Columnist
Sydney

This is not a snapshot

Rene Magritte and The Barbarian (Le Barbare), London Gallery, London, 1938. From: Rene Magritte: The Revealing Image, Latrobe Regional Gallery.

I remember thinking long ago that Rene Magritte was essentially the favourite painter of people who don’t like painting.

Method to the monuments

Orb by artist David Ball from Mittagong, NSW, is seen at the Sculpture by the Sea exhibition, at Bondi in Sydney, Wednesday, October 18, 2017. Ball was this morning announced as the recipient of the $60,000 Aqualand Sculpture Award. Sculpture by the Sea takes place from October 19 to November 5 along the Bondi to Bronte coastal walk. (AAP Image/Dan Himbrechts) NO ARCHIVING

The selection of work is as ­always eclectic, reflecting the general uncertainty about the purpose and place of art in con­temporary society.

A landscape reimagined

You Yangs landscape 1963, from Fred Williams in the You Yangs, Geelong Gallery

Fred Williams changed the way we see our environment: his work must be seen within our history of landscape painting.

Worthy chip off the old block

Supplied Editorial

Cressida Campbell’s work seems to represent an intimately and thoroughly familiar environment.

CommentMorality in own time and place

Donald Friend was exceptionally talented, although he never quite achieved the recognition one might have expected.

Living in style

Frisco Furniture Store, Punchbowl, 1963 designed by Lukacs & Gergely Architects

Inhabitants of modernist dwellings may be living in the alienation of self-representation, not the ­reality of home.

Mexican parables

Edward Weston’s Guadalupe, Mexico, 1924

This show captures the pathos and endurance, the stoicism and the restricted mental world, of Mexico’s peasant masses.

Distinct impressions

Arthur Streeton Golden summer, Eaglemont 1889, oil on canvas, National Gallery of Australia, Purchased 1995, IRN 61325 

From the exhibition:
Australian Impressionism 
National Gallery of Australia, Canberra 
Until 31 Oct 2017 
To be used in conjunction with exhibition only; not to be cropped, overprinted, altered; must credit

The best of the work of Roberts, Street­on and Conder is largely responsive to local conditions, and is thus original.

Despair of the nobodies

Billy the match man, Liverpool 1844
John Dempsey
watercolour
29.5 x 24.1 cm (AG599)
Tasmanian Museum and Art Gallery
Gift of Mr C.E. Docker, 1956

From the exhibition: 
Dempsey's People: a folio of British street portraits 1824-1844 
National Portrait Gallery, Canberra 
Thursday 29 June until Sunday 22 October 2017 
To be used in conjunction with exhibition only; not to be cropped, overprinted, altered; must credit

It is not often that there is an exhibition of portraits of nobodies, people who have made no impact on history.

In search of an answer

Drawing of two aboriginal men lighting a fire, Nicolas-Martin Petit or Charles-Alexandre Lesueur, Black stone or charcoal on paper, Muséum d’histoire naturelle, Le Havre

From the exhibition: 
The Art of Science: Baudin’s Voyagers 1800 -1804 
Australian National Maritime Museum 
31 August – 26 November 2017 
To be used in conjunction with exhibition only; not to be altered, overprinted; must credit

European exploration and mapping of our land is an integral part of our universal history, as a new exhibition shows.

The return of kitsch

Patricia Piccinini Italian/Australian born 1965 
Psychogeography1996, printed 1998 from the Psychoseries 1996, in The mutant genome project 1994-–type C photograph 120.6 x 258.4 cm (image) 126.9 x 278.8 cm (sheet)ed. 1/6 
National Gallery of Victoria, Melbourne 
Purchased through The Art Foundation of Victoria with the assistance of Optus Communications Pty Limited, Member, 1998 (1998.252) 
© Patricia Piccinini 

From the exhibition: 
Every Brilliant Eye: Australian Art of the 1990s 
The Ian Potter Centre: NGV Australia 
2 June –1 October 2017 
To be used in conjunction with exhibition only; not to be cropped, overprinted, altered; must credit

Were the 1990s as miserable and disoriented as this NGV retrospective makes them appear?

The science of sound

MIKHAIL KARIKIS
b 1975, lives and works in London, UK
Promise Me, 2012
Two-channel video, 2 min
Sculpting Voice, 2010
Digital prints (photography by Thierry Bal)
Courtesy of the artist  

From the exhibition:
This is a Voice
Powerhouse Museum, Sydney
On now until 28 January 2018 
To be used in conjunction with exhibition only; not to be altered/overprinted; must credit

A fascinating exhibition at Sydney’s Powerhouse Museum explores the human voice, in all its variations.

Utterly void of meaning

Sydney’s planned new sculpture should be free of controversy, because­ it is utterly void of meaning.

Changing times

Grace Cossington Smith
Australia 1892–1984, England and Germany 1912–14,
England and Italy 1949–51
The Bridge in-curve 1930
tempera on cardboard
83.6 x 111.8 cm
National Gallery of Victoria, Melbourne
Presented by the National Gallery Society of Victoria,
1967 (1765-5)
© Estate of Grace Cossington Smith

From the exhibition: 
Brave New World, NGV Australia 2017 
To be used in conjunction with exhibition only; not to be cropped, overprinted, altered; must credit

An NGV show takes the viewer on a journey from delight in a new vision of humanity to the Depression.

