- published: 31 Oct 2011
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Edward Kienholz (October 23, 1927 – June 10, 1994) was an American installation artist and assemblage sculptor whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and fifth wife,Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s.
Art critic Brian Sewell called Edward Kienholz "the least known, most neglected and forgotten American artist of Jack Kerouac's Beat Generation of the 1950s, a contemporary of the writers Allen Ginsberg, William Burroughs and Norman Mailer, his visual imagery at least as grim, gritty, sordid and depressing as their literary vocabulary".
Edward Ralph Kienholz was born in Fairfield, Washington, in the dry eastern part of the state. He grew up on a wheat farm, learning carpentry, drafting and mechanical skills. His father was strict, and his mother was a religious fundamentalist. but the rebellious son longed to escape this constricted environment. He studied art at Eastern Washington College of Education and, briefly, at Whitworth College in Spokane, but did not receive any formal degree. After a series of odd jobs, working as an orderly in a psychiatric hospital, manager of a dance band, used car salesman, caterer, decorator and vacuum cleaner salesman, Kienholz settled in Los Angeles, where he became involved with the avant-garde art scene of the day.
Nancy Reddin Kienholz (born December 9, 1943) is an American mixed media artist based in Hope, Idaho. She works in installation art, assemblage, photography, and lenticular printing. She is most famous for her collaborations with her husband and creative partner Edward Kienholz.
Reddin was born in Los Angeles, California in 1943. Her father, Thomas Reddin, was born in 1916 in New York City and worked in Los Angeles as a police officer; he would eventually serve as chief of the Los Angeles Police Department from 1967 to 1969. Her mother, real estate broker Betty Parsons Reddin, was born in 1921 in Denver, Colorado. Nancy was the youngest of three children, born after older brothers Thomas T. Reddin (1938 – 1985) and Michael Gray Reddin (b. 1942).
Reddin was first married at age 19. She had one child from this marriage, Christine, in 1964, but the marriage ended after two years. Reddin received no formal training in art, and worked several odd jobs in Los Angeles before beginning her collaborations with Ed Kienholz in 1972.
Los Angeles (i/lɒs ˈændʒəlᵻs/ loss AN-jə-ləs or loss AN-jə-liss) (Spanish for "The Angels"), officially the City of Los Angeles and often known by its initials L.A., is the second-largest city in the United States after New York City, the most populous city in the state of California, and the county seat of Los Angeles County.
Situated in Southern California, Los Angeles is known for its mediterranean climate, ethnic diversity, sprawling metropolis, and as a major center of the American entertainment industry. Los Angeles lies in a large coastal basin surrounded on three sides by mountains reaching up to and over 10,000 feet (3,000 m).
Historically home to the Chumash and Tongva, Los Angeles was claimed by Juan Rodríguez Cabrillo for Spain in 1542 along with the rest of what would become Alta California. The city was officially founded on September 4, 1781, by Spanish governor Felipe de Neve. It became a part of Mexico in 1821 following the Mexican War of Independence. In 1848, at the end of the Mexican–American War, Los Angeles and the rest of California were purchased as part of the Treaty of Guadalupe Hidalgo, thereby becoming part of the United States. Los Angeles was incorporated as a municipality on April 4, 1850, five months before California achieved statehood. The city experienced rapid growth with the discovery of oil.
Edward is an English and Polish given name. It is derived from the Anglo-Saxon form Ēadweard, composed of the elements ead "wealth, fortune; prosperous" and weard "guardian, protector".
The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte.
Other variant forms include French Édouard, Italian Edoardo, German and Dutch Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy, Woody and Ned. Edward can be abbreviated as Edw.
Sign of the times may refer to:
Kienholz. The Signs of the Times
Hommage an Edward Kienholz
Mario Ybarra, Jr. on Edward Kienholz /// Artists on Art
Edward Kienholz, The Portable War Memorial, Museum Ludwig Köln
Kienholz. The Signs of the Times. Retrospective.
