Come break the rules with me! (in a class. on Sunday. with Cat Rambo.)

Consider this your invitation: start (or continue) to Break the Rules with me in less than three days! After Daylight Savings Time is over and the clock falls back, I hope you’ll spend some time with Cat Rambo, me and your writing this Sunday, November 5th at 9:30am PST 

Breaking the RulesBreak the Rules!

Tell, don’t show. Dump your information. Write in second person. Write in passive voice. Use adverbs. To heck with suspense.

Rules mark what’s difficult, not what’s impossible. There’s a whole range of exciting storytelling possibilities beyond them. Not every story needs to be in second person, but when it’s the right voice for the right story, it can be magic. The right information dump, written perfectly, can become a dazzling gymnastic feat of beauty, fascination and horror.

“Break the Rules!” will teach you inspirations and techniques for rowing upstream of common knowledge. You can break any rule–if you do it right.

Register by mailing Cat Rambo at cat AT catrambo.com and specifying whether you would prefer to pay by Paypal or by check.

The cost for a single session live workshop is $99 for new students; $79 for students who have formerly taken a class with Cat (or Rachel). Classes are taught via Google Hangouts; all you need is a computer with a microphone and reliable Internet connection, but a webcam is suggested.

(At least a few secrets: If you register for this class, you’ll be able to learn from all of the other storytellers going first. If sign up for my newsletter, you can learn about when I’m teaching next. If you support my Patreon, you can learn what and where I’m writing first.)

Posted in Teaching, Writing Advice, Writing resources | Leave a comment  

Cartoon: Questions You Probably Shouldn’t Ask A Stranger

If you enjoy these cartoons, please support them on Patreon. Even a $1 pledge makes a big difference to me.


So Mandolin handed me this script for a four-panel comic strip, written in marker on a sheet of typing paper.

Several days later I had created a sketch, which I submitted to The Nib, not necessarily expecting them to accept it, and then forgot about it. Then a Nib editor emailed to ask me if I could get the strip done by the end of they day. Which I did, if by “end of the day” one means 2am. But it got done! And when I was finally done, my back felt like someone had stabbed it with a shoe horn. A day later, my drawing shoulder is still a bit sore. But it’s still sort of exhilarating to get a rush job done every now and then.

I’m pleased with the art for this, despite the circumstances under which it was produced. If I had more time, I would have done a real background in panel 4, and perhaps more supermarket shelves in panel 2. But I like how the colors came out, the figure drawing looks decent, and I actually took the time to measure out perspective in three of the four panels.

The sketch is 90% as Rachel’s script described it, although I did suggest a couple of changes (like making the stranger in the supermarket dress as a cliched spy).

Rachel’s script didn’t specify race or sex for any of the characters, so that was something I had to put thought into, to avoid accidentally using any ugly cliches. So, for example, in the original sketch the photographer in panel 3 was male; but then Rachel asked for over-the-top limp-swinging enthusiasm, and I didn’t want the character to look like a flaming gay man bothering someone in a public restroom, so that character became female. Then the other character in the panel had to become female, too, since I didn’t want to have a panel that could be misinterpreted as “wrong sex intrudes into bathroom” in a trans rights cartoon. Thoughts like this go into almost every “casting” decision; that’s just part of the job of being a progressive cartoonist, I think.


Transcript of cartoon.

A BIG CAPTION AT TOP OF CARTOON says “Questions You Probably Shouldn’t Ask a Stranger.”

Panel 1
A man turns back from an ATM machine, surprised at a woman putting her hand on his shoulder.
WOMAN: How much money do you make?

Panel 2
A grocery store. A woman in the foreground examines a can of food, her back to her little son in the cart. Another woman, dressed like a movie spy (trenchcoat, dark glasses, cig dangling from lips) leans towards the toddler and whispers to him.
WOMAN: How can you know for sure your mommy loves you?

