- published: 15 Dec 2009
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György Sándor Ligeti (Hungarian: Ligeti György Sándor [ˈliɡɛti ˈɟørɟ ˈʃaːndor]; 28 May 1923 – 12 June 2006) was a composer of contemporary classical music. He has been described as "one of the most important avant-garde composers in the latter half of the twentieth century" and "one of the most innovative and influential among progressive figures of his time".
Born in Transylvania, Romania, he lived in Hungary before emigrating to Austria in 1956, and became an Austrian citizen in 1968. In 1973 he became professor of composition at the Hamburg Hochschule für Musik und Theater until he retired in 1989. He died in Vienna in 2006.
Restricted by the authorities of Communist Hungary, only when he reached the west in 1956 could he fully realise his passion for avant-garde music and develop new compositional techniques. After experimenting with electronic music in Cologne, his breakthrough came with orchestral works such as Atmosphères, for which he used a technique he later dubbed micropolyphony. After writing his "anti-opera" Le Grand Macabre, Ligeti shifted away from chromaticism and towards polyrhythm for his later works.
The Berlin Philharmonic (German: Berliner Philharmoniker), is an orchestra based in Berlin, Germany and is consistently ranked as one of the best orchestras in the world.
Formerly Berliner Philharmonisches Orchester; BPO, its primary concert venue is the Philharmonie, located in the Kulturforum area of the city. Since 2002, its principal conductor is Sir Simon Rattle. Funding for the organization is subsidized by the city of Berlin and a partnership with Deutsche Bank.
In 2006, ten European media outlets voted the Berlin Philharmonic number three on a list of "top ten European Orchestras", after the Vienna Philharmonic and the Royal Concertgebouw Orchestra, while in 2008 it was voted the world's number two orchestra in a survey among leading international music critics organized by the British magazine Gramophone (behind the Concertgebouw). The BPO supports several chamber music ensembles.
The Berlin Philharmonic was founded in Berlin in 1882 by 54 musicians under the name Frühere Bilsesche Kapelle (literally, "Former Bilse's Band"); the group broke away from their previous conductor Benjamin Bilse after he announced his intention of taking the band on a fourth-class train to Warsaw for a concert. The orchestra was renamed and reorganized under the financial management of Hermann Wolff in 1882. Their new conductor was Ludwig von Brenner; in 1887 Hans von Bülow, one of the most esteemed conductors in the world, took over the post. This helped to establish the orchestra's international reputation, and guests Hans Richter, Felix von Weingartner, Richard Strauss, Gustav Mahler, Johannes Brahms and Edvard Grieg conducted the orchestra over the next few years. Programmes of this period show that the orchestra possessed only 46 strings, much less than the Wagnerian ideal of 64.
Le grand macabre (1974–77, revised version 1996) is György Ligeti's only opera. The opera has two acts and its libretto – based on the 1934 play, La balade du grand macabre, by Michel De Ghelderode – was written by Ligeti in collaboration with Michael Meschke, director of the Stockholm puppet theatre. The original libretto was written in German, as Der grosse Makaber, but for the first production was translated into Swedish by Meschke under its current title (Griffiths and Searby 2003). The opera has been performed also in English, French, Italian, Hungarian and Danish. Only a few notes need be changed to perform the opera in any of these languages.
Le grand macabre was premiered in Stockholm on 12 April 1978 (Griffiths and Searby 2003) and has received more than 30 productions (Everett 2009, 29). In preparation for a 1997 production at the Salzburg Festival, Ligeti made substantial revisions to the opera in 1996, tightening the structure by means of cuts in scenes 2 and 4, setting some of the originally spoken passages to music and removing others altogether (Griffiths and Searby 2003). The revised version was premiered in Salzburg on 28 July 1997, in a production directed by Peter Sellars (Steinitz 2003, 239). The composer was annoyed by Sellars's production, which opposed Ligeti's desire for ambiguity by explicitly depicting an apocalypse set in the framework of the Chernobyl disaster (Everett 2009, 29).
Claudio Abbado, Cavaliere di Gran Croce OMRI (Italian pronunciation: [ˈklaudjo abˈbaːdo]; 26 June 1933 – 20 January 2014) was an Italian conductor. One of the most celebrated and respected conductors of the 20th century, particularly in the music of Gustav Mahler, he served as music director of the La Scala opera house in Milan, principal conductor of the London Symphony Orchestra, principal guest conductor of the Chicago Symphony Orchestra, music director of the Vienna State Opera, and principal conductor of the Berlin Philharmonic orchestra.
