- published: 16 Jul 2014
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Aeschylus (/ˈiːskᵻləs/ or /ˈɛskᵻləs/;Greek: Αἰσχύλος Aiskhulos; Ancient Greek: [ai̯s.kʰý.los]; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian. He is also the first whose plays still survive; the others are Sophocles and Euripides. He is often described as the father of tragedy: critics and scholars' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences from his surviving plays. According to Aristotle, he expanded the number of characters in theater to allow conflict among them, whereas characters previously had interacted only with the chorus.
Only seven of his estimated seventy to ninety plays have survived, and there is a longstanding debate regarding his authorship of one of these plays, Prometheus Bound, which some believe his son Euphorion actually wrote. Fragments of some other plays have survived in quotes and more continue to be discovered on Egyptian papyrus, often giving us surprising insights into his work. He was probably the first dramatist to present plays as a trilogy; his Oresteia is the only ancient example of the form to have survived. At least one of his plays was influenced by the Persians' second invasion of Greece (480-479 BC). This work, The Persians, is the only surviving classical Greek tragedy concerned with contemporary events (very few of that kind were ever written), and a useful source of information about its period. The significance of war in Ancient Greek culture was so great that Aeschylus' epitaph commemorates his participation in the Greek victory at Marathon while making no mention of his success as a playwright. Despite this, Aeschylus' work – particularly the Oresteia – is acclaimed by today's literary academics.
Prometheus Bound
Aeschylus - Prometheus Bound (directed by and starring Francesco Andolfi)
Prometheus Bound, Audiobook, the Legendary Tale of Prometheus, Aeschylus
PROMETHEUS (Cambridge Greek Play 2013)
Prometheus Bound: A Summary
Prometheus Bound Panel Discussion
Prometheus Bound Staging - Summary
Prometheus Bound: A New Rock Musical
Live PROMETHEUS BOUND [1-87] (original text - English subtitles) Theatre Erineos-Greece
Prometheus Bound by Aeschylus (Full Audiobook)
Actors: Richard Tanner (actor), Gary Kasper (actor), Sarah Douglas (actress), Joss Ackland (actor), Jack Tucker (editor), Marshall Manesh (actor), Arthur Tovey (actor), Ash R. Shah (producer), William Zabka (actor), Dawn C. Dreiling (miscellaneous crew), Christine Taylor (actress), James Bradford Sivils (miscellaneous crew), Todd King (producer), Theodore Melfi (actor), Julie Hannum (miscellaneous crew),
Genres: Fantasy,This is a 13 minute 2D hand drawn animated film made in-between commercial jobs. Based on the play of the same name by Aeschylus , it retells the myth of Prometheus, who stole fire from the gods to benefit mankind, and as a result was crucified atop a mountain. Directed & animated by Peter Dodd Dialogue from the translation by Paul Roche, courtesy of Bolchazy-Carducci Produced by Peter Dodd & Catrin Unwin Prometheus- Nicholas Farrell Chorus/ Pandora- Juliet Aubrey Music- Colin Towns Assistant animation- Denise Dean Digital colouring- Jacqui Chilcott Sound Editor- Ron Howick Voice recordings- Dave Peacock Dubbing Mixer- Darren Banks at Hackenbacker Additional assistance- Eric Gillsepie, Michael Maddison, Dennis Sisterson Made with financial assistance from Northern Film & Media With thanks ...
