Meek Mill

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Robert Rihmeek Williams (born May 6, 1987), better known by his stage name Meek Mill, is an American hip hop recording artist from Philadelphia, Pennsylvania. He was briefly signed to Atlanta-based record label Grand Hustle, owned by record executive and fellow American rapper T.I.. In February 2011, after leaving Grand Hustle, Mill signed a record deal with fellow American rapper Rick Ross' Miami-based Maybach Music Group (MMG) imprint.

Mill's debut studio album, Dreams and Nightmares, was released in 2012, under MMG and Warner Bros. Records. The album, preceded by the single "Young & Gettin' It", debuted at number two on the U.S. Billboard 200. He has also appeared on MMG's Self Made compilation series, with his debut single "Tupac Back" and second single "Ima Boss", being included on volume one.

In October 2012, Meek Mill announced the launching of his own imprint, Dream Chasers Records, named after his popular mixtape series. He also revealed having already signed several fellow Philadelphia-based rappers in 2012.

Hip Hop Since 1978

Hip Hop Since 1978 (HHS78) was a management and production company based in New York City. It was started by Gee Roberson and Kyambo "Hip-Hop" Joshua. HHS78 has been involved in the daily operations of Roc-A-Fella Records since the label's inception in the early '90s. HHS78 originally signed Kanye West to their production and management company in 1998, and negotiated his signing to Roc-A-Fella Records. Hip Hop Since 1978's first official project was West's 2004 album, The College Dropout. In January 2007, they partnered with Bryant Entertainment. As a result, they managed the careers of Lil Wayne, Drake and Nicki Minaj (who were signed to Young Money/Cash Money Records). In January 2009, Kyambo Joshua and Columbia Records parted ways. Most recently, HHS78 has signed Young Jeezy onto their management firm. As of 2014, the agency no longer exists, but the website, however; under its title, still exists today. That same year, Kyambo Joshua was appointed the employee on part of A&R among talent at Def Jam Recordings (along with record producer No I.D.), while Gee Roberson has launched two of his own management agencies, The Blueprint Group and Maverick Management, which went on to sign Kanye West, Hit-Boy, Nicki Minaj, G-Eazy, T.I., Belly].

Sonny Digital

Sonny Corey Uwaezuoke (born March 5, 1991), better known by his stage name Sonny Digital, is an American record producer and rapper from Atlanta, Georgia, who rose to prominence after producing YC's hit single "Racks" in 2011. He is best known for his production on ILoveMakonnen's "I Dont Sell Molly No More" and "Tuesday" featuring Drake, Future’s single "Same Damn Time", and 2 Chainz's "Birthday Song" featuring Kanye West.

Calvin Stovall of BET called Sonny "one of the game's hottest young producers" and stated that he is "leading a renaissance of young beat makers," such as Hit-Boy and Jahlil Beats. The young producer has worked with a lot of major hip-hop artists such as: Future, Gucci Mane, 2 Chainz, Kanye West, Rick Ross, Juicy J, Waka Flocka Flame, Wiz Khalifa, French Montana, Mistah F.A.B., Trae, Ca$h Out, Gorilla Zoe, Roscoe Dash, Wale, Ace Hood, Kirko Bangz, Mac Miller, Travis Porter and Chief Keef. He has also collaborated with other producers such as 808 Mafia's Southside and TM88, Will A Fool, Lex Luger, Metro Boomin, Doughboy Beatz, Young Chop, & DJ Spinz among others.

The Real

The Real refers to that which is authentic, the unchangeable truth in reference both to being/the Self and the external dimension of experience, also referred to as the infinite and absolute—as opposed to a reality based on sense perception and the material order.

In psychoanalysis

Lacan

For Jacques Lacan, the order of the real is not only opposed to the imaginary but is also located beyond the symbolic. Unlike the symbolic, which is constituted in terms of oppositions such as "presence" and "absence", there is no absence in the real. The symbolic opposition between "presence" and "absence" implies the possibility that something may be missing from the symbolic, the real is "always in its place: it carries it glued to its heel, ignorant of what might exile it from there." If the symbolic is a set of differentiated signifiers, the real is in itself undifferentiated: "it is without fissure." The symbolic introduces "a cut in the real," in the process of signification: "it is the world of words that creates the world of things." Thus the real emerges as that which is outside language: "it is that which resists symbolization absolutely." The real is impossible because it is impossible to imagine, impossible to integrate into the symbolic order. This character of impossibility and resistance to symbolization lends the real its traumatic quality.

Beat Generation

The Beat Generation was a group of authors whose literature explored and influenced American culture in the post-World War II era.

The bulk of their work was published and popularized throughout the 1950s. Central elements of Beat culture are rejection of standard narrative values, the spiritual quest, exploration of American and Eastern religions, rejection of materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.

Allen Ginsberg's Howl (1956), William S. Burroughs's Naked Lunch (1959) and Jack Kerouac's On the Road (1957) are among the best known examples of Beat literature. Both Howl and Naked Lunch were the focus of obscenity trials that ultimately helped to liberalize publishing in the United States. The members of the Beat Generation developed a reputation as new bohemian hedonists, who celebrated non-conformity and spontaneous creativity.

The core group of Beat Generation authors – Herbert Huncke, Allen Ginsberg, William S. Burroughs, Lucien Carr, and Jack Kerouac – met in 1944 in and around the Columbia University campus in New York City. Later, in the mid-1950s, the central figures (with the exception of Burroughs and Carr) ended up together in San Francisco where they met and became friends of figures associated with the San Francisco Renaissance.