Showing posts with label Online fiction. Show all posts
Showing posts with label Online fiction. Show all posts

03 June 2014

Interfictions Online: The Indiegogo Campaign

 
Interfictions Online is doing some crowdfunding so that they can continue to pay contributors and not charge readers. Not only am I in favor of paying contributors and keeping material free for readers, I'm also a fan of Interfictions in all its various incarnations, since many of my friends and writers I admire have appeared there, are editors there, etc. And I'm not entirely selfless in passing on the appeal: I had a story in the first Interfictions anthology, and I've got a story coming out in a future issue of Interfictions Online.

You don't have to be selfless, either, though, because there are various items offered to people who give money, including a great set of new e-book anthologies.


20 April 2014

The Revelator: The Bookworm Issue


The latest issue of that venerable, mercurial, deeply occasional magazine THE REVELATOR is now available online for your perusal. It is filled with nothing but THE TRUTH AND ALL!

The contents of this issue are so vast, variable, and vivacious that I can't even begin to summarize them here. There are excursions into history, into imagery, and into liquor. We attend the tale of a young man reading science fiction in Kenya. We discover the secret life of Elo­dia Har­win­ton, about whom I am sure you have heard much (but never this much!). For those of you who do not like words, there are not only some videos, but a wordless book(let) by the great Frans Masereel. And do not forget the Revelations, in which many secrets, some of them clearly obscene and pornographic, revealed!

Resist not, o mortal! Surrender yourself to the siren call of The Revelator today!

02 March 2013

Weekend Reading

I've been thinking about short fiction a lot recently. The truth is, after working on three Best American Fantasy anthologies, I was shellshocked from reading piles of short stories, and stayed away from them. I pretty much stopped writing them for a while, focusing instead on academic writing, film stuff, etc. Judging the Shirley Jackson Awards was fun and brought me back to short fiction, but again in such an overwhelming way that by the time it was done, I didn't want to read another short story for months. And I didn't.

I've gotten over that, finally. I've read a few short stories over the last month (and it's been a busy month, so reading a few of anything is an accomplishment!), and, just as importantly, for the first time in years I've gotten back to writing stories — two so far this year, one of which already sold (I'll reveal the details once I've signed the contract).

I've had plans to write more about short stories here, but the time for doing so has eluded me. But I've still been reading, and still want to share. I've decided to do so occasionally, probably on weekends. An offering of weekend reading. So here are 5 stories, all available online, that I think are worth at least the time it takes to read them:

"Heaven" by Alexander Chee (TriQuarterly)
He wants to at least tell him, he understands what he wanted. He always had. He just hated that anyone could tell.

"Understanding Human Behavior" by Thomas M. Disch (originally F&SF; here, Strange Horizons)
A lot of the time he couldn't suspend his disbelief in the real people around him, all their pushing and pulling, their weird fears and whopping lies, their endless urges to control other people's behavior, like the vegetarian cashier at the Stop-and-Shop or the manager at the convenience center. The lectures and demonstrations at the halfway house had laid out the basics, but without explaining any of it. Like harried parents, the Institute's staff had said, "Do this," and "Don't do that," and he'd not been in a position to argue. He did as he was bid, and his behavior fit as naturally as an old suit.

"Declaration by the Ghost of Emma Goldman" by Rick London (New American Writing)
I see now that the mind is occupied territory. Most likely, as long as we’re thinking the mind is under occupation. Despite our high ideals and surging rhetoric, we go on as if we were alone and adrift, seeking some small moment of advantage. Indeed, amid so much of the usual sectarian bickering you’d think we couldn’t see past our noses or had to close one eye to see out of the other. Will we ever pull aside the curtain on this hapless drama?

"Arbeitskraft" by Nick Mamatas (The Mammoth Book of Steampunk)
I was an old hand at organizing workers, though girls who consumed electricity rather than bread were a bit beyond my remit.

"Please Note That I Am Not Burt Reynolds*" by Sarah Sorensen (Identity Theory)
*Although I might be introduced to you as such a person. There was probably a point when I should have mentioned that I wasn’t actually Burt Reynolds. Of course, I’m not sure why she thought that I was Burt Reynolds to begin with. I don’t resemble Burt. Burt was never a portly woman in a pug t-shirt and skinny jeans.

16 December 2012

New Issue of The Revelator


The latest issue of The Revelator is now online. Eric Schaller and I put this one together with love and craft. It includes new short stories by Meghan McCarron and Laird Barron, poems by Sonya Taaffe, comix by Chad Woody, a column on music by Brian Francis Slattery, art by Adam Blue, miniatures used in the movie The Whisperer in Darkness, a previously-unpublished interview with H.P. Lovecraft that Nick Mamatas discovered, etc. Once again, we have, we believe, fully embodied our motto: The Truth ... And All.