Francesco Andolfi- Prometheus Scott Freeman- Strength Lorenzo Pozzan- Hephaestus/Hermes Oceanus- Taso Mikroulis Io- Daniele Monterosi Oceanids- Suzanna Bornn & Rebecca Beberaggi Directed by Francesco Andolfi Assistant Directors: Suzanne Bornn and Rebecca Beberaggi Casa Italiana Zerilli-Marimò New York University March 15, 2013
Prometheus Bound, an epic drama on the legendary tale of Prometheus Audiobook, by Aeschylus. "Prometheus Bound" is the only complete tragedy of the Prometheia trilogy, traditionally assumed to be the work of Aeschylus. Jupiter has turned against Prometheus for protecting mankind and has ordered him to be chained to a rock. But Prometheus is comforted by his knowledge of a way to bring about the downfall of Jupiter. (Summary by Libby Gohn) Cast: Narrator: Charlotte Duckett Prometheus: Jason Mills Chorus of Nymphs, daughters of Ocean: Elizabeth Klett Strength: Bob Neufeld Vulcan: Alan Mapstone Ocean: Amanda Friday Io: Availle Mercury: bala
If you wish to watch this film with the English subtitles on (or switch them off) click on the subtitles symbol (a rectangle with two horizontal lines inside it) on the bottom right of the film. This is a film of the 2013 Cambridge Greek Play production of Prometheus, presented at the Cambridge Arts Theatre. It was part of a double-bill with Aristophanes' Frogs which you can also watch here on youtube. It is performed in the original Ancient Greek, but you can watch it with the English subtitles on. To find out more about the Cambridge Greek play, visit http://www.cambridgegreekplay.com/
A quick but thorough summary of Aeschylus' Prometheus Bound
A panel discussion on human rights and the A.R.T.'s production of Prometheus Bound. Wednesday, March 2, 2011, at the Loeb Drama Center, 64 Brattle Street, Cambridge. Co-presented by the A.R.T. and the Mahindra Humanities Center at Harvard. With panelists: Homi Bhabha, Director of the Mahindra Humanities Center at Harvard; Jacqueline Bhabha, Jeremiah Smith Jr. Lecturer, Harvard Law School; Diane Paulus, Artistic Director of the A.R.T.; Steven Sater, Author and Lyricist of Prometheus Bound; Susannah Sirkin, Deputy Director of Physicians for Human Rights. For more info on Prometheus Bound, visit http://www.americanrepertorytheater.org/events/show/prometheus-bound.
This is a three minute staging of the Greek drama called Prometheus Bound - featuring choral songs and dances, and Peter Arnott’s translation. The complete staging is available on DVD at www.MacMillanFilms.com Now, on the surface this is a story about two Gods. But – what’s important here is that this is a lesson in power politics. Zeus is the all-powerful tyrant – Prometheus is powerless. The drama opens with Hephaestus - with two stupid titans, named appropriately Strength and Violence – hammering Prometheus in place to punish him. Prometheus is then visited by many who have already bowed to Zeus’s power. Soon the god of the ocean – Oceanus himself – visits to explain how real power politics work.
Serj Tankian's new Album Harakiri Available Now! - smarturl.it/harakiri Prometheus Bound opens 3.4.11 at the OBERON in Cambridge MA! Written by Tony and Grammy Award-winning playwright and lyricist Steven Sater (Spring Awakening) with music composed by Grammy Award-winning System of a Down lead singer Serj Tankian, this new musical is inspired by Aeschylus's Ancient Greek tragedy about the heroic struggle of Western civilization's first prisoner of conscience. A.R.T. Artistic Director Diane Paulus stages this world premiere production in OBERON, immersing the audience in an environment that has theDionysian energy and rebelliousness of a rock concert.
www.erineos.net / In ancient Greek language /Prologue/ *Estia Theatre Erineos Greece* (希臘) 20ο Θεατρικό Φεστιβάλ Αδάνων -- Τουρκία 20th Festival Theatre Adana - Turkey AESCHYLUS: PROMETHEUS BOUND In ancient Greek language اسخيليوس بروميثيوس ملزم اللغة اليونانية القديمة اليونان Directed, Music, Choreography, Teaching: Ioannis Trantas Metric: N Wecklein - E. Zomaridis Costumes: Dimitris Parthenis DRAMATIS PERSONAE: POWER: Elena Karapanou and FORCE: Sofia Kalamaki HEPHAESTUS: Dimitrios Alexandrakis PROMETHEUS: Ioannis Trantas CHORUS of the Daughters of Oceanus OCEANUS: Domenico Bonassi IO, daughter of Inachus: Evangelia Katounia HERMES: Evangelos Kakalias CHORUS of the Daughters of Oceanus: Marie Beracha Alie Efendi Maria Gogou Sofia Kalamaki Antigone kalantzi Elena Karapanou Evang...
