- published: 05 Aug 2015
- views: 69884
Scenic design (also known as scenography, stage design, set design or production design) is the creation of theatrical, as well as film or television scenery. Scenic designers come from a variety of artistic backgrounds, but in recent years, are mostly trained professionals, holding a B.F.A. or M.F.A. degrees in theater arts. Scenic designers design sets and scenery that aim to fully immerse the viewer in the production.
A designer looks at the details searching for evidence through research to produce conceptual ideas that’s best toward supporting the content and values with visual elements. The subject of, “How do we generate creative ideas?” is a very legitimate question. The most consuming part of expanding our horizons toward scenic concepts is much more than witnessing creativity, and creative people. It starts with us opening our mind to the possibilities. To have an attitude toward learning, seeking, and engaging in creativity and to be willing to be adventurous, inquisitive and curious. Our imagination is highly visual. Whether outside or inside, colorful trees or concerts, star lit skies or the architecture of a great building, scenic design is a process of discovery. Discovering what will best clarify and support the story being told.
Design is the creation of a plan or convention for the construction of an object or a system (as in architectural blueprints, engineering drawings, business processes, circuit diagrams and sewing patterns). Design has different connotations in different fields (see design disciplines below). In some cases the direct construction of an object (as in pottery, engineering, management, cowboy coding and graphic design) is also considered to be design.
Designing often necessitates considering the aesthetic, functional, economic and sociopolitical dimensions of both the design object and design process. It may involve considerable research, thought, modeling, interactive adjustment, and re-design. Meanwhile, diverse kinds of objects may be designed, including clothing, graphical user interfaces, skyscrapers, corporate identities, business processes and even methods of designing.
Thus "design" may be a substantive referring to a categorical abstraction of a created thing or things (the design of something), or a verb for the process of creation, as is made clear by grammatical context.
In film and television, a production designer or P.D is the person responsible for the overall look of a filmed event such as a TV program, video game, music video, or advertisement. Production designers have a key creative role in the creation of motion pictures and television. Working directly with the director and producer, they must select the settings and style to visually tell the story. The term "production designer" was coined by William Cameron Menzies while he was working on the film Gone with the Wind. Previously (and often subsequently) the people with the same responsibilities were called "art directors".
In the United States and Europe as well as Mexico, production designers are represented by IATSE local 800; the Art Directors Guild. The production design credit must be requested by the producer, prior to completion of photography, and submitted to the Art Directors Guild Board of Directors for the credit approval. In Canada, production designers are represented by the Director's Guild of Canada, except in British Columbia where they are represented by IATSE.
Follow the journey of Tony and Obie Award Winner Beowulf Boritt and Obie and Hewes Design Award winner Mimi Lien as they explore the process of a Scenic Designer. Find out how they got started, what it takes to work in this profession, and how the scenic design is informed through collaboration with many other key members of the theater. For more information on Beowulf Boritt: http://www.beowulfborittdesign.com/ http://www.ibdb.com/person.php?id=392865 For more information on Mimi Lien: http://www.mimilien.com/ http://www.broadwayworld.com/people/Mimi-Lien/ For more on The Wing, visit http://www.americantheatrewing.org Leadership Support Provided by Doris Duke Charitable Foundation
Set and costume designer, Madeleine Boyd, talks through the process of designing and creating a set for the Royal Opera House main stage. Find out more at http://www.roh.org.uk/designchallenge Now in its fifth year, the 2014/25 challenge gives students from Creative and Cultural Skills Academy Colleges the opportunity to test and develop their marketing, production and design skills.
Ever wondered how to get into Set Design or Production Design in the film and TV industry? Brighton Film School offers a range of courses and training in Set Design and Production Design to give you the skills, confidence and contacts to enter this exciting and competitive industry. Courses from 2-year HND (equivalent to the first 2 years of a degree), to industry Diploma to introductory evening classes. Here is Set Design for Film and TV HND student Jonna Nordenhead, talking about the course, her experience at Brighton Film School and how her training is helping her get into the film and TV industry. Filmed and editing by students on the BA (Hons) Film Production. http://brightonfilmschool.co.uk/our-courses/filmmaking-hnc/ http://brightonfilmschool.co.uk/our-courses/art-direction-and-p...
WICKED The Musical's Tony-Award winning stage design travels around the world, dazzling audiences with one of the most creative & innovative sets ever created. I go to New York City to get a behind the scenes look at the set, alongside scenic designer Edward Pierce. Prepare to be amazed! ***************** SUBSCRIBE to more Artrageous content: http://www.youtube.com/artrageouswithnate FOLLOW US Instagram: https://www.instagram.com/artrageousnate/ Facebook: https://www.facebook.com/artrageousnate/ Twitter: https://twitter.com/artrageousnate
One of five films exploring the key themes of Jane Eyre for GCSE students, with the director, cast and set designer of the 2015 production. Discover more about the art of making theatre with the National Theatre: http://www.nationaltheatre.org.uk/discover Bookshop: http://www.nationaltheatre.org.uk/bookshop Twitter: http://www.twitter.com/nationaltheatre Facebook: http://www.facebook.com/national.theatre.london iTunes: http://www.nationaltheatre.org.uk/itunes TES: http://www.tes.co.uk/nationaltheatre SoundCloud: http://www.soundcloud.com/nationaltheatre
Mimi Lien is a set designer translating a text’s narrative and emotional dynamics onto the stage in bold, immersive sets that enhance the performance experience for theater makers and viewers alike. The MacArthur Fellowship is a $625,000, no-strings-attached grant for individuals who have shown exceptional creativity in their work and the promise to do more. Learn more at www.macfound.org/fellows and explore their stories on social media with the hashtag #MacFellow.
