Survival

Survival is act of surviving; to stay living.

Survival may also refer to:

Medicine and statistics

Extreme environments, weather, wilderness

Companies and organizations

Literature

Music

Bands

Festivals

Albums

Science Horizons Survival

Science Horizons Survival is a ZX Spectrum computer game developed by Five Ways Software. It was published by Sinclair Research in association with Macmillan Education in 1984. It is an educational game in which the player takes on the role of one of a series of animals, and had to find food to survive while avoiding predators.

Development

Survival was developed as part of a series of educational software aimed at children aged between 5 and 12. This "Science Horizons" series was instigated by Sir Clive Sinclair and ex-prime minister Harold Macmillan.

Gameplay

The aim was to teach users about food chains; as an insect life is short, with the constant danger of being eaten by a bird - but as an eagle the player is at the top of the food chain with mankind or starvation as the only dangers.

The simulation allows the player to be one of six animals: a hawk, a robin , a lion, a mouse, a fly or a butterfly. The world appears in scrolling grid form, with ice caps to the north and south. The player moves one square at a time, with visibility depending on the chosen animal, avoiding predators and find food and water. The game ends when the animal dies, either through starvation, dehydration, being killed by a predator, or old age.

Survival (Muse song)

"Survival" is a song by the English alternative rock band Muse. The track is the first single from the band's sixth studio album, The 2nd Law. It was announced on 27 June that "Survival" would serve as the official song for the London 2012 Olympics and was released following its premiere on BBC Radio 1.

Background and writing

"It's a huge honour to have the track chosen as such a major part of the London 2012 Olympic Games."

In 2011, Matthew Bellamy was asked to compose a song for the London 2012 Olympics. According to him, the project then "went away," though a song was written regardless. Bellamy and his fellow band members brought the song to Olympic staff, who "said they'd love to use it as the official tune." The track, Bellamy noted, "expresses a sense of conviction and determination to win."

"Survival" was played as the athletes entered the stadium and in the period before medal ceremonies; international broadcasters played it while reporting on the Games. In addition, the song was featured on the album London 2012 Rock The Games. The song was also premièred live during Muse's live set for the London 2012 closing ceremony. However NBC, the channel that broadcasts the Olympics in the USA, did not broadcast their set.

Woman

A woman is a female human. The term woman is usually reserved for an adult, with the term girl being the usual term for a female child or adolescent. The term woman is also sometimes used to identify a female human, regardless of age, as in phrases such as "women's rights". "Woman" may also refer to a person's gender identity. Women with typical genetic development are usually capable of giving birth from puberty until menopause. In the context of gender identity, transgender people who are biologically determined to be male and identify as women cannot give birth. Some intersex people who identify as women cannot give birth due to either sterility or inheriting one or more Y chromosomes. In extremely rare cases, people who have Swyer syndrome can give birth with medical assistance. Throughout history women have assumed or been assigned various social roles.

Etymology

The spelling of woman in English has progressed over the past millennium from wīfmann to wīmmann to wumman, and finally, the modern spelling woman. In Old English, wīfmann meant "female human", whereas wēr meant "male human". Mann or monn had a gender-neutral meaning of "human", corresponding to Modern English "person" or "someone"; however, subsequent to the Norman Conquest, man began to be used more in reference to "male human", and by the late 13th century had begun to eclipse usage of the older term wēr. The medial labial consonants f and m in wīfmann coalesced into the modern form "woman", while the initial element, which meant "female", underwent semantic narrowing to the sense of a married woman ("wife"). It is a popular misconception that the term "woman" is etymologically connected with "womb", which is from a separate Old English word, wambe meaning "stomach" (of male or female; modern German retains the colloquial term "Wampe" from Middle High German for "potbelly"). Nevertheless, such a false derivation of "woman" has appeared in print.

Woman (1918 film)

Woman is a 1918 American silent film directed by Maurice Tourneur, an allegorical film showcasing the story of women through points in time. Popular in its day, the film was distributed in the State's Rights plan as opposed to a major distributor like Paramount or Universal. This film has been preserved in private collections and in major venues like the Museum of Modern Art and reportedly the Gosfilmofond Archive in Russia.

Some scenes were shot at Bar Harbor, Maine. It was here that one of Tourneur's cameramen, John van den Broek, lost his life while filming a scene close to the raging Atlantic Ocean. His body was swept out to sea and never found.

Prints of this film are held at Cineteca Del Friuli, Germona, the Museum of Modern Art, New York, and Gosfilmofond of Russia, Moscow.

Plot

As described in a film magazine, a modern man and woman quarrel and, in reaction to his wife, the husband recalls all the women in history who have failed their husbands or lovers. Being in an unpleasant state, he recalls Adam in the garden with a very vain Eve who disports herself in a Broadway fashion and causes the downfall of caveman-like Adam. Then he dwells on the hideous betrayal of Claudius by an unfaithful Messilna. Next he recalls the useless ruination of Abelard by the charming Heloise. Following this episode he remembers Cyrene and the fisherman, where the wife basely deserted her husband and children to swim once more in her seal skin that had been hidden from her for many years. A particularly disagreeable episode in which a young woman during the American Civil War sacrifices a wounded soldier for a bauble. After this the modern woman returns and pins up a Red Cross poster, and the modern man sees the many women of today as more or less uninspiring. An epilogue noted how World War I made men realize the true value of women, and that women are working towards victory through good works in the Red Cross and other jobs.

Woman (1968 film)

Woman (여 - Yeo) is a 1968 three-part South Korean film directed by Kim Ki-young, Jung Jin-woo and Yu Hyun-mok. The film was based on ideas of Kim Ki-young's wife, Kim Yu-bong, and Kim directed the last third.

Synopsis

The film is a melodrama about a man who falls in love with a woman while traveling to Seoraksan. The man becomes infatuated with the woman's hair. The woman, who has a terminal illness, promises to leave her hair to the man after she has died. Later the man finds that the woman has died, and her hair has been sold to someone else. He then has a romantic relationship with another woman who turns out to be his mother.

Cast

Notes

Bibliography

Badger (band)

Badger was a British rock band from the early 1970s.

One Live Badger

The band was co-founded by keyboardist Tony Kaye after he left Yes, with David Foster. Foster had been in The Warriors with Jon Anderson before Anderson co-founded Yes. Foster later worked with the band on Time and a Word. Kaye had worked on a solo project by Foster that was never released.

The pair found drummer Roy Dyke, formerly of Ashton, Gardner & Dyke, and Dyke suggested Brian Parrish formerly of Parrish & Gurvitz which later became Frampton's Camel (after Parrish left P&G) on guitar. The new band began rehearsing in September 1972 and signed to Atlantic Records.

Badger's first release was the live album, One Live Badger, co-produced by Jon Anderson and Geoffrey Haslam, and was taken from a show opening for Yes at London's Rainbow Theatre. In the progressive rock genre, five of the songs were co-written by the whole band, with a sixth by Parrish (initially written for Parrish & Gurvitz). The cover art was done by Roger Dean, the artist responsible for many of Yes's album covers, although Kaye left Yes before their partnership with Roger Dean.