- published: 23 Jun 2015
- views: 1213
Ann Hui On-Wah, MBE (traditional Chinese: 許鞍華; simplified Chinese: 许鞍华; pinyin: Xǔ Ānhuá; Hepburn: Kyo Anka; born 23 May 1947) is a Hong Kong actress, director, producer and occasional screenwriter. She is one of the most critically acclaimed filmmakers amongst the Hong Kong New Wave. She is known for her (at times) controversial films about social issues in Hong Kong.
Hui has won numerous awards for her films, including, Best Director and Best Picture at the Hong Kong Film Awards, and Best Film at the Asia Pacific Film Festival. She was honored for her lifetime accomplishments at the 2012 Asian Film Awards.
On 23 May 1947, Ann Hui was born in Anshan, Liaoning province, Manchuria to a Chinese father and a Japanese mother. In 1952, she moved to Macau, then Hong Kong at the age of five and attended St. Paul's Convent School. Hui then received a Masters in English and comparative literature at the University of Hong Kong until 1972 and later, studied at the London Film School for two years. Before receiving her degree, Hui studied and did her thesis on the works of Alain Robbe-Grillet, a French writer and filmmaker.
Thuyền nhân (tiếng Hán: 投奔怒海, Hán-Việt: Đầu bôn nộ hải, nghĩa là: "Chạy đến biển cuồng nộ", tiếng Anh: Boat People) là một phim Hồng Kông của đạo diễn Hứa An Hoa (Ann Hui), bắt đầu trình diễn chiếu vào năm 1982. Bộ phim có sự tham gia của các diễn viên Lâm Tử Tường, Lưu Đức Hoa, Mâu Khiên Nhân, và Mã Tư Thần. Bộ phim nói về cuộc sống của những người viêt nam sau "giải phóng miền Nam 1975" Bộ phim đã đoạt giải Phim hay nhất, Đạo xuất sắc nhất, Diễn viên mới xuất sắc nhất, và Kịch bản hay nhất tại Giải thưởng Điện ảnh Hồng Kông lần thứ nhì và là một trong những phim được chính thức trình chiếu tại Liên hoan phim Cannes năm 1983.[2] Năm 2005, tại lần trao giải thứ 24 của Giải thưởng Điện ảnh Hồng Kông, Thuyền nhân được bình chọn đứng thứ 8 trong 103 phim Hoa ngữ hay nhất trong 100 năm qua. h...
Bande annonce du film Our Time Will Come (2017, 《明月几时有》) de Ann Hui Chine et films : La Chine à travers le cinéma chinois http://www.chine-et-films.com/
Video Essay on Ann Hui's Boat People. http://www.theseventhart.org/ This video essay looks at one of the most important films of the Hong Kong New Wave, Ann Hui's Boat People, and how it formally combines the director's interest in the political and the melodramatic. The essay was written by Christopher Heron, edited by Brian Robertson, and narrated by David J Phillips. View full issues and additional features on our site: http://www.theseventhart.org Twitter: http://www.twitter.com/the7thart Facebook: http://www.facebook.com/theseventhart
Ann Hui Interview and backstage after winning the lifetime achievement award at the 6th Asian Film award 2012. She is overwhelmed and then we meet her the following day when she's had some time to process it all. Interview with Deanie Ip that happened at the same time coming soon, please subscribe so you won't miss it! http://www.youtube.com/subscription_center?add_user=OnokoFilm Our playlist of the whole evening: http://www.youtube.com/playlist?list=PLB4A9A193CDDF5EAB&feature;=view_all And follow us on twitter or like us on facebook if that's your style: https://twitter.com/#!/OnokoFilm http://www.facebook.com/onokofilm Interviewed by Rani Samtani: http://www.youtube.com/user/Ranzuni?feature=watch Trailer for "A Simple LIfe" if you haven't seen it yet: http://youtu.be/OCD00LLZmys Tr...
Ann Hui’s Our Time Will Come portrays a chapter in the history of Hong Kong’s wartime-era. In 1941, at the height of the Pacific War, Japanese forces took Hong Kong and unleashed offensive against cultural figures. The anti-Japanese Dongjiang guerilla unit is tasked with rescuing the cultural figures from the besieged city.
http://www.scmp.com/video Following a spate of murders, suicides and coupled by unemployment, the isolated town of Tin Shui Wai in the northern New Territories has been dubbed as the "City of Sadness". This has been the background of director Ann Hui On-wah's most recent two films 'The Way We Are' and 'Night and Fog'. It was a surprising success for The Way We Are at this year's Hong Kong Film Awards and earned Hui the Best Director award. It also won Best Actress (Paw Hee-Ching), Screenplay (Lou Shiu-wa) and Best Supporting Actress (Chan Lai-wun). While Night and Fog is set to similar circumstances to its predecessor, it is not a sequel but rather a complementary follow-up to create a diptych of Tin Shui Wai. It stars Simon Yam Tat-wah (任達華) and mainland actress Zhang Jingchu ...
