Number Two

Number Two, No. 2, or similar may refer to:

Film

Television

Music

Hungarian Rhapsodies

The Hungarian Rhapsodies, S.244, R.106 (French: Rhapsodies hongroises, German: Ungarische Rhapsodien, Hungarian: Magyar rapszódiák), is a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846–1853, and later in 1882 and 1885. Liszt also arranged versions for orchestra, piano duet and piano trio.

Some are better known than others, with Hungarian Rhapsody No. 2 being particularly famous. No. 10 and No. 6 are also well known.

In their original piano form, the Hungarian Rhapsodies are noted for their difficulty (Liszt was a virtuoso pianist as well as a composer).

Form

Liszt incorporated many themes he had heard in his native western Hungary and which he believed to be folk music, though many were in fact tunes written by members of the Hungarian upper middle class, or by composers such as József Kossovits, often played by Roma (Gypsy) bands. The large scale structure of each was influenced by the verbunkos, a Hungarian dance in several parts, each with a different tempo. Within this structure, Liszt preserved the two main structural elements of typical Gypsy improvisation—the lassan ("slow") and the friska ("fast"). At the same time, Liszt incorporated a number of effects unique to the sound of Gypsy bands, especially the pianistic equivalent of the cimbalom. He also makes much use of the Hungarian gypsy scale.

Hungarian Rhapsody No. 2

Hungarian Rhapsody No. 2 in C-sharp minor, S.244/2, is the second in a set of 19 Hungarian Rhapsodies by composer Franz Liszt, and is by far the most famous of the set.

In both the original piano solo form and in the orchestrated version this composition has enjoyed widespread use in animated cartoons. Its themes have also served as the basis of several popular songs.

Background

The Hungarian-born composer and pianist Franz Liszt was strongly influenced by the music heard in his youth, particularly Hungarian folk music, with its unique gypsy scale, rhythmic spontaneity and direct, seductive expression. These elements would eventually play a significant role in Liszt's compositions. Although this prolific composer's works are highly varied in style, a relatively large part of his output is nationalistic in character, the Hungarian Rhapsodies being an ideal example.

Composed in 1847 and dedicated to Count László Teleki, Hungarian Rhapsody No. 2 was first published as a piano solo in 1851 by Senff and Ricordi. Its immediate success and popularity on the concert stage soon led to an orchestrated version, arranged by the composer in collaboration with Franz Doppler, and published by Schuberth. In addition to the orchestral version, the composer arranged a piano duet version in 1874, published by Schuberth the following year.

Rhapsody No. 2 (Bartók)

Rhapsody No. 2, Sz. 89 and 90, BB 96, is the second of two virtuoso works for violin and piano, subsequently arranged with orchestra accompaniment, written by Béla Bartók. It was composed in 1928 and orchestrated in 1929. The orchestral version was revised in 1935, and the version with piano in 1945. It is dedicated to Hungarian violinist Zoltán Székely, who later became the first violinist of the Hungarian String Quartet in 1937, two years after the founding of the ensemble.

Bartók evidently composed both rhapsodies purely as a personal gesture, rather than on commission, and did so without telling anyone until they were both completed (Walsh 2005, 235). According to Székely, he and the composer met one day in 1928 and, after chatting for a time, Bartók suddenly announced that he had a surprise for him, and produced the manuscripts of the two rhapsodies, which no one else had previously seen. "One is for you; one is for Szigeti," Bartók told him. “You may choose which one you like for the dedication.” Székely chose the Second Rhapsody (Kenneson 1994, 113).

Franz Liszt

Franz Liszt (German: [fʁant͡s lɪst]; Hungarian Liszt Ferencz, in modern usage Liszt Ferenc (Hungarian pronunciation: [ˈlist ˈfɛrɛnt͡s]); (October 22, 1811 – July 31, 1886) was a prolific 19th-century Hungarian composer, virtuoso pianist, conductor, music teacher, arranger, philanthropist and Franciscan tertiary.

Liszt gained renown in Europe during the early nineteenth century for his prodigious virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age, and in the 1840s he was considered to be the greatest pianist of all time, although Liszt stated that Charles-Valentin Alkan had superior technique to his own. Liszt was also a well-known and influential composer, piano teacher and conductor. He was a benefactor to other composers, including Frederic Chopin, Charles-Valentin Alkan, Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg, Ole Bull and Alexander Borodin.

As a composer, Liszt was one of the most prominent representatives of the New German School (Neudeutsche Schule). He left behind an extensive and diverse body of work in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form, and making radical departures in harmony. He also played an important role in popularizing a wide array of music by transcribing it for piano.