- published: 18 Sep 2017
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Electro-Harmonix is a New York-based company that makes high-end electronic audio processors and sells rebranded vacuum tubes. The company was founded by Mike Matthews in 1968. It is best known for a series of popular guitar effects pedals introduced in the 1970s and 1990s.
During the mid-70s, Electro Harmonix had established itself as a pioneer and leading manufacturer of guitar effects pedals. These electronic devices were cutting edge technology and innovations. Electro-Harmonix was the first company to introduce, manufacture, and market affordable state-of-the art "stomp-boxes" for guitarist and bassists, such as the first stomp-box flanger (Electric Mistress); The first analog echo/delay with no moving parts (Memory Man); The first guitar synthesizer in pedal form (Micro Synthesizer); The first tube-amp distortion simulator (Hot Tubes). In 1980, Electro-Harmonix also designed and marketed one of the first digital delay/looper pedals (16-Second Digital Delay).
The Big Muff Pi (π), often known simply as the Big Muff, is a fuzzbox produced in New York City by the Electro-Harmonix company, along with their Russian sister company Sovtek, primarily for use with the electric guitar. It is used by bassists as well due to the Big Muff's low end frequency response.
The following is a direct quote from Mike Matthews, Electro-Harmonix founder and president:
An earlier Electro-Harmonix pedal, the Axis Fuzz, was also manufactured for the Guild guitar company as the Foxey Lady and used a similar chassis as the early Big Muffs, but had a simpler two-transistor circuit. With the introduction of the Big Muff the Axis was discontinued and the Foxey Lady pedal became a rebranded Big Muff. It was available at least until the mid-1970s.
The Big Muff Pi was the first overwhelming success for Electro-Harmonix's line of pedals. Due to its reliability, its low price and its distinctive sound, the Big Muff sold consistently through the 1970s and was found in innumerable guitarists' pedal collections. For example, David Gilmour and Carlos Santana (although Santana owned one it is reported he did not use it) were some of first famous users of the pedal. David Gilmour famously used the Big Muff on the Pink Floyd albums Animals and The Wall and most recently on his 2006 On An Island tour. Other artists who used the Big Muff during the 1970s include Thin Lizzy, Kiss, Frank Zappa (Though Zappa had it modified to produce a very non-typical Big Muff distortion), and Ronnie Montrose. Even after the Electro-Harmonix company was forced out of business in 1982, the pedal remained in such demand that clones of the Big Muff were made by both competing corporations and independent pedal builders, and demand for "vintage Big Muffs" rose. Unsurprisingly, when Matthews restarted Electro-Harmonix in the 1990s, the Big Muff was one of the first pedals he reintroduced to the market.
Memory Man is the third studio album by Aqualung. The album was released on March 13, 2007 in the U.S.. The first single from the album was "Pressure Suit". The album debuted at #88 on the Billboard 200 chart in its first week.
Memory Man has received positive reviews. On the review aggregate site Metacritic, the album currently has a 70 out of 100, indicating "Generally favorable reviews."
The song "Garden of Love" features guest vocals by Paul Buchanan of the Scottish band The Blue Nile.
Hot wax may refer to:
Spring boarding off the award-winning Superego, our new Superego+ raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. Plus, we’ve added a complete effects section featuring 11 effects types, an EXP input for effect parameter control and an EXT jack for a 3-button controller. Watch here as sonic savant, Bill Ruppert, takes you on a mind-blowing tour of the Superego+. Learn more: http://www.ehx.com/products/superego-plus Like/Follow Electro-Harmonix: https://www.facebook.com/electroharmonix https://www.twitter.com/ehx https://www.instagram.com/ehx https://www.youtube.com/ehx https://www.snapchat.com/add/electroharmonix
The PLATFORM is a sophisticated, professional stereo compressor limiter that includes volume swell and tape reverse, plus overdrive. It’s powerful for studio or post production work, yet compact enough to take to a gig! -Studio-quality compressor/limiter lets the user precisely tune dynamics regardless of the instrument or situation. -The compressor/limiter includes a full complement of controls: Volume, Attack, Release and Sustain, plus pushbuttons for Hard or Soft Knee and the Limiter. -Foot-switchable overdrive section adds versatility and includes dedicated controls for Volume, Tone and Drive. Together with the compressor it produces a sound that’s saturated, smooth and slippery. -Adjustable Swell function creates bowed, fade in and reverse effects. -True stereo operation, can be used...