Edward Kienholz
Kienholz: Five Car Stud / Fondazione Prada, Milan
Singular Visions: Edward Kienholz, The Wait, 1964-65
Edward Kienholz
COOL SCHOOL
Edward Kienholz & Zedd
Ed Kienholz and Nancy Reddin Kienholz Useful Art #5: The Western Hotel, 1992
Edward Kienholz
The Beanery van Edward Kienholz: Sporen in de tijd Restauratie van een icoon
Edward Kienholz
Conserving an Icon: Traces of Time in The Beanery by Kienholz
Curator's Talk: Paul Schimmel on Edward Kienholz
Edward Kienholzs Roxys at DAVID ZWIRNER
Beanery - Edward Kienholz - Stedelijk Museum Amsterdam - Vlog vAnDré #51
Mein Video Kienholz
Kienholz: The Hoerengracht | Exhibitions | The National Gallery, London
Museum exhibition // Nancy Kienholz on Five Car Stud by Edward Kienholz
PST revisits Ed Kienholz's 'Five Card Stud' at LACMA
Kienholz. Die Zeichen der Zeit
Rebellious, provocative, and ever polarizing, Kienholz's oeuvre has always caused quite a stir since its beginnings in the mid-1950s, first the works of Ed Kienholz alone, then later, from 1972 on, the collaborative projects with his wife, Nancy Reddin Kienholz. This is scarcely astonishing, since religion, war, death, and the more inscrutable sides of society and its social conflicts have always been at the center of their works. Dealing with such subjects as the sexual exploitation of women in prostitution, the role of the media, and the effects of ethnic conflicts,they pinpoint fractures of Western societies which have hardly been remedied to this day and thus lend the oeuvre its unmitigated topicality. But this contemporaneity is not due solely to the themes dealt with; today we vi...
Edward Kienholz (* 23. Oktober 1927 in Fairfield, Washington; † 10. Juni 1994 Hope, Idaho) war ein amerikanischer Objekt- und Konzeptkünstler. Er gilt als einer der führenden neodadaistischen Künstler, die den Schritt vom dadaistischen Environment zur Objektmontage vollzogen haben. Leben In den 1950er Jahren begann Kienholz, der nie eine Kunstakademie besuchte und daher weitgehend Autodidakt war, sein künstlerisches Schaffen mit Holzreliefs, er ging nach und nach zur Dreidimensionalität über. Seine Materialien sind objets trouvés, in seinem Fall kann man sie aber auch objets cherchés nennen, da er gezielt auf Trödelmärkten nach Gegenständen für seine Kunst suchte. Wichtig war für ihn, seine Environments mithilfe von Lack oder Farbe zu einer Einheit zu verbinden. Effekte wie zum Beispiel ...
Mario Ybarra, Jr. is an artist, educator, and activist deeply involved in the Mexican-American community and street culture of greater Los Angeles. He is co-founder, with Karla Diaz, of Slanguage, an artist group based in Wilmington, CA, that promotes intergenerational art education and cross-community discussion of contemporary art. About the video series: LACMA's Artists on Art videos offer insights into works in the museum's encyclopedic collection that have inspired and informed artists working today. Looking at art through their eyes, we hear directly from artists about works that intrigue them and have fed their own creativity. http://www.lacma.org/artistsonart
Edward Kienholz (1927 - 1994) The Portable War Memorial / Das tragbare Kriegesdenkmal 1968 Environment from various materials, tape, Coca Cola automat / Environment aus diversen Materialien, Tonband, Coca-Cola Automat Museum Ludwig Köln / Cologne
http://www.vernissage.tv | The exhibition Kienholz. The Signs of the Times at Schirn Kunsthalle in Frankfurt am Main presents the provocative and polarizing work of Edward Kienholz and Nancy Reddin Kienholz. The show starts with early sculptures and installations by Edward Kienholz such as The Blue Wagon (1960), The Carnivore (1962), and The Nativity (1961), and culminates in Ed and Nancy Kienholz's spectacular installation The Ozymandias Parade (1985). The Signs of the Times aims to highlighting the essence of Edward Kienholz and Nancy Reddin Kienholz's oeuvre. More information and photo set: http://vernissage.tv/blog/2011/10/24/kienholz-the-signs-of-the-times-schirn-kunsthalle-frankfurt/ Ed and Nancy Kienholz's work caused a lot of opposition and uproar because of the unvarnished depic...
Edward Kienholz Edward Kienholz (October 23, 1927 -- June 10, 1994) was an American installation artist whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and wife, Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s. [from Wikipedia] Music:Underworld-Bruce Lee
The exhibition Kienholz: Five Car Stud at Fondazione Prada in Milan, Italy, brings together a selection of artworks realized by Edward Kienholz and Nancy Reddin Kienholz, including the work that gives the show its title. In this video, we have a look at the exhibition, and curator Germano Celant provides us with an introduction to the show. The video also includes an interview with Nancy Reddin Kienholz, who talks about how she and Edward worked together, and the actuality of their work. This video is an excerpt, the complete video is available at http://vernissage.tv The installation Five Car Stud is a life-sized reproduction of a scene of racial violence. The work has earned a lot of attention and controversy and is considered one of the artist’s most significant works. Edward Kienholz ...