Panel 3
A public bathroom with several stalls. A woman is just emerging from a stall, and stumbles back in surprise as another woman, who bears a camera and has extremely energetic body language, approaches her, talking very cheerfully.
WOMAN: Can I take a picture of your poop?

Panel 4
A woman sits behind a table. The table has a big sign that says “Trans Student Union.” Another woman cheerfully asks her a question.
WOMAN: So, do you have a penis?

Posted in Cartooning & comics, Transsexual and Transgender related issues | 2 Comments  

Cartoon: Seeing Global Warming

If you enjoy these cartoons, please help me make them by supporting my Patreon! A $1 pledge makes a big difference for me.


Extra thanks to SocProf, who is thanked in the sidebar of this cartoon. All $10 patrons occasionally get “sidebar thanks” as appreciation for the extra support.


This is what distresses me about global warming: As long as powerful people benefit from not seeing it, they won’t see it. I don’t know if global warming is a solvable problem, but it seems like it’s a mitigatable problem. But mitigation won’t begin if powerful people – and to be clear, I mean the Republican party – are choosing not to see what inconveniences them.

Artwise, this cartoon is up and down for me. The up: I really like how the colors came out. The cool-colored figures and water standing out from the reddish world really work, at least for my tastes. Normally I’m happy if my colors just reach the level of “pleasant looking,” but I think the colors here actually add to the impact of the cartoon.

The down: That car. I keep on trying to learn how to draw cartoons of cars, and it’s slow going. I have an upcoming cartoon with a better-drawn car, but this one looks “wrong” to me.

I said “cartoons of cars,” by the way, because I can draw realistic cars. That’s not hard, exactly; it just takes finding reference and taking time to do the work. Here’s a VW Bug I drew in the second “Hereville” graphic novel, for example:

But just because I can (with reference) draw a realistic car doesn’t mean I can draw a satisfying cartoon of a car. But I’m going to keep trying until I get the hang of it.


Transcript of Cartoon

This is a single-panel cartoon (although there’s a mini “kicker” panel in the bottom right corner). The main panel shows a comfortable-looking white man, standing on top of a cliff, facing away from the cliff’s edge. He has a huge SUV parked nearby, and in the background a factory is spewing huge clouds of smoke from smokestacks. The sky is red. Behind him, way at the bottom of the cliff, standing in five feet of water, stand four people, all looking up angrily at him. All four are non-white.

MAN: Is global warming real? I just don’t see it!

Kicker panel shows a woman who was in the water in the main panel; she’s now in front of the white man and speaking to him, with a frustrated expression. Facing her, the man folds his arm and replies cheerfully.
WOMAN: Just turn around!
MAN: I’d rather not.

Posted in Cartooning & comics, Environmental issues | 4 Comments  

“Words for What Those Men Have Done” – It’s Official and It’s a Launch!

I cannot tell you how excited I am that Words for What Those Men Have Done, my second full-length collection of poetry, is officially in the world. And I am equally excited to announce the New York City book launch, which will be on Sunday, November 5th, from 7:00-8:30 PM, at Kew & Willow Books, 81-63 Lefferts Boulevard in Kew Gardens. There’ll be wine and cheese; I’ll read some poems and sign some books; we’ll drink and chat; and it’ll be a celebration of what poetry should celebrate: community and truth and the importance of language in maintaining both those vital aspects of life. I’m looking forward to making that celebration with each of you! (There will also be a launch out in Suffolk County and one in Toronto, home of my publisher, Guernica Editions. I will send out more information about those events at a later date.)