Awesome on guitar and bass, the new Hot Wax fuses our popular Hot Tubes and Crayon pedals into one powerful dual-overdrive. Use each individually or stack them with the Crayon driving the Hot Tubes. Master EQ and Blend controls provide the tonal flexibility power players demand. The Hot Wax is the next evolution in inspired overdrives! Learn more: http://www.ehx.com/products/hot-wax Like/Follow Electro-Harmonix: https://www.facebook.com/electroharmonix https://www.twitter.com/ehx https://www.instagram.com/ehx https://www.youtube.com/ehx https://www.snapchat.com/add/electroharmonix
The SYNTH9 Synthesizer Machine emulates classic electronic synthesizers and features nine of the most distinctive vintage synth type sounds: OBX, PROFIT V, VIBE SYNTH, MINI MOOD, EHX MINI, SOLO SYNTH, MOOD BASS, STRING SYNTH and POLY VI. For more information, please visit: http://www.ehx.com/products/synth9 Like/Follow Electro-Harmonix: https://www.facebook.com/electroharmonix https://www.twitter.com/ehx https://www.instagram.com/ehx https://www.youtube.com/ehx Demo by Bill Ruppert
EHX has grafted technology found in keyboard and modular synthesizers into a pedal designed for guitarists and bass players. The Blurst modulates an instrument’s sound like an envelope filter, but instead of the filter’s response being controlled by playing dynamics, it’s controlled by an internal oscillator. The Blurst is a must have for the adventurous player who wants to explore new sonic territory! For more information, please visit: http://www.ehx.com/products/blurst Like/Follow Electro-Harmonix: https://www.facebook.com/electroharmonix https://www.twitter.com/ehx https://www.instagram.com/ehx https://www.youtube.com/ehx
The EHX Cock Fight Plus offers up the award-winning tone of the original Cock Fight in a rugged, lightweight pedal and with a traditional rack and pinion style operating mechanism. It contains two different expressive filters: a traditional wah pedal filter and a formant filter used for vowel sounds. The Cock Fight also features a lively fuzz section that can be added before or after the filter section, or taken out of the signal path completely. Learn more: http://www.ehx.com/products/cock-fight-plus Like/Follow Electro-Harmonix: https://www.facebook.com/electroharmonix https://www.twitter.com/ehx https://www.instagram.com/ehx https://www.youtube.com/ehx https://www.snapchat.com/add/electroharmonix
The Tone Corset, our new four-knob analog compressor, squeezes your guitar tone in all the right ways! Mike Matthews says, "The Tone Corset is the funkiest analog compressor I ever heard on guitar!" Intro: 0:07 Overview: 0:17 Compression: 0:39 Compression with Slide: 1:07 Compression with Volume Pedal & Delay: 1:22 Compression with Overdrive: 2:22 Compression with Electric 12-string Guitar: 3:16 Quick specs: -Four-knob design provides excellent control and gives the user the ability to precisely shape their instrument’s dynamics. -The Sustain knob controls the amount of compression applied to the guitar signal. -The Attack know adjusts how quickly the compressor recovers. As Attack is turned clockwise the pedal’s response is slower and more initial pick attack comes thru. -The Blend kno...
Double your control while using the same pedalboard real estate! EHX’s new Dual Expression Pedal provides hands-free control over two functions or two separate pedals from a single source! Quick specs: • Dual-output design • Both EXP outputs have independent range and reverse. These are important features competitors may leave out and definitely affect the pedal's usability. • Both EXP outputs feature a polarity switch for maximum compatibility with the widest range of gear. This is an essential feature and some competitors only provide a single polarity switch for one of their pedal's outputs. • Affordable, rugged and reliable • Comes equipped with two TRS cables US STREET PRICE $72.70 Learn more: http://www.ehx.com/products/dual-expression-pedal Like/Follow Electro-Harmonix: https://...