The easiest way to keep apprised of the always-unpredictable, regularly irregular schedule of The Revelator is via our Facebook page.

03 November 2012

A Year of the Weird Fiction Review


Behold!

The Weird Fiction Review website has existed for a year now. During that time, it has published work from around the world, including such wondrous things as a new translation of Bruno Schulz's "The Sanatorium at the Sign of the Hour Glass", Olympe Bhêly-Quénum's "The Night Watchman", and Finnish writer Leena Likitalo's first story in English, "Watcher". And tons of other things, including my own "Stories in the Key of Strange: A Collage of Encounters". The website has become a hugely valuable resource, and it just keeps getting better, more varied, more surprising, more impressive. If you haven't spent time with it, you're missing a treasure trove.

22 July 2012

Free Leiber

The Library of America has just posted a Fritz Leiber story, "Try and Change the Past", online. If you've never read any Leiber, now's as good a time as any to start.

10 February 2012

First Six Issues of Amazing Stories Now Online


If you've ever wanted to encounter one of the primary origins of science fiction as we know it (for better or worse), now is your chance: the wonderful Pulp Magazines Project has put the first six issues (April-December 1926) of Amazing Stories online.

If you don't know why Amazing Stories is important to the history of science fiction, Wikipedia has a fairly good entry on it and The Encyclopedia of Science Fiction also offers an overview. (And if you want to delve deeply into it, check out Mike Ashley and Robert A.W. Lowndes's Gernsback Days, Ashley's Time Machines, and Gary Westfahl's The Mechanics of Wonder and Hugo Gernsback and the Century of Science Fiction.)

04 September 2010

Some Good Fantasy Short Stories Online

I tried to leave a comment over at Torque Control, but filled it with links, so I expect it disappeared into a spam filter. Easy enough to post here.

A commenter, Saladin Ahmed, asked for suggestions of fantasy short stories, preferably under 3,000 words, that might make a good addition to an undergraduate course on writing fantasy. How could I resist such a request!? I intended to list maybe three or four stories, but kept adding one more, then one more, until I came up with this list, which is still utterly incomplete. (Not all of these pieces fit the length requirement, but so it goes.) I limited myself to one story per writer.

08 December 2008

New Practical Physics

I've turned my story "New Practical Physics", originally published in Say...What's the Combination? in 2007, into an experimental hypertexty bloggy thing (that's the technical term). I thought it would take an hour or two, but then I got to fiddling with the layout, searching for pictures and links, etc., and an hour or two turned into hours of work over many days.

But I think the work was worth it. Collage is my favorite art form, and this has made the story even more of a collage than it was originally, so I'm now happy enough with it to share it with y'all.

20 August 2008

Best of the Web Guest Blogger: Myfanwy Collins

Dzanc Books is publishing Best of the Web 2008, and because 1.) I think it's a great idea for a book and 2.) there are few things I wouldn't do for Dan Wickett and his Emerging Writers Network, I agreed to host one of the writers included in the anthology as a guest blogger here. (Other websites are doing the same thing, and I will post a link if Dan or anybody else creates a post with links out to them all -- and here's a collection of links to the others.)

The guest blogger here at The Mumpsimus is
Myfanwy Collins, whose "The Daughters" is included in the book. Dan selected The Mumpsimus as the place that Myfanwy would visit because we are both New Hampshire writers, a distinction that truly makes us members of an elite. ("Elite? Oh, so that's what you're calling it these days, Cheney..." Dear readers, please allow me my delusions.)

The items below were, I believe, intended to be separate blog posts, but I'm not going to have time to post anything more today, and I don't trust Blogger with future posting, so you're going to get all four pieces at once. And I might even be able to tempt Myfanwy into sending me a few more...


“The Daughters”
“The Daughters” is a story that I wrote within Kim Chinquee’s online workshop “Hot Pants” and I was extremely lucky to find generous and enthusiastic editors in Eric Spitznagel and Steven Seighman from Monkeybicycle where the story was originally published.

I’ve been told the story is creepy, but to me it is childhood, and for some of us, childhood is the threat of having a paperclip jammed in your ear.

Online Publishing
I’ve encountered much debate on the validity of online publishing. Is it as good as print? Why would you give your writing away for free (this is always asked even though many online venues pay and is this all about pay, anyway?)? Yadda, yadda, yadda. There never seems to be a consensus. Rather, people just seem to like to argue about it.

When I was first exposed to ezines, I’ll be honest, I thought they were lesser than and that I would never send my work their way. Then I actually read some of them and lo and behold I found that they were publishing great, exciting, subversive stuff.

