- published: 20 Aug 2014
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A surname or family name is a name added to a given name. In many cases, a surname is a family name and many dictionaries define "surname" as a synonym of "family name". In the western hemisphere, it is commonly synonymous with last name because it is usually placed at the end of a person's given name.
In most Spanish-speaking and Portuguese-speaking countries, two or more last names (or surnames) may be used. In China, Hungary, Japan, Korea, Madagascar, Taiwan, Vietnam, and parts of India, the family name is placed before a person's given name.
The style of having both a family name (surname) and a given name (forename) is far from universal. In many countries, it is common for ordinary people to have only one name or mononym.
The concept of a "surname" is a relatively recent historical development, evolving from a medieval naming practice called a "byname". Based on an individual's occupation or area of residence, a byname would be used in situations where more than one person had the same name.
Georges Bizet (French: [ʒɔʁʒ bizɛ]; 25 October 1838 – 3 June 1875), registered at birth as Alexandre César Léopold Bizet, was a French composer of the romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.
During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.
Number Two, No. 2, or similar may refer to:
The Suite No. 2 for piano, Op. 10, is the second composed by George Enescu between 1901 and 1903, being written in 1903 in Paris. It was published in 1904, and is dedicated to Louis Diémer.
The Toccata was written starting in 1901 and completed by three other movements for presentation at a competition in 1903, in which it won first prize. The judges included, notably, Claude Debussy and Vincent d'Indy. It is a composition that shows a French-style neoclassicism, the musician himself recognizing the influence of Debussy, but Enescu's Romanian folklore is not absent, rather, unobtrusive.
Divided into four parts, a performance requires about twenty minutes.
Suite No. 1 (or Fantaisie-Tableaux for two pianos), Op. 5, is a composition for two pianos by Sergei Rachmaninoff. Composed in the summer of 1893 at the Lysikofs estate in Lebeden, Kharkov, this suite was initially titled Fantaisie-Tableux since Rachmaninoff intended it, as he explained in a letter to his cousin Sofia Satin, to consist "of a series of musical pictures." While François-Rene Tranchefort asserts that the music illustrates four extracts of poems (written by Mikhail Lermontov, Lord Byron, Fyodor Tyutchev and Aleksey Khomyakov), Rachmaninoff biographer Max Harrison counters that while the poems "convey something of the emotional tone of the music," the music itself is not programmatic.
This work was first performed on November 30, 1893, by Rachmaninoff and Pavel Pabst in Moscow, and is dedicated to Tchaikovsky. Rachmaninoff composed a second suite in 1901.
The four movements are:
I. Barcarolle. Allegretto, in G minor.
II. La nuit... L'amour... Adagio sostenuto, in D major. (The night...the love...)
III. Les Larmes. Largo di molto, in G minor. (The Tears)
IV. Pâques. Allegro maestoso, in G minor. (Easter)
The Best of Bizet
Bizet - Carmen - Overture
Bizet L'Arlesienne Suite No.1 No.2
Georges Bizet - Symphony No. 2 "Roma" (1861)
Bizet - Habanera
Carmen - Habanera (Anna Caterina Antonacci, The Royal Opera)
Bizet - L'Arlésienne Suite No. 1 & Suite No. 2 / Nathalie Stutzmann
Bizet - L'Arlesienne Suite No. 2: Farandole
Bizet - Symphony in C Major
Georges Bizet - "Les Toreadors" from Carmen Suite No. 1
Love classical music? Learn to play the best PIANO pieces the easiest way: http://tinyurl.com/classic-flowkey Georges Bizet Tracklist: Ópera Carmen 1. Prélude 2. La Cloche a Sonnée 3. L’Amour Est un Oiseau Rebelle 4. Près des Remparts de Séville (seguidilla e dueto) 5. Votre Toast, Je Peux Vous le Rendre 6. La Fleur Que Tu M’Avais Jetée 7. Entr’acte 8. Écoute, Écoute, Compagnon 9. Je Dis Que Rien Ne M’Épouvante 10. Les Voici! Les Voici! Suíte L’Arlésienne 11. Prélude (Allegro deciso. Tempo di marcia) 12. Menuet (allegro giocoso) 13. Adagietto 14. Carillon (allegretto moderato) For more: http://www.melhoresmusicasclassicas.blogspot.com
I. Andante Tranquillo - Allegro Agitato - 00:00 II. Allegretto Vivace - 12:41 III. Andante Molto - 18:36 IV. Allegro - Vivacissimo - 26:34 The Symphony in C "Roma" is the second of Georges Bizet's symphonies. Unlike his first symphony, also in C major, which was written quickly at the age of 17, Roma was written over an eleven-year span, between the ages of 22 and 33 (he died at age 36). Bizet was never fully satisfied with it, subjecting it to a number of revisions, but died before finishing his definitive version. All four movements were performed in his lifetime, but never all on the same occasion. The full symphony in its latest revision was premiered in 1875, after his death. It is perhaps because of Bizet's dissatisfaction that the work is often said to be "unfinished". However, in ...
Spanish heat and gypsy passion are brought to the stage in Francesca Zambello's vivid production of Bizet's opera: http://www.roh.org.uk/carmen The Habanera is the aria Carmen sings when she first appears on stage. It is also known as 'L'amour est un oiseau rebelle'. Carmen was based on a popular novella of the same name by Prosper Mérimée, which enticed French readers with exotic tales of Spain. Its heady combination of passion, sensuality and violence initially proved too much for the stage and Georges Bizet's opera was a critical failure on its premiere in 1875. Bizet died shortly after, never learning of the spectacular success Carmen would achieve -- it has been staged over 500 times at Covent Garden alone. Carmen contains many well-loved numbers, such as Carmen's seductive Habaner...
Georges Bizet: L'Arlésienne Suite No. 1 & Suite No. 2 / Nathalie Stutzmann, conductor · Royal Stockholm Philharmonic Orchestra / Recorded at Stockholm Concert Hall, October 2014. Website of Nathalie Stutzmann: http://www.nathaliestutzmann.com Facebook page of Nathalie Stutzmann: https://www.facebook.com/Nathalie.Stutzmann
Bizet - L'Arlesienne Suite No. 2: Farandole
Donald Johanos and New Zealand Symphony Orchestra For information about this work visit http://muswrite.blogspot.com/2011/10/bizet-symphony-in-c-major.html For information about other works visit Musical Musings at : http://muswrite.blogspot.com/
Georges Bizet Carmen Suite No. 1 "Les Toreadors" London Festival Orchestra Alfred Scholz