Wednesday, December 29, 2010

Queen - Hollywood Bonus Tracks


QUEEN. Hollywood Bonus Tracks (2CDs) | 244 MB/2 parts | RS link

Artist - QUEEN
Genre - retro/rock
Format - MP3
Bitrate - 320 Kbps
Size - 244 MB/2 parts

In 1991, Hollywood Records released in the U.S. the first 12 Queen studio records, including exclusive remixes, demos and B-sides not available on similar issues elsewhere. Although some of these tracks were available on singles and compilations, there are some that were not available in any other official release. Each bonus track from those albums are ripped and compiled in this issue. Finally, they are all together in one place ...

TRACKS:

From Queen I

1.- Mad The Swine (Previously Unreleased) [03:21]
2.- Keep Yourself Alive (Long Lost Re-Take) [04:04]
3.- Liar (1991 Bonus Remix by John Lungo and Gary Hellmann) [06:26]
From Queen II
4.- See What A Fool I've Been [Original B-Side] [04:38]
5.- Ogre Battle [1991 Bonus Remix by Nicholas Sansano] [03:29]
6.- Seven Seas of Rhye [1991 Bonus Remix by FreddyBastone] [06:35]
From A Night At The Opera
7.- I'm In Love With My Car [1991 Bonus Remix by Mike Shipley] [03:28]
8.- You're My Best Friend [1991 Bonus Remix by Matt Wallace] [02:51]
From A Day At The Races
9.- Tie Your Mother Down [1991 Bonus Remix bty Matt Wallace] [03:44]
10.- Somebody To Love [1991 Bonus Remix by Randy Badazz] [05:00]
From News Of The World
11.- We Will Rock You [1991 Bonus Remix Ruined by Rick Rubin] [05:00]

From Jazz

1.- Fat Bottomed Girls [1991 Bonus Remix by Brian Malouf] [04:24]
2.- Bicycle Race [1991 Bonus Remix by Junior Vasquez] [04:58]
From Flash Gordon
3.- Flash's Theme [1991 Bonus Remix by Mista Lawnge 9.5] [06.42]
From The Game
4.- Dragon Attack [1991 Bonus Remix by R.A.K. and Jack Benson] [04:22]
From Hot Space
5.- Body Language [1991 Bonus Remix by Susan Rogers] [04:44]
From The Works
6.- I Go Crazy [03:43]
7.- Radio Ga Ga [Extended Version] [06:52]
8.- I Want To Break Free [Extended Mix] [07:12]
From A Kind Of Magic
9.- One Vision [Extended Vision] [06:28]
From Thr Miracle
10.- The Invisible Man [12" Version]
11.- Scandal [12" Version]

Part 1
Part 2
Part 3

Credits to Danilo

Wednesday, August 18, 2010

Paul McCartney - Air Canada Center - Toronto, August 8th, 2010.

I have seen a wide variety of concerts in my time, consisting of various genres of music, and I can honestly say that there is no other artist on the planet that touches a wider range of people’s emotions than Paul McCartney does, even after over fifty years. Being able to share this concert experience with my beautiful wife and two young children is something we will be able to talk and reminisce about for years to come. It was a magical evening!

Set List:

Venus and Mars/ Rockshow (Paul McCartney & Wings)
Jet (Paul McCartney & Wings)
All My Loving (The Beatles)
Letting Go (Paul McCartney & Wings)
Drive My Car (The Beatles)
Highway (The Fireman)
Let Me Roll It (Wings)/Foxy Lady (Jimi Hendrix cover)
The Long and Winding Road (The Beatles)
1985 (Paul McCartney & Wings)
Let ‘Em In
My Love (Paul McCartney & Wings)
I’ve Just Seen a Face (The Beatles)
And I Love Her (The Beatles)
Blackbird (The Beatles)
Here Today
Dance Tonight
Mrs. Vanderbilt (Paul McCartney & Wings)
Eleanor Rigby (The Beatles)
Something (The Beatles)
Sing the Changes (The Fireman)
Band on the Run (Paul McCartney & Wings)
Ob-La-Di, Ob-La-Da (The Beatles)
Back in the U.S.S.R. (The Beatles)
I’ve Got a Feeling (The Beatles)
A Day in the Life (The Beatles)/Give Peace a Chance (John Lennon cover)
Let it Be (The Beatles)
Live and Let Die (Paul McCartney & Wings)
Hey Jude (The Beatles)

1st Encore:

Day Tripper (The Beatles)
Lady Madonna (The Beatles)
Get Back (The Beatles)

2nd Encore:

Yesterday (The Beatles)
Mull of Kintyre (Paul McCartney & Wings)
Helter Skelter (The Beatles)
Sgt. Peppers Lonely Hearts Club Band (The Beatles)
The End (The Beatles)

Hawkwind - Sonic Boom Killers: Best Of Singles A's And B's from 1970 to 1980.


















Love of Hawkwind music was both lonely as a cloud and beautiful as spring flowers back in the days of my personal underground. As one of their Canadian fans who discovered them via the written works of Moorcock, I had a limited sense of their context or ouevre - moving from new-wavey Calvert works (Quark, Strangeness, and Charm) to crashing howling mindblowing stuff (Doremi Fasol Latido) - but only ever reading about some of their doings, and that in cryptic bits and pieces. And everybody I knew who had any bedrock sense was getting into punk, maybe new wave at this time, so my discovery of a wonderful band from an earlier era was suspect to say the least. Listening to this CD of their 1970s singles now, over a quarter-century later, is revelatory. Some of these songs just aren't on any of their studio albums from that era (Urban Guerilla, Motorhead, It's So Easy), others appear only in more extended versions that may be great but lose something of the original craftsmanship along the way. Here is a concentrated feast of pure acid rock or whatever Hawkwind music is (kinda genre-defying, ya know?). Can't stop listening to it - or marveling at the realization that this is the link between the earlier British Invasion sound and the later punk revolution. Yes, there was an underground rock scene in London in the early 1970s and it was vital & evolving. Okay, that isn't news in London, but it is in Canada, where we languished for lack of this rich sustenance.