In this video, curator Dana Miller discusses the Whitney Museum's care and handling of Peetie, the live bird included in Edward Kienholz' installation "The Wait" (1964-65), on view in the exhibition "Singular Visions."
1927-1994 Artista estadounidense de originalidad inquebrantable. Su obra reflexiona sobre temas sociales y políticos contemporáneos de América de finales del siglo XX. Creó cuadrps tridimensionales, a tamaño natural, hechos con materiales de desecho que encontraba por las calles o en mercadillos. . Aunque es más conocido por su contribucion al desarrollo de las prácticas escultóricas de la posguerra, Kienholz fue también un promotor clave de la vanguardia en Los Angeles como el fundador de la Galería EMPRESA y cofundador de la Galería Ferus, un lugar fundamental y lugar de reunión para poetas emergentes de la época y artistas. De 1972 en adelante, trabajó casi exclusivamente con su quinta esposa, el artista Nancy Reddin Kienholz, que jugó un papel importante en la conceptualización y l...
I do not own the rights to this. Arthouse films 006 The Cool School Story of the Ferus Gallery and the early days of the LA art scene
Questo video riguarda Il mio filmato
Ed Kienholz and Nancy Reddin Kienholz, Useful Art #5: The Western Hotel, 1992 (Portland Art Museum) Speakers: Tina Olsen, Bruce Guenther. Created by Beth Harris and Steven Zucker.
Copyright Kienholz, courtesy of L.A. Louver, Venice, CA
The Beanery 1965, top stuk van het Stedelijk museum Amsterdam.
After in-depth examination, one of the most popular works in the Stedelijk Museum collection, The Beanery (1965) by Edward Kienholz, will be fully restored for the first time by the museum staff working in its new facilities. As the installation comprises a variety of materials -- for instance, the artist coated the entire installation in a synthetic liquid resin -- this will be a complex operation. In anticipation of the grand reopening on September 23, the Stedelijk is preparing and restoring a number of its best-loved artworks so that visitors to the museum will be able to enjoy these cherished icons once more.
To coincide with the opening of 'Re-View: Onnasch Collection', curator Paul Schimmel gave a talk on the late Edward Kienholz. Hauser & Wirth London, Piccadilly, Tuesday 17 September 2013 Exhibition: http://bit.ly/16xAqX5
James Kalm smoozes his way into the exclusive private debut of Ed Keinholz's installation "Roxys". This major piece is an artistic representation of a classic brothel. The interior space is populated with sculptural elements and period furnishings.
➤ Bedankt voor het abonneren. ➤ Bedankt voor het blauwe duimpje. ⇩ Kijk hieronder voor meer vAnDré ⇩ Kijk op: www.vAnDre.eu Camera en montage: vAnDré
kleiner Ausflug ins Grüne ;) mit dem Hund zum Kienholz sammeln ...
Curator Colin Wiggins introduces 'Kienholz: The Hoerengracht', a new installation at the National Gallery recreating a scene from Amsterdam's Red Light district. Featuring interviews with artist Nancy Kienholz. Discover more on the National Gallery website: http://www.nationalgallery.org.uk/whats-on/exhibitions/kienholz-the-hoerengracht
Nancy Kienholz talks about Five Car Stud, which she spent several years restoring prior to the exhibition at LACMA. More about the exhibition: http://www.lacma.org/art/exhibition/edward-kienholz-five-car-stud-1969–1972-revisited On view at LACMA: September 4, 2011–January 15, 2012
Visit Nancy Reddin Kienholz as she discusses her late husband Ed Kienholz's work from 1972 entitled "Five Car Stud", now on view at the Los Angeles County Museum of Art (LACMA) 04 September 2011 - 15 January 2012.
