Tuesday, December 06, 2016
Distinctly Jamaican Sounds Has Gone 21st Century!
I had a request from a friend about making the Christmas mixes available for streaming and I have gone and done just that! If you'd like to stay in touch with Distinctly Jamaican Sounds and have access to future mixes, when I get off my lazy ass and put some together, be sure to check out DistinctlyJASound on Mixcloud! I am in the midst of re-upping all the Christmas mixes and until I get a firm grasp on how it all works will be taking requests for any re-ups that you would like to hear again! I hope the good people who have supported this blog over the years will enjoy my next foray into sharing the love for Jamaican music. No longer will you have to navigate your way through some less-than-legitimate-feeling sharing site to download the music, you can listen to it directly through your phone, tablet, laptop, etc. by using the free Mixcloud App. Give it a try and let me know what you think about this "new direction."
Sunday, December 04, 2016
By Request... The Distinctly Jamaican Sounds' 2006 Jamaican Christmas Mix
Seasons Greetings! Had some requests for re-ups of the Jamaican Christmas Mixes and I am always happy to oblige! Here's is the 2006 edition...
1. Carlene Davis – Santa Claus (Do You Ever Come To The Ghetto)
2. King Stitt – Christmas Tree
3. Johnny Osbourne – Christmas Stylee
4. The Joe Gibbs Family – We Three Kings
5. Gregory Isaacs – Christmas Behind The Bars
6. Yellowman – Where Is Santa Claus?
7. Eek A Mouse – Christmas A Come
8. Cocoa Tea - Christmas Is Coming
9. The Aggrovators – Santa Claus Dub
10. Ras Pidow – Winter Storm
11. The Wailers – White Christmas
12. Toots & The Maytals – Christmas Feeling Ska
13. Alton Ellis & The Lipsticks – Merry Merry Christmas
14. Jacob Miller – On The Twelve Days Of Ismas
15. Trinity – Video Christmas
16. Eek A Mouse – The Night Before Christmas
17. Michael Palmer – Happy Merry Christmas
18. The Granville Williams Orchestra – Santa Claus Is Ska-Ing To Town
19. Tiger – Tiger Claus
20. Freddie McGregor – O Come Let Us Adore Him
21. Dillinger – Hi Fashion Christmas
22. Jacob Miller – Deck The Halls
23. Trinity – All I Want For Christmas
24. The Ethiopians – Ding Dong Bell
25. Rico And His Boys – Silent Night
Monday, October 31, 2016
The Complete 2016 Jamaican Halloween Spooktacular!
It has been a long and spooky month and as the big day arrives it is time to provide you with one last treat before October ends and the doldrums of early winter begin to set-in. Like last year, I want to take a moment and thank all the good guys who contributed to this years Spooktacular but writing-up a good number of the tracks. So thanks goes out to Reverend Tom Frost, Toby Gohn, Mark Williams, Nick Jones, Nate Taiapa, Gordy Robertson, Ethan Yukna, Teddy Dosdedos Garcia, Bobby Bobson and Sam Votsis! You guys are awesome! So without further ado... here it is. The Complete 2016 Jamaican Halloween Spooktacular! Enjoy!
1. King Tubby - The Dark Destroyer Dub
2. Derrick Morgan - You've Got To Beware
3. Linval Thompson - Blood Gonna Run
4. The Aquarians - Medusa Parts 1&2
5. Stone Brothers - Duppy Story
6. The Upsetters - Taste Of Killing
7. Bunny Lee's All Stars - Devil's Playground
8. Willie Francis - I Am Not Afraid
9. Dillinger - Obeah Bath
10. Ranking Joe - Burial
11. Cornell Campbell - Speak No Evil
12. Lord Sassafrass - Yorkshire Ripper
13. Ernest Ranglin & The Moodies Allstars - Dark Shadows
14. Bibby & The Astronauts - Wicked Men
15. Burning Spear - The Ghost
16. Living Truth - Afraid
17. Jackie Mittoo - Dark Of The Moon
18. The Frightnrs - Zombieland
19. 10 Ft. Ganja Plant - Death Waiver
20. Augustus Pablo - Satan Side Version
21. Eric Donaldson - Duppy Know Who Fi Frighten
1. King Tubby - The Dark Destroyer Dub
2. Derrick Morgan - You've Got To Beware
3. Linval Thompson - Blood Gonna Run
4. The Aquarians - Medusa Parts 1&2
5. Stone Brothers - Duppy Story
6. The Upsetters - Taste Of Killing
7. Bunny Lee's All Stars - Devil's Playground
8. Willie Francis - I Am Not Afraid
9. Dillinger - Obeah Bath
10. Ranking Joe - Burial
11. Cornell Campbell - Speak No Evil
12. Lord Sassafrass - Yorkshire Ripper
13. Ernest Ranglin & The Moodies Allstars - Dark Shadows
14. Bibby & The Astronauts - Wicked Men
15. Burning Spear - The Ghost
16. Living Truth - Afraid
17. Jackie Mittoo - Dark Of The Moon
18. The Frightnrs - Zombieland
19. 10 Ft. Ganja Plant - Death Waiver
20. Augustus Pablo - Satan Side Version
21. Eric Donaldson - Duppy Know Who Fi Frighten
The 52nd And Final Weekly Mix In All Of Its Uninterrupted Glory!