Making-of (sous-titres anglais) du film The golden era (黄金时代, 2014) de Ann Hui Sur le film http://www.chine-et-films.com/article/the-golden-era-le-nouveau-film-de-la-realisatrice-ann-hui Chine et films : La Chine à travers le cinéma chinois http://www.chine-et-films.com/
Another brilliant film from Ann Hui! A real complicated murder case with the “Ménage A Trois” relationship of the victim and the main suspects. As different witnesses narrated their conflicting stories, the case seems set to lead to nowhere; especially when the real identity of the dead person was finally discovered. Subscribe and enjoy the best in Martial Arts and Action Entertainment!
Thuyền nhân (tiếng Hán: 投奔怒海, Hán-Việt: Đầu bôn nộ hải, nghĩa là: "Chạy đến biển cuồng nộ", tiếng Anh: Boat People) là một phim Hồng Kông của đạo diễn Hứa An Hoa (Ann Hui), bắt đầu trình diễn chiếu vào năm 1982. Bộ phim có sự tham gia của các diễn viên Lâm Tử Tường, Lưu Đức Hoa, Mâu Khiên Nhân, và Mã Tư Thần. Bộ phim nói về cuộc sống của những người viêt nam sau "giải phóng miền Nam 1975" Bộ phim đã đoạt giải Phim hay nhất, Đạo xuất sắc nhất, Diễn viên mới xuất sắc nhất, và Kịch bản hay nhất tại Giải thưởng Điện ảnh Hồng Kông lần thứ nhì và là một trong những phim được chính thức trình chiếu tại Liên hoan phim Cannes năm 1983.[2] Năm 2005, tại lần trao giải thứ 24 của Giải thưởng Điện ảnh Hồng Kông, Thuyền nhân được bình chọn đứng thứ 8 trong 103 phim Hoa ngữ hay nhất trong 100 năm qua. h...
Bande annonce du film Our Time Will Come (2017, 《明月几时有》) de Ann Hui Chine et films : La Chine à travers le cinéma chinois http://www.chine-et-films.com/
Video Essay on Ann Hui's Boat People. http://www.theseventhart.org/ This video essay looks at one of the most important films of the Hong Kong New Wave, Ann Hui's Boat People, and how it formally combines the director's interest in the political and the melodramatic. The essay was written by Christopher Heron, edited by Brian Robertson, and narrated by David J Phillips. View full issues and additional features on our site: http://www.theseventhart.org Twitter: http://www.twitter.com/the7thart Facebook: http://www.facebook.com/theseventhart
Ann Hui Interview and backstage after winning the lifetime achievement award at the 6th Asian Film award 2012. She is overwhelmed and then we meet her the following day when she's had some time to process it all. Interview with Deanie Ip that happened at the same time coming soon, please subscribe so you won't miss it! http://www.youtube.com/subscription_center?add_user=OnokoFilm Our playlist of the whole evening: http://www.youtube.com/playlist?list=PLB4A9A193CDDF5EAB&feature;=view_all And follow us on twitter or like us on facebook if that's your style: https://twitter.com/#!/OnokoFilm http://www.facebook.com/onokofilm Interviewed by Rani Samtani: http://www.youtube.com/user/Ranzuni?feature=watch Trailer for "A Simple LIfe" if you haven't seen it yet: http://youtu.be/OCD00LLZmys Tr...
Ann Hui’s Our Time Will Come portrays a chapter in the history of Hong Kong’s wartime-era. In 1941, at the height of the Pacific War, Japanese forces took Hong Kong and unleashed offensive against cultural figures. The anti-Japanese Dongjiang guerilla unit is tasked with rescuing the cultural figures from the besieged city.
http://www.scmp.com/video Following a spate of murders, suicides and coupled by unemployment, the isolated town of Tin Shui Wai in the northern New Territories has been dubbed as the "City of Sadness". This has been the background of director Ann Hui On-wah's most recent two films 'The Way We Are' and 'Night and Fog'. It was a surprising success for The Way We Are at this year's Hong Kong Film Awards and earned Hui the Best Director award. It also won Best Actress (Paw Hee-Ching), Screenplay (Lou Shiu-wa) and Best Supporting Actress (Chan Lai-wun). While Night and Fog is set to similar circumstances to its predecessor, it is not a sequel but rather a complementary follow-up to create a diptych of Tin Shui Wai. It stars Simon Yam Tat-wah (任達華) and mainland actress Zhang Jingchu ...