Informationen unter: http://www.schirn-magazin.de/kienholz/ Rebellisch, provokant und polarisierend hat das Kienholz'sche OEuvre seit seinen Anfängen Mitte der 1950er-Jahre stets großes Aufsehen erregt: zunächst die Werke von Ed Kienholz allein, später, ab 1972, die gemeinschaftlichen Projekte mit seiner Frau Nancy Reddin Kienholz. Kaum verwunderlich, stehen doch Religion, Krieg, Tod, Sex und die abgründigeren Seiten der Gesellschaft mit ihren sozialen Konflikten im Zentrum der Arbeit. Mit Themen wie der sexuellen Ausbeutung der Frau in der Prostitution, der Rolle der Medien oder den Auswirkungen von ethnischen Konflikten legen sie den Finger auf Bruchstellen der westlichen Gesellschaften, die bis heute kaum gekittet worden sind und dem Werk eine ungebrochene Aktualität verleihen. Eine ...
Rebellious, provocative, and ever polarizing, Kienholz's oeuvre has always caused quite a stir since its beginnings in the mid-1950s, first the works of Ed Kienholz alone, then later, from 1972 on, the collaborative projects with his wife, Nancy Reddin Kienholz. This is scarcely astonishing, since religion, war, death, and the more inscrutable sides of society and its social conflicts have always been at the center of their works. Dealing with such subjects as the sexual exploitation of women in prostitution, the role of the media, and the effects of ethnic conflicts,they pinpoint fractures of Western societies which have hardly been remedied to this day and thus lend the oeuvre its unmitigated topicality. But this contemporaneity is not due solely to the themes dealt with; today we vi...
Curator Colin Wiggins introduces 'Kienholz: The Hoerengracht', a new installation at the National Gallery recreating a scene from Amsterdam's Red Light district. Featuring interviews with artist Nancy Kienholz. Discover more on the National Gallery website: http://www.nationalgallery.org.uk/whats-on/exhibitions/kienholz-the-hoerengracht
The exhibition Kienholz: Five Car Stud at Fondazione Prada in Milan, Italy, brings together a selection of artworks realized by Edward Kienholz and Nancy Reddin Kienholz, including the work that gives the show its title. In this video, we have a look at the exhibition, and curator Germano Celant provides us with an introduction to the show. The video also includes an interview with Nancy Reddin Kienholz, who talks about how she and Edward worked together, and the actuality of their work. This video is an excerpt, the complete video is available at http://vernissage.tv The installation Five Car Stud is a life-sized reproduction of a scene of racial violence. The work has earned a lot of attention and controversy and is considered one of the artist’s most significant works. Edward Kienholz ...
Ed Kienholz and Nancy Reddin Kienholz, Useful Art #5: The Western Hotel, 1992 (Portland Art Museum) Speakers: Tina Olsen, Bruce Guenther. Created by Beth Harris and Steven Zucker.
Edward Kienholz Edward Kienholz (October 23, 1927 -- June 10, 1994) was an American installation artist whose work was highly critical of aspects of modern life. From 1972 onwards, he assembled much of his artwork in close collaboration with his artistic partner and wife, Nancy Reddin Kienholz. Throughout much of their career, the work of the Kienholzes was more appreciated in Europe than in their native United States, though American museums have featured their art more prominently since the 1990s. [from Wikipedia] Music:Underworld-Bruce Lee
The LA Louver art gallery in Venice, Calif., opened "Kienholz Televisions," showing 19 works by the once-notorious beat generation assemblage sculptor Ed Kienholz, many created with his fifth wife, Nancy Reddin Kienholz. Here the maker of the scandalous 1964 "Back Seat Dodge '38" focuses on TV sets as exemplars of the worst of modern American pop culture. Show runs through April 6.
After in-depth examination, one of the most popular works in the Stedelijk Museum collection, The Beanery (1965) by Edward Kienholz, will be fully restored for the first time by the museum staff working in its new facilities. As the installation comprises a variety of materials -- for instance, the artist coated the entire installation in a synthetic liquid resin -- this will be a complex operation. In anticipation of the grand reopening on September 23, the Stedelijk is preparing and restoring a number of its best-loved artworks so that visitors to the museum will be able to enjoy these cherished icons once more.
In this video, we attend the opening reception of the exhibition Phil Collins: In every dream home a heartache at Museum Ludwig, Cologne (Germany). More videos on contemporary art, design, architecture: http://www.vernissage.tv Connect: http://www.facebook.com/vernissagetv http://twitter.com/vernissagetv Become a Member: http://vernissage.tv/blog/members/ Browse our Archive: http://vernissage.tv/blog/archive/ Find Artists, Designers, Architects: http://vernissage.tv/blog/archive/artists/ VernissageTV on Google Currents: https://www.google.com/producer/editions/CAowmLRi/vernissagetv_art_tv Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series "No Comment" and "Interviews", art tv...