Here it is folks! The 52nd and final weekly mix for your uninterrupted listening pleasure! It has been fun putting these together and I hope you enjoyed listening to them over the last year! I hope you collected them all! Take care my friends, stay in touch and I'll see you all over on Facebook.
1. Roy Richards - Death Rides A Horse
2. King Horror - Loch Ness Monster
3. Carl Bryan - Walking The Dead
4. Charles Hannah & The Graduates - Dark Shadows
5. Lloyd Charmers - Bone Yard Skank
6. Murphy Romeo - Ghost Affair
7. Lloyd & Devon - Wolf Out Deh
8. Leo Graham - Voodooism
9. The Melodians - Last Train To Ecstasy
Jamaican Halloween Spooktacular 2016 - Track Twenty One - Duppy Know Who Fi Frighten
First and foremost, Happy Halloween! The month of October as usual has been extremely busy but like always a lot of fun also! I have thoroughly enjoyed putting together these Spooktacular for the past eleven years from digging for and selecting the tunes to sitting at the computer with Garageband for countless hours dropping thunderclaps, werewolf howls or Me Tie Doughty Walker's into the mix at the perfect moments. It is a very gratifying experience!
We're wrapping it up with a nice one from Eric Donaldson called "Duppy Know Who Fi Frighten" from his 2005 album 100% Love on the Roots & Culture label. The song is based on the Jamaican expression which means that a ghost (or a person) with evil intentions will only attack those who they're confident they can subdue or hurt. So basically, Donaldson is proclaiming that he's not easy prey and that the duppies (or those with ill will) need to be wary of haunting him; it's essentially a song of defiance! I of course had to "boo things up" a bit with a plethora of ghostly sounds, whispers, evil laughter, etc. and I think it wraps up the entire mix in a cobweb encrusted, blood and grave dirt soiled bow; fashioned from a mummy's wrapping of course.
This year, like always, I will be in charge of the trick or treating duties tonight. My kids, especially my son, are both at the age where I fear that they will lose their interest in Halloween and that they're too old to be dressing up in costumes but so far they have not show any sign of slowing down. This year my son is going as the classic 70s Super Friends era Aquaman and my daughter is going as the white-robed Princess Leia from the original Star Wars and I of course joyfully took it upon myself to put them together. I wouldn't miss trick or treating with my kids for the world! So to everyone out there I say have a safe and happy Halloween and to those parents on the prowl tonight with their little ghosts and goblins may the weather be warm, your shoes be comfortable and the candy mountain at the end of the night be plentiful... with zero mini-bags of nasty-ass candy corn taking away prime space from a fun-sized Snickers!
We're wrapping it up with a nice one from Eric Donaldson called "Duppy Know Who Fi Frighten" from his 2005 album 100% Love on the Roots & Culture label. The song is based on the Jamaican expression which means that a ghost (or a person) with evil intentions will only attack those who they're confident they can subdue or hurt. So basically, Donaldson is proclaiming that he's not easy prey and that the duppies (or those with ill will) need to be wary of haunting him; it's essentially a song of defiance! I of course had to "boo things up" a bit with a plethora of ghostly sounds, whispers, evil laughter, etc. and I think it wraps up the entire mix in a cobweb encrusted, blood and grave dirt soiled bow; fashioned from a mummy's wrapping of course.
This year, like always, I will be in charge of the trick or treating duties tonight. My kids, especially my son, are both at the age where I fear that they will lose their interest in Halloween and that they're too old to be dressing up in costumes but so far they have not show any sign of slowing down. This year my son is going as the classic 70s Super Friends era Aquaman and my daughter is going as the white-robed Princess Leia from the original Star Wars and I of course joyfully took it upon myself to put them together. I wouldn't miss trick or treating with my kids for the world! So to everyone out there I say have a safe and happy Halloween and to those parents on the prowl tonight with their little ghosts and goblins may the weather be warm, your shoes be comfortable and the candy mountain at the end of the night be plentiful... with zero mini-bags of nasty-ass candy corn taking away prime space from a fun-sized Snickers!
THE COMPLETE UNINTERRUPTED 2016 JAMAICAN HALLOWEEN SPOOKTACULAR WITH BE POSTED A LITTLE LATER! JUST IN TIME FOR YOUR HALLOWEEN LISTENING!
Day 366 of 365 Day Jamaican Music Challenge - The Melodians - Last Train To Ecstasy
We are at the end or a very long journey and though I wanted to commemorate Halloween with the last track I also wanted to put the wraps on this project appropriately. Sure, I could have gone another day but God knows I'm about done with doing this for a while and I figured I would go with a song that has always been to me that perfect closer. From 1967, The Melodians give us a sweet rocksteady side called "Last Train To Ecstasy" originally released on Treasure Isle. And as you board that train I bid you all a fond farewell... Distinctly Jamaican Sounds in its Blogger capacity is now officially closed. It has been a great ride.
Sunday, October 30, 2016
Day 365 of 365 Day Jamaican Music Challenge - Leo Graham - Voodooism
Holy shit! I can't believe I'm just one track away from having completed this yearlong Jamaican Music Challenge, when I first started doing this thing on November 1st of 2015 I had doubts at whether I could keep it up. At first I figured I'd give it a month and if it was getting to be too much trouble and interfering with everyday life I'd pull the plug but... here we are at track 365 and because of the leap year, just one last track from the final stop. But anyway let's get to today's tune, this one is called "Voodooism" by Leo Graham, produced by Lee Perry and originally released on the Black Art label as a single in 1974, it came to my ear's attention in 1996 on the Pressure Sounds album of the same name. Featured as the last track on the very first Spooktacular in 2006, I have always loved this one!
