Adolphe Adam

Adolphe Charles Adam (French: [adolf adɑ̃]; 24 July 1803 – 3 May 1856) was a French composer and music critic. A prolific composer of operas and ballets, he is best known today for his ballets Giselle (1841) and Le corsaire (1856, his last work), his operas Le postillon de Lonjumeau (1836), Le toréador (1849) and Si j'étais roi (1852) and his Christmas carol Minuit, chrétiens! (1844), later set to different English lyrics and widely sung as "O Holy Night" (1847). Adam was a noted teacher, who taught Delibes and other influential composers.

Life and career

Adolphe Adam was born in Paris, to Jean-Louis Adam (1758–1848), who was a prominent Alsatian composer, as well a professor at the Paris Conservatoire. His mother was the daughter of a physician. As a child, Adolphe Adam preferred to improvise music on his own rather than study music seriously and occasionally truanted with writer Eugène Sue who was also something of a dunce in early years. Jean-Louis Adam was a pianist and teacher but was firmly set against the idea of his son following in his footsteps. Adam was determined, however, and studied and composed secretly under the tutelage of his older friend Ferdinand Hérold, a popular composer of the day. When Adam was 17, his father relented, and he was permitted to study at the Paris Conservatoire—but only after he promised that he would learn music only as an amusement, not as a career. He entered the Paris Conservatoire in 1821, where he studied organ and harmonium under the celebrated opera composer François-Adrien Boieldieu. Adam also played the timpani in the orchestra of the Conservatoire; however, he did not win the Prix de Rome and his father did not encourage him to pursue a music career, as he won second prize.

Bolshoi Theatre

Coordinates: 55°45′37″N 37°37′07″E / 55.76028°N 37.61861°E / 55.76028; 37.61861

The Bolshoi Theatre (Russian: Большо́й теа́тр, tr. Bol'shoy Teatr. Translation: Big Theatre; IPA: [bɐlʲˈʂoj tʲɪˈatər]) is a historic theatre in Moscow, Russia, designed by architect Joseph Bové, which holds performances of ballet and opera. The theatre's original name was the Imperial Bolshoi Theatre of Moscow, while the St. Petersburg Bolshoi Theatre (demolished in 1886), was called the Imperial Bolshoi Kamenny Theatre.

At that time, all Russian theatres were imperial property. Moscow and St. Petersburg each had only two theatres, one intended for opera and ballet (these were known as the Bolshoi Theatres), and one for plays (tragedies and comedies). Because opera and ballet were considered nobler than drama, the opera houses were named "Grand Theatres" ("Bolshoi" is Russian for "large" or "grand") and the drama theatres were called the "Smaller Theatre" ("Maly" is Russian for "small", "lesser", or "little").

Adam

Adam (Hebrew: אָדָם‎; Aramaic/Syriac: ܐܕܡ; Arabic: آدم‎) is a figure from the Book of Genesis who is also mentioned in the New Testament, the deuterocanonical books, the Quran, the Book of Mormon, and the Book of Iqan. According to the creation myth of the Abrahamic religions, he was the first human.

In the Genesis creation narratives, he was created by Yahweh-Elohim ("Yahweh-God", the god of Israel), though the term "adam" can refer to both the first individual person, as well as to the general creation of humankind. Christian churches differ on how they view Adam's subsequent behavior of disobeying God (often called the Fall of man), and to the consequences that those actions had on the rest of humanity. Christian and Jewish teachings sometimes hold Adam and Eve (the first woman) to a different level of responsibility for the Fall, though Islamic teaching holds both equally responsible. In addition, Islam holds that Adam was eventually forgiven, while Christianity holds that redemption occurred only later through the sacrifice of Jesus Christ. The Bahá'í Faith, Islam and some Christian denominations consider Adam to be the first prophet.

Opera house

An opera house is a theatre building used for opera performances that consists of a stage, an orchestra pit, audience seating, and backstage facilities for costumes and set building. While some venues are constructed specifically for operas, other opera houses are part of larger performing arts centers.

History

The first public opera house came into existence in 1637 as the Teatro San Cassiano in Venice, Italy, in a country where opera has been popular through the centuries among ordinary people as well as wealthy patrons; it still has a large number of working opera houses. In contrast, there was no opera house in London when Henry Purcell was composing and the first opera house in Germany was built in Hamburg in 1678. Early United States opera houses served a variety of functions in towns and cities, hosting community dances, fairs, plays, and vaudeville shows as well as operas and other musical events.

In the 17th and 18th centuries, opera houses were often financed by rulers, nobles, and wealthy people who used patronage of the arts to endorse their political ambitions and social positions or prestige. With the rise of bourgeois and capitalist social forms in the 19th century, European culture moved away from its patronage system to a publicly supported system. In the 2000s, most opera and theatre companies raise funds from a combination of government and institutional grants, ticket sales, and private donations.

Giselle

Giselle (French: Giselle, ou les Wilis) is a romantic ballet in two acts. It was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris, France on Monday, 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. The ballet was an unqualified triumph. Giselle became hugely popular and was staged at once across Europe, Russia, and the United States. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg.

The ballet is about a peasant girl named Giselle, who dies of a broken heart after discovering her lover is betrothed to another. The Wilis, a group of supernatural women who dance men to death, summon Giselle from her grave. They target her lover for death, but Giselle's great love frees him from their grasp.

Librettists Jules-Henri Vernoy de Saint-Georges and Théophile Gautier took their inspiration for the plot from a prose passage about the Wilis in De l'Allemagne by Heinrich Heine, and from a poem called "Fantômes" in Les Orientales by Victor Hugo.