Liquid Architecture

(no)signal
(no)signal is a sound + media art collective operating out of Melbourne, Australia.

Adelle Mills
Figures that act with skill wedge their voices in between rolling translations.

Áine O’Dwyer
acts of listening and the search for alternative scorings through instruments, drawings, space, time, memory and the body

Alex Cahill
the marginalisation of animals by humans, animals as they exist only as forms and recycled clichés

Alex Cuffe
Our abject humanness horrifies me, imagine all these people, these skin wrapped containers of meat communicating to each other their thoughts.

Alice Hui-Sheng Chang
vocal groups as small social experiments in the diversity in human social interactions

Alrey Batol
practical attempts to expose or rupture existing systems that operate and govern everyday life

Amelia Barikin
As a material index of acoustic activity, the term 'sound fossil' has gained currency in the field of contemporary art both as a means of accounting for the appearance of the past in the present, and as an embodiment of cosmic time.

Andrew Harper
Babel (Azathoth) is a live working of found and hoarded elements (cassette recordings and outdated technology) that is hoped to reflect the disquiet and horror of the artist/performer at the temper of the times, and send a sonic ripple back to the makers of this horror: the present government of Australia (such as it is) and the forces further afield.

Andrew McLellan
rather than being slowed down by your brain needing to figure out how to say the words first.

Angie Garrick
Listening to my work conjures a feeling of a certain colour, perhaps a blue thats between blue and another, green and or purple. It wavers and moves between. My eyes are closed and this indigo landscape forms a silky texture in my mind. It slowly starts to rain and the colour dissipates into and oxen nothingness. The end.

Anja Kanngieser and Daniel Jenatsch
sound and communication are shaped by, and shape, our relations to one another, to the architectures and infrastructures around us, to our larger atmospheres and ecologies, and to the forces of power and governance that we experience and intervene in

Ann Fuata
!!CALL OUT!! Performers needed to participate in a live performance. It involves clicking, pausing and clapping. Please contact: a.a.fuata@gmail.com

Anne-James Chaton
phonetic rhythms, texture of words, reverberations into conversational territories

Anthony Lyons and Paul Fletcher
freedom lying between or beyond tempered notes, rational rhythms and traditional instrumental forms

Anthony Magen
Listening with your feet

Antoinette J. Citizen
speculations on the current contemporary desire for the datafication of self-knowledge

Antonia Sellbach with Julie Burleigh and Alison Bolger
The process of redaction freed the words from their literal reading

Antony Riddell
aggressive physical impropriety, neurologically-disordered vocals, lyrical interventions, simultaneously absurd, yet strangely elegant

Armour Group
purge

Atong Atem
Postcolonial practices in the diaspora, the relationship between public and private spaces and the politics of looking and being looked at

Aura Satz
my works explore diagrams and traces; these become abstractions of presence. My previous projects looked at traces of voices, sound inscriptions, and writing techniques. I am primarily interested in traces that look nothing like their source and that give materiality to what is ultimately immaterial or imperceptible

Aurelia Guo
#GiveYourMoneyToWomen

Basic House
Sonic adventurer who experiments with captivating rhythmic and textured techno.

Ben Kolaitis
subject: our symbiotic ontological relationship with sonic apparatus as a site where the human and the non-human meet

Beth Sometimes & Caroline Anderson
Swiping left on the unintentionally-hilarious world of Tinder

Bon Mott
A transmutation into energy happens from an alchemical mixture of the corporeal, the spatial, the intangible and embodiment of the ghost of AC/DC’s singer/songwriter, Bon Scott.

Botanic Gordon
Reel to reel tape, live radio samples, loops, vintage synth and homemade and modified sound trinkets

Brandon LaBelle
questions of social life and cultural agency, using sound, performance, text and sited constructions

Brendan Walls
the totality of the space

Bridie Lunney
contextualisation, engagement, combination, prescription

Bryan Phillips
electronic and acoustic sounds that help imagine the making of communal sonic rituals

Burnt Friedman
Problems that have risen on the scrapheap of Modernity

Caitlin Franzmann
...the term vocal fry and its association with young women is another ‘excuse to dismiss, ignore and marginalise women’s voices, both literally and figuratively’.

Camila Marambio
private investigator, amateur dancer, permaculture enthusiast, and sporadic writer

Camille Robinson
Camille Robinson is here to listen

Caroline Anderson
Screeds of crystallised information surprised me with its contents, issuing clues as to what was happening within.

Carolyn Connors
At one factory, each worker was assigned a piece of wood. Each of the four sides was painted a different colour: black, white, yellow and blue. The piece of wood displayed the colour that corresponded to the quality of the worker’s work the previous day: black was bad, blue was so-so, yellow was good, and white was excellent. The daily colour for each worker was logged in a ‘book of colour’.

