Thoughts On The Dead

Musings on the Most Ridiculous Band I Can't Stop Listening To

Author: Thoughts On The Dead (page 1 of 706)

Trade Season

The rock and roll world was stunned last night when, just as the deadline was about to expire, Led Zeppelin traded John Bonham to the Grateful Dead for Bill Kreutzmann, Mickey Hart, and a keyboardist to be named later. The trade is expected to be approved by the league after the men fail their physicals and then retake them with a less scrupulous doctor.

Bonham, 27, was quoted as saying, “It was time f’r a change, wunnit? Tired of playing wi’ a guitarist on th’ nod. Jimmy’s gettin’ sloppy. Be much better wi’ Fatty, wha’ever his name is.” Bonham then hit this reporter with a folding chair for no reason.

Kreutzmann, who gives his age as “Suck my balls, that’s how old I am,” responded to the trade by saying, “Turns out I’m getting paid more. Billy’s happy enough to punch dicks.” Kreutzmann then punched this reporter in the dick. Hart also refused to give his age and became belligerent with this reporter for asking. More dickpunching ensued, and, before this reporter lapsed into blessed unconsciousness, there were raccoons loosed.

The first performances of each newly-constituted band went poorly. Kreutzmann and Hart refused to rehearse and became enraged when offered English food to the point of sexually penetrating bacon butties. During the show, both drummers conspicuously mocked the other band members, frequently putting their sticks down to rise and do unflattering imitations of Jimmy Page’s guitar moves. When Robert Plant asked the crowd if they remembered laughter, the men leaned into their drum mics and told him that they did, in fact, remember laughter and called him an asshole. John Paul Jones was completely nonplussed.

Not surprisingly, the Dead’s performance was worse. Bonham, nervous about his first show, drank heavily and began throwing punches and tables. The Dead’s crew put up with it for about ten seconds and then began whaling the living tar out of Bonham to the point where he was unable to play that evening. The show was cancelled and Bonham was left in a dumpster on the way to the airport to pick up Hart and Kreutzmann.

The keyboardist that was to be named later is now being named: Brent.

 

A Bus(c)h And A Mountain (And Trixie And Some Guitars And An Actual Mountain)*

“Could you guys gesture at the guitars?”

“What?”

“Huh?”

“Why?”

“Just try it once.”

“I dunno.”

“You sure?”

“Eh.”

“GESTURE AT THE FUCKING GUITARS!”

“Thank you.”

OR

Matt Busch, you are too skinny. Eat some potato chips and wash them down with melted butter.

OR

“Hey, Garcia, here’s your new guitar.”

“Put some bullshit behind the bridge.”

“Um, what kind of–”

“PUT SOME BULLSHIT BEHIND THE BRIDGE!”

“Okay.”

“And bring me some potato chips and melted butter.”

 

*Worst title ever? It’s up there. (Or down there, whichever.)

On The Road Out Of Little Aleppo

It was the Running of the Poodles and there had been several deaths. Mean curs with sharpish snouts, humiliated by their haircuts, snapping and sprinting along the frontage road while drunken tourists in silly outfits leaned in to slap their doggy asses; it would bring you luck in the new year, the story went, and men and women alike weaved and swerved to avoid the angry hounds. Some didn’t, and even their families did not mourn. You know what you were getting into when you ran with the poodles, everyone understood.

Off to the south was a farm where they harvested wind. Great turbines sticking themselves into the sky–just the tip, they swear–with giant blades swip-swopping so fast that they could not be seen, and workmen atop them in hard hats and neon-orange jackets. The men would take out their dicks and piss into the fans, and the urine would spray for miles and miles. They did not know why they did that, but were compelled. To the north was Mt. Tushmore, which had the faces of ZZ Top carved into it. To the east was morning, and to the west was night.

And everything was America.