Although it is not necessarily the most essential Hawkwind package you will ever be offered, Sonic Boom Killers is, nevertheless, among the most sensibly structured, its 18 tracks offering up most (but not quite all) of the band's 1970s singles -- most of which were released at a time when chart success was a very real possibility, a point proven by the opening salvo of "Silver Machine" (a U.K. number two in 1972) and "Urban Guerilla" (number 39 in 1973). That the band did not otherwise especially bother the Top 75 is simply a sorry quirk of fashion -- "Hurry on Sundown" (from 1970), "Psychedelic Warlords" (1974), "Kings of Speed" (1975), "Quark Strangeness and Charm" (1977), and "Who's Gonna Win the War" (1980) all received a modicum of broadcast support, while "Shot Down in the Night" (1980) scratched to number 59 purely on the back of Hawkwind's adoption by the New Wave of British Heavy Metal. Four singles are absent from this roundup: "Kerb Crawler", "Back on the Streets", and the alter ego Hawklords' "Psi Power" and "25 Years". In their stead, you receive the Germany-only "Lord of Light". The real meat, however, lies in the gathering together of some key material originally available only as B-sides to the above: the excellent "Seven by Seven", "Brainbox Pollution", 1974's live "It's So Easy", and Lemmy's self-fulfilling prophecy, "Motorhead". All have long since been compiled onto other CDs, of course, but their availability on a single disc is certainly cause for celebration.

Tracklist:

01. Silver Machine
02. Urban Guerilla
03. Hurry On Sundown
04. Kings Of Speed
05. Lord Of Light
06. You Better Believe It
07. Paradox
08. The Psychedelic Warlords
09. Who's Gonna Win The War
10. Motorhead
11. Seven By Seven
12. Brainbox Pollution
13. Born To Go
14. It's So Easy
15. Quark Strangeness And Charme
16. Forge Of Vulcan
17. Shot Down In The Night
18. Urban Guerilla (live)

Original Release Date: 1998
Release Date: August 23, 2005
Label: Repertoire Records (UK)

lossless
http://rapidshare.com/files/68668496/HW188SAB929P.part1.rar
http://rapidshare.com/files/68670177/HW188SAB929P.part2.rar
http://rapidshare.com/files/68671829/HW188SAB929P.part3.rar
http://rapidshare.com/files/68673743/HW188SAB929P.part4.rar
http://rapidshare.com/files/68675440/HW188SAB929P.part5.rar
http://rapidshare.com/files/68676060/HW188SAB929P.part6.rar

covers.jpg (40 MB)
http://rapidshare.com/files/68666880/HW188SAB600CR.zip

lossy.mp3
http://rapidshare.com/files/68664634/HW188SAB20G.part1.rar
http://rapidshare.com/files/68666125/HW188SAB20G.part2.rar

password: 200_IT

Thanks to Rehabilly!

Tuesday, August 17, 2010

The Hampton Roads Concert - Elvis Presley - April 9th, 1972. flac


















Remembering Elvis today...33 years gone but not forgotten. Here's the King sleighing them in Hampton, Virginia, April 9th, 1972. The bulk of this concert was recorded for the "Elvis On Tour" film. Elvis is in top form and the sound quality of this recording has to be heard to be believed. Play loud.

The Hampton Roads Concert (Lossless)


Hampton Roads VA 9 de Abril de 1972

Contenido

1: Also Sprach Zarathustra
2: See See Rider
3: Until It's Time For You To Go
4: Polk Salad Annie
5: Love Me
6: All Shook Up
7: Teddy Bear/
8: Don't Be Cruel
9: Are You Lonesome Tonight
10: I Can't Stop Loving You
11: Hound Dog
12: Bridge Over Troubled Water
13: Suspicious Minds
14: For The Good Times
15: Band introductions
16: American Trilogy
17: Love Me Tender
18: A Big Hunk O' Love
19: How Great Thou Art
20: Sweet Sweet Spirit
21: Lawdy, Miss Clawdy
22: Can't Help Falling In Love
23: Closing Vamp

http://rapidshare.com/files/97780339/elv972-04-09.flac.part1.rar
http://rapidshare.com/files/97785348/elv972-04-09.flac.part2.rar
http://rapidshare.com/files/97788570/elv972-04-09.flac.part3.rar
http://rapidshare.com/files/97783698/elv972-04-09.flac.part4.rar

Thursday, July 29, 2010

Ringo Starr - Jubilee Auditorium - Calgary - July 28th, 2010.



Last night the wife and I had the great fortune to attend Ringo Starr's All Starr Band concert last night in Calgary and indeed we were nothing short of star struck! In a two-hour show Wednesday night featuring his 11th All-Starr Band, Ringo showed why he is a beloved Beatle with his warm sense of humor, wit and muscianship. Starr delivered a strong set featuring Fab Four classics, his trademark Beatles numbers, timeless solo hits and afew new numbers and several tunes by his bandmates that are musical monsters in rock ‘n’ roll history and ones that tore up the charts during the 1970s, 1980s and 1990s.

The backdrop for the stage was a huge, psychedelic star adorned with star-gazer lilies and the sold-out hall was filled with a different sort of audience than I’d become accustomed to seeing at rock concerts — old and new school hippies, Beatles fans, 70s-era music alumni, and fans of this year’s 11th line-up of All Starrs. The “All Starr” label is, indeed, intended a pun. In his 11th line-up, Ringo was supported by Edgar Winter, Gary Wright, Wally Palmer, Richard Page, Rick Derringer, and Gregg Bissonette, all popular in their own right, with a hit or two to offer, but not likely names you’d associate with super stardom. Ringo was definitely the name that held it all together, though it was an amazing gathering of first class musicians.

The lights dimmed, the applause started and the All Starrs came out and introduced their frontman, Ringo Starr, who took the stage with hands held up in peace signs and face wearing a big smile. Everyone jumped to their feet to give him the standing ovation he deserved. For being in his seventh decade, Ringo looked great and seemed to be feeling good and full of energy. The BeatleMania and perhaps the corny-nostalgic part of me fought off a tear while staring in awe at this legend of rock music.

The band launched into “It Don’t Come Easy” during the sold-out performance and out came Ringo, dressed all in black to front the stage for the opener, “Honey Don’t,” and the more recent “Choose Love.”
“It’s great to be here,” Starr said. “This is a historic musical memory.” Three songs into the set, they changed things up, and the crowd loved it.
Then Ringo went to man the drums, turning over the set to his band: sharpshooters including saxophone/keyboard virtuoso Edgar Winter, bassist Richard Page, guitarist Rick Derringer, Wally Palmar on guitar, Gary Wright on keyboards and Greg Bissonette on drums. Talk about some musical history.