Carolyn Eskdale
wall pressings

Catherine Clover and Peter Knight
Unreliable Encounters in Jurong

Cecilia Vicuña
“lo precario” (the precarious); transformative acts that bridge the gap between art and life, the ancestral and the avant-garde

Celeste Liddle
Melbourne-based Arrernte woman and self-described Black Feminist Ranter

Chloe Alison Escott
Singing ficto-critically about an imminently world-famous trans pop sensation

Chris Corsano
one of the best drummers on the planet

Chun Yin Rainbow Chan
fragments of a vessel that are to be glued together must match one another in the smallest details

Cinnamon Templeton

Clare Cooper
Healing through improvised harp and open heart

Clare Milledge and Tom Smith

Clocks and Clouds
mesotonal microcosms

COCO SOLID AKA Jess Hansell
Rapping, writing, cartooning = undoing colonial tokenism

COLLINGWOOD COLLEGE SOUND COLLECTIVE
They were asked to consider the contradictions in sound, such as those found in film and Foley techniques and to consider that gender may be associated to particular qualities in sound, instruments and/or image.

Cordelia Crosbie
Put your hands in the air

Croatian Amor
Croatian Amor AKA Loke Rahbek

Crys Cole
The listener’s own self-consciousness as a perceptual body and agent

Danae Valenza

Debris Facility
parasitic body corporate

Dennis Del Favero
the emergence of a new type of human and machine narrative

DIVA FINGER
Super friend duo sending wavelengths of creme fraiche scooped offa a pile of sweetened condensed milk in a vortex of TLCWhaleNoise with a contact mic taped between Janet Jackson's buttcheeks, Sadeism and MariahCareyism, equaling the goodness of greasy pizzaonthecouch X 880000000

Dylan Martorell
a bowerbird aesthetic

Eddie Hopely
(eg a triad of #branding, #recovery, and #evidence corresponding to then cycling through topos CS, WWAFMSL, E)

Ela Stiles
The act of listening to my work is unpredictable, as I never play the same set twice or use all the same sounds or words, they are constantly changing and I myself don't know what I am going to do each time I play live.

Ellen Fullman

Ellena Savage
Ellena Savage is an essayist, critic, and editor from Melbourne. She has been described as a “neurotic airhead”, and “better than Marx”.

Elysia Crampton
We should be careful to consider exactly what future we are defaulting to, and what ways we have been taught to engage this default-future

Emma Ramsay
various engagements with human and other communication

Ensemble Economique
The only thing in focus,
a sharp EE

Eric Avery
The music of our ancestors in lines,
drawings recordings,
Songs need physical reality

Eric Demetriou and Herbert Jercher
the sonic exploration of the Australian art of whip cracking

Eugene Brockmuller
6 of 1, Half a Dozen of the Other

Evelyn Araluen Corr

Evelyn Ida Morris
musician, performer, LISTEN(ER) and advocate for women in Australian music

Evelyne Jouanno
emergency has today become a worldwide and continuous hit

eves

Exotic Dog
Mundane field recordings, human voice, mechanic clangs, broken microphone squeals, cheap or not cheap synths and found audio find their way onto the cassettes.

Félicia Atkinson
improvisation, science-fiction, composition, chance, noise, abstraction and poetry

Feminist Theory Group
FTG: Eva Birch, Katherine Botten, Aurelia Guo

Fernando do Campo

Frances Barrett
From here to hear.
From here, as email. To hear, as script.
From here, as silent artist**. To hear, performing Curator***.

Frances Dyson
the resonance of voice has been exiled to places without people

Francis Plagne
to jerk or throw underhand or backhand

Fujui Wang
a pioneer of Taiwanese sound art

Gabi Briggs
Shaving and shedding for cultural protection, intergenerational empowerment and black feminist truth

Gail Priest
Gail Priest is an artist, writer and curator, for whom sound is the key investigative material.

Geoffrey Gartner
'Scream! Scream! Scream! Scream! Scream! Scream!'

Georgina Criddle
a voice from behind the great walls of brian

Hanna Chetwin
projector hum

Hannah Catherine Jones AKA Foxy Moron
Myths (both ancient and modern), word-play, appropriation and voice (in song)

Hannah Lockwood

Harriet Kate Morgan
Psychedelic death industrial act military position deals with modern and everlasting feelings of female and human subjugation.

