Showing posts with label Kirana. Show all posts
Showing posts with label Kirana. Show all posts

Friday, January 28, 2011

Bhimsen Joshi - Memorial posts - Recorded in his home on his 65th birthday!









Indisk Konstmusik - Gammal tradition i en ny värld
(Indian art-music - Old Tradition in a New World)
Caprice - CAP 2022 - P.1987


Prof. Debu Chaudhuri, sitar

Side A

A1 Raga Bagesri 21'30
A2 Raga Maund 7'55

A1, A2 recorded in the home of Debu Chaudhuri, New Delhi, 87.01.28
recorded 23 years ago on the day!


Dr. S. Balachander, veena

Side B

B1 Raga Varali - Ne pogoda kunte - Thyagaraja 28'45

B1 recorded in Bani Center, Madras 87.01.03



Pandit Bhimsen Joshi, vocal

Side C

C1 Raga Todi - Aaj more mana logo langarawa - Khayal 14'59
C2 Raga Bhairavi - Thumri 12'32

C1, C2 recorded in the home of Bhimsen Joshi, Poona 87.02.06
recorded on his 65'th Birthday!





Pandit Hariprasad Chaurasia, flute

Side D

D1 Hariprasad Chaurasia - Raga Mishra Khamaj - 12'46

Pandit Shivkumar Sharma, santur

D2 Pandit Shivkumar Sharma - Raga Chandrakauns 12'50


D1 recorded in the home of Hariprasad Chaurasia, Bombay 87.02.03
D2 recorded in the home of Shivkumar Sharma, Bombay 87.02.03



This is the final memorial post of Bhimsen Joshi for at least a week or so. Not because I ran out of records to post but we really should not have so much of the best at the same time.

The good friend Arvind reported in at the last moment with these reading fruits from studying obituaries to Bhimsen Joshi the whole day.

He writes:

This one by Deepa Ganesh in The Hindu I found most interesting. Though its short, there is a considerable amount of insight, into the man and his music, and many good anecdotes. I think she tells the story (which will now enter legend) of how the young Bhimsen ran away from home and ultimately found his way to Sawai Gandharva and the Kirana gharana, in a very interesting way:

A wanderer both in life and in music, Bhimsen would often go missing from home, to his parents' great worry. From the age of three, he was wont to wander off — following the muezzin's prayer of Allahu Akbar as he tried to grasp its notes, or listening to the musicians in a nearby temple. As if in a trance, the little child would follow bhajan mandalis and wedding processions, completely tuned to musical notes and switched off to all else. His father would often lodge complaints with the police, only to find that a Good Samaritan had brought the boy back home. However, at 11, the boy left home for good after quarrelling with his mother, because she could not afford to serve him ghee with rice. He stomped out, leaving his food untouched. This turned out to be the turning point in his musical journey too. Listening to the gramophone recording of Raga Jhinjoti sung by the maestro of the Kirana Gharana, Ustad Abdul Karim Khan, in a nearby teashop, he set his heart on learning from him. He stood at the Gadag station and took a train heading north. The penniless lad gave ticket collectors the slip by moving between compartments, singing songs for fellow passengers and begging for food. He stopped at Pune, Bombay and finally, after three months, reached Gwalior. He met and learnt from various maestros, but was not satisfied. He then went from Kharagpur to Calcutta, and on to Delhi, finally reached Jalandhar, where the Gwalior maestro, Vinayak Rao Patwardhan, advised him to learn from Sawai Gandharv in Kundagol, Karnataka. - It continues here


These recordings were made in connection with the India Festival '87, a comprehensive presentation of Indian Culture in Sweden in 1987. Bhimsen Joshi held several concerts in Stockholm and I was fortunateley able to attended all of them. Unfortunately I have not been able to locate any recording from these concerts but maybe if we are lucky, someone sees this post and points me to some location where I can search. Better yet, someone has a recording and shares it with us! There are indeed other very well known artists on this record , and I may come back later with individual post of the these artists but the reason I don't dwell upon them is because my main reason to post this double LP is because of the C-side with Bhimsen Joshi recordings. Again we can thank my good friend his Excellency who kept this record away from the dents of time. The recording with Debu Chaudhuri is made in his home in Bombay 23 years ago on the day! The recording of Bhimsen Joshi is made on the 6th of February in 1987, in his home in Poona, and on his 65th birthday! In little more than a week, that is 23 years ago!