Ringo introduced Rick Derringer, formerly the lead singer of the McCoys, who said his parents were at the show and claimed “They still have the Billboard chart where the McCoys song was #1 and the Beatles’ ‘Yesterday’ was #2, although that only lasted a week.” Then the band played that old aforementioned #1 hit, “Hang on Sloopy.” The show had officially taken off. The chemistry between these guys was amazing and it was great to see a group of musicians reminisce, rock out and just have fun some good-old fashioned fun. Edgar Winter took the spotlight next and busted out the 70’s classic “Free Ride” complete with a sweet solo on a keyboard that hung from a strap around his neck. He claimed he was the first musician to play keys this way, and did it so he could move around the stage and not be stuck in one place. Winter then introduced Wally Palmer, a Detroit native who played with The Romantics, and kept the crowd going. Everyone was singing along to “Talking in Your Sleep,” and for this piece, multi-instrumentalist Winter contributed a great sax solo.

They threw the Beatles classic “I Wanna Be Your Man” into the rotation, then introduced Gary Wright for the segue into “Dream Weaver,” Wright attributing some of his inspiration for the song to George Harrison. Wright discussed how Harrison had given him a book on spiritualism when the two took a trip to India. From that book, Wright came up with the words for the huge 1974 hit “Dream Weaver.”

What makes the All-Starr bands so special are all of the other songs they are able to play from the members’ backgrounds.

Ringo and His Starrs played all the hits you’ve heard on the radio for decades, the ones so contagious, you know all the words but could never get sick of. Richard Page, the former lead and bass player of Mr. Mister, took the lead to play the “Kyrie,” prompting the entire audience to clap along to the beat. With that, they’d finished the first rotation and moved onto the next, throwing Ringo back into the spotlight here and there. Each of Ringo’s players had the chance to rock out to their fullest and amp up the audience to the max. There was almost a sense of the surreal with this continuous barrage of one classic song followed by the next. I remarked to my wife several times throughout the evening, “this feels like high school circa 1973!” And how sweet it was to be treated to this fest for the eyes and ears last night!

It was one of those great concerts where, instead of being tired and wondering how long they’ll play or when it will end, you can’t wait to hear what’s next. Of course, the night belonged to Ringo. He assumed command of the show with Beatles’ songs “Boys” and “Act Naturally” and solo 1970s hits “Back Off Boogaloo” and “Photograph.” And then Ringo dipped into a song from the album that shook the world: “Sgt. Pepper’s Lonely Hearts Club Band.”
They played for two hours and closed the show with a tune that Ringo claimed hadn’t gotten such a good response at their other shows. He said he’d leave it up to the Clearwater audience to decide whether or not to keep it on the set list.

When they launched into “With a Little Help from My Friends,” the crowd went completely nuts, therefore sealing the fate of the song’s inclusion in future set lists. For the first time since the beginning of the show, everyone in the audience was standing, most of them singing and dancing, too. The big finale was a Lennon-esque tribute of “Give Peace a Chance.” Ringo left the stage to yet another standing ovation, the audience sending waves of love his way. The All Starrs took their final bows and disappointingly, no one returned for an encore. The crowd left the hall happy and buzzing on a music high, nonetheless, the awesome blast from the past by Ringo and his All Starr Band a most welcome Wednesday night treat for these thirsty ears!

July 28, 2010 All Starr Set list:
It Don’t Come Easy
Honey Don’t
Choose Love
Hang on Sloopy
Free Ride
Talking in Your Sleep
I Wanna Be Your Man
Kyrie
The Otherside of Liverpoole
Yellow Submarine
Frankenstein
Peace Dream
Back Off Boogaloo
What I Like About You
Rock And Roll Hootchie Coo
Boys
Broken Wings
Photograph
Act Naturally
With A Little Help from My Friends/Give Peace a Chance Finale!

Up next…McCartney!

Sunday, July 18, 2010

Some Girls Alternates and Outtakes - Rolling Stones - 1978.

Some Girls is easily my second favourite Stones album, after Sticky Fingers.

A lot of Stones studio recordings from the late 70s circulate on a dizzying amount of overlapping collections, which are cobbled together with little rhyme or reason.

I have gathered the outtakes I have of the album's 10 songs. I'm hesitant to say this set is complete -- especially since I found a few late additions a couple of weekends ago (and some take #s are missing) -- but it's close.

Disc 1
Miss You II 11:44
Miss You III 7:27
Miss You IV 9:24
When The Whip Comes Down I 9:55
When The Whip Comes Down II 7:23
When The Whip Comes Down III 10:31
Just My Imagination I or II 2:45
Just My Imagination III 7:12
Just My Imagination IV 6:51

Disc 2
Some Girls I 6:29
Some Girls II 5:14
Lies I 3:41
Lies II 4:14
Lies III 3:49
Far Away Eyes I 4:36
Far Away Eyes II 5:33
Respectable I 3:52
Respectable III 3:49
Before They Make Me Run I 4:34
Before They Make Me Run IV 3:18
Beast Of Burden I 5:05
Shattered I 3:23
Shattered II 3:46

Bonus:
Miss You (8-Track/+ :52) 5:40
Far Away Eyes (Single/- :47) 3:37
Beast Of Burden (8-Track/+ :46) 5:11
Shattered (Single/- 1:08) 2:39

The last four are different edits of the LP tracks, which were either released as 45s or included on 8-track. I have noted the approximate differences in time.

http://rapidshare.com/files/273082391/SG-CD1.zip
http://rapidshare.com/files/273576960/SG-CD2.zip

Thanks to Redsock!

Thursday, July 15, 2010

Phil Spector's Flips and Rarities.























For the next upload, I've decided to offer Phil Spector's Flips and Rarities. This is not a perfect compilation by any means; some of the songs have no Spector involvement whatsoever (though some of these soundalikes, such as Lesley Gore's "To Know Him Is To Love Him," are indeed really cool). But the whole set is worth it for such wonderful Spector productions as Gene Pitney's "Dream for Sale" and "Mr. Robin" by The Spectors Three. And on top of it all, you get the legendary kiss-off "The Screw." What mono-head could ask for more?