Saturday, October 29, 2016
Day 364 of 365 Day Jamaican Music Challenge - Lloyd & Devon - Wolf Out Deh
Lloyd & Devon, Lloyd Robinson &
Devon Russell, who had previously recorded as part of the vocal group
The Tartans in the late 60's, had a couple hit songs in the early reggae
era before going on to record and release "Wolf Out Deh" for Lee "Scratch" Perry in
1977. It was originally released as a 7" on the Black
Art label. While the Wolf in the track is more of a metaphor for those who are looking to do harm to the innocent, but with only two days to go until Halloween, it's easy to imagine the werewolf variety instead. "Wolf Out Deh" was originally featured here in the 2013 Spooktacular.
Friday, October 28, 2016
Jamaican Halloween Spooktacular 2016 - Track Twenty - Satan Side Version
Sam Votsis AKA Sammy Gong is one of the founders and a frequent contributor to the illustrious DC Soundclash. Aside from digging for vinyl he is an avid fan and collector of comic books, in fact I discovered that Sam and I are what you may call kindred spirits when it comes to horror comics and an appreciation for obscure exotica, surf guitar and Halloween music. Sam was late hopping aboard the Distinctly Jamaican Sounds guest spot train but as I expected he came through for us with his write-up on Augustus Pablo's "Satan Side Version." Thanks again Sam!
"Augustus Pablo is one of the first names you discover when you start digging into Jamaican music. Pablo (b. Horace Swaby, 1954-1999), known in no small part for his exotic and plaintive melodica riffs, could also go big, as evidenced here. He lays a blanket over this excellent Keith Hudson track, then proceeds to take a sledgehammer to it all. Keith Hudson, by the way, might need a little introduction: He was a producer responsible for some of the finest reggae tracks in the first half of the 1970s. Often described as “eccentric,” Hudson certainly had a sharp point of view — and got some great work out out of Jamaica’s top talent at the time. Singers like Ken Boothe and Horace Andy, as well as DJs like Dennis Alcapone and U Roy, cut major and minor masterpieces for Hudson, who also released quality instrumentals and dubs. Check out “The Hudson Affair” collection and his “Pick a Dub” LP."
Day 363 of 365 Day Jamaican Music Challenge - Murphy Romeo - Ghost Affair
Quoting from the 2009 Jamaican Halloween Spooktacular... "This one is by an artist named Murphy Romeo and the
song is called "Ghost Affair" and comes off a 1975 7" single on the
World Wide label and tells the tale of a woman being haunted by a ghost
and the trouble that ensues after she hires an Obeah man to rid her home
of the spirit... it would probably be correct to say that the Obeah man
is the one who meets the most trouble." A real nice duppy tune, perfect for your pre-Halloween listening pleasure!
Thursday, October 27, 2016
Jamaican Halloween Spooktacular 2016 - Track Nineteen - Death Waiver
"10 Ft Ganja Plant started out as an offshoot of Boston Massachusetts’ John Brown’s Body. The group was formulated from J.B.B.’s engineer Craig Welsch. Welsch has worked with bands such as the Aggrolites, Destroy Babylon, and Giant Guerrilla Dub Squad; all heavy hitters in the modern reggae game. Welsch started off T.F.G.P. as a studio group shrouded in mystery to pay tribute to the golden era of reggae from the 1970’s which was one of the most productive periods of Jamaican music as tunes were flowing from the radio dial. Producers evolved singers and vocal groups into legends at Studio 1, Channel One, and Black Ark.
10 Foot Ganja Plant featuring this single on their second volume of funky reggae groove instrumentals called Deadly Shots, released in 2012. Roger Rivas from the Aggrolites is behind the organ and grounds this tune in particular, doing his best Jackie Mittoo. “Death Waiver” and most of the album is a tribute to 70’s Kung Fu movies. Keeping with the horror theme one can picture a crimson masked grim reaper skeleton slipping a piece of paper to an unsuspecting victim."
Day 362 of 365 Day Jamaican Music Challenge - Lloyd Charmers - Bone Yard Skank
While today's track has really little to do with "Bone Yards" aside from the ghostly introduction and its title, "Bone Yard Skank" is actually Lloyd Charmers' instrumental version of his Marvin Gaye "Let's Get It On" cover. And while it settles into a smooth groove and leaves the spookiness behind, it is a welcome addition to the spooky library. Originally released in 1974 on the Harry J label and featured in the 2009 Spooktacular, I've always "dug" this one... if you'll pardon the pun.
Wednesday, October 26, 2016
Jamaican Halloween Spooktacular 2016 - Track Eighteen - Zombieland
Bobby Bobson was part of the DC Soundclash crew for many years and was quite adept in knowing how to make the dance bubble and pop. Currently he is teaching the youths of Baltimore to avoid the evils of Babylon and is one of the three selectas, sound-men, contributors and promoters along with Nick "Napthali Sound" Jones and my own Suburban Hi-Fi, for Reggae Spin Cycle held each month at Waverly Brewing Company here in Baltimore. And because Bobby is such a "team player" he decided he would write-up two consecutive tracks in the 2016 Spooktacular, so Bobby... the blog is yours! Thanks again man!
