Cult film

A cult film, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience participation. Inclusive definitions allow for major studio productions, especially box office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term cult film itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though cult was in common use in film analysis for decades prior to that.

Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films have acquired cult followings decades after their original release, occasionally for their camp value. Other cult films have since become well-respected or reassessed as classics; there is debate as to whether these popular and accepted films are still cult films. After failing in the cinema, some cult films have become regular fixtures on cable television or profitable sellers on home video. Others have inspired their own film festivals. Cult films can both appeal to specific subcultures and form their own subcultures. Other media that reference cult films can easily identify which demographics they desire to attract and offer savvy fans an opportunity to demonstrate their knowledge.

Cult Classic

Cult Classic is the twelfth studio album by the American hard rock band Blue Öyster Cult, released in 1994 and containing remakes of many of the band's previous hits. The same recording was re-issued by other labels under the titles Champions of Rock and E.T.I. Revisited in 1998 and 2004, every time with different artwork.

Track listing

Personnel

Band members

Cult

In the sociological classifications of religious movements in English, a cult is a religious or social group with socially deviant or novel beliefs and practices. However, whether any particular group's beliefs and practices are sufficiently deviant or novel is often unclear, thus making a precise definition problematic. In the English speaking world, the word often carries derogatory connotations, but in other European languages, it is used as English-speakers use the word "religion", sometimes causing confusion for English-speakers reading material translated from other languages. The word "cult" has always been controversial because it is (in a pejorative sense) considered a subjective term, used as an ad hominem attack against groups with differing doctrines or practices, which lacks a clear or consistent definition.

Beginning in the 1930s, cults became the object of sociological study in the context of the study of religious behavior. Certain groups have been labelled as cults and have been opposed by the Christian countercult movement for their unorthodox beliefs. Since the 1970s, some groups have been opposed by the anti-cult movement, partly motivated in reaction to acts of violence committed by members of some groups. Some of the claims by the anti-cult movement have been disputed by other scholars and by the news media, leading to further controversy. Public and governmental reactions to the cult issue have also been a source of controversy.

Video game

A video game is an electronic game that involves human interaction with a user interface to generate visual feedback on a video device such as a TV screen or computer monitor. The word video in video game traditionally referred to a raster display device, but it now implies any type of display device that can produce two- or three-dimensional images. Video games are sometimes believed to be a form of art, but this designation is controversial.

The electronic systems used to play video games are known as platforms; examples of these are personal computers and video game consoles. These platforms range from large mainframe computers to small handheld computing devices. Specialized video games such as arcade games, while common in the 1980s, have gradually declined in use due to the widespread availability of home video game devices (e.g., PlayStation 4 and Xbox One) and video games on desktop and laptop computers and smartphones.

The input device used for games, the game controller, varies across platforms. Common controllers include gamepads, mouses, keyboards, joysticks, the touchscreens of mobile devices and buttons. In addition to video and (in most cases) audio feedback, some games include haptic, vibration or force feedback peripherals.

Classics

Classics (also Classical Studies) is the study of the languages, literature, laws, philosophy, history, art, archaeology and other material culture of Ancient Greece and Ancient Rome; especially during Classical Antiquity (ca. BCE 600 – AD 600). Traditionally, the study of Classical literature (Greek and Roman) was the principal study of the humanities.

Etymology

The word classics is derived from the Latin adjective classicus, meaning "belonging to the highest class of citizens."

History of the Western Classics

The first “Classic” writer was Aulus Gellius, a 2nd-century Roman writer who, in the miscellany Noctes Atticae (19, 8, 15), refers to a writer as a Classicus scriptor, non proletarius (“A distinguished, not a commonplace writer”). Such classification began with the Greeks’ ranking their cultural works, with the word canon (“carpenter’s rule”). Moreover, early Christian Church Fathers used canon to rank the authoritative texts of the New Testament, preserving them, given the expense of vellum and papyrus and mechanical book reproduction, thus, being comprehended in a canon ensured a book’s preservation as the best way to retain information about a civilization. Contemporarily, the Western canon defines the best of Western culture. In the ancient world, at the Alexandrian Library, scholars coined the Greek term Hoi enkrithentes (“the admitted”, “the included”) to identify the writers in the canon.