Helm
Helm AKA Luke Younger

Hikashu

Holly Childs
Kemistry died (cat-eye reflector dislodged by a truck travelling ahead of the vehicle she was in)

Hou Hanru

Is There A Hotline?
assemblage of percussive objects and electronica, evoking transportive atmosphere, psychic storms and quiet retreats

Islaja
First ever Australian performance by Merja Kokkonen AKA Islaja, the brilliant Finish experimental musician with numerous releases on Fonal Record, Ecstatic Peace, Root Strata and Monika Enterprise.

Ivan Lisyak
pop culture appropriation, techno, and heavy industrial aesthetics

Jack Prendergast
Recreation of extinct animal vocalisations

Jackson Eaton
Don’t miss this opportunity to hear Jackson Eaton himself tell the Jackson Eaton story.

Jacqui Shelton
thinking about mining/”mine”ing.

Jake Moore
Because they Sound: Granulation as Reanimation

James Grant

James Parker
Eavesdropping and exposure: the twin frontiers of contemporary sonic warfare. What binds them together? Amongst other things, law’s complicity.

James Utting-Webb and Riley Lockett
the balance of power from; Animal > Human to Human > Animal**

Jannah Quill
lights on lights off lights on lights off

Jared Davis

Jasmine Guffond
digital technologies, sonification and the aesthetisation of data as a means of artistically surveying contemporary surveillance

Jennifer Walshe
Irish Dada-ist, composer and musical conceptualist, socially mediated / meditated performance art

Joanna Anderson & Michael Prior

Joe Banks
the relation between techniques of recording and mechanisms of perception

Joel Maripil
Joel Maripil is a traditional Mapuche singer or ülkantufe who have been singing, dancing and playing Mapuche musical instruments in the diverse musical practices linked to religious and non-religious activities held in traditional communities.

Johannes S. Sistermanns
[Un - the World] unexpected unrepeatable unclosed

John Jenkin
I Am Not An Animal

John-Joe Wilson
Puritans, psychedelics and pigeons

Jonathan Kemp
the elaboration of life coding strategies usually by way of some breton-brut sleights of hand

Joseph Jordania and Nino Tsitsishvili with Melbourne Georgian Choir
outré scales and clashing dissonances characteristic of Georgian polyphony

Julia Drouhin and Pip Stafford
Drouhin and Stafford use radios, transmitters, crystals, hurdy gurdy and field recordings in acts of sound divination and occult listening. Their collective interests lie in radio arts, auditory-spatial practices and the intersection of gender and emergent art forms.

Kalinda Vary

Kandere
Kandere is the music duo of artists, Lakyn Tarai and Wahe Kavara

Karli White
an energy relative to a loud reverberating clang

Kate Brown
The processes ‘the body’ undergoes during a vocal performance are acknowledged by representing the body as a machinic entity via sound to combine present actions and potential connections within a continuum.

Kate Geck
animation, textiles, installation, interactive, melbourne, australia m8

Kiah Reading
communicore

Kim Satchell
literature of place in the context of the coast and the Anthropocene

Kraus
I play guitar, drums, a home-made synthesizer, organ, bamboo flute and tape-loops. I live in Auckland, New Zealand. I like medieval and Renaissance music, Japanese traditional music, psychedelic music, electronic music 1950s-70s and rock and pop of the same era. And, etc.

Kym Maxwell
recite verses in rounds expressing the interconnectedness of student to teacher, student to student and class to the community.

Kynan Tan
What are the implications of being listened to at all times? What is the difference between being listened to
by: nobody, somebody, a machine, an intelligent machine?

Lara Thoms
How to piss off the music industry and the artworld - an exploratory model

Las Chinas
Cosmic coincidences lead to the meeting of Chileans Sarita Gálvez and Camila Marambio

Lawrence Abu Hamdan
the contemporary politics of listening – its relationship to power, borders, human rights, testimony and truth

Leena Riethmuller
By accessing bodily information, participants will be given the opportunity to reflect on tacit knowledge, physical experiences and emotional states.

Lei Lei Kung
She wakes, she speaks, more, more a(more!)

Leila El Rayes
Severing the orientalist shackles of the exotic Other

Lin Chi-Wei
the aesthetic condition of sound and art in a post-colonial East Asian context

Linda Dement

Lisa Lerkenfeldt
Working at the intersections of experimental noise, performance, beauty, cruelty, isolation and sexuality.

