Rehan Sheikh

Rehan Sheikh is a Pakistani / British TV Actor, director, producer and theater artist, He is best known for his role, in Haseena Moin's PTV classic serial The Castle-Aik Nae Umeed and for his role in Hum TV play Sanjha, which earned him a nomination for best supporting actor at 1st Hum Awards. His major Serials include Aghosh, Awazain, Bisat, Kiran Kahani, Dozukh, Maa, Nasal,Mohlat and two soaps "Sheeshay Ka Mahal and Jo baat Ghar mein hai!He has Worked in British Theatre and Radio Drama in a number of Radio, Theatre and TV Productions.He has Worked extensively in Theatre in Britain especially with London based Tamasha Theatre Company in Productions like A tainted dawn, Balti Kings, Ghostdancing, Strictly dandia, Ryman and the Sheikh and Fourteen songs two weddings and a funeral.

Personal life

He started with a youth Theatre group in South London. Worked in Tamasha theare company's "Women of the dust". While visiting Pakistan on holiday worked on his first TV Serial "Aaghosh". He went on do a number of popular drama serials and also was the host of a popular travel show "Travel Guide of Pakistan"

Talat Hussain

Talat Hussain is a name shared by the following individuals:

See also

Sheikh

Sheikh (pronounced /ˈʃeɪk/ SHAYK or /ˈʃiːk/ SHEEK; Arabic: شيخ‎ šayḫ [ʃæjx], mostly pronounced [ʃeːx], plural شيوخ šuyūḫ [ʃuju:x])—also transliterated Sheik, Shaik, Shayk, Shaykh, Shaikh, Cheikh, and Shekh— is an honorific title in the Arabic language. It commonly designates the ruler of a tribe, who inherited the title from his father. "Sheikh" is given to a royal male at birth, whereas the related title "Sheikha" is given to a royal female at birth. "Sheikh" also often serves as a title for prominent Islamic leaders or clerics.

Etymology and meaning

The word in Arabic stems from a triliteral root connected with age and aging: ش-ي-خ, shīn-yā'-khā'. The term literally means a man of vast power, and nobility, and it is used strictly for the royal families of the Middle East. The title carries the meaning leader, elder, or noble, especially in the Arabian Peninsula within the Tribes of Arabia, where shaikh became a traditional title of a Bedouin tribal leader in recent centuries. Due to the cultural impact of Arab civilization, and especially through the spread of Islam, the word has gained currency as a religious term or general honorific in many other parts of the world as well, notably in Muslim cultures in Africa and Asia.

Philippine television drama

Philippine television drama, also known as teleserye, Pinoy telenovelas, Filipino telenovelas or P-drama, is a television form of melodramatic serialized fiction. Teleserye is rooted from two words: "tele," which is short for "television," and "serye," a Tagalog term for "series" and "drama" for drama.

Teleseryes share some characteristics and have similar roots with classic soap operas and telenovelas, yet the teleserye has evolved into a genre with its own unique characteristics, often working as a reflection of the social realism of the Filipinos. Teleseryes are aired in prime-time five days a week. They attract a broad audience which crosses age and gender lines, and they command the highest advertising rates in Philippine television. They last anywhere from three months to a year, or even longer, depending on its rating.

Teleseryes are currently produced by ABS-CBN, GMA Network, and TV5. Some of them are co-produced by TAPE Inc., Dreamscape Entertainment Television, VIVA Entertainment, GMA Films and Star Cinema.

Alag Alag

Alag Alag is a 1985 Hindi film starring Rajesh Khanna, Tina Munim, Shashi Kapoor in the lead roles and produced by Rajesh Khanna and directed by one of his favourite directors Shakti Samanta. The film is best remembered for the way it was shot in Kashmir and different storyline. It was a copy of the Pakistani movie Meherbani which was produced by Parvez Malik in 1982. In 1992, Ram Awatar Agnihotri wrote that it was in this film that Munim showed the "first sparks" of the dedicated actress she would become.

Kishore Kumar did not accept any money from Rajesh Khanna for rendering the songs of this film. When Khanna asked why he would not accept, Kumar replied that he had got a fresh lease of life as a singer with Aradhana (1969) and since this was Khanna's first film as producer, he had no right to accept any money.

Plot

Chandni is from a poor family who desires to come out of her poverty. Finding that one shortcut to become rich is to marry a rich man, sets off to Bombay. She meets a man whose stands near a car, assumes he is rich and asks him to marry her. When she finds out that he is not a rich man, she dumps him immediately. The man is actually Neeraj who aims to become a playback singer in movies. He goes to every studio to meet musicians but he does not succeed. Chandni lands in a bunglaw to escape from a goon. She plans to settle in the house and requests owner Doctor Rana to let her stay in the house. Dr. Rana finds Chandni is an innocent village girl and allows her to live in his house. Chandni takes charge of the home and dismisses the servants which annoys Rana. But he feels good about the presence of woman in his home after his wife's death.