The Wedding Guest

The Wedding Guest is a 1916 American silent drama film, featuring Harry Carey.

Cast

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Star

A star is a luminous sphere of plasma held together by its own gravity. The nearest star to Earth is the Sun. Other stars are visible to the naked eye from Earth during the night, appearing as a multitude of fixed luminous points in the sky due to their immense distance from Earth. Historically, the most prominent stars were grouped into constellations and asterisms, and the brightest stars gained proper names. Extensive catalogues of stars have been assembled by astronomers, which provide standardized star designations.

For at least a portion of its life, a star shines due to thermonuclear fusion of hydrogen into helium in its core, releasing energy that traverses the star's interior and then radiates into outer space. Once the hydrogen in the core of a star is nearly exhausted, almost all naturally occurring elements heavier than helium are created by stellar nucleosynthesis during the star's lifetime and, for some stars, by supernova nucleosynthesis when it explodes. Near the end of its life, a star can also contain degenerate matter. Astronomers can determine the mass, age, metallicity (chemical composition), and many other properties of a star by observing its motion through space, luminosity, and spectrum respectively. The total mass of a star is the principal determinant of its evolution and eventual fate. Other characteristics of a star, including diameter and temperature, change over its life, while the star's environment affects its rotation and movement. A plot of the temperature of many stars against their luminosities, known as a Hertzsprung–Russell diagram (H–R diagram), allows the age and evolutionary state of a star to be determined.

Cane

Cane is any of various tall, perennial grasses with flexible, woody stalks, and more specifically from the genus Arundinaria.

Scientifically speaking, there are either of two genera from the family Poaceae. The genus Arundo is native from the Mediterranean Basin to the Far East. The genus Arundinaria is a bamboo (Bambuseae) found in the New World. Neither genus includes sugarcane (genus Saccharum, tribe Andropogoneae).

Cane commonly grows in large riparian stands known as canebrakes, found in toponyms throughout the Southern and Western United States; they are much like the tules (Schoenoplectus acutus) of California.

Depending on strength, cane can be fashioned for various purposes, including walking sticks, crutches, assistive canes or judicial or school canes. Where canes are used in corporal punishment, they must meet particular specifications, such as a high degree of flexibility. Cane historically has been used for many other purposes such as baskets, furniture, boats, roofs and wherever stiff, withy sticks can be put to good use.

Sugar

Sugar is the generalized name for sweet, short-chain, soluble carbohydrates, many of which are used in food. They are carbohydrates, composed of carbon, hydrogen, and oxygen. There are various types of sugar derived from different sources. Simple sugars are called monosaccharides and include glucose (also known as dextrose), fructose and galactose. The table or granulated sugar most customarily used as food is sucrose, a disaccharide. (In the body, sucrose hydrolyses into fructose and glucose.) Other disaccharides include maltose and lactose. Longer chains of sugars are called oligosaccharides. Chemically-different substances may also have a sweet taste, but are not classified as sugars. Some are used as lower-calorie food substitutes for sugar described as artificial sweeteners.

Sugars are found in the tissues of most plants, but are present in sufficient concentrations for efficient extraction only in sugarcane and sugar beet. Sugarcane refers to any of several species of giant grass in the genus Saccharum that have been cultivated in tropical climates in South Asia and Southeast Asia since ancient times. A great expansion in its production took place in the 18th century with the establishment of sugar plantations in the West Indies and Americas. This was the first time that sugar became available to the common people, who had previously had to rely on honey to sweeten foods. Sugar beet, a cultivated variety of Beta vulgaris, is grown as a root crop in cooler climates and became a major source of sugar in the 19th century when methods for extracting the sugar became available. Sugar production and trade have changed the course of human history in many ways, influencing the formation of colonies, the perpetuation of slavery, the transition to indentured labour, the migration of peoples, wars between sugar-trade–controlling nations in the 19th century, and the ethnic composition and political structure of the New World.

Parody

A parody (/ˈpærədi/; also called spoof, send-up, take-off or lampoon), in use, is a work created to imitate, make fun of, or comment on an original work, its subject, author, style, or some other target, by means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, "parody … is imitation, not always at the expense of the parodied text." Another critic, Simon Dentith, defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice." Parody may be found in art or culture, including literature, music (although "parody" in music has an earlier, somewhat different meaning than for other art forms), animation, gaming and film.

The writer and critic John Gross observes in his Oxford Book of Parodies, that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without satirical intent") and burlesque (which "fools around with the material of high literature and adapts it to low ends"). Meanwhile, the Encyclopédie of Denis Diderot distinguishes between the parody and the burlesque, "A good parody is a fine amusement, capable of amusing and instructing the most sensible and polished minds; the burlesque is a miserable buffoonery which can only please the populace." Historically, when a formula grows tired, as in the case of the moralistic melodramas in the 1910s, it retains value only as a parody, as demonstrated by the Buster Keaton shorts that mocked that genre.