Lorna & Aunty Jenny Munro
Radicalising Indigenous mother-daughter dynamics

Louis Kennedy
tuned wires, corrugated iron roofing, lengths of PVC pipe, birdseed

Lucid Castration

Lucreccia Quintanilla
multidisciplinary artist, writer and sometimes DJ

Madboots
Stomping the house down with internettish hip-hop and comedy

Magic Steven
"Treat Every Experience as a Lesson... To Open your Mind & Heart." -

Makeda
the new-left club sound

Marco Fusinato
extended breakdown

Marcus Rechsteiner
Time travel confuses me. When I see it in movies I get confused and think how is this possible. I also think it would be cool to see if Aliens did build the pyramids. I would also use it to see if Julius Caesar ate Caesar salads.

Maria Moles
electronic manipulation of rhythmic structures played on the drum set, focusing on blending both acoustic and electronic instruments and objects

Marian Tubbs
There is a party at Minerva 4/111 Macleay St, Potts Point this Saturday from 8pm-9:30pm. We hope you can make it. There will be some recording devices at the gallery.

Mark Brown
relentless processes of the dematerialisation of matter despite the human struggle to contain time - the eternal eating machine

Mark Pollard
reconstructing mercury

Martin Howse
discourse, speculative hardware (environmental data in open physical systems), code (an examination of layers of abstraction), free software and the situational (performances and interventions)

Martina Copley
Sound, idea, object and modality are collated to set up a structural space for something to exist, a space in which the work moves towards an opening and at the same time asks questions about itself.

Masato Takasaka
anyone who says that they're not making music for other people can kiss my ass

Matthew P. Hopkins & Julie Burleigh
Handle Handel

Matthias Schack-Arnott
cycles, orbits and the perception of time via colliding objects

Maysa Abouzeid
Busting narrow-minded ableism one gag at a time

Media Lab Melbourne

Megan Clune
clune sings cage (in the style of baldessari sings lewitt)

Melissa Deerson
baroque dolphin mouth with hand in it / whale mouth with fish in it

Michel Chion
Born in 1947, Michel Chion is a composer, filmmaker, historian and writer – and arguably the world’s foremost thinker on sound in cinema.

Miranda Liebscher
outsource[animal]labour

Mitch Catterall
instinct//98

Monica Monin & Astrid Lorange
Affective Citations

mOwson+M0wson

Nat Grant
momentum

Nathan Gray
the object as a score for action

Nathan John Thompson
new possibilities for man/machine interaction, mechanical sentience and the complexities produced from these relationships

Nicholas Kuceli
We have managed to silence animals within our citified spaces by biologically and spatially framing the animal world

Nicky Crane

Nicola Morton
psychic séances, psychedelic performances, psychological deaths

Nikola Mounoud
...

No Sister
passing the divide

Okkyung Lee
Nothing but Disaster Follows from Applause

Omahara
sometimes beautifully silent

Perfume
Perfume is the noise duo of Grace Anderson and Lisa Lerkenfeldt

Pia Van Gelder
heosophy, technology, science, counter-culture histories, DIY pedagogy, AV mysticism and what she calls ‘machinic affinity’

Pip Stafford
the intersection of electromagnetic frequencies, feminist practice and magic ritual

Poppy de Souza
"Beyond Voice Poverty: New Economies of Voice and the Frontiers of Speech, Listening and Recognition"

Prophets
Ah!Puch!, Bird Brain, Groovy G, Heaps Mad, Shazzam, Ctrl+Alt+Man & Pug

Puce Mary
With precision, Puce Mary binds the listener in webs of sharp synthesizers, hammering percussion, obtuse voices, field recordings, and blistering noise

Queens of the Circulating Library
Queens Of The Circulating Library is the new project from Jonnine Standish of HTRK and Ying-Li Hooi

radio cegeste

Ragtime Frank
Her neighbours come tell me
Frankie she ain’t home

Rebecca Readhead
live ink

Rebecca Ross

Rebecca Ross
Mapping the concepts of geography, place, orientation and placement

Richard Dawson
songs both chucklesome and tragic, rooted in a febrile imagination that references worlds held dear and worlds unknown

Richie Cyngler
open source software, hardware, circuitry and sensors

Rita Revell
Amniotic reminiscences and mutated mummy rhythms transmute in home video holy matrimony.

Rob Thorne
stone, bone, shell and wood

Robin Hayward

Rosalind Hall

Rosalind Hall and Dave Brown
a blind dance of hope in step and flight..sending thoughts astray amid hallucinations born of time and telepathy.

Roslyn Helper

Ruth O’Leary
Melbourne based artist who works primarily with performance, video and painting.

Ryan Jekabson
morbid cereal miasma

Saba Vasefi
Voicing women’s experiences of detention, neo-imperialism, and transnational being

Sally Ann McIntyre

Samaan Fieck

Sara Mikolai
the marginalised body as a site of intervention

Sarah Byrne

Sarah McCauley
power of burn point >>>>flame