"Use of the word Zombie or zombies goes as far back as the 8th century. The origin of the word itself many believe comes from the word “nzambi”, which in Kongo means “spirit of a dead person.” The zombie trope also develops from both Louisiana Creole and Haitian Creole. Zombie represents a person who died and was brought back to life without speech or free will. Voodoo folklore contends that Voodoo priests were concerned with the study and application of black magic. They possessed the ability to resurrect the deceased from an oral powder. Some people even theorize that the Mayan civilization was destroyed by zombies. Bones found in and around Mayan cities show signs of being violently ripped from their sockets, and chewed to bits on the spot.
These zombie stories from Haitan voodoo were sensationalized in 1929 in George Seabrook’s The Magic Island. Hollywood quickly responded with a few movies around the voodoo creature, the Zombie. Starting in 1932 with White Zombie this entry starred Bela Lugosi as voodoo priest “Murder” Legendre. The 1932 film’s sequel was the inferior, slow-moving Revolt of the Zombies (1936), about a Cambodian sorcerer-priest with a secret formula to create hypnotized zombies. George Romero revolutionized the concept of zombies in the 1968, Night of the Living Dead. 2010 saw the TV adaptation of the Walking Dead. Mostly what we know about zombies is a myth but some of it is based in fact.
In Jamaican music from the 50’s early Calypso and Mento make reference to these voodoo beings where the dead comes alive due to black magic (“Zombie Jamboree”). The zombie has been a timeless subject of Jamaican witch doctor culture (“Obeah”) that at times makes use of voodoo and black magic (Lee ‘Scratch’ Perry).
“Zombieland” showcases Brooklyn’s finest vintage reggae group the Frightnrs. The band latest release on Daptone Records is charting on the Reggae Billboard charts. The album is a posthumous release for their lead singer Dan Klein who passed away months ago. He was diagnosed with a terminal disease but continued recording music while his health was quickly deteriorating. The band was building up contemporary and mainstream success with their releases on Daptone. Much can be said about how Dan Klein spent the final months of his life recording the band’s latest album. For more information about Klein and the band click here.
This track was on their self-titled EP released June 2012. The Frghtnrs’ “Zombieland” starts off Klein pleading for people to think for themselves and use their senses. It opens with a skinhead reggae breakdown and transitions into sweet Studio 1-esque harmonies. Klein, in almost a trance-like state, chants his lyrics. The deep groove from the rhythm section and vintage organ sounds like these musicians are from “the Land of Wood and Water” not a sweaty basement in Brooklyn. Victor Axelrod recorded the track with Agent Jay mixing, mastering, and engineered the track."
Day 361 of 365 Day Jamaican Music Challenge - Charles Hannah & The Graduates - Dark Shadows
This one has always been one of my favorite Halloween appropriate reggae tunes... a little number by Charles Hanna & The Graduates which pays tribute to Barnabas Collins and Dark Shadows years before Lone Ranger took up the subject matter. The tune is called "Dark Shadows" and is in fact a reggae remake of the theme song that was originally done by the Robert Cobert Orchestra. This was recorded some time in the early 70s and released on the Graduates label. Dig it!
Tuesday, October 25, 2016
Thanks For 11 Great Years!
Yes, all good things must come to an end and after much consideration and reflection I have decided the time has come to end the Distinctly Jamaican Sounds blog. No, I'm not giving up on my love of reggae music or my desire to share this music with those who want to listen but I believe it's time to shutter the blog here on Blogger.
As with any "specialized" music I have learned a hard lesson the last eleven years that no matter how hard you try to promote and expose this beloved music to the masses, it will never develop into anything more than what seems like broadcasting to an empty room. I had contemplated what the intention was with Distinctly Jamaican Sounds earlier this month with the end in sight for the 365 Day Jamaican Music Challenge and I decided that I have done all that I can do because it's obvious these efforts I have made to keep the blog informative and interesting have fallen on deaf ears. Over the course of 365 days, actually 366 because of the leap year, I have gotten exactly six comments. The 2016 Spooktacular elicited three. It's obvious no one is checking out the blog anymore and instead of torturing myself wondering why no one is commenting or responding to anything I post, I have decided to just let it go.
If you want to stay in contact with Distinctly Jamaican Sounds you can always look us up on Facebook, Twitter or even Youtube. Maybe its a reflection of the societal changes in "social media" and the days of a reggae music blog which takes time and space to expand upon a subject that only a select group actually understands, appreciates or cares about is a thing of the past.
I will finish off the 2016 Spooktacular and this little project I started last November before I convert my love of Jamaican music to a different platform and an easier, less-labor intensive smaller scale. And yes I will leave the blog as-is for anyone that may happen across one of my posts months or perhaps even years from now and learn something they had been wondering about a genre, a song, an artist, a producer, a musician, a culture and a people that I have loved and still love with all my heart.
Jamaican Halloween Spooktacular 2016 - Track Seventeen - Dark Of The Moon
I have said and written much about the great Jackie Mittoo over the years and have in fact included a bunch of his songs in Spooktaculars over the years, this year is no different. This one is called "Dark Of The Moon" featuring Jackie and the Sound Dimension and it comes from a 1970 7" on the Bamboo label. And when Jackie hits the Hammond, you are always guaranteed of a top notch performance... and even though the upbeat rhythm would lull you into believing that everything is fine, the organ on this one definitely has the feel of something hiding in the shadows. Maybe it's just me but with instrumental music I tend to get a mood and a vibe dependent on the title and this one obviously feels at home in our distinguished anthology of spooky tunes.