I wanted in!

My first fiction publication was at Pig Iron Malt and I’ve never looked back. To my knowledge, only good things have come my way from publishing online. My work has been exposed to many readers (and editors, who have solicited my work based on what they’ve read). I’ve made money. I’ve made friends.

I’ve been heard. And now I even work for an excellent online publisher—Narrative Magazine—where I am an assistant editor.

Best of the Web
I’m grateful to the fine people at DZANC and to Nathan Leslie for Best of the Web. It’s a positive project not only for the writers involved but also for the editors of the ezines. Whenever online publishing can get more attention and be seen as valid and necessary, I’m happy.

As for the book, I think it’s a fine and eclectic collection of work and I find that I’m already looking forward to what’s coming next year.

Living in New Hampshire
I live in New Hampshire. I live in a bog in New Hampshire. It’s dark here and one day last summer there was a moose in my driveway (I’m not joking). Before that, a bear in the backyard. A fisher lives underneath my porch (you don’t even know what a fisher is? Do you?). All of this would probably lead you to believe that I live deep in the wild, but I don’t: I can be at Target in ten minutes.

Living here hasn’t affected the creative aspect of my writing. It does, however, make it more difficult to be involved in the peripheral writing activities you would find in a more urban area, like readings, workshops, etc. They are here, I just have to work to find them.

With all of that said, for such a small state, New Hampshire has its share of writers—past and present—who have changed the way people read.

10 February 2008

Trunk Stories

I reviewed the first two issues of Trunk Stories for SF Site back in 2005, and so I am happy to see that William Smith is continuing with the venture -- not as a print zine, since costs have become prohibitive, but online. The first story, "Dame Morehead's Sea of Tranquility" by Tobias Seamon, is now available as a PDF download from Smith's Hang Fire Books blog.

09 December 2007

Failbetter 25

One of the more venerable online literary magazines, Failbetter.com, has now reached a milestone: its twenty-fifth issue. Published quarterly since the fall of 2000 (when, coincidentally, one of the other venerable online magazines, Strange Horizons, also began), Failbetter has been a model of what can be accomplished on the web. They've consistently offered interesting fiction, poetry, art, and interviews -- indeed, their very first interview was with pre-Pulitzer Michael Chabon, and they would go on to interview a number of other authors only a few months or even weeks before they, too, would be bestowed with prizes.

Of course, the web has changed a lot since 2000, and Failbetter has changed too. Now they've got an RSS feed and are releasing content every week rather than just four times a year. The quality is still high, though, and the diversity of content exciting.

I can't claim impartiality -- one of my first publications of fiction as an adult came with "Getting a Date for Amelia" in the Summer/Fall 2001 issue. Editor Thom Didato and I had met at the Bread Loaf Writers' Conference the summer before, and Thom promptly rejected two other stories of mine, saying they were well-written but dull. I'm glad he said that, because "Amelia" is a story I'm still fond of (even if it's a bit too much of a George Saunders pastiche), and I only sent it to him out of spite, thinking, "Well, this may be junk, but at least it's not dull!"

I've seen a lot of literary journals -- in print and online -- appear and disappear during the past few years, but Failbetter has remained strong and reliable, and in these times when so much attention runs a deficit, and so much of what we encounter is ephemeral, I think Failbetter's relative longevity and consistently high quality is a real accomplishment.

27 August 2007

Kwani? and Binyavanga Get Blogs

Potash just let me know that there are two new blogs worth keeping an eye on.

First, the Kwani? literary magazine and organization now has its own blog (not to be confused with the Kwani? litfest blog). I was thrilled to see that Kwani? 4 has officially been published, and I hope copies find their way to the U.S. soon (the first three are available at various places, and are worth seeking out). I saw a preliminary edition of Kwani? 4 when I was in Kenya in December, and it's a big book rich with fiction, poetry, and nonfiction of all sorts.

Second, Binyavanga Wainaina has a blog. Actually, that should be Binyavanga Wainaina has a blog!!!, because it gives me great joy that one of the most astute writers I know is now going to be (at least occasionally) posting new material online. Binyavanga is presenting not only some of his own writing, but that of writers he knows and admires, including Jackie Lebo and Chimamanda Ngozi Adichie.

15 March 2007

Kwani? Fiction Online

In writing the previous post about Sunday Salon, I realized I hadn't checked the Kwani? website for a while, and lo and behold -- they've got fiction from Kwani? 4 online! Not only that, but among the stories are "The Obituary Man" by Muthoni Garland and "The Other Side of Knowing" by Dayo Forster, both of whom will be reading on Sunday night at the Salon.