The poems in Words for What Those Men Have Done continue the exploration I began in The Silence of Men, my first book, of how surviving childhood sexual violence has shaped my life. In The Silence of Men, I focused on ending the silence into which the men who violated me pushed me—a silence that encompassed much more than the facts of what they did to me—forcing me to live without the words I needed to give meaning to my life. Word for What Those Men Have Done, on the other hand, is animated by this question: What has it meant for me to commit myself never to standing on the same side of anything as those men? The book, in other words, is not a “survivor’s memoir” in poetic form; it’s goal is not to arrive at a moment of transcendent healing, though there are moments of healing throughout. Rather, Words for What Those Men Have Done explores what the not-always-comfortable process of holding myself accountable as a survivor—personally, politically, culturally, and socially—feels like. This excerpt from the poem “Gender Politics” captures some of that feeling:

Learning to write poems
has been easier than loving people
and harder than counting syllables
but words grow
and sentences shape
time into meaning
and learning to let that happen
has been learning to shape my body
and I am my body
into somewhere I can live.

If you can come to the launch, it would be lovely to see you. If you can’t, and you’d like to get a copy of the book, you can buy it on Amazon or directly from the publisher. If you can, I hope you’ll consider doing the latter, even though you may have to pay a little more for shipping. It’s more important than ever to support independent book publishers and Guernica does important work, publishing both American and Canadian authors.

Posted in Writing | Leave a comment  

My novel is going well! Yay! Here are some excerpts.

I’m really excited about how well my novel project is going. I’m close to a third done which is a big marker for me. I though tit might be fun to post a couple excerpts from the first two chapters (they each have a different point of view character). I’ve put some up excerpts on my Patreon before (where you can get a new story or poem from me each month for as little as $1, plug over, thank you.) These are new excerpts.

Chapter One

Smog hovers over the mountains ringing the valley, grey underbelly lit orange by the last rays of sunrise. In winter, Marie’s garden is filled with pale color, splashed with infrequent dapples of red from dogwood and witch hazel. The woodchip path threads from the back porch through the flowerbeds, pausing to circle the wide-crowned whitebud tree. Droopy-headed snow drops and star-shaped glories of the snow drowse along the path, clustered close to the ground. Crocuses, violas, and camellias grow in higher beds, pastel blues and violets shimmering like chiffon.

 

Breeze shivers through the whitebud’s branches, tumbling a snowfall of tiny, bell-like white blossoms. It stirs the evergreen hedges encircling the garden, casting shifting shadows across green, white and brown. Lavender hellebore scales the leafy walls, its contrasting color creating the illusion of depth, as if the hedges could continue forever. Marie’s roses remain a few months from blooming. Their branches scratch bare and thorny against the dawn.

Chapter Two

More kids arrived, and everything was glowy and strobey, and a bunch of people had put music on their phones and all the different genres rattled and clashed against each other, and some people asked if she wanted to buy something, which she did, but she didn’t have money. She set up singing near the front where there was better music, and some people stopped and told her she sounded like Beyonce, and a couple of guys told her she was a cunt, and someone else told them to fuck off.

 

So much spark. So much sizzle. Dancing wasn’t enough to get the lightning out of her fingers and her elbows and her toes. Her skull was full of electric fists that kept punching and punching and if she couldn’t break loose then they were going to hammer shards straight through her scalp and she needed to move, to move, to move.

 

Some guy danced with her and grabbed her tit, and she elbowed him in the ribs, but when another guy came up behind her later, she let him kiss her for a while until she got bored. There were other girls dancing and she watched them, the slither and sleek of their legs beneath their cut-offs, the chocolate dart of their eyes beneath jagged liner. She slipped between them and their bodies were close and press, and she licked the taller one’s neck, and her skin was salt and sweat, and Jamie was singing again, and someone’s hand was soft on the small of her back. There was so much smoke everywhere like haze, and people’s colored lights beaming through it and making everyone look pink and blue and weird and wonderful.

