Los claros motivos del deseo (1977)

Actors: Paco Catalá (actor), María Luisa Ponte (actress), Sergio Mendizábal (actor), José Nieto (composer), José Frade (producer), José Franco (actor), José Luis Matesanz (editor), Pilar Bardem (actress), Alfonso Castizo (actor), María Elena Flores (actress), Julia Gutiérrez Caba (actress), Francisco Regueiro (miscellaneous crew), Patricia Adriani (actress), Chiro Bermejo (actor), José María Resel (actor),

Ana y los lobos (1973)

Actors: Fernando Fernán Gómez (actor), José María Prada (actor), José Vivó (actor), Rafaela Aparicio (actress), Geraldine Chaplin (actress), Elías Querejeta (producer), Rafael Azcona (writer), Carlos Saura (writer), Carlos Saura (writer), Luis de Pablo (composer), Carlos Saura (director), Pablo G. del Amo (editor), Marisa Porcel (actress), Charo Soriano (actress), Primitivo Álvaro (producer),

Plot: The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family: the matriarch is a sick old woman obsessed by death and having constant nervous breakdown; her son José was raised dressing girl's clothes until his First Communion and is obsessed by military clothes and stuffs; Juan, the father of the three girls, is a pervert since his childhood that writes pornographic letters to Ana; his wife Luchy has suicidal tendencies; and the mystic and religious eremite Fernando, who was inflicted to flagellation in his childhood, lives recluse in a cave. The presence of Ana disturbs the three brothers with tragic consequences.

El jardín de las delicias (1970)

Actors: Luis de Pablo (composer), Carlos Saura (director), Carlos Saura (writer), Rafael Azcona (writer), Elías Querejeta (producer), Geraldine Chaplin (actress), Carlos Saura (writer), José Nieto (actor), José Luis López Vázquez (actor), Luis Peña (actor), Luis de Pablo (actor), Esperanza Roy (actress), Eduardo Calvo (actor), Pablo G. del Amo (editor), Lina Canalejas (actress),

Plot: Surreal look at a family's attempts to shock, bully, frighten, coach, and cajole Antonio Cano into regaining his memory and his management powers after an auto accident. He's middle-aged, wealthy, the leader of a family corporation. After the accident he can't remember his Swiss bank account numbers, can't sign documents, and can't lead his board of directors. His father needs Antonio's recovery to keep family control of the corporation, and Antonio's wife, children, and mistress want access to Antonio's money. They stage elaborate recreations of traumas in his childhood that mix with his own memories and hallucinations. Will they succeed? Will he come out of it?