Progressive house

Progressive house is a style (subgenre) of house music. The progressive house style emerged in the early 1990s. It initially developed in the United Kingdom as a natural progression of American and European house music of the late 1980s.

Etymology

In the context of popular music the word "progressive" was first used widely in the 1970s to differentiate experimental forms of rock music from mainstream styles. Such music attempted to explore alternate approaches to rock music production. Some acts also attempted to elevate the aesthetic values of rock music by incorporating features associated with classical instrumental music. This led to a style of music called progressive rock, which has been described as "the most self-consciously arty branch of rock."

In disco music, and later house music, a similar desire to separate more exploratory styles from standard approaches saw DJs and producers adopting the word "progressive" to make a distinction. According to the DJ and producer Carl Craig, the term "progressive" was used in Detroit in the early '80s in reference to Italo disco. The music was dubbed "progressive" because it drew upon the influence of Giorgio Moroder's Euro disco rather than the disco inspired by the symphonic sound of Philadelphia soul. In Detroit, prior to the emergence of techno, artists like Alexander Robotnick, Klein + M.B.O. and Capricorn filled a vacancy left after disco's demise in America. In the late 1980s, UK music journalist Simon Reynolds introduced the term "progressive dance" to describe album oriented acts such as 808 State, The Orb, Bomb the Bass and The Shamen. Between 1990 to 1992, the term "progressive" referred to the short-form buzz word for the house music subgenre "progressive house".

The Progressive

The Progressive is an American monthly magazine of politics, culture and progressivism with a pronounced liberal perspective. Founded in 1909 by Senator Robert "Fighting Bob" La Follette, it was originally called La Follette's Weekly and then simply La Follette's. In 1929, it was recapitalized and had its name changed to The Progressive; for a period The Progressive was co-owned by the La Follette family and William Evjue's newspaper The Capital Times. Its headquarters is in Madison, Wisconsin.

The magazine is known for its strong pacifism. It devotes much coverage to combating war, militarism, and corporate power. It supports civil rights and civil liberties, women's rights, LGBT rights, immigrant rights, labor rights, human rights, environmentalism, criminal justice reform, and democratic reform. Its current Editor-in-Chief is Ruth Conniff. Previous editors included Fighting Bob La Follette, his son Robert Jr., William Evjue, Morris Rubin, Erwin Knoll and Matthew Rothschild. Its editorial offices are in Madison, Wisconsin.

Progressive Era

The Progressive Era was a period of widespread social activism and political reform across the United States, from the 1890s to 1920s . The main objective of the Progressive movement was eliminating corruption in government. The movement primarily targeted political machines and their bosses. By taking down these corrupt representatives in office a further means of direct democracy would be established. They also sought regulation of monopolies (Trust Busting) and corporations through antitrust laws. These antitrust laws were seen as a way to promote equal competition for the advantage of legitimate competitors.

Many progressives supported Prohibition in the United States in order to destroy the political power of local bosses based in saloons. At the same time, women's suffrage was promoted to bring a "purer" female vote into the arena. A second theme was building an Efficiency Movement in every sector that could identify old ways that needed modernizing, and bring to bear scientific, medical and engineering solutions; a key part of the efficiency movement was scientific management, or "Taylorism".

Crash Course

Crash Course (also known as Driving Academy) is a 1988 made for television teen film directed by Oz Scott.

Plot

Crash Course centers on a group of high schoolers in a driver’s education class; many for the second or third time. The recently divorced teacher, super-passive Larry Pearl, is on thin ice with the football fanatic principal, Principal Paulson, who is being pressured by the district superintendent to raise driver’s education completion rates or lose his coveted football program. With this in mind, Principal Paulson and his assistant, with a secret desire for his job, Abner Frasier, hire an outside driver’s education instructor with a very tough reputation, Edna Savage, aka E.W. Savage, who quickly takes control of the class.

The plot focuses mostly on the students and their interactions with their teachers and each other. In the beginning, Rico is the loner with just a few friends, Chadley is the bookish nerd with few friends who longs to be cool and also longs to be a part of Vanessa’s life who is the young, friendly and attractive girl who had to fake her mother’s signature on her driver’s education permission slip. Kichi is the hip-hop Asian kid who often raps what he has to say and constantly flirts with Maria, the rich foreign girl who thinks that the right-of-way on the roadways always goes to (insert awesomely fake foreign Latino accent) “my father’s limo”. Finally you have stereotypical football meathead J.J., who needs to pass his English exam to keep his eligibility and constantly asks out and gets rejected by Alice, the tomboy whose father owns “Santini & Son” Concrete Company. Alice is portrayed as being the “son” her father wanted.

Progressive

Progressive may refer to:

Music

Politics

Business