Packed with more power than pedals taking up more real estate, the compact Canyon features a collection of awe-inspiring effects. From pristine digital delay to warm and warbly tape echo, reverse and modulated delays, cascading octave delay and shimmer… even an exquisite Deluxe Memory Man emulation. There are ten different effects in all plus a fully featured looper. Internal or external Tap Tempo with tap divide and a chasm full of intuitive secondary knob controls deliver a truly grand experience. For more information, please visit: http://www.ehx.com/products/canyon Like/Follow Electro-Harmonix: https://www.facebook.com/electroharmonix https://www.twitter.com/ehx https://www.instagram.com/ehx https://www.youtube.com/ehx Demo by Bill Ruppert
Electro-Harmonix announces the introduction of an expression pedal featuring the company’s advanced polymer construction that yields roadworthy pedals with a significant weight savings. The EHX Expression, single-output pedal, is affordable and versatile enough to control virtually any device with an EXP input. The pedal’s sweep can be fine tuned with the range knob while its sweep direction can be flipped with the reverse button. It comes with a six foot TRS cable. Quick Specs: • Single-output design • The pedal’s sweep can be fine-tuned with the range knob while sweep direction can be flipped with the reverse button • Polarity switch for maximum compatibility with a wide range of gear • Advanced polymer construction yields a roadworthy pedal with a significant weight savings • Afforda...
Electro-Harmonix announces the Battalion Bass Preamp and DI packed with a four-band equalizer, fully-featured MOSFET distortion section with three signal path options, a compressor, a noise gate and comprehensive I/O. Watch the demo on this incredibly versatile, bass powerhouse! Product Overview: 0:33 EQ Demo: 0:58 Distortion Demo: 1:28 Dry EQ: 2:09 Learn more: http://www.ehx.com/products/battalion Like/Follow Electro-Harmonix: https://www.facebook.com/electroharmonix https://www.twitter.com/ehx https://www.instagram.com/ehx https://www.youtube.com/ehx https://www.snapchat.com/add/electroharmonix
www.ProGuitarShop.com - The Electro Harmonix Micro Synth hearkens back to the glory days of fat, warm analog synthesizers. The only difference is it lets you get these tones with your guitar! Plug in any old axe and hit the switch. You instantly have old Moog, ARP, Oberheim, Sequential Circuits, Roland, and more. The Electro Harmonix Micro Synth for guitar features all analog circuitry, no digital modeling here. The 2-pole resonant filter allows for excessive filter control while the mixer section sports 4 voices: sub octave, original, octave up, and square wave which can be used as a distortion. The filter sliders allow for control over start, stop, direction, and speed. The Electro Harmonix Micro Synth also gives you adjustable attack time and filter resonance controls along with ...
The new C9 Organ Machine springboards off the revolutionary B9 to mine another rich vein of classic gold and provide players with nine more definitive organ and keyboard sounds. The C9 will transform your instrument into a convincing full body, electric organ or vintage electronic keyboard. For each preset chosen, it also provides precise control over important elements of that sound’s sonic fingerprint like percussive click, modulation, attack/sustain, drawbar setting or high frequency content. Blend your dry signal to create beautiful layers. Lovers of classic organ and keyboard rejoice! http://www.ehx.com/products/c9
Electro Harmonix pedals (EHX) are some of the oldest and most respected effects for guitar and bass. So what's the catch? EHX releases a LOT of pedals, and sometimes multiple versions with slight changes. I've done the work to sort through all that. You can read the written review at my website: http://weareeasychords.com/?p=536 ---------- Check prices on every pedal I mention: LPB-1 http://amzn.to/2jrdgMf Micro POG http://amzn.to/2fL80pe POG 2 http://amzn.to/2fQw99f HOG http://amzn.to/2gEJran Nano POG http://amzn.to/2fL5b7R B9 http://amzn.to/2fLbgBj C9 http://amzn.to/2gNAADR KEY9 http://amzn.to/2gNOWUQ MEL9 http://amzn.to/2grKs88 Soul Food http://amzn.to/2gRvG7D Soul POG http://amzn.to/2gRuSQb Big Muff Pi http://amzn.to/2grCGeg Little Big Muff Pi http://amzn.to/2grCDPD Nano Big Muf...