The portable war memorial, silver boots and installments. An exhibition of Pop Art in London, 1969. Art and sculpture Pop Art at the Hayward Gallery. London. CU sign 'Art'. Zoom back to LS interior of Hayward Gallery on the South Bank. Various shots 'Henry' with another figure beside him. CU beatnik looking at figures. MS portrait. LS 'The Portable War Memorial'. CU plaque, 'Portable War Memorial Commemorating V (blocked out letter) Day 19 (date blocked out) pan across to statuette of soldiers in uniform. CU man looking at statuette. MS 'Rio - Homage to Marlon Brando'. Zoom in to show the spurs on cowboy boot. CU man looking. Various shots 'Walter Hopps, Hopps, Hopps'. Exterior MS showing 'Reindeer' with River Thames in background. Cataloguer's note: Duplicate of it...
go here to playlist of all episodes of "American Visions": http://www.youtube.com/view_play_list?p=DF4A4CCB9DB13FEF "Age of Anxiety" (Episode Eight final episode) clips of a confident America going into the 1960s - "A New Frontier" upon which a "Great Society" will grow. Vietnam and anxiety...
MASTERS OF MODERN SCULPTURE Part III The New World a film by Michael Blackwood (1978, 58 minutes, color) Website: http://www.michaelblackwoodproductions.com/arts_new_world.php Artists featured in the film: David Smith, Nevelson, David Hare, Lassaw, Roszak, Ferber, Bourgeois, Chamberlain, Di Suvero, Noguchi, Rickey, Barnett Newman, Tony Smith, Segal, Judd, Oldenburg, Morris, Serra, Andre, Kienholz, Christo, Heizer, Robert Smithson Narration by Edward Fry and Nancy Rosen Narrator Mary Miss. After World War II American sculpture came into its own. A large group of highly talented artists emerged, with astonishing work and innovations. America's remote spaces, discarded objects and abundant materials enabled them to add to the concepts of European modernism in unique ways...
I do not own the rights to this. Arthouse films 006 The Cool School Story of the Ferus Gallery and the early days of the LA art scene
Trailer: California artists Eleanor Antin, John Baldessari, Joe Goode, Richard Jackson, Nancy Reddin Kienholz, David Lamelas, Ed Ruscha talk about their experiences and networks in Germany during the 1970s. Directed and produced by Doris Berger Filmed and edited by May Rigler Soundtrack and audio mix by Guenther Berger The 30-minute video will be screened for the first time at LACMA on January 10, 2012 during a symposium about the artistic exchange between California and Germany in the 1970s that is organized in collaboration with the Goethe-Institut Los Angeles as and event of The Getty's Pacific Standard Time initiative. http://www.goethe.de/ins/us/los/ver/en8463907v.htm http://www.lacma.org/event/here-there http://www.pacificstandardtime.org/events?id=here-and-there-artistic-exchan...
Visit Nancy Reddin Kienholz as she discusses her late husband Ed Kienholz's work from 1972 entitled "Five Car Stud", now on view at the Los Angeles County Museum of Art (LACMA) 04 September 2011 - 15 January 2012.
The story of Barney's Beanery, a West Hollywood icon for 90 years and counting.
Film by Eric Minh Swenson. William Turner Gallery is pleased to present Moses@90, an expansive survey exhibition that will present Ed Moses' innovation in drawing and painting. The installation will occupy two venues: William Turner Gallery and the former Santa Monica Museum of Art building at Bergamot Station. On the occasion of Moses' 90th birthday, the exhibition will celebrate the varied and prolific career of this indelible Los Angeles art world fixture. A painter and "mutator", whose allegiances have been to tireless experimentation rather than to the tenets of any one movement, Ed Moses has been honing a distinct visual vocabulary for over 60 years, obsessively mining the possibilities of abstraction. At 90, Moses continues his dogged search for the elusive metaphysical power of p...