Prometheus Bound AESCHYLUS (c. 525/524 - 456/455 BC), translated by Theodore Alois BUCKLEY (1825 - 1856) "Prometheus Bound" is the only complete tragedy of the Prometheia trilogy, traditionally assumed to be the work of Aeschylus. Jupiter has turned against Prometheus for protecting mankind and has ordered him to be chained to a rock. But Prometheus is comforted by his knowledge of a way to bring about the downfall of Jupiter. Cast: Narrator: Charlotte Duckett Prometheus: Jason Mills Chorus of Nymphs, daughters of Ocean: Elizabeth Klett Strength: Bob Neufeld Vulcan: Alan Mapstone Ocean: Amanda Friday Io: Availle Mercury: bala Audio edited by: Libby Gohn Genre(s): Plays Language: English
Photo Show made by Father Dimos. The Hellenic - American Cultural Center & Museum presents the classic Greek Tragedy "ORESTEIA" by Aeschylus, in collaboration with the Leonidas Loizides Theater Group of Athens. September 26th, 2010 at Portland State University, Lincoln Performance Hall.
National Theatre's production of Eumenides, as directed by Sir Peter Hall. Translation by Tony Harrison. Recorded from Bravo television channel c.1990. Originally screened on Channel 4 in 1983.
On developments in classical Greek Tragedy. More on this subject - Mark Damen: http://www.usu.edu/markdamen/ClasDram/chapters/061gkthea.htm Spanish translation: Jc m edu (thanks!) Personae: Aeschylus, Sophocles, Euripides, Aristotle Plays: Oedipus Rex, Medea Terms: The City of Dionysia Festival in Athens, tragedy, anagnorisis, pompe, phalloi, Dithyramb contest, aulos, lyre, cither Audio of the aulos and cithara - Stefan Hagel: http://www.oeaw.ac.at/kal/agm/ Oedipus Rex Director: Don Taylor TV production 1984 with Michael Pennington (Oedipus), Claire Bloom and John Shrapnel. Translated and directed by the late Don Taylor ShakespeareAndMore: http://www.youtube.com/watch?v=ieO4DtH5L4c Medea Director: Mark Cullingham Kennedy Center Telecast 1983 Medea - Zoe Caldwell in the title role of Euri...
"Fire in the night signals the return of Agamemnon from 10 long years of war in Troy. Triumphant and with a captive slave, the prophetess Cassandra, in tow, the warrior king arrives home and is welcomed by Clytemnestra, wife and mother who seethes with a vengeance born of the slaughter of their daughter Iphigenia. Revenge begets revenge; fate will be fulfilled. The first great play of Aeschylus’ Oresteia trilogy, Agamemnon delivers a visceral and haunting theatrical experience." WHEN? Friday, November 6-Sunday, November 15 2015 Preview night: Friday, November 6th Opening night: Saturday, November 7th WHERE? Presented by the Department of Drama Storch Theater, Syracuse Stage/Drama Complex, 820 E. Genesee St., Syracuse By Aeschylus Directed by Rodney Hudson Production Design by Felix Coch...
www.erineos.net / (Live - prova) Parodos of Chorus / Estia Theatrou Erineos - Greece / (希臘) Direction - Melody - Choreography - "Prometheus" : Ioannis Trantas (Aντιόχεια - Τurkey) Aeschylus اسخيليوس Prometheus Bound بروميثيوس ملزم Ancient Greek language اللغة اليونانية القديمة Greece اليونان
Municipal Theater of Patras summer 2010 translated and directed by Lucas Thanos music and choreography by Lucas Thanos photos by Stefanos Samios-Vagelis Somarakis/studio phobia ΔΙΑΝΟΜΗ (με σειρά εμφάνισης) ΦΡΟΥΡΟΣ - Ηλίας Κουνέλας ΚΛΥΤΑΙΜΝΗΣΤΡΑ - Μαρία Κατσανδρή ΚΗΡΥΚΑΣ - Κωνσταντίνος Μάρκελλος ΑΓΑΜΕΜΝΩΝ - Γιάννης Βόγλης ΚΑΣΣΑΝΔΡΑ - Ηλέκτρα Νικολούζου ΑΙΓΙΣΘΟΣ - Γιώργος Παπαπαύλου ΗΛΕΚΤΡΑ - Πηνελόπη Σεργουνιώτη ΟΡΕΣΤΗΣ - Χρήστος Θάνος ΤΡΟΦΟΣ - Ειρήνη Λαμπράκη ΠΡΟΦΗΤΙΣΣΕΣ - Στέλλα Ερμή- Ζωή Τούντα ΑΠΟΛΛΩΝ - Θανάσης Γεωργίου ΑΘΗΝΑ - Τζίνη Παπαδοπούλου ΑΡΓΕΙΟΙ Κωνσταντίνος Καρβουνιάρης Σίμος Πατιερίδης Πασχάλης Καρατζάς Καλλιόπη Σίμου Αλεξία Μπεζίκη Γιωργής Τσαμπουράκης Χρήστος Λάβνος Δαυίδ Μαλτέζε Μιχάλης Αφολαγιάν ΚΟΡΕΣ ΤΗΣ ΝΥΧΤΑΣ Μάρια Φλωράτου Μυρτώ Αυγερινού Μαρίνα Χατζηιωάννου (Lucas Th...
National Theatre Production directed by Peter Hall and translated by Tony Harrison (1983).
A short film of the opening speech from Aeschylus' Oresteia, performed in the original ancient Greek. You can switch the subtitles on or off using the subtitle button below the film. This film was produced by Barefaced Greek as part of a series of short films of speeches from ancient Greek tragedy and comedy. Follow our youtube channel to receive an alert when we upload the next film or find out more at www.barefacedgreek.co.uk
The Agamemnon by Aeschylus was produced in February 1986 at the University of Newcastle (Australia) by Professor Michael Ewans (MA Oxford, PhD Cambridge). Principal Cast Members Agamemnon - Barry O'Connor Klytaimestra - Vanessa Turton Kassandra - Jan Hunt Aigisthos - Bruce Copping Herald - Steve Happ
This is a seven minute summary of the four hour Greek drama called The Oresteia - the masterwork of Aeschylus. The entire staging is available from www.MacMillanFilms.com It tells the story of what happens to Agamemnon, after he returns, from winning the 10-year war at Troy. His beautiful wife Clytemnestra is waiting for him with every outward sign of affection and longing. The original audience didn’t give a damn about Agamemnon. The Greeks had just invented Democracy – Agamemnon is a tyrant from their distant past. The only reason the audience, and you, should paid any attention to Agamemnon, is because he is a metaphor for the state – for democracy. Everything in Greek drama is pregnant with meaning. The chorus of old men, hope that Clytemnestra has forgiven Agamemnon for past viole...
This is a 13 minute 2D hand drawn animated film made in-between commercial jobs. Based on the play of the same name by Aeschylus , it retells the myth of Prometheus, who stole fire from the gods to benefit mankind, and as a result was crucified atop a mountain. Directed & animated by Peter Dodd Dialogue from the translation by Paul Roche, courtesy of Bolchazy-Carducci Produced by Peter Dodd & Catrin Unwin Prometheus- Nicholas Farrell Chorus/ Pandora- Juliet Aubrey Music- Colin Towns Assistant animation- Denise Dean Digital colouring- Jacqui Chilcott Sound Editor- Ron Howick Voice recordings- Dave Peacock Dubbing Mixer- Darren Banks at Hackenbacker Additional assistance- Eric Gillsepie, Michael Maddison, Dennis Sisterson Made with financial assistance from Northern Film & Media With thanks ...
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus concerning the murder of Agamemnon by Clytaemnestra, the murder of Clytaemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and pacification of the Erinyes. This trilogy also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes.The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. Many consider the Oresteia to be Aeschylus' finest work. The principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. https://en.wikipedia.org/wiki...
Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Subscribe to INDIE & FILM FESTIVALS: http://bit.ly/1wbkfYg Like us on FACEBOOK: http://goo.gl/dHs73 Follow us on TWITTER: http://bit.ly/1ghOWmt Picture Day Official Trailer 1 (2013) - Tatiana Maslany Movie HD A rebellious teenager forced to repeat her last year of high school is caught between adolescence and adulthood - and between two very different male admirers. Cast: Director: Producer: Daniel Iron: http://j.mp/YeUxVv Aeschylus Poulos Writer: Editor: Cinematographer: Celiana Cárdenas Composer:
Elektra is a Malayalam psychological drama film co-written and directed by Shyamaprasad, starring Nayantara, Manisha Koirala, Prakash Raj, Biju Menon and Skanda Ashok. It was produced by N. B. Vindhyan, who also produced Shyamaprasad's Ore Kadal. The film is based on the story of the Greek mythological character Electra, although it has a contemporary setting in an aristocratic family in Kerala. It draws strongly on four adaptations of the myth: Electra by Sophocles, Electra by Euripides, Oresteia by Aeschylus and Mourning Becomes Electra by Eugene O’Neill. Key to the film is the concept of the Electra complex; a daughter's psychosexual competition with her mother for her father's affection. A rueful journey into the bruised familial bonds of an aristocratic household in Central Kerala, ...
Subscribe to TRAILERS: http://bit.ly/sxaw6h Subscribe to COMING SOON: http://bit.ly/H2vZUn Subscribe to INDIE & FILM FESTIVALS: http://bit.ly/1wbkfYg Like us on FACEBOOK: http://goo.gl/dHs73 Follow us on TWITTER: http://bit.ly/1ghOWmt Molly Maxwell Official Trailer 1 (2013) - Lola Tash, Charlie Carrick Drama HD At Phoenix Progressive School, where everyone tries to outdo each other with creative self-expression, 16-year-old Molly Maxwell would rather be invisible than risk revealing herself as completely ordinary. When her young, handsome, disillusioned English teacher enters the picture and allows her to just be herself, Molly is suddenly able to flourish. As their student-teacher bond becomes more intimate, she begins putting herself on the line in unexpected ways while pursuing what sh...
https://www.youtube.com/channel/UCcluftdk1tuDU71ZdGNpHTA Dan Attrell (MA) gives a talk on Aeschylus' Greek Tragedy "The Persians." Visit http://www.themodernhermeticist.wordpress.com for more information and for other lectures by Dan Attrell. Bibliography: Aeschylus (Phillip Vellacott, trans.), Prometheus Bound, the Suppliants, Seven against Thebes, the Persians. (Penguin Classics, 1984). Craig, J. D. “The Interpretation of Aeschylus' Persae.” The Classical Review, Vol. 38, (1924): 98-101. DeVries G. J. “Le Theme des Perses.” Mnemosyne, Vol. 13, (1947): 317-320. Erkelenz, M. “Inspecting the tragedy of empire: Shelley's Hellas and Aeschylus' Persians.” Philological Quarterly Vol. 76 (1997): 313-37. Favorini, Attilio. “History, Collective Memory, and Aeschylus' ‘The Persians.’” T...
The Genesius Guild. Summer 2014. A Traditional Production of a Classic Greek Tragedy "In Mask" by Aeschylus. "The Oldest Play In Existence." In Lincoln Park, Rock Island, Illinois. Quad Cities USA`
Aired on Thursday, 29 Dec 05 Melvyn Bragg examines the ‘Oresteia’, the seminal trilogy of tragedies by Aeschylus. With Edith Hall, Simon Goldhill and Tom Healy.
Mystery Of The Oracle Of Delphi - World Documentaries The Pythia, commonly known as the Oracle of Delphi, was the name of any kind of priestess throughout the past history of Temple of Apollo at Delphi, situated on the slopes of Mount Parnassus, underneath the Castalian Spring (the brand-new priestess was chosen after the death of the existing priestess). The Delphic oracle was established in the 8th century BC, although it could have been existing in some type in Late Mycenaean times, from 1400 BC and was abandoned, and there is evidence that Apollo took over the shrine from an earlier dedication to Gaia. During this period the Delphic Oracle was the most authoritative and prominent oracle among the Greeks. The oracle is among the best-documented spiritual institutions of the classic Gr...
