Carl Colpaert

Carl Colpaert is an American film director, producer, screenwriter and the founder of Cineville, a production and distribution company based in Los Angeles.

Background

Carl-Jan Colpaert was born in Belgium and graduated from the American Film Institute in 1984. He started his professional career in the post production department of Roger Corman. He founded Cineville with Christoph Henkel in 1990.

Several actors got their break on Cineville productions such as Salma Hayek in Mi Vida Loca, Kevin Spacey in Swimming with Sharks, Viggo Mortensen in The Crew and Renée Zellweger in The Whole Wide World.

Cineville productions have participated in festivals such as Cannes, Sundance, Berlin, Toronto and Venice.

Sean Penn won best actor at the Venice International Film Festival for his performance in the Carl Colpaert-produced Hurly Burly.

Carl Colpaert won the grand jury prize for his film G.I. Jesus in CineVegas 2006.

His next film Black Limousine had its World Premiere at the 2010 Montreal World Film Festival, The film won the audience award at the 2011 Santa Cruz Film Festival. The film was acquired by Anchor Bay Films and was released in the US on July 12, 2012.

The Crew

The Crew may refer to:

See also

Laura del Sol

Laura del Sol (born 27 November 1961) is a Spanish flamenco dancer and film actress, specially well known for her titular role in Carlos Saura's 1983 film Carmen. She worked with Saura and Antonio Gades in El Amor brujo, and in Italy, she acted in Giuseppe Tornatore's debut Il Camorrista.

She was born in Barcelona.

Selected filmography

External links

Black Limousine

"Black Limousine" is a song by The Rolling Stones featured on their 1981 album Tattoo You.

The song

"Black Limousine" is one of the few credited to Mick Jagger, Keith Richards and Ronnie Wood (though incidentally one of two featured on Tattoo You). "Black Limousine" is a hard blues number (described as "fast mid-tempo blues of no specific nature" by Jagger) which heavily hearkens back to the Rolling Stones' earliest recordings from their ABCKO/London albums. Using a heavy bellow, Jagger delivers his lines and spells out the growing rifts in an aging romance:

On the lyrics, Richards said in 1981, "That song does have a more generous view of relationships with women... I guess, because the women in our lives at the moment have made a change in our attitudes toward it. I guess because everything that comes out from the Stones is just as it comes out... That's how we used to feel about it, and that's how we feel about it now. This is purely a guess... but it seems logical that the people you're with are the ones who are gonna influence you most, whether you intend it or not. Mick might intend to sit down and write a real Stones song - you know, 'Blechhh! You cruddy piece of shit, you dirty old scrub box!' But obviously, that's not the way he's feeling now. It's not the way I'm feeling now."