Certainly this is an unauthorized CD compilation of rare 1960s tracks that Phil Spector had something to do with, as either producer, songwriter, or even artist. There's no label (though there is a catalog), but it certainly does exist, and was, as of 2001, available for sale at specialized record stores with extremely deep stock. Just because Spector was involved in a record didn't necessarily mean it was good, and the merits of this 30-song anthology are extremely erratic, though there are some undoubted high points. Most of these are run-of-the-mill early-'60s tracks that weren't hits for a reason: The songs were trivial and not that hot. And most of them don't have an identifiably Spectoresque sound, in part because on several of them he was only involved as a songwriter, in part because some of them predate his true Wall of Sound techniques. Some of these cuts are good, or at least okay, like Gene Pitney's "Dream for Sale" (which actually isn't too rare), Bonnie & the Treasures' "Home of the Brave," April Stevens' breathy "Why Can't a Boy and Girl Just Stay in Love" (which Spector co-wrote with Nino Tempo), Johnny Nash's "World of Tears," and Veronica's "Why Don't They Let Us Fall in Love" (which is actually Ronnie Spector of the Ronettes). Sonny Charles & the Checkmates "Black Pearl" is very good, and was a pretty big hit in 1969, but why it's included here isn't too clear, as it's been officially released as part of Spector's Back to Mono box. There are also items that fall into the novelty realm, like the guitar instrumental "Bumbershoot" that Phil Spector cut under the alias Phil Harvey, and the ridiculous Crystals B-side "The Screw (Let's Dance)," a throwaway track interrupted by poker-faced admonitions to "do the screw" (spoken by Spector's lawyer). Overall this is interesting to acquire for dedicated Spector enthusiasts, but the utter lack of liner notes (though at least there are songwriting credits) is a major strike against its value. There are no clues as to why some tracks, like Santo & Johnny's "Spanish Harlem," are considered to have any Spector associations whatsoever. The sound quality is pretty good, but the tracks have almost certainly (sometimes quite audibly so) been taken from vinyl records rather than master tapes.


I Idolize You-Ike And Tina Turner
Black Pearl-Sonny Charles And Checkmates
Dream For Sale-Gene Pitney
Some Of Your Loving-Johnny Nash
World Of Tears-Johnny Nash
When You Dance-Billy Storm
Spanish Harlem-Santo And Johnny
Mr Robin-Spectors 3
Some Of Your Lovin-Emil O Conner
I Love You Betty-Terry Day
That`s All Right Baby-Gary Crosby
Yes I Love You-Paris Sisters
That's What Girls Are For-Timothy Hay
Where Can You Be-Tony And Joe
Raincoat In The River-Sammy Turner
To Know Him Is To Love Him-Lesley Gore
Be My Girl-Ray Peterson
Unchained Melody-Blackwells
Oh Why-Teddy Bears
Home Of The Brave-Bonnie and the Treasures
Why Can`t A Bpy And Girl Just Stay In Love-April Stevens
Why Don`t They Let Us Fall In Love-Veronica
The Screw-Crystals
Bumbershoot-Phil Harvey
Woman In Love-Ronettes
Quiet Guy-Darlene Love
Here It Comes And Here I Go-Jeri Bo Keno
Puddin N Tain-Alleycats
Dream For Sale-Joey Paige
I'm So Happy-Ducanes

http://www.megaupload.com/?d=8ZA08WBP

Thanks to Tom Sawyer

The Ronettes - The Ultimate Collection!! - Flac!






















The sound? Remastered excellence. The selection? Do you get all 36 of the Ronettes' ever-recorded tracks? No. But you get most of the good stuff, and all the great stuff. Do not hesitate!
Forget the Abkco label stuff, here are the fabulous Ronettes singing 29 great songs, with all but a handful in TRUE STEREO. Any stereo mixes of early Phil Spector "Wall of Sound" recordings are exceedingly rare, but on this collection you are in for a treat as such classics as "Be My Baby", "Baby I Love You" and "Walking In The Rain" unfold on on a wide STEREO soundstage, taking your breath away like those narrow, tinny and very busy (transistor radio) sounding versions NEVER could. A few, like "I Can Hear Music", aren't available in stereo, but at least they're included here. And three of their Christmas classics also appear here in wide stereo! All other Ronettes collections will be either mono or remakes; again, THIS is the real deal, the original hits, mostly all in stereo.

There are not many CD releases to find with Phil Spector's The Ronettes. This collection contains 28 tracks, of which 23 are Spector productions, the other five come from the group's 1962 pre-Spector album.

According to the very cheap looking cover, the songs are digitally remastered, and most tracks sounds clearer than on the 1992 abkco release "The Best of Ronettes". Some tracks do sound somewhat metallic, and in some cases, there is outright distortion - for instance on "Lovers". You can have your doubts whether the people behind the remastering have had had access to the original master tapes. You would expect that the sound presentation could have been better and the general impression of the CD is that of a bootleg, with its very cheap one-sheet cover; badly printed with lots of factual errors on the songwriting credits.

Most tracks sound however do sound acceptable, and the songs are indeed in many cases brilliant.

The band's second album, "Presenting the Fabulous Ronettes" is represented in its entirety, and it actually could appear a little like a greatest hits album with tracks like "Be My Baby," "Walking in the Rain," "You Baby" and "Baby I Love You" - all great songs that really deserve a better presentation.

Inexplicably, the group had difficulty in maintaining the popularity achieved by the two big hits "Be My Baby" and "Baby I Love You" in 1963. Despite several excellent single releases during 1964-66, the group's singles never again reached the top 20. "The Best Part of Breaking Up," "Walking in the Rain," "Is This What I Get For Loving You Baby," "Here I Sit," "Keep On Dancing" and "I Can Hear Music" all sound sound like sure hit-songs.

This release contains the majority of what the group recorded with Spector, and it is definitely worth a listen. After a recording break of 2-3 years in 1969 the group released their last single, "You Came, You Saw, You Conquer". The song is missing on this release, but in turn, the fine B-side "Oh, I Love You" is included - in reality a much better track.

The Ronettes - Ultimate Collection
Flac 456mb Includes Covers

(01) Recipe For Love - Ronettes - The Ultimate Collection.flac
(02) I Want A Boy - Ronettes - The Ultimate Collection.flac
(03) Be My Baby - Ronettes - The Ultimate Collection.flac
(04) (Best Part Of…) Breaking Up - Ronettes - The Ultimate Collection.flac
(05) Baby I Love You - Ronettes - The Ultimate Collection.flac
(06) You Baby - Ronettes - The Ultimate Collection.flac
(07) Do I Love You - Ronettes - The Ultimate Collection.flac
(08) Good Girls - Ronettes - The Ultimate Collection.flac
(09) Silhouettes - Ronettes - The Ultimate Collection.flac
(10) You Bet I Would - Ronettes - The Ultimate Collection.flac
(11) I*m Gonna Quit While I*m Ahead - Ronettes - The Ultimate Collection.flac
(12) I Wonder - Ronettes - The Ultimate Collection.flac
(13) Chapel Of Love - Ronettes - The Ultimate Collection.flac
(14) Is This What I Get For Loving You - Ronettes - The Ultimate Collection.flac
(15) Here I Sit - Ronettes - The Ultimate Collection.flac
(16) Soldier Baby - Ronettes - The Ultimate Collection.flac
(17) Why Don*t They Let Us Fall In Love - Ronettes - The Ultimate Collection.flac
(18) How Does It Feel - Ronettes - The Ultimate Collection.flac
(19) Walking In The Rain - Ronettes - The Ultimate Collection.flac
(20) Woman In Love - Ronettes - The Ultimate Collection.flac
(21) I Can Hear Music - Ronettes - The Ultimate Collection.flac
(22) Oh I Love You - Ronettes - The Ultimate Collection.flac
(23) Lovers - Ronettes - The Ultimate Collection.flac
(24) So Young - Ronettes - The Ultimate Collection.flac
(25) Keep On Dancing - Ronettes - The Ultimate Collection.flac
(26) Paradise - Ronettes - The Ultimate Collection.flac
(27) I Saw Mommy Kissing Santa Claus - Ronettes - The Ultimate Collection.flac
(28) Sleigh Ride - Ronettes - The Ultimate Collection.flac
(29) Frosty The Snowman - Ronettes - The Ultimate Collection.flac