Wednesday, January 26, 2011

Bhimsen Joshi memorial posts - Finding the CD's

Click on the image to make it bigger



My good friend the critic over at Panchamkauns, has kindly checked on what CD's one can find certain tracks from all of those hard to obtain LP's just posted here with songs of Bhimsen Joshi, and made a concordance in the shape of a diagram showing all the tracks known to be reissued, and on what CD they have ended up.
Thanks a lot to him for this useful help, and if anyone else has some more information please leave a quote in the comment.

Monday, January 24, 2011

Bhimsen Joshi - Ragas Miya Milhar, Puriya Kalyan





Bhimsen Joshi - Ragas Miya Milhar, Puriya Kalyan
EMI India - ECLP-2253 (recorded 1959)


Bhimsen Joshi - February 4, 1922 - January 24, 2011




Side 1

Raga Miya Milhar
- Kareem naam tero - ektaal



Side 2

Raga Puriya Kalyan
- Aaj Sobana - ektaal








Bhimsen Joshi - Ragas Lalit Bhatiyar - Kalashree


Bhimsen Joshi - Classical - Ragas Lalit Bhatiyar , Kalashree
EMI India - EASD-1501


Side 1


Raga Lalit Bhatiyar
- O Kartar - Teen Taal

Side 2


Raga Kalashree
- Dhan dhan mangal gao - Jhap Taal
- Dhan dhan bhag suhag tero - Drut -Teen Taal









Bharat Ratna Pandit Bhimsen Joshi 1922 -2011 - Rest in Peace...


Bhimsen Joshi - Ragas Malkauns, Maru Behag
EMI India - ECLP-2276 - P. 1962 (rec.1961)
(also EMI-Odeon - MOCE 1029)






Side 1

Raga Malkauns
- Pag lagan de - Bilampat - ektal
- Rang raliya karat - Drut - teental

Side 2

Raga Maru Bihag
- Rasiya ho na - Bilampat - ektal
- Tarapat raina dina - Drut - teental




After a fantastic productive life with an enormous contribution to Indian Classical and devotional music the last living of the older tradition carriers and one of the truly great exponents of the Kirana Gharana Bhimsen Joshi passes away earlier today January 24, 2011 in a hospital in Pune after a long time of weak health. Having listened to his music since the sixties I feel as if someone very close has left us. Although anyone that is dear to us and that moves on does leave us grieving, but one must still remember what a rich life both in experience and artistic achievement that he must have led.

I feel both really sad and in a strange way also very happy, that unlike many others, he was able to share so much of his art and that there are so many recordings that we can listen to as compared to several other artists of his stature.

Let me share a few of his early albums with you and start with one of the very first that I heard. This is his third LP on Indian EMI with beautiful renderings of the ragas Malkauns and Maru Behag. On the back of the LP he is described as: "Probably one of the most promising and talented amongst the younger set of classical singers today! "

It was recorded when he was 39 years old, and had been singing in the AIR concerts already since 1941, when he was only 19 , and since he was born 1922 that makes the year of recording 1961... exactly fifty years ago...


Pandit Bhimsen Gururaj Joshi (Kannada: ಪಂಡಿತ ಭೀಮಸೇನ ಗುರುರಾಜ ಜೋಷಿ, Marathi: पंडित भीमसेन गुरुराज जोशी), (February 4, 1922 - January 24, 2011) was an Indian vocalist in the Hindustani classical tradition. A member of the Kirana Gharana (school), he is renowned for the khayal form of singing, as well as for his popular renditions of devotional music (bhajans and abhangs). He is the most recent recipient of the Bharat Ratna, India's highest civilian honour, awarded in 2008. (from Wikipedia)

Pune, Jan 24 (PTI) The mortal remains of Bharat Ratna Pandit Bhimsen Joshi were consigned to flames this evening with state honours in the presence of tearful mourners ... (link)