Song: Parov Stelar - Catgroove (TSC - Forsythe) During a project we had at university, I timelapsed the three day long project we had in second year where we were set building. We had spent a couple of days prior to the shoot, to paint and organise everything and be ready to build as soon as we were in the studios.
Watch this theatrical time-lapse movie EarthCam created to showcase construction of the Fountain of Youth movie set for Pirates of the Caribbean: On Stranger Tides.
sports virtualstudio 1 Set design television set design
Follow the journey of Tony and Obie Award Winner Beowulf Boritt and Obie and Hewes Design Award winner Mimi Lien as they explore the process of a Scenic Designer. Find out how they got started, what it takes to work in this profession, and how the scenic design is informed through collaboration with many other key members of the theater. For more information on Beowulf Boritt: http://www.beowulfborittdesign.com/ http://www.ibdb.com/person.php?id=392865 For more information on Mimi Lien: http://www.mimilien.com/ http://www.broadwayworld.com/people/Mimi-Lien/ For more on The Wing, visit http://www.americantheatrewing.org Leadership Support Provided by Doris Duke Charitable Foundation
Use this video to help you do your simple interior set design for Theatre 1 class.
Here's the end-all guide to WOTC's strategy for designing MTG sets and maintaining a healthy Standard environment. This video covers what players really want and how Wizards has tried to design sets properly and succeeded and failed in the past and present. Follow me on Twitter for awesome decklist updates, tips, sneak peeks of upcoming videos, etc: https://twitter.com/DesolatorMagic
Author: Markus Wilmsmann More about the Chili Peppers: Dave Rat on Sound: https://youtu.be/AK8EtSJjfhg Autor: Markus Wilmsmann http://tinyurl.com/p7j9zmn – Zur kompletten Reportage auf EventElevator mit Bildergalerie und einem weiteren Video der Tour mit Sound Engineer Dave Rat Zwei Dinge machen das aktuelle Design von Scott Holthaus für die Red Hot Chili Peppers interessant: Zum einen das GroundControl Followspot System von PRG, zum anderen die mächtige 60 x 20 Matrix aus verfahrbaren LED-Leutchmitteln direkt über dem Publikum. Scott Holthaus ist ein gefragter Designer: Neben den Red Hot Chili Peppers vertrauen Superstars wie die Foo Fighters, Jack Johnson oder Blink182 auf seine Fähigkeiten als Lichtdesigner. Er selbst bezeichnet sich darüber hinaus auch noch als Künstler, Segler un...
Production designer Mark Leese, whose prolific film career includes Shane Meadows’ This Is England, Stuart Murdoch’s God Help the Girl and Peter Mullan's NEDS, brings twenty years experiance to this masterclass on the craft of bringing a film set to life. During this fascinating discussion, Leese talks the audience through the process of starting with a script and breaking it down to its design components, and explains the inferences and choices a designer might have to make to create the space for the script to be filmed. "We like metaphors, and we like symbolism," jokes Leese with the audience. "But that’s the trick, that’s what it’s about: it’s about thinking about these characters. What do they do? What do they say? Could we look a bit deeper inside them and can we use some of that ...
Go BEHIND THE SCENES in our 2 Studios... Gear, Set Design & more!
This video is whirlwind tour through my frustrating but occasionally magical journey into a land of spiral art. It's an unboxing, first impressions, deep dive, ideation, contemplation, reflection, inspection, perspective and retrospective. I recorded my experience with my first Spirograph set over a week. Understanding it was pretty easy but getting it to behave was another beast entirely. Website: http://www.theuntrainedi.com Progress album: http://progress.theuntrainedi.com Music: Lakey Inspired - Beach Dayz https://soundcloud.com/lakeyinspired Jack Elphick - Siamese Sea http://www.epidemicsound.com/ Lakey Inspired - Better Days https://soundcloud.com/lakeyinspired Jack Elphick - Mumbai Nights http://www.epidemicsound.com/ Anders Schill Paulsen - Tangiers http://www.epidemicsound...
Wimbledon College of Arts BA Set Design for Screen 2015 Showreel. Student work from the 2015 undergraduate degree show. Find out more about BA Set Design for Screen: http://www.arts.ac.uk/wimbledon/courses/undergraduate/ba-set-design-screen/
Take a walkthrough with the Silicon Valley Career Technical Education Center's FIlm/Video Production class of their sets.