- published: 20 Oct 2015
- views: 286
Pickup, Pick up or Pick-up may refer to:
Iran (/aɪˈræn/ or i/ɪˈrɑːn/;Persian: Irān – ایران [ʔiːˈɾɒːn]), also known as Persia (/ˈpɜːrʒə/ or /ˈpɜːrʃə/), officially the Islamic Republic of Iran (جمهوری اسلامی ایران – Jomhuri ye Eslāmi ye Irān [d͡ʒomhuːˌɾije eslɒːˌmije ʔiːˈɾɒːn]), is a country in Western Asia. It is bordered to the northwest by Armenia, the de facto Nagorno-Karabakh, and Azerbaijan; with Kazakhstan and Russia across the Caspian Sea; to the northeast by Turkmenistan; to the east by Afghanistan and Pakistan; to the south by the Persian Gulf and the Gulf of Oman; and to the west by Turkey and Iraq. Comprising a land area of 1,648,195 km2 (636,372 sq mi), it is the second-largest country in the Middle East and the 18th-largest in the world. With 78.4 million inhabitants, Iran is the world's 17th-most-populous country. It is the only country that has both a Caspian Sea and an Indian Ocean coastline. Iran has long been of geostrategic importance because of its central location in Eurasia and Western Asia, and its proximity to the Strait of Hormuz.
San Diego /ˌsæn diːˈeɪɡoʊ/ (Spanish for "Saint Didacus") is a major city in California, on the coast of the Pacific Ocean in Southern California, approximately 120 miles (190 km) south of Los Angeles and immediately adjacent to the border with Mexico.
With an estimated population of 1,381,069 as of July 1, 2014, San Diego is the eighth-largest city in the United States and second-largest in California. San Diego is the birthplace of California and is known for its mild year-round climate, natural deep-water harbor, extensive beaches, long association with the U.S. Navy, and recent emergence as a healthcare and biotechnology development center.
Historically home to the Kumeyaay people, San Diego was the first site visited by Europeans on what is now the West Coast of the United States. Upon landing in San Diego Bay in 1542, Juan Rodríguez Cabrillo claimed the entire area for Spain, forming the basis for the settlement of Alta California 200 years later. The Presidio and Mission of San Diego, founded in 1769, formed the first European settlement in what is now California. In 1821, San Diego became part of newly independent Mexico, and in 1850, became part of the United States following the Mexican–American War and the admission of California to the union.
Zhang Xianzhong or Chang Hsien-chung (September 18, 1606 – January 2, 1647), nicknamed Yellow Tiger, was a leader of a peasant revolt from Yan'an, Shaanxi Province and he later conquered Sichuan in the 17th century. His rule in Sichuan was brief and he was killed by the invading Manchu army. He is commonly associated with the massacres in Sichuan which depopulated the region, however the extent of his killings is disputed.
Zhang was born in Dingbian, Shaanxi province, China, into a poor family. He was described as tall in stature, had a yellow complexion and a heavy chin ("tiger chin" (虎颔) in Chinese figurative description), and hence was given the nickname "Yellow Tiger". He served in the Ming army, and while in the army he was sentenced to death for violations of military rules, but was reprieved after an intervention by a senior officer who was impressed by his appearance.
Towards the end the Ming Dynasty, drought, famines and epidemics broke out in various part of China. In the late 1620s, peasants revolted in Shaanxi, resisting attempts by the Ming government to collect grains and taxes. They coalesced into rebel armies called "roving bandit" (流寇) because of their highly mobile nature, and spread into other parts of China. Zhang escaped from the army, joined the rebel forces in Mizhi County in 1630, and established himself as a rebel leader, styling himself Bada Wang (八大王, Eighth Great King). His mobile forces would conduct raids along the western edge of Shaanxi, plundering swiftly and hiding out in the hills. Later he moved into other provinces, moving from place to place raiding towns and cities. He was defeated at various time by the Ming forces; Zhang would also surrender when it was expedient for him to do so, for example in 1631 and 1638, but would then later regroup and resume rebellion.
Iran - Pick up/Stillborn
Iran: Pick Up/Stillborn
Iran: Yellow Tiger Lemons
Mitt Iran Mah nisi pul
Iran - Jets & Sprites
Iran - Locked Up Tight
Iran - Long Time Now
Iran - San Diego
Teenage Heroin Epidemic
Iran - Fading Out
San Francisco's Iran puts the "noise" back in noise pop. Some of their songs begin as a swirling cacophony of sound and rhythm where samples loop and blend endlessly, creating a hypnotizing swell that is soon broken by needling, noisy feedback. Others start with a wash of fuzz that opens to reveal scratchily melodic vocals. But before the whole mess disintegrates into a droning scree, beats and guitars rise slowly out of the melee and the formless, swirling mass congeals into something that at least vaguely resembles a song. Notes are still bent and twisted, samples still poke through the fragile fabric, and the result is jarring and strangely beautiful. This is damaged lo-fi, taken to the extreme limits of possibility, and then retracted, just a smidgen, before it goes careening over th...
