20th century

The 20th century was a century that began on January 1, 1901 and ended on December 31, 2000. It was the tenth and final century of the 2nd millennium. It is distinct from the century known as the 1900s (sometimes written as 19XX), which began on January 1, 1900 and ended on December 31, 1999.

Dubbed the "short twentieth century", this century in human history was dominated by chain of events that heralded significant changes in world history as to redefine the era: World War I and World War II, nationalism and decolonization, the Cold War and Post-Cold War conflicts, cultural homogenization through developments in transportation and communications technology, world population growth, awareness of environmental degradation, ecological extinction and the birth of the Digital Revolution. It saw great advances in communication and medical technology that by the late 1980s allowed for near-instantaneous worldwide computer communication and genetic modification of life.

Overview

The century had the first global-scale total wars between world powers across continents and oceans in World War I and World War II. Nationalism became a major political issue in the world in the 20th century, acknowledged in international law along with the right of nations to self-determination, official decolonization in the mid-century, and nationalist-influenced armed regional-conflicts.

Like Mike

Like Mike is a 2002 American comedy film directed by John Schultz and written by Michael Elliot and Jordan Moffet. It stars Lil' Bow Wow, Morris Chestnut, Jonathan Lipnicki, Brenda Song, Robert Forster, Crispin Glover and Eugene Levy. It was produced by NBA Productions and features many cameo appearances by NBA stars. The film was released on July 3, 2002, by 20th Century Fox.

Plot

Calvin Cambridge is a teenage orphan whose two best friends, Murph and Reg Stevens, are also orphans. At night they have to sell chocolate for a greedy orphanage director, Stan Bittleman, (Crispin Glover) after each home game of the Los Angeles Knights.

Calvin meets the team's coach, who is impressed by Calvin's knowledge of basketball and honesty about the chocolates he sells, and offers Calvin tickets for the next game. The next day, Calvin obtains a pair of old sneakers from a Salvation Army Thrift Store that had reportedly been used by a great basketball player when he was a boy. The shoes have the initials MJ written on them, so Calvin thinks they used to belong to Michael Jordan.

Dimitri Vegas & Like Mike

Dimitri Vegas & Like Mike are a Belgian DJ duo composed of brothers Dimitri Thivaios and Michael Thivaios. They currently hold the #1 spot on DJ Magazine's annual Top 100 DJs poll.

Musical career

Dimitri Vegas and Like Mike began to make their first steps as DJ's at the ages of 14/15. In their early years they made several appearances in small clubs and was the resident BeatFM radio DJ. Dimitri then left Flanders in 1999 and began touring Europe. He lived in Mallorca and then in Halkidiki, Greece before moving to Ibiza in 2003, where he was a resident in major clubs such as Privilege and Space.

After living in Mallorca and on the Canary Islands, he settled in Zante, Greece where he was a resident of Amnesia and The End in 2006. In autumn 2006, Dimitri returned to Belgium to work with his brother, Like Mike, and produced their first release "La Cocaina (Eivissa 2007)". His remix of "Work That Body", 2008 caught the attention of Axwell, who entrusted them with a remix of "Rotterdam City of Love" by Abel Ramos for his label Axtone.

Gladiator (soundtrack)

Gladiator is the original soundtrack of the 2000 film of the same name. The original score and songs were composed by Hans Zimmer and Lisa Gerrard and were released in 2000, titled Gladiator: Music From the Motion Picture. The Lyndhurst Orchestra performing the score was conducted by Gavin Greenaway.

The album won the Golden Globe Award for Best Original Score and was also nominated for the Academy Award and BAFTA Award for Best Score ("Anthony Asquith Award for Film Music").

Track listing

Commercial success

Well-reviewed by critics (popular score review sites Filmtracks, Moviewave, and Scorereviews all give it overall positive reviews) and fans (370 Amazon.com reviews with a 4.5 avg. rating) alike, this score has attained admirable commercial stock in the film music world. Not since James Horner's Titanic soundtrack (which sold millions) had a movie score been in such high demand.

We Are

We Are may refer to:

See also