Album

Albums of recorded music were developed in the early 20th century, first as books of individual 78rpm records, then from 1948 as vinyl LP records played at 33 ¹⁄₃ rpm. Vinyl LPs are still issued, though in the 21st century albums sales have mostly focused on compact disc (CD) and MP3 formats. The audio cassette was a format used in the late 1970s through to the 1990s alongside vinyl.

An album may be recorded in a recording studio (fixed or mobile), in a concert venue, at home, in the field, or a mix of places. Recording may take a few hours to several years to complete, usually in several takes with different parts recorded separately, and then brought or "mixed" together. Recordings that are done in one take without overdubbing are termed "live", even when done in a studio. Studios are built to absorb sound, eliminating reverberation, so as to assist in mixing different takes; other locations, such as concert venues and some "live rooms", allow for reverberation, which creates a "live" sound. The majority of studio recordings contain an abundance of editing, sound effects, voice adjustments, etc. With modern recording technology, musicians can be recorded in separate rooms or at separate times while listening to the other parts using headphones; with each part recorded as a separate track.

Buena Vista

Buena Vista, meaning "good view" in Spanish, may refer to:

Places

Argentina

Belize

Bolivia

Canada

Colombia

Cuba

Dominican Republic

Gibraltar

Panama

Paraguay

Peru

Puerto Rico

United States

(by state)

Buena Vista Social Club

The Buena Vista Social Club was a members' club in Havana, Cuba, that closed in the 1940s, as well as a 1990s band, a 1997 album, a 1999 film, and an unofficial brand name representing the musical spirit of the original Havana club.

The original Buena Vista Social Club held dances and musical activities, becoming a popular location for musicians to meet and play during the 1940s. In the 1990s, nearly 50 years after the club was closed, it inspired a recording made by Cuban musician Juan de Marcos González and American guitarist Ry Cooder with traditional Cuban musicians, some of whom were veterans who had performed at the club during the height of its popularity.

The recording, named Buena Vista Social Club after the Havana institution, became an international success, and the ensemble was encouraged to perform with a full line-up in Amsterdam in April 1998 (two nights). German director Wim Wenders captured the performance on film and the one that followed on the 1st of July 1998 in Carnegie Hall, New York City for a documentary—also called Buena Vista Social Club—that included interviews with the musicians conducted in Havana. Wenders' film was released on 4 June 1999 to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards.

Social club

A social club may refer to a group of people or the place where they meet, generally formed around a common interest, occupation or activity (e.g. hunting, fishing, science, politics, or charity work). This article covers only three distinct types of social clubs, the historic gentlemen's clubs, the modern activities clubs, and an introduction to fraternities and sororities. This article does not cover a variety of other types of clubs having some social characteristics, for example specific single-activity based clubs, military officers' clubs, university clubs and country clubs.

History

Working men's clubs developed in Britain during Victorian times as institutes where working class men could attend lectures and take part in recreational pursuits. The Reverend Henry Solly founded the Working Men's Club and Institute Union (CIU) for this purpose in 1862. Many middle class social reformers founded these clubs during the temperance movement as a place to relax without alcohol, but in time this changed. They became a combination of public houses (pubs), music-halls, and clubs, becoming places to be entertained, to drink socially, and to play bar games. Their mainly working-class patronage is not seen as fashionable among some sections of society today, and they have come under increasing pressure regarding attitudes to membership rights for women and ethnic minorities. The CIU was heavily involved in resisting the smoking ban in private clubs; it remains to be seen how many survive the change of law.

Radio edit

In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.

Editing for time

Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.