I have embellished this one with audio I have blatantly stolen from Gayle House's "The Haunting" record. If you are anywhere near my age and had a thing for comic books as a kid you'll remember the ad with the captivating headline of "Invite your friends over for a... Haunting" and the cloaked, fanged monster with the claws beckoning you to give it a try. Of course at the time who had $1.00 to throw into the mail to send away for a record? Sure I was curious about what was on the record, half expecting the second you dropped the needle the room would go dark and be alive with swirling malevolent spirits much like when the Nazis opened the Ark of the Covenant in Raiders of the Lost Ark. As a kid, I figured it was best not to unleash a nightmarish horde into the family's living room so I quickly tried to forget the ad which was harder than I hoped considering it seemed to have inundated every comic book at the time. Years later the miracle of the internet allowed me to finally hear "The Haunting" and it is so awfully campy and cheesy it quickly became a Halloween favorite right up there with Mi Tie Doughty Walker. I have to admit, in the back of my mind I was happy that I was finally able to give it a listen without the paranormal catastrophe my 10-year-old mind had envisioned. And just like the overly-dramatic narrator on side A who just so happened to have "come from the world of the unliving" to warn us of the Blood Banshee (whatever the hell that is), I need to let you know... "It is too late! The banshee is already here! You are doomed! Doomed!"
But we're not done...
Teddy "Dosdedos" Garcia is originally from Mataró Spain, he relocated to Granada and formed Los Granadians Del Espacio Exterior, soon after he moved to London and formed The Delegators. Relocating to the Washington DC a few years ago, he now divides his time teaching at a local Montessori school and managing aforementioned ska originators Roy Panton and Yvonne Harrison. Teddy loves the sweet sounds of the electric organ and has had the opportunity to play with Jamaican music legends Derrick Morgan, Dennis Alcapone, Dave Barker, Rico Rodriguez, Big Youth, Laurel Aitken, Carl Dawkins and many more. So who better than to speak about this one by the great Jackie Mittoo? Take it away Teddy!
"Just after the first man landed on the moon and we thus concluded one of the most ambitious episodes in the history of mankind, all kinds of questions related to the universe and its exploration started to emerge. While NASA, NKA and CNSA were seeking ways to reach one of the most mysterious corners of our nearest satellite, in little studios on earth musicians and singers wondered and imagined what would be the sounds of the hidden side of the moon. No space agency dared to venture any of its men to the cold and dark side of the moon. Communications were lost, satellite signals could not reach and the legend grew. There were debates on lunar constructions and extraterrestrial life, all the way to conspiracy theories about intelligent life settled on that side of the moon which our governments allegedly didn't want to expose. At the same time, both in Jamaica and the other nations, the sounds were clear, the signs powerful and engineers well prepared for this journey to space and into the unknown, a cold war between nations to conquer the far side of the moon.
Pink Floyd tried it, perhaps the ultimate reference on such an undertaking. But their dark and fearful interpretation did not intimidate the Jamaicans. The crew was Sound Dimension, commander in charge of the ship was Jackie Mittoo, and whose captain, Clement Dodd, used the base path from the Maytals' "Monkey Man" and the Pioneers "Mama Look Deh" as a gateway to that lunar hemisphere.
As always, the particular vision of the Jamaicans on those new challenges made them interpret things in a more positive way. In this interstellar journey, we can see how Jackie leads his men in an ambitious and determined manner, but with positivity and joy. The Sound Dimension landed on the far side of the moon in 1970. Since then, many other have tried without obtaining the positive results that Jackie Mittoo did with Sound Dimension."
Peace.
I have embellished this one with audio I have blatantly stolen from Gayle House's "The Haunting" record. If you are anywhere near my age and had a thing for comic books as a kid you'll remember the ad with the captivating headline of "Invite your friends over for a... Haunting" and the cloaked, fanged monster with the claws beckoning you to give it a try. Of course at the time who had $1.00 to throw into the mail to send away for a record? Sure I was curious about what was on the record, half expecting the second you dropped the needle the room would go dark and be alive with swirling malevolent spirits much like when the Nazis opened the Ark of the Covenant in Raiders of the Lost Ark. As a kid, I figured it was best not to unleash a nightmarish horde into the family's living room so I quickly tried to forget the ad which was harder than I hoped considering it seemed to have inundated every comic book at the time. Years later the miracle of the internet allowed me to finally hear "The Haunting" and it is so awfully campy and cheesy it quickly became a Halloween favorite right up there with Mi Tie Doughty Walker. I have to admit, in the back of my mind I was happy that I was finally able to give it a listen without the paranormal catastrophe my 10-year-old mind had envisioned. And just like the overly-dramatic narrator on side A who just so happened to have "come from the world of the unliving" to warn us of the Blood Banshee (whatever the hell that is), I need to let you know... "It is too late! The banshee is already here! You are doomed! Doomed!"
But we're not done...