http://rapidshare.com/files/164539382/The_Ronettes-.part1.rar
http://rapidshare.com/files/164539391/The_Ronettes-.part2.rar
http://rapidshare.com/files/164544604/The_Ronettes-.part3.rar
http://rapidshare.com/files/164719650/The_Ronettes-.part4.rar
http://rapidshare.com/files/164706125/The_Ronettes-.part5.rar

Wednesday, July 14, 2010

Hot Wacks! The Wackers 1972. (FLAC)




















Absolutely one of the lost pop masterpieces of the '70's...nothing short of a pop holy grail! Tall words indeed but the music speaks for itself! The Wackers were just one of the many very creative and more than competent bands that failed to achieve mainstream success in spite of their talent.

In 1971, the Wackers released a strong debut, lushly produced by Gary Usher. While Usher was no doubt a great producer, some may find his production on Hot Wacks a little too slick. The songs and performances save the day though, and show the band maturing at a rapid rate. Bob Segarini, one of the band’s founders, had been in Family Tree and Roxy prior to forming the Wackers. He’s still on the scene today making albums, and if push comes to shove, I’d say that his other two masterpieces are Miss Butters by Family Tree (1968) and Gotta Have Pop which is a solo effort from the late 1970’s.

Hot Wacks is unquestionably the Wackers best album. Although at times a bit derivative of Abbey Road era Beatles (there’s even a side 2 suite), Hot Wacks is really a lost power pop gem.

I bought Hot Wacks on vinyl in the early 70's due to a review in Rolling Stone. This is one of the most brilliant albums, taken as a complete work, of this period. The Wackers are another example that the air or water in Canada grows great musicians.Unfortunately it proves the rule that more good music dies unknown than bad music gets attention.

Although the mix is a little muddy compared to the best, my guess is that the studio was using the typically crappy transistorized amps which had to be toned down because when recorded accurately, they sounded like fingernails on a blackboard.

From my perspective, the arrangements on Hot Wacks are inspired. Given the influences that Frank alludes to, Hot Wacks manages consistently to exceed its antecedents, sometimes by a country mile. The vocals float above the backing tracks, which are deceptively simple and incredibly tasty at the same time.

And, not to offend John and Yoko aficionados, the Wackers do a far more than adequate rendition of "Oh, My Love." Whereas Lennon's version is a plaintive realization of his love for Yoko, which seems to lament his previous ignorance, the Wackers' cover celebrates with tenderness the dawn of a new relationship: the first realization that one truly loves their new squeeze. Choose which seems a more honest or inspired interpretation, but don't dismiss The Wackers' because they had the guts to cover an "untouchable" song; they suceed on their own merits.

Each song is as good as the one before and all of them are fun little upbeat pieces. Cuts 7 through 12 made up side 2 of the original LP and run together as a continuous ten minute suite.

I weep for all the bands and performers that sank into obscurity without a blip on music's radar screen: The Wackers, Music Machine, Jules and the Polar Bears, The Records, Bram Tchaikovsky, Television, Nick Drake, the Syd Barrett Pink Floyd.

The Wackers - Hot Wacks (1972)
FLAC (EAC rip) Logs + CUEs cover scans 202 MB incl. 3% recovery (3 files)
Genre: Rock Year: 1972

Tracklist:
01.I Hardly Knew Her Name
02.We Can Be
03.Oh My Love
04.Wait And See
05.Do You Know The Reason
06.Breathe Easy
07.Time Will Carry On
08.Maybe Tomorrow
09.Hot Wacks
10.Anytime/Anyday
11.Find Your Own Way
12.Time Will Carry On [Wont It]

http://rapidshare.com/files/389795223/The_Wackers_-_Hot_Wacks.part1.rar
http://rapidshare.com/files/389796154/The_Wackers_-_Hot_Wacks.part2.rar
http://rapidshare.com/files/389795415/The_Wackers_-_Hot_Wacks.part3.rar

Sunday, April 18, 2010

Dark Side of The Moon - Pink Floyd - Alan Parson's Quadraphonic Mix - 1974.



















When a music fan thinks of the "Quadraphonic Sound" of the 1970's, and even today's modern 5.1 sound options, one of the first music titles that comes to mind is Pink Floyd's "Dark Side of the Moon" album. Released in 1973, this album combined thematic music with a myriad of sound effects and spoken passages that has entertained listeners for the past 30+ years. Many have spent hours listening with headphones, while others listened as stereos and boom boxes played their LPs, cassettes, and 8 tracks. When the CD format arrived, this was one of the first titles to get released, earning the first catalog number used in the US by Capitol: CDP 40001.

A special few, however, got to hear this work with more than two channels, as it was originally concieved. When the album was recorded, engineer Alan Parsons created a discrete 4 Channel mix that was to be used for commercial LP and tape release in the new "Quadraphonic" systems. Pink Floyd had been using surround in their stage presentations of this music, so it seemed quite logical that the fans be able to hear it as it was meant to be heard.

EMI owned the rights to all Pink Floyd material throughout the world, with the exception of the United States. In the USA, Pink Floyd titles were released on the Capitol label, originally controlled by EMI. In the early 1970's, there were competing formats for quadraphonic records. Early matrix systems competed with discrete tape, and soon JVC came up with a discrete format for the LP, the CD-4 system. With 3 major systems to chose from, many labels vacillated between choices, waiting to see which one would be the "victor". Columbia championed its' own SQ system, while RCA pushed the discrete CD-4 system. Some labels, like A&M, used both SQ and CD-4, as well as the third system from Sansui, the QS system. EMI decided to use the CBS SQ system throughout the world, and "Dark Side of the Moon" became available in the UK, Europe, and Australia as an SQ LP. Interestingly enough, in Japan, it was released using the RM matrix system, which was the system that Sansui based their QS system on. In the USA, however, Capitol did not release "Dark Side of the Moon" as a quad LP**. They did, however, release it as a quad 8-track tape. This, however, is where the story gets interesting.