Nancy Reddin Kienholz & Peter Nestler give a first hand account of the recent exhibition "Kienholz: Berlin/Hope" at L.A. Louver. Learn more about this exhibition at http://www.lalouver.com/html/exhibition.cfm?tExhibition_id=1003
More interviews and artists at: http://www.artsconversations.org/ Please, also visit our main website: http://www.netropolitan.org/ A conversation with the american artist Ed Moses by Lyn Kienholz at the annual meeting of The Pasadena Art Alliance. www.netropolitan.org © 2006
Edward Kienholz (* 23. Oktober 1927 in Fairfield, Washington; † 10. Juni 1994 Hope, Idaho) war ein amerikanischer Objekt- und Konzeptkünstler. Er gilt als einer der führenden neodadaistischen Künstler, die den Schritt vom dadaistischen Environment zur Objektmontage vollzogen haben. Leben In den 1950er Jahren begann Kienholz, der nie eine Kunstakademie besuchte und daher weitgehend Autodidakt war, sein künstlerisches Schaffen mit Holzreliefs, er ging nach und nach zur Dreidimensionalität über. Seine Materialien sind objets trouvés, in seinem Fall kann man sie aber auch objets cherchés nennen, da er gezielt auf Trödelmärkten nach Gegenständen für seine Kunst suchte. Wichtig war für ihn, seine Environments mithilfe von Lack oder Farbe zu einer Einheit zu verbinden. Effekte wie zum Beispiel ...
To coincide with the opening of 'Re-View: Onnasch Collection', curator Paul Schimmel gave a talk on the late Edward Kienholz. Hauser & Wirth London, Piccadilly, Tuesday 17 September 2013 Exhibition: http://bit.ly/16xAqX5
"Kienholz On Exhibit", directed by June Steel, consists of audience reactions to a Edward Kienholz's 1966 exhibit at the Los Angeles County Museum of Art (LACMA), featuring well-known works such as "The Birthday", "Roxy's" and the controversial "Back Seat Dodge". Set against a cool soundtrack that saunters from "I'm Through With Love" to "Tell It Like It Is". For more on Edward Kienholz, check out http://www.lalouver.com/html/kienholz_bio.html
I do not own the rights to this. Arthouse films 006 The Cool School Story of the Ferus Gallery and the early days of the LA art scene
Los Angeles artists Ed Bereal, Mel Edwards, George Herms, Nancy Reddin Kienholz, and Betye Saar all made assemblage works that reflected on the charged political climate of postwar America. They used found materials to produce complex objects that engaged with issues including the civil rights movement, the war in Vietnam, and the censorship of art. This lively discussion explores how the medium of assemblage sculpture emerged and continues to thrive as a tool of social critique and transformation. The conversation was moderated by Lucy Bradnock, research associate at the Getty Research Institute. Learn more about this event at the Getty Research Institute's website. http://www.getty.edu/research/exhibitions_events/events/assemblage_politics/index.html
Maura Reilly, Director, National Academy Museum and School, New York; Joan Snyder, Artist, New York; Paul Schimmel, Vice President and Partner, Hauser Wirth & Schimmel, Los Angeles; Susan Fisher Sterling, Director, National Museum of Women in the Arts, Washington D.C. Moderator: Jillian Steinhauer, Senior Editor, Hyperallergic, New York Date: Thursday, December 1, 2016, 4pm to 5pm Filmed on site at Art Basel in Miami Beach 2016
George Herms has been in my life forever. A close friend of the family, here I did an interview with him for my "Tea With Tosh" show. It's amazing to think that we lived in two different locations, and both places were walking distance from our home. One in Larkspur California and the other in Topanga Canyon. When I hear the term 'assemblage artist" I immediately think of George. Even more so than say someone like Ed Kienholz. He is also probably one of the most entertaining chaps I have ever come upon. A man of remarkable charm. - Tosh Berman TamTam Blog: http://tamtambooks-tosh.blogspot.com Tosh Berman's Vinyl and CD Collection: http://toshberman.blogspot.com Facebook: https://www.facebook.com/Tosh-Berman-... Goodreads: https://www.goodreads.com/Tosh Instagram: https://www.instagra...
Using assemblage artist Edward Kienholz’s harrowing 1970 lynching tableau Five Car Stud as a point of departure, New York Institute for the Humanities at NYU director emeritus (and veteran New Yorker staff writer) Lawrence Weschler will explore some of the ways in which race has served as the radioactive core of American history, continually warping the potential for ordinary class-based politics and accounting for all manner of perverse American exceptionalisms--the subject of Weschler's current work-in-progress. This annual series is made possible by the generosity of Clarice Smith.