Teddy "Dosdedos" Garcia is originally from Mataró Spain, he relocated to Granada and formed Los Granadians Del Espacio Exterior, soon after he moved to London and formed The Delegators. Relocating to the Washington DC a few years ago, he now divides his time teaching at a local Montessori school and managing aforementioned ska originators Roy Panton and Yvonne Harrison. Teddy loves the sweet sounds of the electric organ and has had the opportunity to play with Jamaican music legends Derrick Morgan, Dennis Alcapone, Dave Barker, Rico Rodriguez, Big Youth, Laurel Aitken, Carl Dawkins and many more. So who better than to speak about this one by the great Jackie Mittoo? Take it away Teddy!
"Just after the first man landed on the moon and we thus concluded one of the most ambitious episodes in the history of mankind, all kinds of questions related to the universe and its exploration started to emerge. While NASA, NKA and CNSA were seeking ways to reach one of the most mysterious corners of our nearest satellite, in little studios on earth musicians and singers wondered and imagined what would be the sounds of the hidden side of the moon. No space agency dared to venture any of its men to the cold and dark side of the moon. Communications were lost, satellite signals could not reach and the legend grew. There were debates on lunar constructions and extraterrestrial life, all the way to conspiracy theories about intelligent life settled on that side of the moon which our governments allegedly didn't want to expose. At the same time, both in Jamaica and the other nations, the sounds were clear, the signs powerful and engineers well prepared for this journey to space and into the unknown, a cold war between nations to conquer the far side of the moon.
Pink Floyd tried it, perhaps the ultimate reference on such an undertaking. But their dark and fearful interpretation did not intimidate the Jamaicans. The crew was Sound Dimension, commander in charge of the ship was Jackie Mittoo, and whose captain, Clement Dodd, used the base path from the Maytals' "Monkey Man" and the Pioneers "Mama Look Deh" as a gateway to that lunar hemisphere.
As always, the particular vision of the Jamaicans on those new challenges made them interpret things in a more positive way. In this interstellar journey, we can see how Jackie leads his men in an ambitious and determined manner, but with positivity and joy. The Sound Dimension landed on the far side of the moon in 1970. Since then, many other have tried without obtaining the positive results that Jackie Mittoo did with Sound Dimension."
Peace.
Day 360 of 365 Day Jamaican Music Challenge - Carl Bryan - Waking The Dead
We're only five tracks away from wrapping up this yearlong challenge and it's another one featured in a past Spooktacular... this one is called "Waking The Dead" by saxophonist Carl Bryan and it was originally recorded for Harry Mudie and released on his Moodisc label in 1969. The copy I have is on the UK Gas label and is incorrectly identified as "Walking The Dead."
Monday, October 24, 2016
Jamaican Halloween Spooktacular 2016 - Track Sixteen - Afraid
The late singer Leroy Ridgway AKA Living Truth got his start singing in the church choir at an early age. When he turned 16, Ridgway entered a talent contest in May Pen Jamaica and placed third with a song called "Red Sun" that he wrote himself. Afterward, he auditioned for Bunny Lee and recorded the track "Dreadlocks Man" which achieved local chart success and earned him additional studio time but soon after Living Truth emigrated to the United States where he continued his career in New York. Between 1977 and 1980, Living Truth entered and won a few talent contests with songs like "Write It Down," "Come One Come All" and "Ring The Freedom Bell." Sadly, Ridgway passed away just last year at the age of 70 after a brief illness. He may not have had the name recognition and commercial success of bigger named reggae artists but Living Truth recorded some great songs.
Case in point... today's sixteenth track in the 2016 Jamaican Halloween Spooktacular, called "Afraid." Released in 1979 as a 7" on the Lyric & Sound label, this is a sweet tune! With some nice horn riffs and some sweet backing vocals, Living Truth heeds a warning to all evildoer who are afraid of what will happen when the time comes that they meet their maker. He also urges anyone listening to do good and help your fellow man which is something the world always needs and appreciates.
Case in point... today's sixteenth track in the 2016 Jamaican Halloween Spooktacular, called "Afraid." Released in 1979 as a 7" on the Lyric & Sound label, this is a sweet tune! With some nice horn riffs and some sweet backing vocals, Living Truth heeds a warning to all evildoer who are afraid of what will happen when the time comes that they meet their maker. He also urges anyone listening to do good and help your fellow man which is something the world always needs and appreciates.
Day 359 of 365 Day Jamaican Music Challenge - King Horror - Loch Ness Monster
What can I say about King Horror that I haven't already said over the last eleven years? A Calypsonian who went by the name Baldhead Growler goes into the studio to shriek, scream and bellow horror-themed lyrics over early reggae tunes and becomes a mysterious figure shrouded in mystery ever since. His tunes have become holy grails for me because no one before or since has taken horror and reggae and blended them together so brilliantly! Take for instance today's track "Loch Ness Monster" recorded in 1969, produced by Laurel Aitken and released on the Grape label... it is a Halloween masterpiece regardless of genre! In fact, I was amazed to find King Horror's "Loch Ness Monster" on a various artists compilation album alongside mostly surf and garage bands called Wavy Gravy - Four Hairy Policemen on the UK Beware label, which very much in a Spooktacular style puts a bunch of wacky audio clips in between tracks to make for some fun listening. So let's get to it!
