retains a harmonic restlessness than indicates that this is merely the first piece in a set. (Note the initial feint towards F in the opening, before the D# apparently heralds the real tonality of A minor before yet again sidestepping to C major to close the opening section. The second is a sort-of-nocturne in broad ternary form, and one of Brahms' most lyrical sections. In the outer sections, it...
I. Allegro non troppo ∙ II. Adagio ∙ III. Allegro giocoso, ma non troppo vivace ∙ hr-Sinfonieorchester (Frankfurt Radio Symphony Orchestra) ∙ Hilary Hahn, Violine ∙ Paavo Järvi, Dirigent ∙ Alte Oper Frankfurt, 21. März 2014 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester
Download this remaster (320kbs mp3): https://www.dropbox.com/sh/tdp9ajl0l5t6vvf/AAAIOlYNV6tp-4z90nB2PGzAa?dl=0 I. Allegro non troppo 00:00 II. Adagio non troppo 15:42 III. Allegretto grazioso 26:38 IV. Allegro con spirito 32:00 Watch in 720p for the best audio quality.
- Composer: Johannes Brahms (7 May 1833 -- 3 April 1897) - Performer: Radu Lupu - Year of recording: 1971 3 Intermezzi for piano, Op. 117, written in 1892. 00:00 - 1. Andante moderato (E♭ major) 05:47 - 2. Andante non troppo e con molto espressione (B♭ minor) 10:44 - 3. Andante con moto (C♯ minor) Occasionally unsure what title, if any, he should give a piece, Brahms came to use the term intermezzo as a rubric under which he could file anything that was not especially whimsical or fiery. The Three Intermezzi, Op. 117, do not require the technical facility necessary to perform many of his earlier works, but an incisive musicality is paramount for a proper understanding of these musical miniatures. The fact that they are all marked Andante also presents a problem for the performer, who mu...
Mrs. Blaileen - she was a sixth grade teacher
And she controlled the children
By using humiliation.
The target always seemed to be Donny.
He was a bit slower than the others.
When he was quite young
His mother died at the kitchen table
While choking on some food.
The fashion of the day
Was bleach and tied Levi's.
Donny decided to make some,
But he didn't know to rinse them.
So he came to school a reekin'.
Bleach stenched filled the classroom.
Mrs. Blaileen began to chastise.
She made him feel like an asshole
two feet small.
Oh what a lonely boy.
Don and Ronald
They always stuck together
For they were a bit different than the others
And they were as tight as brothers
Then Ronald moved away.
Now Steven
He was year or two younger
And he really thought he was something.
He liked to harass other children
Or anyone he found outnumbered.
Alone Don walks from fishing.
Steven and his friend they stop him.
They took his hat and they taunt him,
Pimp-slap him with a newspaper.
Don lunged forward with his fish knife
Then ran all the way home weeping.
He gave his knife to his father and
Said "I think I hurt Steve."