The Jack

"The Jack" is a song by Australian hard rock band AC/DC. It is the third track of their Australian album T.N.T, released in December 1975, and was written by Angus Young, Malcolm Young, and Bon Scott. It is also the third track on the international version of High Voltage, released in May 1976.

Live recordings

"The Jack" has been included on all of the band's official live albums: If You Want Blood You've Got It (sung by Bon Scott, 1978), Live and its 2 CD Collector's Edition (sung by Scott's replacement Brian Johnson, 1992), Live from the Atlantic Studios (Scott, 1977), and Let There Be Rock: The Movie (Scott, 1979), with the last two being released in 1997 as part of the Bonfire box set. ("Whole Lotta Rosie" is the only other AC/DC song to appear on all five.)

The live recordings of "The Jack" have very different lyrics than the original LP versions. Whereas the LP version of the song uses poker metaphors as sexual innuendo, the live version tells the story in a literal manner.

Personnel

Jack

Jack may refer to:

Placenames

People

Names

Arts, media, and entertainment

Comics

Dance

Film

Hit the Road Jack

"Hit the Road Jack" is a song written by rhythm and bluesman Percy Mayfield and first recorded in 1960 as an a cappella demo sent to Art Rupe. It became famous after it was recorded by singer-songwriter-pianist Ray Charles with The Raelettes vocalist Margie Hendricks.

Ray Charles' recording hit number one for two weeks on the Billboard Hot 100, beginning on Monday, October 9, 1961. "Hit the Road Jack" also got a Grammy Award for Best Rhythm and Blues Recording. The song was also number one on the R&B Sides chart for five weeks, thereby becoming Ray Charles' sixth number one on that chart. The song is ranked #387 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time.

Notable recordings

AC/DC

AC/DC are an Australian hard rock band, formed in November 1973 by brothers Malcolm and Angus Young, who continued as members until Malcolm's illness and departure in 2014. Commonly referred to as a hard rock or blues rock band, they are also considered pioneers of heavy metal and are sometimes classified as such, though they have always dubbed their music as simply "rock and roll".

AC/DC underwent several line-up changes before releasing their first album, High Voltage, on 17 February 1975; Malcolm and Angus were the only original members left in the band. Membership subsequently stabilised until bassist Mark Evans was replaced by Cliff Williams in 1977 for the album Powerage. Within months of recording the album Highway to Hell, lead singer and co-songwriter Bon Scott died on 19 February 1980 after a night of heavy alcohol consumption. The group considered disbanding, but buoyed by support from Scott's parents, decided to continue and set about finding a new vocalist. Ex-Geordie singer Brian Johnson was auditioned and selected to replace Scott. Later that year, the band released the new album, Back in Black, which was made as a tribute to Bon Scott. The album launched them to new heights of success and became their all-time best-seller.

Ray Charles

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Raymond Charles Robinson (September 23, 1930 – June 10, 2004), professionally known as Ray Charles, was an American singer, songwriter, musician, and composer. He was sometimes referred to as "The Genius", and was also nicknamed "The High Priest of Soul".

He pioneered the genre of soul music during the 1950s by combining rhythm and blues, Gospel, and blues styles into the music he recorded for Atlantic Records. He also contributed to the racial integration of country and pop music during the 1960s with his crossover success on ABC Records, most notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first African-American musicians to be granted artistic control by a mainstream record company.

Charles was blind from the age of seven. Charles cited Nat King Cole as a primary influence, but his music was also influenced by jazz, blues, rhythm and blues, and country artists of the day, including Art Tatum, Louis Jordan, Charles Brown, and Louis Armstrong. Charles' playing reflected influences from country blues, barrelhouse, and stride piano styles. He had strong ties to Quincy Jones, who often cared for him and showed him the ropes of the "music club industry."