Sunday, October 23, 2016
Day 358 of 365 Day Jamaican Music Challenge - Roy Richards - Death Rides A Horse
"Death Rides A Horse" by Roy Richards may be my number one early reggae instrumental. Originally recorded at Beverley's and released on the Crab label in the UK in 1969, most people recognize this as the backing track for Derrick Morgan's cover of Ben E. King's "Stand By Me" but Roy Richards and his harmonica take the song in a completely different direction. The melody is absolutely infectious and most of the time it gets stuck in my head for hours after spinning this one.
Saturday, October 22, 2016
The 51st Week Mix In All Of Its Uninterrupted Glory!
A full week's worth of spooky ska is what you'll get when you download and enjoy the 51st Week Mix... here's what you're gonna hear!
1. Byron Lee & The Dragonaires - Frankenstein
2. Prince Buster - Hard Man Fi Dead
3. The Wailers - Jumbie Jamboree
4. Danny Hill - Annie Palmer
5. Clancy Eccles - Sammy No Dead
6. Justin Hinds & The Dominoes - Satan
7. Desmond Dekker - Dracula
Day 357 of 365 Day Jamaican Music Challenge - Desmond Dekker - Dracula
Here is another spooky ska side... this one is called "Dracula" by Desmond Dekker and it was recorded at Beverly's in 1964 and released on the Black Swan label. I went back to steal some of what I wrote about this track on a previous Spooktacular when I made the shocking discovery that I hadn't ever used this one!! Oh well, I guess it can add it to the 2017 playlist right now. And while this has little to do with the actual Transylvanian vampire, Dekker's tale of falling in love with a girl who can best be compared to that of the monstrous bloodsucker, is a lot of fun and of course... seasonally appropriate.
Friday, October 21, 2016
Jamaican Halloween Spooktacular 2016 - Track Fifteen - The Ghost
Ethan Yukna is a big fan of reggae music and someone that I have known for years, even though we didn't realize that we actually knew each other in a roundabout way in what seems like a lifetime ago. Ethan and his wife Jenn, have been the biggest supporters of Reggae Spin Cycle, our monthly deejay gigs at Waverly Brewing Company here in Baltimore, and when I put out a call for volunteers who would be willing to take a turn at guest blogging for the 2016 Spooktacular, I definitely wanted him to be included. It took a bit of convincing but thankfully he agreed. Ethan may be a fan of reggae and a varied array of musical genres but above all he is an enviably amazing Superdad! It's obvious his sons are his very soul and in my life I have never met two happier boys! Thanks again Ethan... see it wasn't so bad was it?
"In the mid-1970s Winston Rodney, aka Burning Spear, was one of the most outspoken champions of Marcus Garvey's Pan-Africanism vision, and Garvey is even regarded by some Rastafarian followers as a prophet. "Marcus Garvey," the title track from Burning Spear's third album (Marcus Garvey, 1975), implores people to heed Garvey's prophecies and lessons and try to live a good life. (It's interesting to note that "The Burning Spear" was a Kenyan military award and was the original the name of Rodney's group. In late 1976, Rodney split from the group and started using the name Burning Spear for himself alone) This was the first album the group recorded for Island Records and it was produced by Lawrence Lindo, aka Jack Ruby. Ruby was regarded as one of the best roots reggae producers of the 1970s, and he was known for his catchy, punctuating horn arrangements. The backing musicians, whom Ruby named the "Black Disciples," had been assembled from the Soul Syndicate and the Wailers.
The album Garvey's Ghost was released some 3 months later and each track is a dub version of its correspondent song from the album Marcus Garvey. Even in its remixed form, which somewhat lightened Jack Ruby's deeply dread production, the riddim laid down by the Black Disciples on this album remains as fat as a trick-or-treaters bulging candy sack. Some believe that "dub" could derive from "duppy" a Jamaican patois word for ghost; appropriately enough, today's track, "The Ghost" is the dub version of the song "Marcus Garvey." But instead of dubbing straight from the track as most dub songs were made, "The Ghost" was instead replayed and made to design itself to be the official dub of the tune. The riddim remains, of course, but some of the more lively, even jazzy, horn melodies are replaced with more dark and ominous organ riffs redolent of a night spent in a Jamaican graveyard with Garvey's ghost and some of his duppy followers."
"In the mid-1970s Winston Rodney, aka Burning Spear, was one of the most outspoken champions of Marcus Garvey's Pan-Africanism vision, and Garvey is even regarded by some Rastafarian followers as a prophet. "Marcus Garvey," the title track from Burning Spear's third album (Marcus Garvey, 1975), implores people to heed Garvey's prophecies and lessons and try to live a good life. (It's interesting to note that "The Burning Spear" was a Kenyan military award and was the original the name of Rodney's group. In late 1976, Rodney split from the group and started using the name Burning Spear for himself alone) This was the first album the group recorded for Island Records and it was produced by Lawrence Lindo, aka Jack Ruby. Ruby was regarded as one of the best roots reggae producers of the 1970s, and he was known for his catchy, punctuating horn arrangements. The backing musicians, whom Ruby named the "Black Disciples," had been assembled from the Soul Syndicate and the Wailers.
The album Garvey's Ghost was released some 3 months later and each track is a dub version of its correspondent song from the album Marcus Garvey. Even in its remixed form, which somewhat lightened Jack Ruby's deeply dread production, the riddim laid down by the Black Disciples on this album remains as fat as a trick-or-treaters bulging candy sack. Some believe that "dub" could derive from "duppy" a Jamaican patois word for ghost; appropriately enough, today's track, "The Ghost" is the dub version of the song "Marcus Garvey." But instead of dubbing straight from the track as most dub songs were made, "The Ghost" was instead replayed and made to design itself to be the official dub of the tune. The riddim remains, of course, but some of the more lively, even jazzy, horn melodies are replaced with more dark and ominous organ riffs redolent of a night spent in a Jamaican graveyard with Garvey's ghost and some of his duppy followers."