Alan Parsons had created a vibrant, discrete mix of "Dark Side of the Moon". Those that have heard it will attest to the fact that it is quite remarkable, and surely a masterpiece when we consider the equipment available to him during 1973. (There is an interesting article called "Four Sides of the Moon" that details the creation of the mix.) When this discrete mix was finished, EMI created the master for the worldwide SQ LP release by encoding the discrete master tape using an SQ encoder. This device mixed the front and rear channels together, combining them into a compatible stereo track that could be pressed onto LPs and be subsequently decoded by a proper decoder, resulting in the playback of the original mix. In theory this sounded good, but the encoding and decoding equipment was far from perfect. Once the tracks were mixed together, they could never be decoded to the point where they were totally discrete as was the master tape. Even the modern "Full Logic" decoders that emerged in the 1980's could not reproduce the exact mix that existed on the master tape.

In the UK, EMI created their Quad 8 Track from the master discrete tape, thus creating the only commercially released version of this classic. Since quad tapes were sold in very small numbers in the UK, an instant collectible was created. The UK DSOTM Q8 usually sells for over $500 when it changes hands.

In the USA, Capitol, for some reason, received the SQ master tape to "Dark Side of the Moon". Why they received this tape is unknown, as there was never an intended SQ release for the USA (Capitol never decided on a format to release quad LPs, and although they released a few sampler LPs using the CBS SQ system, no commercial titles were ever released) In an incredibly stupid move, Capitol took the SQ Master Tape and used it to master their domestic Quad 8 Track! They simply decoded the SQ reel using an SQ decoder, then mastered the US Q8 from the decoded source. This resulted in a "less than discrete" tape.

Consequently, in the USA, the only quadraphonic release of DSOTM was the compromised Capitol Q8. Although it actually sounds pretty good to the unknowing, the UK Q8 blows it out of the water. The Alan Parsons mix used to create both tapes was not used to create the current 5.1 Super Audio CD, as the group preferred to have their current engineer James Guthrie create a new 5.1 mix to match the capabilities of the SACD format. While the SACD is astonishing in it's own right, the original Alan Parsons mix remains a favorite of fans, as it is known to be more "aggressive" in its' use of the surround channels.

In Japan, Dark Side of the Moon was pressed using the "RM", or "Regular Matrix" system. This was basically the Sansui QS system without the Sansui name. This is the most desirable, and consequently the most valuable, of the DSOTM quad LPs. It sells for well into the hundreds of dollars when it shows up on eBay, which is usually only once a year. The UK and German LPs, while collectable, are still fairly common.

The SACD of Dark Side of the Moon does not contain Alan Parsons original quadraphonic mix. It was the opinion of the group that the SACD be created from a new 5.1 mix, and commissioned their current engineer James Guthrie to create that mix.

CD1:
01 Speak To Me... Breathe [Quadrophonic Mix]
02 On The Run [Quadrophonic Mix]
03 Time [Quadrophonic Mix]
04 The Great Gig In The Sky [Quadraphonic Mix]
05 Money [Quadrophonic Mix]
06 Us And Them [Quadrophonic Mix]
07 Any Colour You Like [Quadrophonic Mix]
08 Brain Damage [Quadrophonic Mix]
09 Eclipse [Quadrophonic Mix]
10 On The Run [Rehearsal]
11 Us And Them [Part 2][Rehearsal]
12 Eclipse [Rehearsal]
13 Us And Them [Part 2][Rehearsal]
14 Brain Damage [Rehearsal]

CD2:
01 Speak To Me... Breathe [Alternate Remix]
02 On The Run [Alternate Remix]
03 Time [Alternate Remix]
04 The Great Gig In The Sky [Alternate Remix]
05 Money [Alternate Remix]
06 Us And Them [Alternate Remix]
07 Any Colour You Like [Alternate Remix]
08 Brain Damage [Alternate Remix]
09 Eclipse [Alternate Remix]
10 Money [Acoustic Demo]
11 Time [Rough Mix]
12 Brain Damage [Rough Mix]
13 Eclipse [Rough Mix]
14 Us And Them [Rough Mix]

Studio mp3@256
http://www.megaupload.com/?d=DCNY5ZUX

Thanks to tube and Ismael!

Wednesday, March 17, 2010

The Runaways - Discography.






















The Runaways were a teenage, American all-girl rock band that performed in the 1970s. The band is best known for the songs "Cherry Bomb", "Queens of Noise", "Neon Angels (On the Road to Ruin)" and "Born to Be Bad". "Cherry Bomb" appeared on the movie soundtracks for "Dawn, Portrait of a Teenage Runaway", "Detroit Rock City", "RV" and "Dazed and Confused". The band toured through America and Japan, also visiting the UK, Sweden, Finland, Norway, Belgium, France, the Netherlands, Switzerland and Germany. The career of the band was short (1975–1979), successful, and tempestuous.

What made the Runaways unique was the musical strength and depth of influences each member brought to the group. Anchored by Sandy West's muscular drumming, and fronted Cherie Currie (Bowie-esque in appearance and in terms of on-stage presence), the Runaways were the first 'girl band' that showcased two great guitarists: Joan Jett's ear-splitting rhythms and Lita Ford's virtuoso leads gave them a sound that blended influences from Glam, Heavy-Metal, and Punk-Rock. Jackie Fox (heavily influenced by " [http://en.wikipedia.org/wiki/Kiss_(band) Kiss] ") augmented Sandy West's drumming to give the band sufficient on-stage power to pull it all off. Initially dismissed by American music critics and radio programmers as another one of Kim Fowley's gimmicky acts, The Runaways proved in reality, to be excellent musicians.

"The Runaways" have some historical significance for being the first all-girl rock band to have hit-songs, record platinum albums (at least 1,000,000 units sold), tour internationally, and acquire fame. Despite those accomplishments, the girls themselves never made a big deal about any of it.

History

The beginning

Widely believed at the time to have been a novelty act formed by producer Kim Fowley, who thought the notion of five teenage girls dressed in leather and lingerie performing rock and roll music was highly marketable, the truth of the band's origin is actually that the individual parts that made up the whole began with the most pure of rock 'n' roll intentions.

