Live performance

live performance may refer to:

Live Performance

Live Performance is a live album by Jake Thackray. Recorded at the Queen Elizabeth Hall in London in 1970, it was released on LP by EMI in 1971 and reissued in 1976. An expanded version was released on CD in 2006.

Thackray was uncomfortable performing in large venues, and his left-wing politics meant he could not understand why people would pay money to see him perform. He almost backed out of this concert, feeling he had no right to entertain such a large crowd, but producer Norman Newell managed to persuade him to go on.

LP track listing

All songs written and composed by Jake Thackray. 

CD track listing

All songs written and composed by Jake Thackray, except where noted. 

References

External links

And I

"And I" is a song written by American R&B singer Ciara, and produced by Adonis Shropshire for Ciara's first album, Goodies (2004). It was released as the album's fourth and final single on August 30, 2005 (see 2005 in music) in North America.

The song was originally the third choice for the fourth single. Ciara has mentioned in an interview that "Thug Style", "Hotline" or "Pick up the Phone" would be the fourth single, but when Ciara suggested "And I" to executives at her previous record label LaFace, they were unhappy because they wanted "Next to You" to be the fourth single.

Chart performance

At the time of the U.S. release of "And I", Ciara's collaboration with Bow Wow, "Like You", and her collaboration with Missy Elliott, "Lose Control", were at the height of their popularity. "And I" peaked at 96 on the U.S. Billboard Hot 100 and 27 on Billboard's Hot R&B/Hip-Hop Singles & Tracks chart, which were poor positions compared to those attained by the first three singles from the album Goodies. It was not released outside North America because of this, and it is Ciara's least successful single.

Nobody but Me

Nobody but Me may refer to:

See also

The Fillmore

The Fillmore is a historic music venue in San Francisco, California, made famous by Bill Graham. Originally named the Majestic Hall, it became the "Fillmore Auditorium" in 1954 when Charles Sullivan acquired the master lease from the building owner, Harry Shiffs, and renamed it for the neighborhood rather than its original location at the intersection of Fillmore Street and Geary Boulevard. It is situated in the historical center of the Western Addition neighborhood, on the edge of the Fillmore District and Upper Fillmore (lately known as Lower Pacific Heights). From the 1930s through the '60s, before redevelopment, this location was considered the heart of the San Francisco Fillmore District.

Graham also opened a Fillmore East in New York City in March, 1968. In July, 1968, he opened an additional venue in San Francisco under the same brand. Formerly known as The Carousel Ballroom at Market Street and South Van Ness Avenue, he called this the Fillmore West.

History

On May 27, 28 and 29, 1966, The Velvet Underground and Nico led by Lou Reed played the Fillmore Auditorium as part of Andy Warhol's Exploding Plastic Inevitable avant-garde, multimedia show premiered in New York City. Their light show engineer Danny Williams, who pioneered many of today's standard practices in rock music light shows, built a light system at the Fillmore that included stroboscopes, slides and film projections onstage. Conceived by Andy Warhol, Danny Williams and using some of film maker Jonas Mekas's ideas (Mekas pioneered film projections during concerts at The Cinematheque in New York), the show also included wild, free dancing both in the crowd and onstage. At Bill Graham's request Danny Williams soon came back to the Fillmore to build more. These innovations were to become part of the Fillmore Auditorium's prestige and image and were also used at the Fillmore East and Fillmore West venues, both opened in 1968.