Day 356 of 365 Day Jamaican Music Challenge - Justin Hinds & The Dominoes - Satan
Let's close out the work week with one more creepy track...well, this one is more creepy in title than it is in content because it's a criticism of the military than it is about the goat-legged, Prince of Darkness. Obviously it's called "Satan" and its by Justin Hinds & The Dominoes, recorded in 1965 at Treasure Isle and released on their namesake label in Jamaica and on Island records in the U.K., and its yet another one of the "good ones!" But of course, I've always been a bit partial to anything Duke Reid.
Thursday, October 20, 2016
RIP Bobby Ellis (1932-2016)
In the fourth grade my parents coerced me into playing the trumpet in the elementary school band. I really wanted to play the drums and was encouraged by my Dad who had spent a good part of his youth providing the beat for a couple cover bands on his Ludwig jazz set he got for a steal at a pawn shop in 1963, my Mom wasn't too sure. She suggested the saxophone or the clarinet but after doing some investigating by digging into the encyclopedia, I decided on the trumpet. So to make a long story short, I absolutely hated it. So much so that at that young age I realized that I was not a musician; practicing was torture, my lips hurt, I couldn't for the life of me bother to learn the notes and the valve positions and I hated lugging it around back and forth on the school bus. The final straw, and the end to my short-lived career as a trumpeter came when November rolled around and my band teacher asked that I not participate in the Christmas concert and even sent a note home to guarantee that I wouldn't attend. Most kids back then would have taken that as an opportunity to really practice and show that "goddamn teacher" a thing or two but I took the easy way out... I quit. Besides, I didn't want to play the stupid trumpet anyway! But, little did I know at the time that this bad experience with the trumpet would make me appreciate the instrument and those who play it so much more. I love Louis Armstrong, Chet Baker, Miles Davis, Dizzy Gillespie, Louis Prima, Nat Adderley and most of all, I love Bobby Ellis.
Ellis attended Alpha Boys School playing both trumpet and the flugelhorn. The school's band played classical, waltzes and marches and it was there that Bobby learned his timing, harmony and form. Afterwards he became the horn arranger for Coxsone Dodd at Studio One before playing on countless releases for a plethora of producers, labels and releases. He even played with Burning Spear's Burning Band and toured with them worldwide for twelve years. In 2014 Bobby Ellis received the Order of Distinction from the Jamaican government for his contribution to Jamaica's music. I had heard rumors earlier in the week that Bobby Ellis had died and it was then that I started picking out some of my favorites and putting together a tribute mix. Sadly, the news was confirmed this morning by the Jamaica Observer in this short obituary.
Here is what I have put together in this mix...
1. Stormy Weather w/The Crystalites
2. Psalms 9 To Keep In Mind w/Tommy McCook
3. Dollar A Head w/The Crystalites
4. Shank I Shek
5. The Emperor w/The Crystalites
6. Determination Skank w/Don Drummond Jr. and Glen Brown
7. Weather Report w/Deadly Headly
8. Step Softly w/The Crystalites
9. Green Mango w/Tommy McCook
10. James Ray
11. Kojak w/Tommy McCook
12. Militant Salute w/The Professionals
13. Ska Baby w/The Upsetters
14. Glorious Lion w/Tommy McCook
15. Bad Cow Skank w/Tommy McCook
Rest in peace Bobby Ellis. Your contributions to music and the enjoyment you have provided myself and countless others is immeasurable. You will not be forgotten.
Ellis attended Alpha Boys School playing both trumpet and the flugelhorn. The school's band played classical, waltzes and marches and it was there that Bobby learned his timing, harmony and form. Afterwards he became the horn arranger for Coxsone Dodd at Studio One before playing on countless releases for a plethora of producers, labels and releases. He even played with Burning Spear's Burning Band and toured with them worldwide for twelve years. In 2014 Bobby Ellis received the Order of Distinction from the Jamaican government for his contribution to Jamaica's music. I had heard rumors earlier in the week that Bobby Ellis had died and it was then that I started picking out some of my favorites and putting together a tribute mix. Sadly, the news was confirmed this morning by the Jamaica Observer in this short obituary.
Here is what I have put together in this mix...
1. Stormy Weather w/The Crystalites
2. Psalms 9 To Keep In Mind w/Tommy McCook
3. Dollar A Head w/The Crystalites
4. Shank I Shek
5. The Emperor w/The Crystalites
6. Determination Skank w/Don Drummond Jr. and Glen Brown
7. Weather Report w/Deadly Headly
8. Step Softly w/The Crystalites
9. Green Mango w/Tommy McCook
10. James Ray
11. Kojak w/Tommy McCook
12. Militant Salute w/The Professionals
13. Ska Baby w/The Upsetters
14. Glorious Lion w/Tommy McCook
15. Bad Cow Skank w/Tommy McCook
Rest in peace Bobby Ellis. Your contributions to music and the enjoyment you have provided myself and countless others is immeasurable. You will not be forgotten.
Subscribe to:
Posts (Atom)