La traviata

La traviata (Italian: [la traviˈaːta; traˈvjaːta], The Fallen Woman) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally titled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.

Composition history

For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would become Il trovatore, but work on this opera could not proceed while the composer was writing Rigoletto, which premiered in Venice in March 1851. In addition, personal affairs in his home town limited his activities that spring, but after Rigoletto's success in Venice, an additional commission was offered by Brenna, the secretary of La Fenice. After Verdi's return from Paris a contract was signed in May 1852, with performances scheduled for March 1853, although no subject was chosen at that time.

Libiamo ne' lieti calici

"Libiamo ne' lieti calici" (Italian pronunciation: [liˈbjaːmo nɛ ˈljɛːti ˈkaːlitʃi]; "Let's drink from the joyful cups") is a famous duet with chorus from Verdi's La traviata, one of the best-known opera melodies and a popular performance choice (as is this opera itself) for many great tenors. The song is a brindisi, a lively song that encourages the drinking of wine or other alcoholic beverages.

The scene

The duet is performed in the first act of the opera, during a late-night party at Violetta Valéry's house. It is sung by Violetta and Alfredo Germont, a young man who is in love with her. Alfredo is convinced by his friend Gastone and by Violetta to show off his voice. He begins this drinking song, later joined by Violetta and the rest of the company.

Libretto

The words were written by Francesco Maria Piave.

References

External links

Giuseppe Verdi

Giuseppe Fortunino Francesco Verdi (Italian: [dʒuˈzɛppe ˈverdi]; 10 October 1813 – 27 January 1901) was an Italian composer of operas.

Verdi was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works significantly influenced him, becoming one of the pre-eminent opera composers in history.

In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi however did not seek to ingratiate himself with popular movements and as he became professionally successful was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893).

The Three Tenors

The Three Tenors were a popular operatic singing group during the 1990s and early 2000s, consisting of Spaniards Plácido Domingo and José Carreras and the Italian Luciano Pavarotti. The trio began their collaboration with a performance at the ancient Baths of Caracalla in Rome, Italy on 7 July 1990, the eve of the 1990 FIFA World Cup Final. Zubin Mehta conducted the orchestra of Maggio Musicale Fiorentino and the orchestra of Teatro dell'Opera di Roma. The recording of this debut concert became the best-selling classical album of all time and led to additional performances and live albums. Around 1.3 billion viewers worldwide watched their second televised performance four years later at Dodger Stadium in Los Angeles. They last performed together at an arena in Columbus, Ohio on 28 September 2003.

History

Italian producer Mario Dradi conceived the idea of the first concert in 1990 in Rome. It was held to raise money for Carreras's foundation, the José Carreras International Leukemia Foundation. It was also for his friends Domingo and Pavarotti a way to welcome Carreras back into the world of opera after his successful treatment for leukemia.

David's Mighty Warriors

David's Mighty Warriors (also known as David's Mighty Men or the Gibborim) are a group of men in the Bible who were singled out by an appendix of the Books of Samuel. The text (2 Samuel 23:8–39) divides them into the "Three", of which there are three, and "Thirty", of which there are more than thirty. The text explicitly states that there are 37 individuals in all, but it is unclear whether this refers to The Thirty, which may or may not contain The Three, or the combined total of both groups. The text refers to The Three and The Thirty as though they were both important entities, and not just an arbitrary list of three or 30-plus significant men.

Some textual scholars regard the passages referring to The Three and The Thirty as having come from either a source distinct to the main sources in the Books of Samuel, or being otherwise out of place. Since parts of the text have distinct stylistic differences from other portions—appearing as a list, as a series of character introductions, or as a flowing narrative—Some suspect that the passages may themselves be compiled from multiple source documents. Further, as 2 Samuel 23:23–24 reads "...David put him in command of his bodyguard. Asahel, brother of Joab. Among the thirty were...", the text is regarded as corrupted, and the middle of verse 23:24 (between the words Joab and Among) is generally presumed to have been lost (some translations move Among the thirty were to be before Asahel, which smooths over the issue).