On developments in classical Greek Tragedy. More on this subject - Mark Damen: http://www.usu.edu/markdamen/ClasDram/chapters/061gkthea.htm Spanish translation: Jc m edu (thanks!) Personae: Aeschylus, Sophocles, Euripides, Aristotle Plays: Oedipus Rex, Medea Terms: The City of Dionysia Festival in Athens, tragedy, anagnorisis, pompe, phalloi, Dithyramb contest, aulos, lyre, cither Audio of the aulos and cithara - Stefan Hagel: http://www.oeaw.ac.at/kal/agm/ Oedipus Rex Director: Don Taylor TV production 1984 with Michael Pennington (Oedipus), Claire Bloom and John Shrapnel. Translated and directed by the late Don Taylor ShakespeareAndMore: http://www.youtube.com/watch?v=ieO4DtH5L4c Medea Director: Mark Cullingham Kennedy Center Telecast 1983 Medea - Zoe Caldwell in the title role of Euri...
On the origins of Western theater, ancient Greek theatre. More on this subject - Mark Damen: http://www.usu.edu/markdamen/ClasDram/chapters/021origins.htm Spanish translation: Jc m edu (thanks!) Dutch translation: Dirk Lenart (thanks!) Personae: Dionysus, Zeus, Arion, Thespis, hypokrites - the answerer, Peisistratus, Phrynichus, Xerxes, Phoenician women, Aeschylus, Agamemnon, Clytemnestra, Cassandra, Aegisthus. Terms: Orchestra, thymele - altar, tragos - goat, dithyramb - hymn in honor of Dionysus, chorus, extase, enthoustase, The City of Dionysia Festival in Athens, tragedy, Trojan war, skene, prologue, parodos, exodus. See my playlist on theatre: https://www.youtube.com/playlist?list=PLA77B5E2507D2B7E0
From The Genesius Guild Summer Catalogue 2014. A Traditional Production of a Classic Greek Tragedy "En Masque" by Aeschylus in Lincoln Park, Rock Island, Illinois, Quad Cities, USA.
The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus concerning the murder of Agamemnon by Clytaemnestra, the murder of Clytaemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and pacification of the Erinyes. This trilogy also shows how the Greek gods interacted with the characters and influenced their decisions pertaining to events and disputes.The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. Many consider the Oresteia to be Aeschylus' finest work. The principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation. https://en.wikipedia.org/wiki...
A five part unit on Ancient Greece. Crissa Venetti discovers a Greek theatre and watches a production of Aeschylus's play 'The Persians', which tells the story of the Persian king Xerxes' invasion of Greece. Featuring Hugo Myatt (Knightmare's Treguard) as Stephanos.
https://www.youtube.com/channel/UCcluftdk1tuDU71ZdGNpHTA Dan Attrell (MA) gives a talk on Aeschylus' Greek Tragedy "The Persians." Visit http://www.themodernhermeticist.wordpress.com for more information and for other lectures by Dan Attrell. Bibliography: Aeschylus (Phillip Vellacott, trans.), Prometheus Bound, the Suppliants, Seven against Thebes, the Persians. (Penguin Classics, 1984). Craig, J. D. “The Interpretation of Aeschylus' Persae.” The Classical Review, Vol. 38, (1924): 98-101. DeVries G. J. “Le Theme des Perses.” Mnemosyne, Vol. 13, (1947): 317-320. Erkelenz, M. “Inspecting the tragedy of empire: Shelley's Hellas and Aeschylus' Persians.” Philological Quarterly Vol. 76 (1997): 313-37. Favorini, Attilio. “History, Collective Memory, and Aeschylus' ‘The Persians.’” T...
April 4th, 1968 Martin Luther King was shot and killed. On that night, Robert F Kennedy, New York's senator back then, wanted to deliver the news to the people of Indianapolis, IN Local police warned him, they won't be able to provide protection if the people wold riot because he was in the heart of the African-American ghetto. He wrote his notes on his ride and started the speech without any drafts or prewritten words before his assistance would give him their proposed draft. This speech was delivered on a back of a Flatbed truck. Although all major cities had riots, Indianapolis remained calm after RFK's speech 63 days after this speech, RFK got assassinated. I reproduced the video, creating this version after adding the above mentioned details to it, so the speech can be put into...
