Image
Dance Dance Revolution: The Insurrectionary Politics of Shaking It
Anarcho-Communist mega-party-mix: end of article
“If I Can’t Dance, I Don’t Want to Be Part of Your Revolution”
–Attributed to Emma Goldman
“Music is a weapon, a real weapon, in a concrete sense.”
–Desmond Tutu (1)
“Dancing is the remedy of resistance, the art of the marginalized and dispossessed.”
–Marc de la Maison (2)
NGOMA Afro Tech / Cashmere Radio
Tonight is a big big night, with top beatsmiths and djs from Uganda, UK, and Berlin providing us with outlandishly excellent sonic services in this historical NYEGE NYEGE FESTIVAL gathering on the other side of the globe.
And tomorrow all 4 of us, David Tinning, Spooky-J, Moroto Hvy Indstr, and myself will be weaving ecstatic aural tapestries on the esteemed Cashmere Radio, where there is a dopetastische absinthe bar, from 8pm to midnight.
Get your dancing shoes ready for tonight, and smoking jacket for tomorrow!
Official Ngoma Avant Classical List
Last year on this day i made the following post on Facebook:
Deleting everything from Avant Classical collection which i don’t LOVE listening to. DON’T GIVE A FUCK how highly regarded it is. Sorry Luigi Nono; sorry Brian Ferneyhough, sorry Georg Friedrich Haas. Some to all of your material has got to GO.
And some people requested screenshots.
The Journey Part 2
Rhythms of the mother continent meets Sound of Berlin: NGOMA envisions dance music of a society that we want our grand children to live in. Decolonized poly-scyncretic drum machines of a high-tech egalitarian future, constructed from the plurality of various life experiences and multiple sonic perspectives today, NGOMA fuses the best of many worlds for maximum mind expansion, soul elevation, and body intoxication.
The Journey Part 1
in anticipation of the party on Saturday, i stepped in for Moon Wheel on his show The Journey on Berlin Community Radio:
Rhythms of the mother continent meets Sound of Berlin: NGOMA envisions dance music of a society that we want our grand children to live in. Decolonized poly-scyncretic drum machines of a high-tech egalitarian future, constructed from the plurality of various life experiences and multiple sonic perspectives today, NGOMA fuses the best of many worlds for maximum mind expansion, soul elevation, and body intoxication.
Aug. 27. 2016
Image
NGOMA Afro Tech
Sound of Berlin meets Rhythms of the mother continent: NGOMA envisions dance music of a future society that we would want our grand children to live in. Imagining a decolonized polycultural drum machine constructed from the plurality of our various life experiences and multiple sonic perspectives, NGOMA fuses the best of many worlds for maximum mind expansion, soul elevation, and body intoxication.
Ways of Life 3: African Anarchy
There are African histories of egalitarianism and democracy independent of, and predating, modern Western progressive movements. It is time we revived them from systematic displacement and erasure, because they may hold the key to our collective future.
contemporary Northern Ghanaians holding council. Photo courtesy of Marc Becker
Indigenous Democracy
An epiphany of cosmic proportions dawned upon me during a taxi ride from Kampala International airport to the city last year. My incidental travel companion was the Ugandan film maker Dolman Dila; and in his unhurried, quiet, and measured tone, this is what he said:
“Of the 53 major “nations“ in the region today known as Uganda (name arbitrarily taken from one of them, Luganda, by the British), only 10 featured any kind of hierarchical political structure. The majority of them, with population size from 1 to 3 million, lived in entirely egalitarian organizations, voluntary cooperatives, and share/gift economies, without centralized political power, high levels of inequality, or warfare. For instance, Acholi, the 2nd largest society in Uganda, lived in communal, collaborative, and mutualistic arrangements. In these societies elders and experts were respected, and held influence, but did not have exclusive decision making power over others. In fact, the people of these societies having almost entirely no concept of power, control, domination, and subjugation was a significant factor for the ease with which Europeans conquered these lands. When an Englishmen said to them „I will rule this territory from now on“, they probably looked at each other, shrugged, and with such trust toward their fellow men, as strangely dressed as these were, said something like: “We don’t know exactly what that means, but why not, it should be fine.‘“
NGOMA July 16
Familiar club sounds of Berlin meets the Drum Sciences of the mother continent: NGOMA presents dance music of a future society that we would want our grand children to live in. Imagining a decolonized polycultural rhythm machine constructed from the plurality of our various life experiences, multiple sonic perspectives distilled, NGOMA fuses the best of many worlds for maximum mind expansion, soul elevation, and body intoxication.