The Abbado family is descended from a Moorish king, Abdul Abbad, who had fled Al-Andalus hundreds of years earlier and arrived in Piedmont, Italy. In time, Abdul married an Italian and created a family estate that eventually was given the name "Castello Abaddo". The family changed their name to Abbado, and for several generations enjoyed both wealth and respect. Abbado's great-grandfather squandered the family fortune and reputation by gambling. His son, Abbado's grandfather, became a professor at the University of Turin. His grandfather re-established the family's reputation and also showed talent as an amateur musician.
Actors: László György (actor), Nándor Tomanek (actor), György Gonda (actor), Tibor Kenderesi (actor), Ferenc Bessenyei (actor), József Kautzky (actor), Béla Kollár (actor), Ernõ Szénási (actor), István Szatmári (actor), László Soós (actor), Ferenc Dávid Kiss (actor), Mária Horányi (costume designer), Lajos Soós (actor), Pál Horváth (actor), Tibor Mészöly (miscellaneous crew),
Genres: Drama,György Ligeti's Lux Aeterna performed by A Cappella Amsterdam, Daniel Reuss & Susanne Van Els It is by far in my opinion the best interpretation of this work available.
György Ligeti, Musica Ricercata. Pierre-Laurent Aimard, Piano. _____________________________________________________ The music published on my channel is dedicated solely to the purpose of divulgation and non-commercial use. If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to YouTube. I will immediately remove the disputed video accordingly. Thanks for your contribution!
György Ligeti (1923-2006): String Quartet No.2 (1968) Quatuor à cordes n°2 I Allegro nervoso II Sostenuto, molto calmo III Come un meccanismo di precisione IV Presto furioso, brutale, tumultuoso V Allegro con delicatezza Arditti Quartet
Graphic Synopsis with some analysis data (now in better resolution) // Sinopse gráfica com alguns dados analíticos (agora em melhor resolução) The audio is from the CD Wien Modern (Vienna Philharmonic, Claudio Abbado, DGG).
In the 70's, Rainer Wehinger created a visual listening score to accompany Gyorgy Ligeti's Artikulation. I scanned the pages and synchronized them with the music. Enjoy!
If you want to request a future uploaded video, sign this form: https://goo.gl/forms/c25Vz1v5kdAtnor33 Performer: Fredrik Ullén PDF Downloads: https://en.notafina.de/shop/etudes-pour-piano.html https://en.notafina.de/shop/etudes-pour-piano-1.html https://en.notafina.de/shop/etudes-pour-piano-2.html 00:02 1: Désordre 02:15 2: Cordes à vide 05:21 3: Touches bloquées 07:11 4: Fanfares 10:29 5: Arc-en-ciel 13:54 6: Automne à Varsovie 17:57 7: Galamb Borong 20:19 8: Fém 22:55 9: Vertige 25:12 10: Der Zauberlehrling 27:27 11: En Suspens 29:55 12: Entrelacs 32:37 13: L'escalier du diable 37:41 14: Coloana infinită 39:04 15: White on White 42:08 16: Pour Irina 45:02 17: À bout de souffle 47:07 18: Canon
Barbara Hannigan performs Ligeti's Mysteries of the Macabre with Gothenburg Symphony. Recorded 12 April 2013 in Gothenburg. Filmed by Måns Pär Fogelberg More free concerts at http://www.gsoplay.com Like us at http://www.facebook.com/gothenburgsymphony Read about GSO at http://www.gso.se
Full-length concert: http://www.digitalconcerthall.com/concert/23476/?a=youtube&c;=true Patricia Kopatchinskaja: Cadenza for György Ligeti’s Violin Concerto / Patricia Kopatchinskaja, violin · Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 11 February 2017. The Berliner Philharmoniker's Digital Concert Hall: http://www.digitalconcerthall.com Subscribe to our newsletter: http://www.digitalconcerthall.com/newsletter Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de
Ligeti's Six Bagatelles is Carion's signature piece since 2004. It perfectly demonstrates Danish ensembles unique performance style - movement and elements of choreography. https://www.facebook.com/carion see also our video of Nielsen's Quintet op. 43 - http://youtu.be/Ow0sYQH-8HQ http://www.carion.dk György Ligeti ( 1923-2006), Six Bagatelles for Woodwind Quintet I. Allegro con spirito II. Rubato. Lamentoso III. Allegro grazioso IV. Presto ruvido V. Adagio. Mesto -- Belá Bartók in memoriam VI. Molto vivace. Capriccioso CARION: Dora Seres, flute Egils Upatnieks, oboe Egīls Šēfers, clarinet David M.A.P. Palmquist, horn Niels Anders Vedsten Larsen, bassoon Recorded in Mogens Dahl Concert Hall in Copenhagen Video by Jānis Vingris, Eho Filma.
