- published: 22 Jul 2013
- views: 288045
Joe Pass (born Joseph Anthony Jacobi Passalaqua, January 13, 1929 – May 23, 1994) was an Italian-American jazz guitarist of Sicilian descent. He is generally considered to be one of the greatest jazz guitarists of the 20th century. His extensive use of walking basslines, melodic counterpoint during improvisation, use of a chord-melody style of play and outstanding knowledge of chord inversions and progressions opened up new possibilities for jazz guitar and had a profound influence on future guitarists.
Born in New Brunswick, New Jersey, Joe Pass, the son of Mariano Passalaqua, a Sicilian-born steel mill worker, was raised in Johnstown, Pennsylvania. Born into a non-musical family, Pass started to play the guitar after being inspired by actor Gene Autry's portrayal of a guitar-playing cowboy. He received his first guitar, a Harmony model bought for $17, on his 9th birthday. Pass' father recognized early that his son had "a little something happening" and pushed him constantly to pick up tunes by ear, play pieces not written specifically for the instrument, practice scales and not to "leave any spaces" - that is, to fill in the sonic space between the notes of the melody.
Charles Parker, Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.
Parker acquired the nickname "Yardbird" early in his career and the shortened form, "Bird", which continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise."
Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapidly passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, combining jazz with other musical genres, including blues, Latin, and classical.
Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual, rather than an entertainer.
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and big-band leader. Ellington wrote over 1,000 compositions. In the opinion of Bob Blumenthal of The Boston Globe "In the century since his birth, there has been no greater composer, American or otherwise, than Edward Kennedy Ellington." A major figure in the history of jazz, Ellington's music stretched into various other genres, including blues, gospel, film scores, popular, and classical. His career spanned more than 50 years and included leading his orchestra, composing an inexhaustible songbook, scoring for movies, composing stage musicals, and world tours. Several of his instrumental works were adapted into songs that became standards. Due to his inventive use of the orchestra, or big band, and thanks to his eloquence and extraordinary charisma, he is generally considered to have elevated the perception of jazz to an art form on a par with other traditional genres of music. His reputation increased after his death and the Pulitzer Prize Board bestowed on him a special posthumous honor in 1999.
Chorus:
I'm going away,
to a land where there will be no sorrow.
I'm going away,
how about you, oh don't you wanna go'
Bridge:
Don't you wanna go,
don't you wanna go,
don't you wanna go,
yes, oh I do.
Yes, I wanna go,
yes, I wanna go,
yes, I wanna go,
come on, come on,
come on, come on.
Don't you wanna go,
don't you wanna go,
don't you wanna go,
yes, oh I do.
Yes, I wanna go,
yes, I wanna go,
yes, I wanna go.
Vamp 1:
Tenors:
You better get ready real soon.
You better, better get ready real soon.
Altos/Sopranos:
Coming like a thief in a night, the night.
Coming like a thief in a night, the night.
Vamp 2:
Come on,
come and go with me.
Come on,
come and go with me.
Vamp 3:
Come on.
Vamp 2
Ending: