Experimental Music & Sound Art
Archive
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Experimental music is a compositional tradition that arose in the mid-20th century, particularly in North America, of music composed in such a way that its outcome is unforeseeable. The American composer John Cage is seen as one of the more notable composers associated with this music (Grant 2003, 174). In France, as early as 1953, Pierre Schaeffer had begun using the term “musique expérimentale” to describe compositional activities that incorporated tape music, musique concrète, and elektronische Musik. Also, in America, a quite distinct sense of the term was used in the late 1950s to describe computer-controlled composition associated with composers such as Lejaren Hiller. In 1958, Hiller became the first director of the Studio for Experimental Music at University of Illinois at Urbana-Champaign.
https://en.wikipedia.org/wiki/Experimental_music
Sound art is an artistic discipline in which sound is utilised as a medium. Like many genres of contemporary art, sound art is interdisciplinary in nature, or takes on hybrid forms. Sound art can engage with a range of subjects such as acoustics, psychoacoustics, electronics, noise music, audio media, found or environmental sound, explorations of the human body, sculpture, film or video and an ever-expanding set of subjects that are part of the current discourse of contemporary art.
https://en.wikipedia.org/wiki/Sound_art
Los contenidos de esta página son sólo accesibles para los colaboradores en algún proyecto de Symbionts. Si participas en alguno de ellos, pide tu acceso a través de la página de contacto.
The contents of this page are only accessible to collaborators in a Symbionts project. If you participate in any of them, ask for your access through the contact page.
This online archive is being expanded in an offline version. If you are interested in exhibiting that version. Consultation with the modisti team