- published: 27 Dec 2017
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The Great Gildersleeve is a radio situation comedy broadcast from August 31, 1941, to March 21, 1957. Initially written by Leonard Lewis Levinson, it was one of broadcast history's earliest spin-off programs. The series was built around the character Throckmorton P. Gildersleeve, a regular element of the radio situation comedy Fibber McGee and Molly. The character was introduced in the October 3, 1939 episode (number 216) of that series. Peary played a similarly named character, Dr. Gildersleeve on earlier episodes. The Great Gildersleeve enjoyed its greatest popularity in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in four feature films released at the height of the show's popularity.
In Fibber McGee and Molly, Peary's Gildersleeve had been a pompous windbag and nemesis of Fibber McGee. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character went by several aliases on Fibber McGee and Molly; his middle name was revealed to be "Philharmonic" in "Gildersleeve's Diary" episode on October 22, 1940.
Fibber McGee and Molly was an American radio comedy series that maintained its popularity over decades. It premiered on NBC in 1935 and continued until 1959, long after radio had ceased to be the dominant form of entertainment in American popular culture.
The stars of the program were real-life husband and wife team James "Jim" Jordan (16 November 1896 – 1 April 1988) and Marian Driscoll (15 April 1898 – 7 April 1961), who were natives of Peoria, Illinois.
Jordan was the seventh of eight children born to James Edward Jordan and Mary (née Tighe) Jordan, while Driscoll was the twelfth out of thirteen children born to Daniel P. and Anna (née Carroll) Driscoll. The son of a farmer, Jim wanted to be a singer; Marian, the daughter of a coal miner, wanted to be a music teacher. Both attended the same Catholic church, where they met at choir practice. Marian's parents had attempted to discourage her professional singing and acting aspirations. When she started seeing young Jim Jordan, the Driscolls were far from approving of Jim and his ideas. Jim's voice teacher gave him a recommendation for work as a professional in Chicago, and he followed it. He was able to have steady work but soon tired of the life on the road. In less than a year, Jim came back to Peoria and went to work for the Post Office. His profession was now acceptable to Marian's parents, and they stopped objecting to the couple's marriage plans. The pair were married in Peoria on August 31, 1918.
Great may refer to:
Mary Lee may refer to:
Mary Lee Robb Cline (15 February 1926 – 28 August 2006) was a radio actress during the 1940s and 1950s.
As Mary Lee Robb, she's best known for playing Marjorie, Gildersleeve's niece, on The Great Gildersleeve. A small role in a 1948 episode of that program led to the full-time role of Marjorie, which she played until 1954.
Robb made her radio debut in 1947 on the Lum and Abner program. She also appeared on The Penny Singleton Radio Show.
Robb was born in Streator, Illinois. Her father, Alex S. Robb, was an executive at NBC.
In 1939 her family moved to Los Angeles, California, where she attended University High School and University of California, Los Angeles.
Robb's first marriage, to Charles Vance Smith, ended in divorce. Robb left radio in the mid-1950s to raise their son, Robb Smith, and daughter Alexandra.
In 1983 she married William H. Cline, who died in 2005.
Mary Lee Robb is survived by her daughter Alexandra, son Robb, son-in-law Alex, and daughter-in-law Melissa. Robb also leaves behind her two grand children Robbyn and Tyler.
Leroy makes nirtroglycerine at home with his new chemistry set while an ordnance expert from Washington is in Summerfield.
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given sev...
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given sev...
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a...
Chuck Schaden introduces members of the Gildersleeve cast: Willard Waterman, Mary Lee Robb and Shirley Mitchell who talk about the program and join the Those Were The Days Radio Players for a re-enactment of a Gildersleeve script. Also: Songwriter Jay Livingston (Shirley's husband) entertains with a mini- concert featuring his many hit songs. Recorded at the Museum of Broadcast Communications, Chicago. (113 minutes). Visit our website at: http://www.speakingofradio.com/
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a...
Gildy takes Leila to the Thanksgiving weekend football game after breaking his promise to take Leroy.
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given sev...
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a...
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a...
One of the very first spin-off sensations, Throckmorton P. Gildersleeve graduated from thorn in Fibber McGee’s side ("You’re a HARRRRD MAN, McGee!”) to his own hit radio sit-com and a series of feature films starring Harold Peary as the befuddled blowhard. As an added treat, viewers can take a gander at the Great Gildersleeve’s guest-starring gig alongside an all-star radio role call in the Lucille Ball/Victor Mature romantic romp, Seven Days' Leave. This two-disc collection features five films: The Great Gildersleeve, Gildersleeve's Bad Day, Gildersleeve on Broadway, Gildersleeve's Ghost and Seven Days' Leave.
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity. On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. "You're a haa-aa-aa-aard man, McGee!" became a Gildersleeve catchphrase. The character was given sev...
