Sunday, October 22, 2017

which we must nibble on as if nibbling on donuts, by which I mean rubrics, glittering rubrics in the dry heat of an empty test bank



  • Earthgirl's blazes.
  • Beloveds and Mocomofos, she has a show opening next month, check your mail for postcard. 
  • Alternatively, email me, I'll send info.
  • We were supposed to do a long hike yesterday in Shenandoah, but my direct report, who works weekends, fell down, went boom, broke angle Friday. I worked most motherfucking yesterday.
  • Fuck work, fuck being a boss, and for more, see previous post.
  • New Pere Ubu:









 
  • I remember the year I started United season tickets, not the year I quit.
  • After the 2013, 2014, or 2015 season? 
  • It was midway through a season I knew there would not be another season.
  • It was before the new stadium was a done deal, when I was convinced there would never be a new stadium - I quit when something that would have made me quit seemed an impossibility.
  • See Fuck-Me Jig tag in bumper. 
  • That this distinction is dear to me speaks to how small I am. 
  • Was there for this.











SENTENCE

Daniel Borzutzky

Ain’t nothing more beautiful than a French diplomat in an
Italian suit discussing the intimate ties between
poetry and constipation with a United States
Senator in a discount blazer from the Men’s Wearhouse bought
especially for the occasion of proposing the
Anti-Chimera Act, a prime indicator that if children were
once the future, they are not the past, which is growing
hairier every moment, so as to keep us from
penetrating its insides, which we must nibble on as if
nibbling on donuts, by which I mean rubrics, glittering
rubrics in the dry heat of an empty test bank full of
raccoons with flexible snouts and long tails that
materialize in the shrubbery as thick-set stocky
fraternity brothers suicide bomb colleges full of free
thinking mavericks with tuning forks in their ears and rubber dicks
in their pockets, a veritable cure for loneliness and
its side effects, including the desire to fantasize
about mythological genitalia in the pants of
pundits who declare that to be alive is
fundamentally okay as long as poets test their
verses on guinea pigs before submitting them to us
humans as we exit the amalgamated marshland of
surplus value and enter an ordinary evening on
which ordinary people dream of lubricated condoms
for dogs, of mules who practice the pull-out method, of birth
control pills for cats, of floating trousers that haunt city squares
in search of red-walled boutiques where silk stockings and boot-cut
chinos fight for the attention of disembodied legs
while merchants masturbate, aroused by visions of painless
castration, aroused by hands without arms scribbling conjunctions
into dusty ceilings, aroused by hands without arms stirring
infinite bowls of soup, aroused by module-makers who
insist only on the metaphorical value of money
as represented in the hieroglyphics painted on the
walls of financiers who accumulate capital through the
unjustified sexual behavior of adulterous
women who appear asymmetrically—legs over heads, hands
coming out of butts—in public ceremonies in which
syringes suck out erroneous feelings from their bodies
while suits and ties stuff bones and ears into decorative
bottles and jars.

 

Thursday, October 19, 2017

They Sniffed Us Out of Holes with the Animals They Had Programmed










DREAM SONG #16

Daniel Borzutzky

They sniffed us out of the holes with the animals
they had programmed and there are blows in life so
powerful we just don’t know and there were trenches
and there was water and it poured in through our mouths
  
and out of our ears and there were things we saw in the
sand at that moment of sinking: mountains and daisies
and tulips and rivers and the bodies of the people we
had been and the bodies of the people we had loved
  
and we felt hooks coming through the trenches and we
felt hooks coming through the sand and I saw hooks coming
through my child’s clothes and I wanted him to know that they
would never be able to scoop us out of the sand but of course
  
it wasn’t true they had scooped us out of the sand and our
mouths were so full of dirt it is what they do when you’re
dead and they made us spit and they beat us until our mouths
were empty and they paid us for constructing the mountain and
  
it was me and L and we looked for S and we looked for J and J
and we looked for O and we looked for R and we looked for J
and S in the holes in which the bodies of those we loved were
hiding or dying or sinking or stealing some shelter some little
  
worm’s worth of cover to keep their bodies from dissolving
into the maniac murmurs of this impossible carcass economy

Tuesday, October 17, 2017

Asking Forgiveness of His Tongueless Head









THE PARDON

Richard Wilbur

My dog lay dead five days without a grave 
In the thick of summer, hid in a clump of pine 
And a jungle of grass and honey-suckle vine. 
I who had loved him while he kept alive
   
Went only close enough to where he was 
To sniff the heavy honeysuckle-smell 
Twined with another odor heavier still 
And hear the flies' intolerable buzz.
   
Well, I was ten and very much afraid. 
In my kind world the dead were out of range 
And I could not forgive the sad or strange 
In beast or man. My father took the spade
    
And buried him. Last night I saw the grass 
Slowly divide (it was the same scene 
But now it glowed a fierce and mortal green) 
And saw the dog emerging. I confess
   
I felt afraid again, but still he came 
In the carnal sun, clothed in a hymn of flies, 
And death was breeding in his lively eyes. 
I started in to cry and call his name,
   
Asking forgiveness of his tongueless head. 
... I dreamt the past was never past redeeming: 
But whether this was false or honest dreaming 
I beg death's pardon now. And mourn the dead.