EHX demos the Good Vibes Modulator, a chorus/vibrato pedal with a '60s sound and response, but specially engineered updates for the modern player. http://www.ehx.com/products/good-vibes
The new MEL9 Tape Replay Machine emulates vintage Mellotron® sounds and uses the same ground breaking technology that powers the award-winning B9 and C9 Organ Machines, plus the KEY9 Electric Piano Machine. Nine of the most famous sounds are included: Orchestra, Cello, Strings, Flute, Clarinet, Saxophone, Brass, Low Choir and High Choir. MEL9 works on guitar without modifications, special pickups or MIDI implementation and tracks bends, slides, even whammy dive bombs! It also works with bass guitar down to the open A string and keyboards, too. Watch as Bill Ruppert takes you on a tour of the MEL9 and re-creates some of the most iconic sounds of classic rock! ®Mellotron is a registered trademark of David Kean, M. Resch AB and Markus Resch. For more information visit: http://www.ehx.co...
Effectology Special Edition "Superego Synth Engine" Effectology by Bill Ruppert Welcome to Electro-Harmonix's "Effectology" series, in which we create a remarkable collection of impossible sounds using just a regular guitar and EHX effect pedals! No keyboards, samplers or midi pickups were used. In this episode I explore new sounds using granular synthesis created by the Superego pedal. For more info and pedal settings: http://www.ehx.com/forums/viewthread/5723/
Completing the powerful trilogy forged by the B9 and C9 Organ Machines, the new KEY9 emulates the world’s most coveted electric pianos and more. With 9 presets, you can transform your axe and lay down a cool “Riders on the Storm” style groove or some hot funk ala “What’d I Say!” Take it from Mike Matthews who says: “You’ll dig the way the KEY9 turns you into a Rhodes Scholar!” Watch effects guru, Bill Ruppert, demonstrate the KEY9. For more information, please visit: http://www.ehx.com/products/key9 Like/Follow Electro-Harmonix: https://www.facebook.com/ElectroHarmonix https://twitter.com/EHX https://instagram.com/ehx https://www.youtube.com/EHX
The new Tone Tattoo is our first, all analog, multi-effect pedal. It combines three very hot products: the Metal Muff distortion, Neo Clone chorus and Memory Toy analog delay into one compact pedal. Check out this latest video from guitar effects maestro, Bill Ruppert, as he takes you through a tone laden tour of the Tone Tattoo.
Well I met the man who killed my mother
He put holes inside her arms
No they were not marks of stigmata lord
Just a drug pumping empty heart
Well I met the man who took my father
Put him in jail and locked him away
Well they say he forgot his children lord
He might remember us again someday
I blame the devil
Well I met the man who killed my grandmother
He took her mind as the shotgun blew
A year later my grandfather followed her
He’d had enough and shot himself too
Well I met the man who took my good friend
Oh, but he was only seventeen
I saw him laying in a cushioned coffin lord
It wasn’t him staring back at me
I blame the devil, what else could it be
I blame Jesus he ain't answering me
Don’t call me depressed, don’t call me sad
I’m giving up on this life I had
Well I met the man who raped my childhood
Oh well we were never young it’s true
But when everyone around you keeps dying lord
What the hell are we supposed to do
Well I met the man who took my sister
In a new family she will stay
And it’s true that my mother’s a sinner lord
She let another family fade away
I blame the devil, what else could it be
I blame Jesus he ain't answering me
Don’t call me depressed, don’t call me sad