 

Posted in Fiction | 4 Comments  

Some Thoughts About Harvey Weinstein and What He Represents

I met my Harvey Weinstein when I was around 13 years old. He was the head waiter at the catering hall where I worked, and he spent the next three or four years groping and fondling me as often and in as many ways as he could. Once, when we had back-to-back jobs to work and had almost no time to sleep, he gave me Black Beauties to take so I could stay awake. This was when Black Beauties were really Black Beauties, not the diet pill that later had that name, and he hinted very hard that I owed him something in return, and that, if I couldn’t afford to pay him money, there were “other ways” he’d agree to be compensated. Nothing ever came of that, though. I think he backed off in part because he was sort of a friend of the family and he was worried what would happen if I told. It’s important to remember that, at this time—around 1978 or so—while people were beginning to talk more openly about sexual violence against women, no one was talking about the sexual abuse of boys. Even if I had wanted to tell someone, there was no language in which to describe what he was doing to me as the sexual assault that it was. I literally did not have the words to understand and name my own experience.

I’ve been thinking a lot about this man lately, as I’ve been thinking about the significantly older male colleagues of mine who, when I was first hired at 27 at the college where I teach almost thirty years ago, would pull me aside at the beginning of every semester to ask, “How many really hot women do you have in your class?” When I refused to answer, which I did every time they asked, they would look at me incredulously and tease me by saying that I wasn’t answering because I probably had my eye one or more of those women. I have often wondered at my own silence back then, which—while it was a form of resistance—was a relatively passive one, in that it did not confront those men with an open and explicit refusal of the sexist, exploitive male bonding in which they were trying to engage me. In the late 1980s, there wasn’t much of a language yet—I’d say it was just starting to develop—in which men could confront other men on those terms. It wasn’t that I didn’t know what was going on, but I didn’t yet have the words to assert and insist on my own disloyalty to that male code.

Those are just two examples of how impoverished our language for talking about not just manhood and masculinity, but also male sexual vulnerability, was back then. That language is far less impoverished now, and I have been listening to and reading the words of men who are using it to talk about who Harvey Weinstein is, what he did, and what he represents. It is heartening. At the same time, though, I am very aware that, because the people Weinstein targeted were women, this talk, from both men and women, tends to render my own experience with my own Harvey Weinstein invisible. It is, in other words, explicitly heteronormative—a fact that poses a serious challenge.

On the one hand, it would be dishonest and irresponsible to hold sexual violence against women and sexual violence against men as entirely equal in every respect. Regardless of what may be true about the frequency with which men experience sexual violation (ETA: studies suggest the numbers may not be all that different from women), or the kinds of violation we experience (ETA: we are assaulted by both men and women, and, in some contexts, some studies suggest, more frequently by women), it is not the case that sexual violation is used against men in the pervasive and systemic way that it is used against women as a class, to keep them silent and subservient, to hold them back, etc. We have to be able to talk about what Harvey Weinstein did and what he represents as part and parcel, and as perpetuating of that system, and we have to be able to have that discussion without it being diluted by calls to pay simultaneous and equal attention to sexual violence against men.

At the same time, though, if we do not find a way within the larger context of this discussion to give sexual violence against men and boys the weight it deserves on its own terms (not in a weighted comparison to women’s experience), then we will be telling an incomplete and ultimately impoverished story about sexual violence in our culture. Not only would that be doing real harm to the men and boys who, like me, are survivors of sexual violence (or, perhaps more accurately, not only would it perpetuate the harm that is already pervasively being done); it would, in the end, precisely because of its heteronormativity, perpetuate many of the notions about manhood and masculinity with which all too many people seek to normalize, excuse, rationalize, justify, and/or minimize what Harvey Weinstein did and what he represents; and that would do real harm to the women whom men like Harvey Weinstein continue to target. Not to mention how much more difficult it makes things for those men who are working out ways of being men that are not exploitive, and for those men and women who are trying to raise sons who will stand in opposition to the Harvey Weinsteins of the world.