Interview singkat dengan instruktur Hitman System: Lex dan Sins setelah HSMS 2011 dan Lovable Lady HItman System adalah pusat pelatihan khusus pria yang pertama dan satu-satunya di Indonesia. Fokus setiap pelatihan adalah untuk memaksimalkan kualitas hidup, pergaulan sosial, dan romansa. Kunjungi website kami www.hitmansystem.com, www.revolusiromansa.com & www.kelascinta.com Twitter : @hitmansystem | @GA_Borneo Facebook : GlossyAssassins HS
RFK reads Aeschylus, on April 4th 1968, the night of Martin Luther King, Jr. Assassinations
http://bostonreview.net/BR23.1/nussbaum.html Victims and Agents What Greek tragedy can teach us about sympathy and responsibility. Martha C. Nussbaum "We are inclined to forget how much there is in the world besides that which we anticipate." "Let death find us as we are building up our matchstick protests against its waves." — Alain de Botton "Be curious, not judgmental." -Walt Whitman "I have found power in the mysteries of thought, exaltation in the changing of the Muses; I have been versed in the reasonings of men; but Fate is stronger than anything I have known." Euripides, Alcestis, 438 B.C. "It is the tragedian's task, then, to force us to confront an almost unbearable truth: every folly or myopia of which any human being in history has been guilty may be trace...
[P]roteus (bis) by Zbigniew Maciak is inspired by the lost play ‘Proteus’ by Aeschylus performed in 458 BC together with ‘The Oresteia’. 20:00 – 21:30//FRIDAY 2 SEPTEMBER //VONDELBUNKER & 14:00-15:30//SATURDAY 3 SEPTEMBER //VONDELBUNKER https://www.facebook.com/events/1303380983006696/ For the full Free Fringe Festival Amsterdam programme visit: http://freefringefestivalamsterdam.com Watch full episodes of Future Vision Amsterdam here: https://www.youtube.com/playlist?list=PLO7x1hlUfn8eHtHB9m1SxslSL1v7_uNLh Originally broadcast on Salto 1 Public Access Television, the FUTURE VISION AMSTERDAM arts & culture TV show features the coolest going ons in Amsterdam's underground scene. Subscribe for full episodes of FUTURE VISION AMSTERDAM straight to your brain here: https://www.youtube.com/...
Mario Frangoulis Interview from the DVD Sometimes I Dream (Live in Concert)! Check out Mario Frangoulis Official Page: http://mariofrangoulis.com/ Get the latest news on Mario Frangoulis Official Facebook Page: https://www.facebook.com/MarioFrangoulis/ Follow Mario Frangoulis on Instagram: https://www.instagram.com/MarioFrangoulis/ @mariofrangoulis Follow Mario Frangoulis on Twitter: https://twitter.com/MarioFrangoulis @MarioFrangoulis Join us on our Facebook Group: Mario Frangoulis Greek Tenor Extraordinaire https://www.facebook.com/groups/118481874888531/
Filmed at Central Hall Westminster on 19th November 2015. On November 19th Intelligence Squared hosted the ultimate clash of civilisations: Greece vs Rome. It was also the ultimate clash of intellectual titans. Boris Johnson, Mayor of London and ardent classicist, made the case for Greece; while Mary Beard, Professor of Classics at Cambridge and redoubtable media star, championed Rome. As Boris argued, the Greeks got there first: in literature, history, art and philosophy. The Iliad and the Odyssey are the earliest surviving epic poems, the foundations on which European literature was built. The Greek myths – the tales of Oedipus, Heracles and Persephone, to name but a few – contain the archetypal plot elements of hubris and nemesis on which even Hollywood films depend today. It was in ...
The desert rips our flesh
Our mouths dry
Our skin is cracked
Moisture is what we crave
The mirage of a city
Our only antagonist
As the heat bakes our skin
Nothing left
Vicious circle
Our bodies are dead
The sand gripped our knees