Australian politics, society & culture

Culture

Black Inc.; $29.99
By Frank Bongiorno
Bloomsbury; $18.99
By Stephanie Bishop
With their two new other-worldly albums, Shabazz Palaces continue to evade categorisation
By Anwen Crawford
Jennifer Peedom’s ‘Mountain’ is a meditation on the allure of the climb
By Sebastian Smee
Laura Poitras’ ‘Risk’ sidesteps the biggest question about Julian Assange
By Robert Manne
Arundhati Roy’s ‘The Ministry of Utmost Happiness’ was worth the 20-year wait
By Helen Elliott
Australia’s Tracey Moffatt leads the way at the 57th Venice Biennale
By Julie Ewington
Image of Yarrkalpa – Hunting Ground, Parnngurr Area, 2013
Mapping and minding shared lands
By Kim Mahood
Illustration
Meet the team behind the Macquarie Dictionary
By Darryn King
Illustration
Venezuela’s Simón Bolívar String Quartet meet some of Melbourne’s youngest musicians
By Chloe Hooper
Image of Lorde
The return of Lorde, Frank Ocean and Radiohead live in Denmark, ‘OK Computer’ at 20, and more
By Anwen Crawford
With each season, ‘Better Call Saul’ feels more like a corrective to ‘Breaking Bad’
By Adam Rivett
Director Bong Joon-ho on ‘Okja’, Netflix and the new cinema model
By Luke Goodsell
Malthouse Theatre’s ‘Revolt. She Said. Revolt Again.’ is an exciting but nihilistic condemnation of how contemporary feminism has been derailed
By Alison Croggon
Hobart’s Dark Mofo is an illuminating reflection on myth, ritual, sex and death
By Jenny Valentish
Ian Potter Museum for Art’s ‘Vertigo Sea’ and ‘I was born in Indonesia’ are very different answers to the same question
By Quentin Sprague
‘PACmen’ is a good old-fashioned look at the absurdities of US politics
By Liam Pieper
Rachel Seiffert’s ‘A Boy in Winter’ chronicles the physical and psychological brutality of war from multiple perspectives
By Kevin Rabalais

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