Despite the apparent "jailbait on the run" gimmick pushed by their manager, the girls in the band were proficient at playing their instruments and wrote or co-wrote most of the band's material and, as later became obvious, were serious about their music. Their best known song is 1976's "Cherry Bomb", which has been covered by many other bands, including the Japanese pop-punk trio Shonen Knife, and Joan Jett's later band, "The Blackhearts".

It is a common misconception that The Runaways were a manufactured band, controlled by manager Kim Fowley - in fact, the Runaways were formed in late 1975 by drummer Sandy West and rhythm guitarist Joan Jett together with songwriter Kari Krome, who was searching for girls to perform her songs. They had introduced themselves (on separate occasions) to producer Kim Fowley stating their ideas to form an all-girl band. Fowley, who was always looking for the next big thing, gave Jett's phone number to West. The two met on their own to discuss the possibilities. After rehearsing together, the pair contacted Fowley to let him hear the results. Fowley then helped the girls find the other members.

Starting as a power trio with bassist Micki (Michael) Steele, the Runaways began the party and club circuit around Los Angeles. In 1976, they added 16-year-old lead guitarist Lita Ford and lead singer Cherie Currie to the fray. Bassist Micki Steele left the group, later resurfacing in the hugely successful Bangles. Ann Boleyn was recruited to play bass and keyboards but soon left after a disagreement with Fowley. Then Peggy Foster took over on bass but also left after a while. Finally, Jackie Fox (who had originally auditioned for the lead guitar spot) was added on bass and the line up was complete.

Fame

The Runaways were signed to Mercury Records in 1976 and their debut album, "The Runaways", was released shortly after. The band toured the US and played numerous sold out shows. They had been the opening act for Cheap Trick, Tom Petty and The Heartbreakers, the Ramones, and Van Halen. In the documentary "Edgeplay", it was said that each girl patterned herself after her idols: Currie patterning her look after David Bowie, Jett after Suzi Quatro and Keith Richards, Ford as a cross between Deep Purple guitarist Ritchie Blackmore and Jeff Beck, West after Queen drummer Roger Taylor, and Fox after Kiss bassist/vocalist Gene Simmons.

Their second album, "Queens of Noise" was released in 1977 and the band began a world tour. The Runaways quickly became lumped in with the growing punk rock movement. The band (already fixtures on the west coast punk scene) formed alliances with east coast punk bands such as Blondie, The Ramones and The Dead Boys (via New York City's CBGB's) as well as the UK punk scene by hanging out with the likes of The Damned, Generation X and The Sex Pistols. Due to the band's constant touring, they were in the unique position of being in the middle of the punk scene as it was breaking in two different countries, thus cementing their place in punk history.

In the summer of 1977 the group arrived in Japan for a string of sold out shows. The Runaways were the number 4 imported music act in Japan at the time, only trailing behind Led Zeppelin, ABBA, and Kiss in terms of album sales and popularity. The girls were unprepared for the onslaught of fans that greeted them at the airport. The mass hysteria would later be described by guitarist Jett as being "like Beatlemania". While in Japan, The Runaways had their own TV special, did numerous television appearances and released a live album that went gold. While in Japan, bassist Jackie Fox left the band shortly before the group was scheduled to appear at the 1977 Tokyo Music Festival. Jett temporarily took over bass duties and when the group returned home they replaced Fox with 17 year old Vicki Blue.

Singer Cherie Currie then left the group and Jett, who previously shared vocals with Currie, took over lead vocals full time. The band released their 4th album, "Waiting For The Night" and started a world tour with their friends The Ramones. Currie released a solo LP "Beauty's Only Skin Deep", which was produced by Kim Fowley and began her own tour which included her identical twin sister Marie.

Dissolution

Due to disagreements over money and the management of the band, the Runaways and Kim Fowley parted ways in 1978. The group quickly hired new management, who also worked for Blondie and Suzi Quatro. When the group split with Fowley, they also parted with their record label Mercury/Polygram, to which their deal was tied. In the "Edgeplay" documentary, members of the group (especially Fox and Currie) as well as the parents of Currie and West, have accused Fowley and others assigned to look after the band of using divide and conquer tactics to keep control of the band, as well as verbal and sexual abuse of the band members.

Bassist Vicki Blue left the group and was replaced by Laurie McAllister. The band reportedly spent much time enjoying the excesses of the rock n' roll lifestyle during this time. They partnered with Thin Lizzy producer John Alcock, (after, ironically, Jett's future partner Kenny Laguna turned down the job) to record their last album "And Now ... The Runaways".

The band played their last concert on New Year's Eve 1978 and broke up in April 1979 with the departure of Joan Jett.

Line-ups

Post-breakup

Joan Jett

Joan Jett went on to become a partner and work with producer and former Shondell (as in Tommy James And The Shondells) Kenny Laguna. They formed The Blackhearts and their own record label, Blackheart Records in 1980. The label still continues to release albums by The Blackhearts, and also other new up and coming bands. Jett went on to have massive success with her song "I Love Rock 'N' Roll" as well as other hits such as "Crimson and Clover", "Bad Reputation" and "I Hate Myself For Loving You". Blackheart Records was formed in response to Jett getting rejected by major record labels. Jett also co-starred in the 1987 film "Light of Day" with Michael J. Fox, and appeared in the 2000 Broadway revival of "The Rocky Horror Show" as Columbia.

Sandy West

Sandy West continued her association with John Alcock once the group disbanded. She and Lita Ford attempted to record some music, but nothing materialized. She formed the Sandy West Band and toured California throughout the '80s and '90s. She also did session work with John Entwistle of The Who and became a drum teacher. West was diagnosed with cancer in 2005 and, after many treatments, succumbed to the disease in October 2006. A memorial tribute concert featuring , Cherie Currie, The Bangles and The Donnas was held in Los Angeles.

Micki Steele

Micki Steele joined the all girl band the Bangles in the early 1980s and went on to huge success with songs like "Walk Like An Egyptian" and "Eternal Flame". She was briefly replaced by Ann Boleyn, who eventually became the lead singer of Hellion and Detente.

Lita Ford

Lita Ford returned as a solo artist to Polygram in the 1980s, where she released several albums before pairing with manager Sharon Osbourne. She also had success with songs like "Kiss Me Deadly" and "Close My Eyes Forever" (the second a duet with Sharon's husband Ozzy Osbourne). She is currently married to former "Nitro" singer Jim Gillette. They have two young sons. After a long hiatus, Ford staged a comeback, permforming at Rock The Bayou and other hard-rock festivals during the summer of 200.