Bowled over by the beauty

Supplied Editorial

Steve Harrison has devoted years to researching the traditional arts by which the finest porcelain is made.

Beyond the wave

web pics for viz arts review.;

All the effects of Japanese ukiyo-e prints are beautifully exemplified in the work of Katsushika Hokusai.

Out of the revolution

Gunter ChristmannUntitled Composition1966oil on composition board 116 x 116 cm National Gallery of Australia Canberra Purchased 1985 

From the exhibition: Call of the Avant-Garde Heide Museum of Modern Art 5 July 8 October 2017 To be used in conjunction with exhibition only; not to be altered, overprinted; must credit

The idea that the avant-garde had some affinity with revolutionary politics is beguiling but misleading.

A display of unity

Historical photo 
Exhibition: 
1917: THE GREAT STRIKE, Carriageworks, Sydney 
15 Jul – 27 Aug 2017
To be used in conjunction with exhibition only

An exhibition on the Great Strike of 1917 shows how dramatically Australia has changed in 100 years.

A matter of perspective

171.1991##M

The exhibition of press photographs by Mervyn Bishop show his mastery of the medium.

CommentCriticism shows generation divide

It’s well known that both artist and subject can be significant factors in winning the Archibald Prize.

Real-world views

George John Pinwell    
 A seat in St James's Park 1869    
 watercolour, 41.9 x 60.2 cm   
 Art Gallery of New South Wales    
 Purchased 1886    
 
 *** This image may only be used in conjunction with editorial coverage of the exhibition Victorian watercolours, on display 2 Jun – 3 Dec 2017, at the Art Gallery of New South Wales. This image may not be cropped or overwritten. Prior approval in writing required for use as a cover. Caption details must accompany reproduction of the image ***  Media contact: Hannah.McKissock-Davis@ag.nsw.gov.au     
  *** Local Caption *** *** This image may only be used in conjunction with editorial coverage of the exhibition Victorian watercolours, on display 2 Jun – 3 Dec 2017, at the Art Gallery of New South Wales. This image may not be cropped or overwritten. Prior approval in writing required for use as a cover. Caption details must accompany reproduction of the image ***  Media contact: Hannah.McKissock-Davis@ag.nsw.gov.au

The Victoria Watercolours exhibition says much about British art in the 19th century.

Paint from life, avoid blow-ups

The best Archibald entries are neither oversized nor based on photographs.

Divine inspiration

Smiling buddha exhibition at NGV.

The original teaching of Buddhism was remarkably simple but it did not stay simple for long.

Thoughtful study in progression

William Dobel 
lMr Joshua Smith 1943 
oil on canvas 107 x 76 cm 
Private collection 
Courtesy Sotheby’s Australia 
© Sir William Dobell Art Foundation 

From the exhibition: 
Discovering Dobell 
Tarrawarra Museum of Art 
27 May - 13 August 2017 
To be used in conjunction with exhibition only; not to be cropped, overprinted, altered; must credit

William Dobell caused a furore with his Archibald Prize winning portrait of a friend.

Devoted to the past

Installation view of:
Syria: Ancient History – Modern Conflict
Ian Potter Museum of Art, Melbourne 
28 Mar 2017 to Sunday 27 Aug 2017 
To be used in conjunction with exhibition only

An exhibition of Syrian artefacts highlights the devotion of historians in the face of Islamist vandals.

Every picture masks a story

Review pic for Christopher Allen here.

Melodrama is ever present in these prints from Japanese novels popular at the turn of the last century.

Message received

Angelica Mesiti, Relay League (production still), 2017. Courtesy the artist; Anna Schwartz Gallery, Melbourne; and Galerie Allen, Paris  
From the exhibition: 
Angelica Mesiti 
Relay League
Artspace, Sydney
4 May – 9 July 2017 
To be used in conjunction with exhibition only; not to be altered, overprinted; must credit

Angelica Mesiti has long been interested in modes of human communication over distances and in proximity.

Between two worlds

Kader AttiaJ’Accuse2016 Installation view, Kader Attia, Museum of Contemporary Art Australia, Sydney, 2017 teak, steel rebar, single-channel digital video, projection, colour, sound Courtesy the artist and Galerie Nagel Draxler, Berlin/Cologne Image courtesy the artist and Museum of Contemporary Art Australia © the artist Photograph: Jacquie Manning  

From the exhibition: 
Kader Attia 
MCA, Sydney 
12 April-30 July 2017 
To be used in conjunction with exhibition only; must credit

Algerian-French artist Kader Attia tackles cultural loss and displacement, but through the prism of repair.

Human nature

Human nature

Photographer David Stephenson’s work navigates the delicate balance of art and politics.

Vincent’s harvest

Vincent’s harvest

There are many misunderstandings about Van Gogh, including that he painted under the inspiration of insanity.