A camera raw image file contains minimally processed data from the image sensor of either a digital camera, image scanner, or motion picture film scanner. Raw files are named so because they are not yet processed and therefore are not ready to be printed or edited with a bitmap graphics editor. Normally, the image is processed by a raw converter in a wide-gamut internal colorspace where precise adjustments can be made before conversion to a "positive" file format such as TIFF or JPEG for storage, printing, or further manipulation, which often encodes the image in a device-dependent colorspace. There are dozens, if not hundreds, of raw formats in use by different models of digital equipment (like cameras or film scanners).
Raw image files are sometimes called digital negatives, as they fulfill the same role as negatives in film photography: that is, the negative is not directly usable as an image, but has all of the information needed to create an image. Likewise, the process of converting a raw image file into a viewable format is sometimes called developing a raw image, by analogy with the film development process used to convert photographic film into viewable prints. The selection of the final choice of image rendering is part of the process of white balancing and color grading.
The cap of a crown is the cap which fills the inner space of a modern crown. While ancient crowns contained no cap, from mediaeval times it became traditional to fill the circlet with a cap of velvet or other such cloth, with a base of ermine.
While the precise reason for the inclusion of a cap is unknown, two reasons are often given:
Not all crowns contained cloth caps. Some caps were metallic and heavily jewelled.
The pileus is the technical name for the cap, or cap-like part, of a basidiocarp or ascocarp (fungal fruiting body) that supports a spore-bearing surface, the hymenium. The hymenium (hymenophore) may consist of lamellae, tubes, or teeth, on the underside of the pileus. A pileus is characteristic of agarics, boletes, some polypores, tooth fungi, and some ascomycetes.
Pilei can be formed in various shapes, and the shapes can change over the course of the developmental cycle of a fungus. The most familiar pileus shape is hemispherical or convex. Convex pilei often continue to expand as they mature until they become flat. Many well-known species have a convex pileus, including the button mushroom, various Amanita species and boletes.
Some, such as the parasol mushroom, have distinct bosses or umbos and are described as umbonate. An umbo is a knobby protrusion at the center of the cap. Some fungi, such as chanterelles have a funnel- or trumpet-shaped appearance. In these cases the pileus is termed infundibuliform.
A cap is a form of headgear.
Cap may refer to:
Chapter may refer to:
In molecular biology, the five-prime cap (5′ cap) is a specially altered nucleotide on the 5′ end of some eukaryotic primary transcripts such as precursor messenger RNA. This process, known as mRNA capping, is highly regulated and vital in the creation of stable and mature messenger RNA able to undergo translation during protein synthesis. Mitochondrial and chloroplast mRNA are not capped.
In eukaryotes, the 5′ cap (cap-0), found on the 5′ end of an mRNA molecule, consists of a guanine nucleotide connected to mRNA via an unusual 5′ to 5′ triphosphate linkage. This guanosine is methylated on the 7 position directly after capping in vivo by a methyltransferase. It is referred to as a 7-methylguanylate cap, abbreviated m7G.
In multicellular eukaryotes and some viruses, further modifications exist, including the methylation of the 2′ hydroxy-groups of the first 2 ribose sugars of the 5′ end of the mRNA. cap-1 has a methylated 2'-hydroxy group on the first ribose sugar, while cap-2 has methylated 2'-hydroxy groups on the first two ribose sugars, shown on the right. The 5′ cap is chemically similar to the 3′ end of an RNA molecule (the 5′ carbon of the cap ribose is bonded, and the 3′ unbonded). This provides significant resistance to 5′ exonucleases.
[Pop The Brown Hornet]
Hip hopnotized, don't look surprised
As I lure you into the world of true lies
You never witnessed the excellence of pure poetry
Performed by a Shaolin monk straight out the monastery
Hittin your cranium like two jugs of helium
Blowin you up like explosives on a truck
The outcome is similar to Hiroshima
As I bounce off the scene like a jet-black Beamer
Nuthin like the rush I receive from killin MCs
Enemies better freeze before I squeeze
It's life or death wrapped up in a single breath
Electrifyin, watchin MCs careers dyin
Gettin struck with the accuracy of a sniper
No doubt, the sight of blood gets me hyper
Ready to run up in your area
With a silencer *wsh-wsh* die muthafucker
Yeah, wassup now boy, all you can take, you can't take no more
Next up is the Down Low Recka
[Down Low Recka]
In your circumference, quick fast you never saw me comin
Like that gun I'm stunnin, makin niggas run and
The shocker, I cause electrical sparks
Like a flashin light in the dark in the thunderstorm at night
The bark is equivalent to the bite
So test the teeth, nigga feel the grief
Bloodthirsty, observe as I rehearse thee murder plan
White man can't kill like my pen
I'll be damned if I let these niggas approach me
On the East side where my coast be, look closely
Before I snap my fingers and transform to smoke with the quickness
No doubt I'm sick with the slickness
The realness, ten years of dues I can't lose
Paid up, dyin in this bed that I made up
So be out before I spit out the venom
And be my victim so I can live forever in the rhythm
[Pop The Brown Hornet]
Bow down to the underground emperor
Once you enter the circle you find me in the center
Of definite laced with pure entertainment
Bangin your brain like uncut cocaine
Movin like the theif in the night when I strike
It's like equivalent to a killer shark's bite
No remorse if a life is lost
If you're playin the game that's the price it cost
It could be deadly fuckin with a Shaolin machette
Walk poundin heavy plus your palms is all sweaty
You're up against a terror
I think it's best you better get your act together
Your style's phony like pleather
Full trait to di-tect hard rock frauds
My blows penetrate deeper than Shaolin swords
Not many can withstand the impact of a rap act
Hittin harder than a rape victim's flashback
[Down Low Recka]
Once you die, your grave I'ma put you in it
Now take a number and I'll be with you in a minute
Look at the hunter and catch me if you can, I'm here
Right in your area, scarin up your atmosphere
I'm out to get you for not knowin the issue
I'm throwin fullstyle rep, I plan to hit you like a homing missile
Don't run for cover, don't waste my time
A camera raw image file contains minimally processed data from the image sensor of either a digital camera, image scanner, or motion picture film scanner. Raw files are named so because they are not yet processed and therefore are not ready to be printed or edited with a bitmap graphics editor. Normally, the image is processed by a raw converter in a wide-gamut internal colorspace where precise adjustments can be made before conversion to a "positive" file format such as TIFF or JPEG for storage, printing, or further manipulation, which often encodes the image in a device-dependent colorspace. There are dozens, if not hundreds, of raw formats in use by different models of digital equipment (like cameras or film scanners).
Raw image files are sometimes called digital negatives, as they fulfill the same role as negatives in film photography: that is, the negative is not directly usable as an image, but has all of the information needed to create an image. Likewise, the process of converting a raw image file into a viewable format is sometimes called developing a raw image, by analogy with the film development process used to convert photographic film into viewable prints. The selection of the final choice of image rendering is part of the process of white balancing and color grading.
The Independent | 10 Aug 2018
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WorldNews.com | 10 Aug 2018
The Independent | 10 Aug 2018