Cherie Currie

Cherie Currie went on to start an acting career. She appeared in movies with Jodie Foster ("Foxes"), Demi Moore ("Parasite"), The Twilight Zone the Movie, as well as others before releasing a 1978 solo album entitled "Beauty's Only Skin Deep" and a 1980 duet album with her sister Marie and the band Toto called "Messin' With The Boys". Currie married actor Robert Hays ("Airplane"); they had a son together, but split up in 1997. Currie still performs and records but her current passion is chainsaw carving. She has an art gallery in Chatsworth, California where her works are currently on display.

Peggy Foster

Peggy Foster played bass on some of Steve Vai's albums. As of 2006, she lives in Palos Verdes, California, with her husband and child. She plays bass and guitar part-time, produces shows, has a fledgling music publishing company and record company, and designs and makes costumes including jewelry. She contributes to the Musicians Assistance Program and MusiCares division of the National Academy of Recording Arts and Sciences.

Jackie Fox

Jackie Fox went to Harvard and became a lawyer. She has lived abroad and is an amateur photographer. She is currently involved with Peter M. Margolis' film about guirtarist Randy Rhoads, who was a close friend.

Vicki Blue

Vicki Blue, now known as Victory Tischler Blue, briefly had a band with singer Cherie Currie in the early '80s (Currie-Blue Band), but never released an album, though they did appear together in the film "This is Spinal Tap". After leaving The Runaways, she shifted her focus to film & television production eventually becoming a producer/director for several reality and magazine based television shows, including Entertainment Tonight, Access Hollywood & Real Stories of the Highway Patrol - receiving an Emmy nomination along the way. She went on to form Sacred Dogs Entertainment - a motion picture production company and released a documentary on The Runaways called "Edgeplay: A Film About The Runaways." "Edgeplay" went on to win numerous awards and became the highest rated rock documentary film on the Showtime Networks. In 2005, Victory Tischler-Blue directed "Naked Under Leather", a documentary about fellow female rocker, Suzi Quatro. Focusing on music driven productions, she is currently executive producing a network special: The Bee Gees "Unbroken Fever" - The 30th Anniversary of Saturday Night Fever (2007). Additionally, Tischler-Blue and ex bandmate Lita Ford have teamed up together with Ford recording music for "El Guitarista", an animated series that Sacred Dogs Entertainment is producing.

Laurie McAllister

Laurie McAllister joined another Kim Fowley all-girl band, The Orchids, who released one poorly received LP in 1980. The Original Orchids members were Laurie Bell on Drums, Jan King on Vocals, Laurie McAllister on Bass, Sunbie Sinn, and Sandy Fury (a 13 year old rocker from Beverly Hills on Rhythm Guitar and background vocals).Che Zuro, who arguably wrote the only decent track on the LP, replaced Sandy Fury (also see: Risciso ) who went on to appear on New Wave Theatre as The Clique with bassist Mark Frere from Steppenwolf.
Laurie McAllister lives in Oregon and no longer performs music.

Influence

"L.A. Weekly" called The Runaways an "enormously influential band.", noting that after The Runaways success, everything had changed for female rock musicians. The Runaways success paved the way for many top female artists and female bands over the past 30 years, including The Go-Go's,Bikini Kill, L7 and more recently The Donnas, to enter the male dominated arena of rock 'n' roll and allow them to stand toe to toe with their counterparts. They are named as influences by several male and female artists, including Courtney Love and Rhino Bucket who acknowledged The Runaways influence on their music during their performance at the December 2006 tribute concert honoring Sandy West.

Many fans think they should be inducted into the Rock and Roll Hall of Fame, noting The Runaways' place in music history as the first all-girl punk/hard-rock rock band. There are two fan-initiated, independently started, petition drives directed to that end.

Discography

* "The Runaways" (1976), #194 US
* "Queens of Noise" (1977), #172 US
* "Live in Japan" (1977)
* "Waitin' for the Night" (1977)
* "And Now... The Runaways" (1978), international release
* "Flaming Schoolgirls" (1980), compilation
* "Little Lost Girls" (1981), re-sequenced U.S. version of "And Now... The Runaways"
* "The Best Of The Runaways" (1982)
* "Born to be Bad" (1993), compilation of early demos

Mega thanx and a tip of the hat to Borx.

Live In Japan - The Runaways - 1978.






















Year: 1977
Label: Mercury
Bitrate: 192 kb/s

1 Queens Of Noise (3:20) Written-By - B. Bizeau
2 California Paradise (2:54) Written-By - J.Jett, K. Krome, K. Fowley, S. West
3 All Right You Guys (3:37) Written-By - B. Willingham, D. Faye
4 Wild Thing (3:45) Written-By - C. Taylor
5 Gettin' Hot (3:33) Written-By - J. Fox, L. Ford
6 Rock-N-Roll (3:58) Written-By - L. Reed
7 You Drive Me Wild (3:16) Written-By - J.Jett
8 Neon Angels On The Road To Ruin (3:32) Written-By - J. Fox, K. Fowley, L. Ford
9 I Wanna Be Where The Boys Are (2:53) Written-By - K. Fowley, R. Lee
10 Cherry Bomb (2:12) Written-By - J.Jett, K. Fowley
11 American Nights (4:02) Written-By - K. Fowley, M. Anthony
12 C'mon (4:10) Written-By - J.Jett

http://rapidshare.com/files/232559673/TR-LIJa_1977_.rar

The Runaways - 1976.






















Year: 1976
Label: Mercury
Bitrate: 320 kb/s

1 Cherry Bomb
2 You Drive Me Wild
3 Is It Day Or Night?
4 Thunder
5 Rock And Roll
6 Lovers
7 American Nights
8 Blackmail
9 Secrets
10 Dead End Justice

http://rapidshare.com/files/115373049/TR_-_TR__1976_.rar

Queens of Noise - The Runaways - 1977.






















Year: 1977
Label: Mercury
Bitrate: 192 kb/s

1. Queens of Noise
2. Take It or Leave It
3. Midnight Music
4. Born to Be Bad
5. Neon Angels on the Road to Ruin
6. I Love Playin' with Fire
7. California Paradise
8. Hollywood
9. Heartbeat
10. Johnny Guitar

http://rapidshare.com/files/115534268/TR_-_QON__1977_.rar

Waitin' For The Night - The Runaways - 1977.






















Year: 1977
Label: Mercury
Bitrate: 192 kb/s

1 Little Sister
2 Wasted
3 Gotta Get Out Tonight
4 Wait For Me
5 Fantasies
6 Schooldays
7 Trash Can Murder
8 Don't Go Away
9 Waitin' For The Night
10 You're Too Possessive

http://rapidshare.com/files/233400711/TR-WFoTN_1977_.rar