Posted in Uncategorized | 74 Comments  

Open Thread and Link Farm, About To Leave England Edition

  1. Here’s How Breitbart And Milo Smuggled White Nationalism Into The Mainstream
    A long read, but very interesting slash infuriating.
  2. Related: Vice Has Fired the Writer Who Told Breitbart’s Milo Yiannopoulos to ‘Please Mock This Fat Feminist’
    This is a rare case where I approve of firing someone for something they said in a private email. Broadly is an explicitly feminist site; a Broadly editor passing anti-feminist story tips to Milo saps the publication of all credibility.
  3. Civil-Rights Protests Have Never Been Popular – The Atlantic
    “… only 22 percent of all Americans approved of the Freedom Rides, and only 28 percent approved of the sit-ins. The vast majority of Americans—60 percent—had ‘unfavorable. feelings about the March on Washington.”
  4. The Jones Act – The Law Strangling Puerto Rico – The New York Times
    (Indirect link.) Completely appalling. Since this article was published, the Trump administration bowed to pressure to waive the Jones Act – but only for ten days, which won’t be enough.
  5. ‘Junk science’: experts cast doubt on widely cited college free speech survey | US news | The Guardian
  6. A female Marvel comics editor posts a selfie of herself and some female co-workers drinking milkshakes — and fanbabies throw a fit :: We Hunted The Mammoth
    I’m late with this story – I was aware of it at the time, but distracted by work overload so didn’t tune in. But it’s worth remembering, because the misogyny is so unhidden. “They are women and they work in comics! We must attack!” Includes a comment by youtuber Diversity & Comics, who has tens of thousands of followers, calling them fake geek girls.
  7. German Senior Homes Build Fake Bus Stops For Alzheimer’s patients
  8. Careful New Study Finds at Least Thousands in Two Wisconsin Counties Didn’t Vote Because of Voter ID Requirements, Confusion Over Them | Election Law Blog
  9. (18) The Left | ContraPoints – YouTube
    This 13 minute critique of the antifa left – in which vlogger Contrapoints plays both parts in a fairly friendly debate – is entertaining and well done. I think it makes some good points, but then, I would.
  10. ECHIDNE OF THE SNAKES: Too Much Push For Gender Equality In Tech? The MRAs Speak.
    Echinde comments on that New York Times article.
  11. Graphic Novel ‘This One Summer’ Tops 2016 Most Challenged Book List – NBC News
    “Most challenged” as in, people trying to get libraries to destock it. (If I’ve understood correctly.) It’s also a genuinely great graphic novel, one of the best I’ve read this decade.
  12. Roman Polanski is now facing a 4th accusation of sexual assault against a teen – Vox
  13. Examining the Origins of the Phrase ‘Black-on-Black Crime’ – CityLab
  14. A Nation of Snowflakes – The Atlantic
    “The greatest threats to free speech in America come from the state, not from activists on college campuses.”
  15. University of Wisconsin approves protest punishment policy
    “Other Democratic opponents charge that the policy doesn’t clearly define what type of conduct is considered disruptive. ‘Who’s going to show up to a protest if they think they could be potentially expelled?'”
  16. Take a look at this rather lurid 1959 magazine illustration by Mort Kunstler. Then read this post to be told something incredibly cool about the illustration. My jaw literally dropped.
  17. Study: anti-black hiring discrimination is as prevalent today as it was in 1989 – Vox
  18. As the Crow Flies – Pockets
    A lovely short comic story about a mom and her trans girl daughter.
  19. Guggenheim, Bowing to Animal-Rights Activists, Pulls Works From Show – The New York Times
    I’m not bothered that they pulled the works per se; I’m bothered that they obviously did so, not because they were persuaded that the words shouldn’t be displayed, but because of threats of violence.
  20. Only a quarter of Americans can name all three branches of government.
    Furthermore, “Nearly a third of Americans cannot name any of the three branches of government, according to the survey conducted by the Annenberg Public Policy Center (APPC) of the University of Pennsylvania.” This is appalling in any case, but I wonder if part of the issue may be that people don’t know what the phrase “branch of government” means. (This poll is about a year old, btw.)
  21. Ender’s Game Is About Forgiving Hitler.
  22. Right-Wingers Are Claiming This Asian-American Doctor Who Took A Knee Is Too Privileged To Speak Out
  23. The Word History of Latinx | Merriam-Webster
  24. Seattle teen calls out her dad’s Native American art. He learns she’s right | KUOW News and Information
  25. A massive new study reviews the evidence on whether campaigning works. The answer’s bleak. – Vox
    With only a couple of fairly narrow exceptions, voters in a general election vote based on partisanship, and are not persuadable.