Making-of (sous-titres anglais) du film The golden era (黄金时代, 2014) de Ann Hui Sur le film http://www.chine-et-films.com/article/the-golden-era-le-nouveau-film-de-la-realisatrice-ann-hui Chine et films : La Chine à travers le cinéma chinois http://www.chine-et-films.com/
Another brilliant film from Ann Hui! A real complicated murder case with the “Ménage A Trois” relationship of the victim and the main suspects. As different witnesses narrated their conflicting stories, the case seems set to lead to nowhere; especially when the real identity of the dead person was finally discovered. Subscribe and enjoy the best in Martial Arts and Action Entertainment!
Thuyền nhân (tiếng Hán: 投奔怒海, Hán-Việt: Đầu bôn nộ hải, nghĩa là: "Chạy đến biển cuồng nộ", tiếng Anh: Boat People) là một phim Hồng Kông của đạo diễn Hứa An Hoa (Ann Hui), bắt đầu trình diễn chiếu vào năm 1982. Bộ phim có sự tham gia của các diễn viên Lâm Tử Tường, Lưu Đức Hoa, Mâu Khiên Nhân, và Mã Tư Thần. Bộ phim nói về cuộc sống của những người viêt nam sau "giải phóng miền Nam 1975" Bộ phim đã đoạt giải Phim hay nhất, Đạo xuất sắc nhất, Diễn viên mới xuất sắc nhất, và Kịch bản hay nhất tại Giải thưởng Điện ảnh Hồng Kông lần thứ nhì và là một trong những phim được chính thức trình chiếu tại Liên hoan phim Cannes năm 1983.[2] Năm 2005, tại lần trao giải thứ 24 của Giải thưởng Điện ảnh Hồng Kông, Thuyền nhân được bình chọn đứng thứ 8 trong 103 phim Hoa ngữ hay nhất trong 100 năm qua. h...
Another brilliant film from Ann Hui! A real complicated murder case with the “Ménage A Trois” relationship of the victim and the main suspects. As different witnesses narrated their conflicting stories, the case seems set to lead to nowhere; especially when the real identity of the dead person was finally discovered. Subscribe and enjoy the best in Martial Arts and Action Entertainment!
This link has been fully verified by the youtube site developer partner -------------------------------------------------------------------------------------------------- ★Subscribe HERE and NOW ► *[[http://smarturl.it/uqzyeh]]
男人四十 July Rhapsody 2002 (HK) ◎ 星皓電影有限公司-版權所有 導演:許鞍華(Ann Hui) 監製:爾冬陞(Derek Yee)、許鞍華(Ann Hui) 製片:何慧儀 編劇:岸西(Ivy Ho) 出品人:王海峰(Alexander Wong) 主演:張學友(Jacky Cheung)、梅艷芳(Anita Mui)、林嘉欣(Karena Lam) 故事講述香港中學中文老師林耀國(張學友飾)與班上女學生胡彩藍(林嘉欣飾)開始了師生戀及肉體關係,與此同時林耀國與其妻陳文靖(梅艷芳飾)20多年的婚姻關係出現問題;原來當年陳文靖與其國文老師盛世年(庹宗華飾)發生過師生戀而且意外懷孕(盛老師是耀國當年最敬愛的老師,卻同時也是耀國的長子安然(譚俊彥飾)的生父)。盛老師此時忽然再度出現……
Rare Lin Ching Hsia classic! Ivy, a Taiwanese girl studying in California, becomes involved with charming Chiu Ching. He goes away for a while, but sends telegrams of his love for her. Ivy fills in time with Louie, and ex-boyfriend whom she is still friends with, but the telegrams and messages dry up from Chiu and soon love fades for Ivy. Chiu Ching reappears suddenly. He has, in fact, been visiting his wife. Ivy and Chiu Ching have a tense dinner date, where this issue is discussed. Chiu Ching only wants Ivy, but Ivy is over him. Chiu Ching becomes agitated as Ivy storms off. Over the next few days, Chiu Ching approaches Ivys dorm mates for information on her whereabouts, but they shield her. Chiu Chings credentials, a nasty piece of work, have already been established, but he then starts...
színes, magyarul beszélő, amerikai akciófilm, 93 perc, 1991 rendező: Nico Mastorakis Peter Rader író: Nico Mastorakis szereplő(k): Joanna Jordana Capra . színes, amerikai western-vígjáték, 103 perc, 1990 rendező: Peter Markle szereplő(k): Anthony Edwards Louis Gossett Jr. Robert Beltran Tartalom: Billy Ray . színes, amerikai akciófilm, 102 perc, 1990 rendező: Eric Karson forgatókönyvíró: S. Warren zeneszerző: Terry Plumeri operatőr: John LeBlanc producer: Eric . színes, magyarul beszélő, hongkongi-tajvani akciófilm, 120 perc, 1990 rendező: Siu-Tung Ching Ann Hui King Hu Andrew Kam Hark Tsui író: Louis Cha .
