- published: 14 Jul 2008
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Franz von Suppé or Francesco Suppé Demelli (18 April 1819 – 21 May 1895) was an Austrian composer of light operas from the Kingdom of Dalmatia, Austro-Hungarian Empire (now part of Croatia). A composer and conductor of the Romantic period, he is notable for his four dozen operettas.
Franz von Suppé's parents named him Francesco Ezechiele Ermenegildo Cavaliere di Suppé-Demelli when he was born on 18 April 1819 in Spalato, now Split, Dalmatia, Austrian Empire. His Belgian ancestors may have emigrated there in the 18th century. His father – a man of Italian and Belgian ancestry – was a civil servant in the service of the Austrian Empire, as was his father before him; Suppé's mother was Viennese by birth. He was a distant relative of Gaetano Donizetti. He simplified and Germanized his name when in Vienna, and changed "cavaliere di" to "von". Outside Germanic circles, his name may appear on programmes as Francesco Suppé-Demelli.
He spent his childhood in Zara, now Zadar, where he had his first music lessons and began to compose at an early age. As a boy he had no encouragement in music from his father, but was helped by a local bandmaster and by the Spalato cathedral choirmaster. His Missa dalmatica dates from this early period. As a teenager in Cremona, Suppé studied flute and harmony. His first extant composition is a Roman Catholic Mass, which premiered at a Franciscan church in Zara in 1832. At the age of 16, he moved to Padua to study law – a field of study not chosen by him – but continued to study music. Suppé was also a singer, making his debut as a basso profundo in the role of Dulcamara in Donizetti's L'elisir d'amore at the Sopron Theater in 1842.
Franz may refer to:
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Light cavalry often called Light Horse comprises lightly armed and lightly armoured troops mounted on horses, as opposed to heavy cavalry, where the riders (and sometimes the horses) are heavily armored. The missions of the light cavalry were primarily reconnaissance, screening, skirmishing, raiding, and most importantly, communications, and were usually armed with spears, swords, bows and later carbines.
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Actors: Karl Paryla (director), Karl Paryla (writer), Richard Eybner (actor), Hugo Gottschlich (actor), Alfred Neugebauer (actor), Karl Paryla (actor), Fritz Muliar (actor), Oskar Wegrostek (actor), Marianne Schönauer (actress), Alma Seidler (actress), Angelika Hauff (actress), Vilma Degischer (actress), Hill Reihs-Gromes (costume designer), Christl Mardayn (actress), Greta Zimmer (actress),
Genres: Biography, Drama,Title : Franz von Suppé , Light Cavalry - Overture
Title : Franz von Suppé , Poet and Peasant - Overture DAte : 1846
Franz Welser-Möst conduct The Cleveland Orchestra while playing Franz von Suppé Overture Der Leichte Kavallerie
FRANZ VON SUPPÉ (1819-1895) OVERTURES 1. Light Cavalry (0:06) 2. Morning, Noon and Night in Vienna (Emanuel Brabec, solo cello) (6:01) 3. Pique Dame (13:42) 4. Poet and Paesant (Emanuel Brabec, solo cello) (20:54) VIENNA PHILHARMONIC ORCHESTRA conducted by SIR GEORG SOLTI Recorded in May 1959, Sofiensaal, Vienna Vinyl LP, released in 1975
Overture from the operetta "Banditenstreiche" (Jolly Robbers), by Franz von Suppé (1867).
Franz von Suppe - Overture from "Morning,Noon and Night IN Vienna", 2000 New Year's Concert,Vienna Philharmonic Orchestra,Riccardo Muti 2000年维也纳新年音乐会(维也纳的早中晚序曲)-视频 维也纳 新年音乐会 穆蒂 苏佩 Franz von Suppe - Ein Morgen, ein Mittag, ein Abend in Wien
March by Franz Von Suppè. Conductor: Herbert von Karajan Orchestra: Berliner Philharmoniker
Overture from the operetta "Pique Dame" (revision of "Die Kartenschlägerin"), by Franz von Suppé, 1864.
Franz von Suppe - March from Boccaccio (light classical music)
"Operettenkönig" Franz von Suppé war auch Komponist geistlicher Musik: sein Requiem in d-Moll für Soli, Chor und Orchester wurde beim Klangfest Ebrach 2012 wiederaufgeführt. Die Philharmonie Festiva und der Philharmonische Chor München unter der Leitung von Gerd Schaller überzeugten mit einer bewegenden Interpretation des 1855 entstandenen Werks, in dem Franz von Suppé zu einer ganz eigenen romantischen Klangsprache findet. Die Kathedralkirche des ehemaligen Zisterzienserklosters Ebrach aus dem 12. Jahrhundert, ein mitten im Steigerwald gelegenes architektonisches Kleinod, bot einen prächtigen Rahmen für das Konzert.