Posted in Link farms | 31 Comments  

Touristing And Loving It

Things I’ve done in the UK so far:

1) Did a bus tour of London, on one of those double-decker buses with no roof on the second level. My expectations were low, but I loved this. The tour filled my brain with more beautiful old architecture than it’s able to comprehend.

2) Toured the Houses of Parliament (pictured above). This was incredibly neat, and had so much great art. Also cool historical trivia.

3) Toured Westminster Abbey. Which was beautiful, but I hadn’t realized the extent to which this place is a mausoleum.

4) Visited the National Portrait Gallery, checking out some of the permanent exhibits, and also “The Encounter” exhibit, which was great (but I wish they had displayed more art). (Thanks to whomever suggested that one!) We also spent quite a lot of time looking at The Landing of HRH The Princess Alexandra at Gravesend, largely because we were tired and there was a bench right there, but we ended up having a very enjoyable discussion of it. (And we noticed that there’s a little girl in the painting who looks like Boy George.)

5) Went to a pub and (wishing to “eat something British”) ate mushroom and chicken pie. My mom, similarly motivated, had fish n’ chips.

6) Separately, had an amazing meal at the oldest restaurant in London.

7) Visited the Tate Museum. My favorite thing there was a room with red-tinted photographs of Black history, with text superimposed; I wish I’d written down the artist’s name. I also got to see a Dali painting in person for the first time; his surface is ridiculously tight, even from inches away.

8) Saw “An American In Paris” on the west end. Beautiful dancing, and the sets were either the most magical, or the second-most-magical, I’ve ever seen in a show. (The other contender is the Broadway production of “The Drowsy Chaperone.”)

9) Saw “Dreamgirls” on the West End, starring Amber Riley from “Glee.” She was astounding.

10) Celebrated Sukkot in a the sukkah of a distant cousin who I’ve only met once before.

11) The London Eye. (Pretty!)

On tomorrow’s agenda: The Geffrye Museum of the Home; The Cartoon Museum; and “42nd Street.”

Day after tomorrow: Pack up, then train to Paris!

Posted in About the Bloggers | Leave a comment  

Old Stories Into New: Come Take My Class on Retellings!

Hey! Come take my class on retellings!

October 7, 2017.

(Secret: If you join my newsletter, or sign up for my Patreon at $1 or more a month, you’ll get discounts.)

Old Stories x800 Retellings graphic instagram

(It used to be called Retellings and Retaleings.)

Authors constantly draw on the stories that have preceded them, particularly folklore, mythology, and fables. What are the best methods for approaching such material and what are the possible pitfall? How does one achieve originality when working with such familiar stories? Lecture, in-class exercise, and discussion will build your proficiency when working with such stories.

Register by mailing Cat at cat AT catrambo.com and specifying whether you would prefer to pay by Paypal or by check. The cost for a single session live workshop is $99 for new students; $79 for students who have formerly taken a class with Cat (or me!). Classes are taught via Google Hangouts; all you need is a computer with a microphone and reliable Internet connection, but a webcam is suggested.

Can’t make it on the 7th? I have an on-demand version of Retelling and Re-Taleing: Old Stories Into New available online.

Posted in Teaching, Writing Advice, Writing resources | Leave a comment  

I’ll be at Geek Girl Con in Seattle this weekend

My “SuperButch” co-creator Becky Hawkins and I will be tabling at Geek Girl Con this weekend. We’ll be at table D125, which I’m told is near the concessions. If you’re at GGC, I hope you’ll come introduce yourself.

Posted in SuperButch | Leave a comment