In 1898, the British were in the process of building a railway bridge over the Tsavo River in Tsavo, Kenya. Over the next nine to ten months, the Indian railway workers hired by the British, as well as native Africans in the area, were terrorized by two lions. At the time, reports estimated that the two lions had killed up to 135 people in less than a year. We all know that not all lions are as cuddly as Simba or Christian, but they don’t typically hunt men, either. A lion’s diet usually consists of wildebeasts, zebras, and other large prey. Attacks on humans aren’t unheard of, but humans are usually more of a threat to lions due to our technology and superior weapons. According to the workers, the lions would stalk through the camp at night and drag people from their tents, run off with...
[Twista]
Yo check it out
It's the Twista in the house
Representin K-Town, Westside of Chi
No lie
You know how we do it, Mobstability style
Adrenaline rushin, suckers facin the repercussion
I'ma set it off like this though, check it out
You just a bitch in disguise
I hear cries, cause you can't whistle for your guys
Surprised when you saw these pistols in yo' eyes
Show no fear like mere mortals
cause I shoot bloody portals, through motherfuckers orals
Niggaz dyin, causin horrifyin pictorals
My passion for blastin made me an assassin
on all other meat shift workers
who's purpose is to serve ?? til they clientele hurtin
Murders got em nervous, I pull my weed and gun out
Blast until they run in the house while I got the blunt in my mouth
Yo Mob blast, I'ma defeat you, run 3-2-1 Contact
Cognac, get me shot with a black gat itchin to bomb back
Hoes can't get no sleep when I sent yo' chief
for the greenbacks you bring us
Shots hit his vest as he grabbed his chest
as I watch him bleed through his fingers, now come one come all
but if all come, all fall, fuck y'all, we raw dogs
that'll come gunnin, niggaz runnin like they soldiers
In the heat of the night if you lookin for static to start up
Guards up, or bring them straps and come ready to mob up
My motto is I'ma live my life fuck the slow and puffin herb
Gettin boss ?, while my money's doublin on the curb
So fuck a job, I'm bustin stains and my idol's Kane
In school I maintained, but at night I was shakin brown brains
Alluminum foil, servin before it's spoils
I got yay on the boil and my inner circle is loyal
and critically acclaimed in the category of gangbang
Constantly showered in black rain, as we bring the pain
[Twista]
You done crossed our inner circle - now I'm fin' to hurt you
cause the Mob peeped all of your loopholes
Let the trigger work you
Bust all of you bitches, and all of you hoes
When the blunt come, stunts better run shit
Look what a thug sprung
See what drugs done?
When I hug the gun it make murder for my loved ones
Thought you was down to die but you been found a lie, so fuck you
Can't trust you, gotta bust you
Plus you nigga can't get licks in hustle
Try to flex your muscle but my criteria overcomes your strategies
Try to make a Mob patter please
I can rat on you and ? an amount of G's
Musta had a lot of bud in him
I can barely bludgeon him, whip out all the stud in him
But I ain't even stunnin him
Then again he's gone, so I just put a slug in him
Dug in him dead and I'm headin then hoes off at the pass
Open up a can of kick ass
Toi aren't we loyal, G's out quick fast
[Ms. Toi]
Yo, it's that, West Coast diva from the Chi
That keepin that P, in the pimpin, so let's fly
to, ??, over here today, to lay down the
funk me and Twista display
Can you even comprehend this ghetto feel
I got my own type of slang and I keep my shit so real
So hold your sack, nigga so you can get back
It ain't a damn thing I lack, I kicks all of the facts
So artifacts, and you artifical game players
It's Ms. Toi with The Union and we straight slay ya
You haters can't even, try to trip with this, respect the Ms.
It's all about that swiftest, Ms. represents
and me, in Cali, I hit that Richter scale
Focus to be mobbin with the tightest females
But oh well, oh well, if that shit don't go down
from Inglewood to Chi-Town
Momma Militia and Twista straight clip ya
It's me, slicin the necks of MC's
with my homey Twista in the Windy City
It's me, slicin the necks of MC's
with my homey Twista in the Windy City