Diversity of Experience: The Path to Becoming Chief (Inter-Court Conference 2016: The Future of Courts) is an edited version of a panel discussion that took place at the regional Inter-Court Conference in Asheville, North Carolina, in September 2016. The discussion, moderated by Judge Jeremy D. Fogel, Director of the Federal Judicial Center, looks at the careers of four African-American jurists: three chief judges of the U.S. courts of appeals and the chief justice of a state supreme court. The judges appearing in the video are Chief Judge R. Guy Cole, Jr. (Sixth Circuit Court of Appeals), Chief Judge Roger Gregory (Fourth Circuit Court of Appeals), Chief Justice Bernette Johnson (Louisiana Supreme Court), and Chief Judge Carl Stewart (Fifth Circuit Court of Appeals). The discussion focuse...
Gallery owner, collector, and patron Virginia Dwan talks with exhibition curator James Meyer (Curator of Art, 1945-1974, National Gallery of Art, Washington DC) and LACMA Senior Curator of Modern Art Stephanie Barron. Dwan was one of the most influential champions of avant-garde art in America in the mid-twentieth century. In her galleries in Westwood (1959-1967) and New York (1965-1971) Dwan presented groundbreaking exhibitions by artists such as Edward Kienholz, Yves Klein, Robert Morris, Claes Oldenburg, and Robert Smithson -- among many others -- and she was one of the greatest supporters of earthworks. In this conversation Dwan, Meyer, and Barron talk about the storied history of the Dwan Gallery and the artists who exhibited there. This event took place in conjunction with "Los Ange...
Dennis Lee Hopper (May 17, 1936 – May 29, 2010) was an American actor, filmmaker, photographer, and artist. As a young man, Hopper became interested in acting and eventually became a student of the Actors Studio. He made his first television appearance in 1954 and appeared in two films featuring James Dean, Rebel Without a Cause (1955) and Giant (1956). During the next ten years, Hopper appeared frequently on television in guest roles, and by the end of the 1960s had played supporting roles in several films. He directed and starred in Easy Rider (1969), winning an award at the Cannes Film Festival and was nominated for an Academy Award for Best Original Screenplay as co-writer. Journalist Ann Hornaday wrote: "With its portrait of counterculture heroes raising their middle fingers to the up...
A conversation with California Art Icons Larry Bell, Billy Al Bengston, Ed Moses, and Ed Ruscha, moderated by author and art critic Hunter Drohojowska-Philp. Artist Talk: LA Legends is the first of a series of talks with influential California-based artists, established to explore the living legacy of Los Angeles' arts scene. Art legends and postwar trailblazers set the stage for L.A.'s vibrant contemporary art scene and continue to define L.A.'s cultural landscape today.
Gene Davis was at the center of the DC art scene in the 1960s, a time of bold experimentation with color and abstraction. Join Benjamin Forgey, independent art critic, Jean Lawlor Cohen, consulting curator, Jack Rasmussen, director and curator of the American University Museum at the Katzen Arts Center, and Paul Richard, the Washington Post art critic from 1967 to 2009, for a lively conversation about the Washington cultural landscape of that era.
“Race in the U.S.” (http://newschool.edu/raceintheus) is The New School’s second University course on post-election America, and is sponsored by the Provost’s Office and the 2017 Henry Cohen Lecture Series of the Milano School of International Affairs, Management and Urban Policy (http://newschool.edu/milano). WEEK 7: "Fraught Crossroads" with Lawrence Weschler, organizer of the Women’s March, Former Executive Director of the Arab American Association of New York. The terrible intersection where race, class, sex and violence keep colliding across American History (and who gets to address it) with special reference to the controversial cases of Ed Kienholz and Dana Schutz. Professor Weschler recommends reading James Baldwin's essay “Words from a Native Son” and Ramiro Gomez’s "Domestic Di...
Tuesday 19 March 2013 The Royal Institution of Great Britain Held on the occasion of 'EXHM', Ruby's debut exhibition at Hauser & Wirth London, Savile Row
FADE: THE ART OF AGING 2/27/14 --- Los Angeles artist Betye Saar is one of the great assemblagists of our time. Her work has been the subject of solo exhibitions at the Studio Museum in Harlem, New York; the San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York. Saar's work was featured in the Hammer exhibition Now Dig This! Art and Black Los Angeles 1960--1980. Saar received her BA from UCLA in 1949.
Saturday 15 March 2014, 5.30 pm The Royal Institution, Library and Georgian Room Naomi Wallace, acclaimed American playwright, speaks to Ellen Gallagher about projection, transmutation and the influence of Sun Ra on her practice.