Mariss Jansons conducts the Bavarian Radio Symphony Orchestra as they perform the fourth movement of Gyorgy Ligeti "Concert Romanesc" for their encore during Proms 2013 season at the Royal Albert Hall
György Sándor Ligeti (pronunciado lígueti) fue un compositor húngaro judío (que residió en Austria y luego se naturalizó), ampliamente considerado como uno de los más grandes compositores de música clásica (sobre todo instrumental) del siglo XX. Nació en Dicsőszentmárton (la actual Târnăveni en Rumania) el 28 de mayo de 1923 y falleció en Viena el 12 de junio de 2006.
Gertie Charlent, sopran; Marie-Thérèse Cahn, alt; William Pearson, bariton -- Internationales Kammerensemble Darmstadt conducted by Bruno Maderna Just for promotion. Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I will delete the video immediately.
Claudio Abbado conducts György Ligeti: "Lontano" (composed in 1967) Wiener Philharmoniker, Wien Modern, 1988.
Соло для хулиганки с оркестром.
When I play Ligeti’s Étude No. 13: L’escalier du diable / The Devil’s Staircase, I have the feeling of climbing and of Escher’s endless staircases that Ligeti loved so much. I have the feeling not of looking at this famous architectural illusion, but of being part of it, and in vain of looking for an exit. And I feel deeply the existential dimension that this situation had for Ligeti. Follow along with the interactive score and explore other educational resources at the Ligeti Project, an initiative with the Klavier-Festival Ruhr. » http://bit.ly/2aJMSyx
György Ligeti est un compositeur de citoyenneté roumaine et hongroise, naturalisé autrichien, né en Roumanie à Diciosânmartin (aujourd’hui Târnăveni) le 28 mai 1923 et mort le 12 juin 2006 à Vienne. Requiem (soprano et mezzo-soprano solo, 2 chœurs mixtes et orchestre) : Orchestre (grand, bois par 3)-Voix (2 voix, soprano et mezzo-soprano, 2 chœurs mixtes). Une œuvre sacrée majeure, popularisée par le film «2001, Odyssée de l'Espace...» de Stanley Kubrik (1968), qui allie le langage moderne (avec beaucoup de chromatisme) et la polyphonie ancienne (revisitée avec la micropolyphonie) ; l'Introït est caractérisé par une quasi immobilité par transformation progressive (qui fait penser à Scelsi), le Kyrie, inquiétant, est une extraordinaire double fugue à 5 voix, également progressif (comme une...
Video de esta extraña obra
György Ligeti: Sonata for Solo Cello - Performed by Mathias Johansen
Longing for the schoolyard
Reaching for the scenes
Reminded by the songs that will never disappear
Random like the infants
Outdated like the old
Lying there in aimlessness listening to the cure
Doing some rehearsal
Excercising in the cold
Lowering the standart
For the six-string never rolled
Whistling at the girls
And saving for the fuel
Making plans and knock, knock, knock on wood
Play some rock
Play some rock
Please don't stop
Coming home, coming home(x2)
Sentenced by our faults
That we were to make in time
Pleasently aware
Of our solitude in mind
Saved me from the boredom
Of what we disavowed
Encouraged by the sound
That was the sweetest one of all
Admiring your senses
Infected by your tongue
Defenceless I believed
That we'd face anything to come
You innocently told me
You'd catch me when I fall
And solemnly we'd knock, knock, knock on wood
Play some rock
Play some rock
Please don't stop
Coming home, coming home(X2)
I'm not the only one, I'm not the only one...
Play some rock
Play some rock
Please don't stop