Dj Zhao-Watergate 16.06.2-4am
High Times and Beyond
A few dopetastische events coming up, some even in Berlin!
________________________________
06.10 Musik & Frieden, Berlin
06.25 Watergate, Berlin
07.01 ACUD, Berlin
07.08 TBA, Barcelona
07.10 Manglar, Madrid
09.03 NyegeNyege, Kampala
09.16 Temple, Nairobi
10.15_Step In Festival, Zanzibar City
________________________________
VOODOOISM
A new series of Polyrhythmic Bass and Afrocentric Techno is born at this sweet underground spot by the spree near Schlesisches Tor with big sound.
https://www.facebook.com/events/1589940924667453/
________________________________
Lamin Fofana (Sci-Fi & Fantasy)
dj zhao (Ngoma Soundsystem)
Qumasiquamé (Through My Speakers)
Sheikh (SOUL FUTURE BASS)
________________________________
Cosmic Rhythm Club
Image
A borderless multi-genre set for here and now: from the Tech House giant Kompakt Köln to Awesome Tapes From Africa, from Hugh Masekela to Sofrito: Tropical Discotheque, from Spiritual Jazz to Tropical Bass, from Afro Funk to Hip House, from Bollywood Acid to Cosmic Disco, a continuous deep river of polyrhythmic groove which flows through all times and places:
Astro Love Machine
With a strict focus on intimate dancefloors, this mid tempo mix (along with its faster sister which will soon arrive) connects Afro-Jazz and Techno, Soul and Bass, Highlife and Electro, Disco and Ancestral drumming in ways you’ve probably not heard before.
Dig It!
My best quotes in the interview were left out, but still proud to be featured alongside cohorts Daniel Haacksman, Mo Laudi, and others in the Arte documentary series “Dig It”, which can be seen here.
LIVE from Opium Club Vilnius
A dope night in Lithuania frozen in wav form: a set of Africanized Bass music for cool kids in the club
FUSION 8 – Secrets of the Sun
Mixing and blending songs from the Indian Ocean, Yoruba Muslim ritual music, Ugandan percussion, Haitian Vodou lullabies, Lebanese Dabke, Tazania Taraab, Egyptian mystical jazz, music of the San people from the Kalihari, even some Kraut psychedelia, with grimey bass and beats. Richly layered tapestries of indigenous music and deep dub ebbs and flows, swelling into fiery bass and drums toward the end.
NYEGE NYEGE Festival Official Mix
Nyege Nyege Festival in Jinja, Uganda, is about the infinite and timeless rhythmelodic traditions from the motherland and its myriad mutations around the globe, and their sometimes difficult to perceive but indivisible connection. It is my duty as rhythm ambassador to reveal the truth about these connections between ancient and future, between the so-called “East” and so-called “West”, in a visceral way on the dance floor; and it is what i have tried to do with this mix.
WAYS OF LIFE 2: Another Perspective
In recent times I have seen many articles such as Europeans did NOT bring shoes to Africa, The forgotten masterpieces of African modernism, and 11 Ancient African Writing Systems That Demolish the Myth that Black People were Illiterate. On one level I applaud efforts that dispel myths of the under-development of African cultures. But on another level I think articles like this are missing a crucially important point: older cultures in Africa and other places developed in different ways, formed different world views, with different concepts and different methods, cultivating different ways of life, which are often, objectively speaking, much more sophisticated, efficient, and effective, than Europe techniques. “Pre-civilized”, pre-modern, and non-Western cultures must be evaluated in their own context, on their own terms, according to their own criteria, and can not be judged according to “civilized” and modern standards, in congruence with Western definition of “achievement” and “progress”.