Harold Peary stars in this great sitcom "The Great Gildersleeve" from January 20, 1946 on the NBC radio network and sponsored by Kraft. Note: This old time radio show is in the public domain* and from my personal collection and can be used for historical, educational, and entertainment purposes. *We have checked with the Library of Congress regarding the status of old time radio recordings made prior to 1978 and that all such recordings are generally in the public domain, as sound recordings were not allowed under the previous copyright law and such recordings have not been granted copyright status under the new laws.
Music video by Justin Bieber performing Beauty And A Beat. ©: The Island Def Jam Music Group
Gildy decides to dress formally for a party thrown by Leila, but finds he's the only one.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor. In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a...
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Zveme Vás na další KALIČE, po úspěšné Fear Factor párty a Hawaii párty Vás zveme na další tématickou akci v Mafiáském stylu... To by ještě nebylo nic neobvyklého ale přidejte si k tomu Karaoke show a položte si otázku: Jak umí mafiáni zpívat? KDY: PÁTEK 22.10.2010 ...KDE: AQUA CLUB EDEN (ex Na Palubě) DJ´s: DJ LEEMAC a hosté.. START: 20:00 PRO VŠECHNY, KDO PŘÍJDOU V MAFIÁNSKÉM STYLU WELCOME DRINK!! Speciální program: Karaoke show, Bodypainting, Soutěže (hlavní výhra zájezd pro dvě osoby do lázeňského centra) - To vše v klubu AQUA, který se po své rekonstrukci (2010) stal jedním z nejmodernějších a nejoblíbenějších klubů v Praze. Najdete ho u tramvajové zastávky Kubánské Náměstí (6,7,19,22,23,24,55,57,59) na Praze 10 S touto akcí spolupracují: Berentzen, Becherovka Lemond, Kurýr Taxi...
Can't Stop - Red Hot Chilli Peppers - videoke
If you missed the night at The Nugget here it is!
Wooh
Come on
Wooh
Uh, uh, wooh
Come on
Wooh
Uh, uh uh
Man, I hear you niggas talkin
But'choo walkin the wrong way to really mean it
I done heard it, I done seen it, don't get caught up in between it
Its a dark road you walkin on, same street that I be stalkin on
Suppose to be quiet, but you keep talkin on
Now ya mouth got you in some shit
So we gon' let everybody see your gangsta ass get smaked like a bitch
Guess I'll remind y'all niggas, I can find y'all niggas
Click click, whats up, walk up right behind y'all niggas
Once the four four hit'cha
You ain't going no where but out the door on a stretcha
Boy, I'ma get'cha
Wet y'all niggas up like a pool
'Cuz I done told you, Y'ALL GON' MAKE ME LOSE MY COOL
Yo Knock get the glock, these bitch niggas is actin
Making movies, we'll make a movie about this shit after is happened
All that yappin, that them niggas is gettin away with
Take it easy my friend, let 'em know, dog ain't to be played with
A nigga gotta take a girl with the back
I'm fuckin with the hood and I'm back
I wish you understood why I'm back
It would take a lotta pressure off my back
A nigga gotta take a girl with the back
I'm fuckin with the hood and I'm back
I wish you understood why I'm back
It would take a lotta pressure off my back
Uh, uh, uh
Most of these hard rocks turn out to be soft as wet dog shit
Talkin shit, but when the fog spits, dog they all split
Then all hit the ground around the same time
In the same frame of mind, ?thangs up in the nine?
left them bitches blind, hit 'em up from behind
Yeah, thats how you do that
And he had such a good head up on his shoulders, but I blew that
Fuck you black, you new cats don't know somethin important
You die quick fuckin with my shit, and my shits extortin
House rules, when I speak, y'all niggas listen
I drop jewels that y'all cats can't afford to keep missin
Drinkin ??? fueled by drugs
Shits about to get real outta hand dog, betta get ya man dog
Rap shit comes second, I'ma show you what a robber do
Mention ice one more time and I'm robbin you
Tie you up for a week starvin you
Beatin the shit outta you everday, cuz yo, these niggas gotta pay
Uh, uh, uh
Dog it ain't no secret 'bout how its going down once I put on the pressure
It ain't nothing but another nigga put on a stretcher
With a blanket over his face, take him to the morgue with the waste
'Cuz he was in the wrong place at the wrong time
So I gave it to him in his chest
In his throat, in his head, in his back, through his vest, YES
Ain't a whole lot to braking a nigga down fast
They call me black 'cuz thats how I'm gon' be on that ass
Y'all pussy niggas think y'all sweet
But ain't a fuckin thing going down til I eat
So can I beef? You betta while you still got teeth
'Cuz they about to get knocked out, hopped out
On that ass with a blast that'll make ya shit drop out
Popped out, through a you know what
Cuz you know why, and you know my
Motherfuckin name up in this game
And bitch, you know I
Will never be crossed flippin, but on some east coast terms