Extended play

An EP (short for extended play) is a musical recording that contains more music than a single, but is usually too short to qualify as a full studio album or LP. The term EP originally referred to specific types of vinyl records other than 78 rpm standard play (SP) records and LP records, but it is now applied to mid-length compact discs and music downloads as well. Ricardo Baca of The Denver Post said, "EPs—originally extended-play 'single' releases that are shorter than traditional albums—have long been popular with punk and indie bands." In the United Kingdom, the Official Chart Company defines a boundary between EP and album classification at 25 minutes of length or four tracks (not counting alternative versions of featured songs, if present).

History

EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by Grey Gull Records, were vertically cut 78 rpm discs known as "2-in-1" records. These had finer than usual grooves, like Edison Disc Records. By 1949, when the 45 rpm single and 33¹⁄₃ rpm LP were competing formats, seven-inch 45 rpm singles had a maximum playing time of only about four minutes per side.

Play

Play may refer to:

In literature and publications

In films

In television

Liz Larner

Liz Larner (born 1960, Sacramento, California, United States) is an American installation artist and sculptor living and working in Los Angeles.

Early life and education

Larner was born in Sacramento, California in 1960. In 1985, she received a Bachelor of Fine Arts degree from the California Institute of Arts, Valencia, where she had studied with John Baldessari.

Work

Larner's work is regarded to have much in common with the late 1960s and early 1970s sculptures of Eva Hesse and Jackie Winsor.

In her early work, Larner examined issues of transformation and decay in a series of petri dish cultures that she also photographed. Her subsequent installations and sculptures address the way an object defines the space it occupies and transforms the viewer's perception of that space. Damage Control (1987) is a two-foot-square block of hazardous substances. Its list of materials includes saltpeter (an ingredient in gunpowder), ammonium nitrate (used in the Oklahoma City bombing) and TNT itself.Used to Do the Job (1987) consists of two rough-hewn cubes stacked on top of each other; the bottom one is made of solid lead, the top one of almost solid wax and paraffin - suspended within are all the ingredients needed to make a time bomb.

Julie Mehretu

Julie Mehretu (born 1970 in Addis Ababa, Ethiopia) is an artist, best known for her densely layered abstract paintings and prints. She lives and works in New York City. Mehretu shares her New York studio with her partner, the artist Jessica Rankin.

Life and work

Mehretu was born in Ethiopia, in 1970, the first child of an Ethiopian college professor and an American teacher. They fled the country in 1977 and moved to East Lansing, Michigan, for her father’s teaching position at Michigan State University. A graduate of East Lansing High School, Mehretu received a Bachelor of Arts degree from Kalamazoo College in Kalamazoo, Michigan, and did a junior year abroad at Cheikh Anta Diop University (UCAD) in Dakar, Senegal, then attended the Rhode Island School of Design in Providence, Rhode Island, where she earned a Master of Fine Arts degree in 1997. She moved to New York in 1999. Mehretu's mother-in-law is Australian author and poet Lily Brett.

Mehretu is known for her large-scale paintings and drawings and her technique of layering different elements and media. Her paintings are built up through layers of acrylic paint on canvas overlaid with mark-making using pencil, pen, ink and thick streams of paint. Her canvases overlay different architectural features such as columns, façades and porticoes with different geographical schema such as charts, building plans and city maps and architectural renderings for stadiums, international airports, and other public gathering hubs, seen from different perspectives, at once aerial, cross-section and isometric. Her drawings are preparatory to her large paintings, and sometimes interim between paintings.

Sunset Strip

The Sunset Strip is the name given to the mile-and-a-half (2.4 km) stretch of Sunset Boulevard that passes through West Hollywood, California. It extends from West Hollywood's eastern border with Hollywood at Havenhurst Drive, to its western border with Beverly Hills at Sierra Drive. The Strip is probably the best-known portion of Sunset, embracing boutiques, restaurants, rock clubs, and nightclubs that are on the cutting edge of the entertainment industry. It is also known for its trademark array of huge, colorful billboards.

History

As the Strip lies outside of the Los Angeles city limits and was an unincorporated area under the jurisdiction of the County of Los Angeles, the area fell under the less-vigilant jurisdiction of the Sheriff's Department rather than the heavy hand of the LAPD. It was illegal to gamble in the city, but legal in the county. This fostered the building of a rather wilder concentration of nightlife than Los Angeles would tolerate, and in the 1920s a number of nightclubs and casinos moved in along the Strip, which attracted movie people to this less-restricted area; alcohol was served in back rooms during Prohibition.