Background music

Background music refers to various styles of music or soundscapes primarily intended to be passively listened to. It is not meant to be the main focus of an audience, but rather to supplement that which is meant to be focused upon. Music that is played at a low volume and is not the main focus of an audience is also referred to as background music. Traditional examples of background music include music played at various social gatherings and music played in certain retail venues. It is also common to employ background music in various electronic media including film, television, and Internet videos such as video blogs.

Psychological study

The study of background music focuses on the impact of music with non-musical tasks, including changes in behavior in the presence of different types, settings, or styles of music. In laboratory settings, music can affect performance on cognitive tasks (memory, attention, and comprehension), both positively and negatively. Used extensively as an advertising aid, music may also affect marketing strategies, ad comprehension, and consumer choices.

Music

Music is an art form and cultural activity whose medium is sound and silence. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and with vocal techniques ranging from singing to rapping, and there are solely instrumental pieces, solely vocal pieces and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses"). In its most general form, the activities describing music as an art form include the production of works of music (songs, tunes, symphonies, and so on), the criticism of music, the study of the history of music, and the aesthetic examination of music. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."

Music for Love

"Music for Love" is an R&B song from Mario's third studio album Go, which was released on December 11, 2007 and is the third official single. Mario announced on 106 & Park that "Music for Love" would be the third official single to be released in April 2008.

It first appeared on Billboard's Hot R&B/Hip-Hop Songs chart on the week of April 3 at number 100.

It was produced by Ralph B. Stacy and written by Theron Thomas, Timothy Thomas, Jerrod Stacy and Mario.

Critical reception

Andy Colleman from allmusic says "bearing a definite resemblance to J. Holiday's gently rocking and swaying "Bed"".

Aaron Fields from KSTW.com says "This is one of the standout beats on this album. Talk about bumpin' this is the one to bump right here. A nice mid-tempo track with much bass. You'll want to put this one on repeat. His voice sounds great on this track and the arrangement is on point once again".

Music video

Mario announced that he would be shooting the video for "Music for Love" and it was rumored that Karina Smirnoff of Dancing with the Stars would appear in the video. However, as of July 2008 there was still no news of a music video for the song. Later it was revealed that there would be no video for "Music For Love" since Mario was working on his fourth album titled D.N.A.

Instrumental

An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocal input; the music is primarily or exclusively produced by musical instruments.

In a song that is otherwise sung, a section not sung but played with instruments can be called an instrumental interlude. If the instruments are percussion instruments, the interlude can be called a percussion interlude. These interludes are a form of break in the song.

In popular music

In commercial popular music, instrumental tracks are sometimes renderings of a corresponding release that features vocals, but they may also be compositions originally conceived without vocals. An instrumental version of a song which otherwise features vocals is also known as a -1 (pronounced minus one).

The opposite of instrumental music is a cappella.

For genres in which a non-vocal song or interlude is conceived using electronic media, rather than with true musical instruments, the term instrumental is nonetheless used for it.

Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.