San Francisco's Iran puts the "noise" back in noise pop. Some of their songs begin as a swirling cacophony of sound and rhythm where samples loop and blend endlessly, creating a hypnotizing swell that is soon broken by needling, noisy feedback. Others start with a wash of fuzz that opens to reveal scratchily melodic vocals. But before the whole mess disintegrates into a droning scree, beats and guitars rise slowly out of the melee and the formless, swirling mass congeals into something that at least vaguely resembles a song. Notes are still bent and twisted, samples still poke through the fragile fabric, and the result is jarring and strangely beautiful. This is damaged lo-fi, taken to the extreme limits of possibility, and then retracted, just a smidgen, before it goes careening over th...
Indie rock buried in fuzz and hiss. Iran take ultra catchy pop, and drag it through the detritus of lo-fi noise rock, picking up an ungodly assortment of buzz and blur and scuzz. Imagine a Pavement record on Siltbreeze. Or Sebadoh, if Lou Barlow was a jaded fuck instead of a sappy romantic. Or old Smog covering Skullflower. Or Harry Pussy playing Built To Spill. A beautifully cacophonous mess. Iran play damaged folk music, bombarded on all sides by a wild assortment of squeals and shrieks, static and hiss, and speaker clogging grit. Huge and slowly shifting, dronescapes that evolve into perfect little pop songs and then explode into jagged shards of high end skree. Iran are psychedelic and textural and noisey and totally catchy. Add an unhealthy obsession with Brian Wi...
Watch the newest VICE feature on Fentanyl, The Drug Deadlier than Heroin: http://bit.ly/2aB2Ead Swansea Love Story: An award-winning look at a generation lost to heroin, as told through the tragic love story of Amy and Cornelius. In 2009, Swansea drug agencies reported a 180 percent rise in heroin use, and it's visible on the city's streets. Early one morning we meet a young, homeless couple named Amy and Cornelius in a city centre alley. As heroin-addicted alcoholics, they're smack in the middle of two of South Wales's most harrowing epidemics. Originally aired on VICE in 2010: http://www.vice.com/rule-britannia/rule-britannia-swansea-full-length Directed and produced by Andy Capper and Leo Leigh. Follow Andy at http://twitter.com/andycapper Check out the World's Scariest Drug: htt...
San Francisco's Iran puts the "noise" back in noise pop. Some of their songs begin as a swirling cacophony of sound and rhythm where samples loop and blend endlessly, creating a hypnotizing swell that is soon broken by needling, noisy feedback. Others start with a wash of fuzz that opens to reveal scratchily melodic vocals. But before the whole mess disintegrates into a droning scree, beats and guitars rise slowly out of the melee and the formless, swirling mass congeals into something that at least vaguely resembles a song. Notes are still bent and twisted, samples still poke through the fragile fabric, and the result is jarring and strangely beautiful. This is damaged lo-fi, taken to the extreme limits of possibility, and then retracted, just a smidgen, before it goes careening over th...
San Francisco's Iran puts the "noise" back in noise pop. Some of their songs begin as a swirling cacophony of sound and rhythm where samples loop and blend endlessly, creating a hypnotizing swell that is soon broken by needling, noisy feedback. Others start with a wash of fuzz that opens to reveal scratchily melodic vocals. But before the whole mess disintegrates into a droning scree, beats and guitars rise slowly out of the melee and the formless, swirling mass congeals into something that at least vaguely resembles a song. Notes are still bent and twisted, samples still poke through the fragile fabric, and the result is jarring and strangely beautiful. This is damaged lo-fi, taken to the extreme limits of possibility, and then retracted, just a smidgen, before it goes careening over th...
Indie rock buried in fuzz and hiss. Iran take ultra catchy pop, and drag it through the detritus of lo-fi noise rock, picking up an ungodly assortment of buzz and blur and scuzz. Imagine a Pavement record on Siltbreeze. Or Sebadoh, if Lou Barlow was a jaded fuck instead of a sappy romantic. Or old Smog covering Skullflower. Or Harry Pussy playing Built To Spill. A beautifully cacophonous mess. Iran play damaged folk music, bombarded on all sides by a wild assortment of squeals and shrieks, static and hiss, and speaker clogging grit. Huge and slowly shifting, dronescapes that evolve into perfect little pop songs and then explode into jagged shards of high end skree. Iran are psychedelic and textural and noisey and totally catchy. Add an unhealthy obsession with Brian Wi...
Watch the newest VICE feature on Fentanyl, The Drug Deadlier than Heroin: http://bit.ly/2aB2Ead Swansea Love Story: An award-winning look at a generation lost to heroin, as told through the tragic love story of Amy and Cornelius. In 2009, Swansea drug agencies reported a 180 percent rise in heroin use, and it's visible on the city's streets. Early one morning we meet a young, homeless couple named Amy and Cornelius in a city centre alley. As heroin-addicted alcoholics, they're smack in the middle of two of South Wales's most harrowing epidemics. Originally aired on VICE in 2010: http://www.vice.com/rule-britannia/rule-britannia-swansea-full-length Directed and produced by Andy Capper and Leo Leigh. Follow Andy at http://twitter.com/andycapper Check out the World's Scariest Drug: htt...
Come on
You know
You're not
Like her
Got me on my knees
I'd never heard her say
Wished that I could stay
I'm like her maybe be be be be be be
But i
Love to
Catch up
With her
I want to oversleep
I'm in this way too deep
Wish that I could stay
I'm like her maybe be be be be be be
You can
Make some
Hay with
This kid
I'm in this way too deep
I'd never heard her say
That she's straight or gay