O, there were horses. They carried orphans who clutched mailbags, and the ideology of colonels, and the wagons of pilgrims. The horses carried disease and war, and also actors. Famous pintos and stuffed palominos. Some of the horses argued for buffalo rights, and others were just broken. They claimed alliances with the livery owners and the saddlemakers, but did not realize the transactional nature of existence because they were horses.

Trucks, too. Strapped with cargo and with the hammer down, heading towards Pensacola and Cahokia and Schenectady, being chased by weigh stations down the highway. Bandits got splattered by trucks–Robin Hood would not have done well on Route 77–and the drivers would not wash the guts from their grills. Intestines were badges of honors; medals for Macks. The boys were thirsty in Atlanta and speed limits were sarcastic if you interpreted them to be so. Everyone was an Interpretationalist on the Interstitial Highway System.

The Highway existed before the highways. The Native shamans rode it coast to coast in a sleepless and frenzied night; they would tell their tribes what they had seen, but no one listened. This was to be a constant. A man named Bill galloped along the trail as he dreamt up ways to sell the West to the East and beyond. Lawman brothers and gambling dentists knew where to catch the road, and so did the Hoodoo ladies from New Orleans. Dragons shitting out luck behind them. Fighting cocks and jazzbos and so many goddamned buses full of runaways.

And now a ghost cop and an ex-roadie in a 1974 Dodge Monaco.

The car had four doors, two on each side. There were no curves at all: the 1974 Dodge Monaco was made of angles and sheet metal and a 400 cubic inch engine with eight cylinders aligned in a V. The steering wheel was shaped like the diagram of a woman’s interior on a handout your health teacher gave you: two fallopian tubes shooting out horizontally and a cervix descending. There was no air bag. The radio had push-buttons that depressed with a tactile kah-CHUNK to choose a preset, and a volume knob and a tuning knob. The windows rolled down, and they were.

Precarious Lee had his elbow leaning out of the Dodge and a Camel cigarette in his left hand. He took a drag and exhaled PHWOO and leaned his head towards the air blowing in so that he could feel the wind through his gray hair. He was thinking about touring and never getting any sleep, he was thinking about the fights and miles, he was thinking about his kid, he was thinking about nothing at fucking all with just the index and middle fingers of his right hand curled around the bottom of the wheel. He had driven up to Harper Observatory and picked the kid up. Penny refused to talk to him. She was not taking being a ghost well. Precarious figured she’d come around and turned the sedan around in the parking lot gracefully and headed back down Skyway Drive and right on Buchwald and then out to Main Drag that cut through Little Aleppo.

“You gotta piss?”

“Not since I got murdered.”

“That’s a plus.”

“Honestly? I kinda miss it.”

They passed Big-Dicked Sheila’s Hair Salon For Rock Stars And Their Ilk. Precarious waved.

“What about shitting?”

“Nope. No more.”

“Can’t complain about that.”

“Nah. Not shitting is awesome.”

“Pain in the ass.”

“I thought we were going to Route 77.”

“We are.”

“Is there, like, an on-ramp or something?”

“Yeah.”

“Where is it?”

“Look within your heart.”

So Officer Romeo Rodriguez, who was a ghost, looked within his heart for the on-ramp to Route 77, and there it was; the Dodge Monaco was doing 80 on ice-smooth blacktop with all sorts of lines–yellow, double-yellow, solid white, dashed white–painted on it, and there was a victorious roar and the sky was full of what looked like huge bald eagles, all saluting and preaching and bribing around the car. The sun went on and on. Toads blanched and sizzled. Cactus parched. Rivers swole. Cattle staged mutinies, slaughtered leathery men and their energetic daughters, took the wheel and lit out for the territories. Discotheques opened, struggled, bloomed, blossomed, thrived, got raided by the cops, burned down suspiciously, turned into banks. In the Low Desert, there were camels that no one remembered, and there were hippos in the Neverglades that none of the history books mentioned.

The radio was playing rock and roll music. American music. The Viennese thought they could write a tune; the Chinese had a melody or two: fuck y’all, did you invent the motherfucking Stratocaster? Nah. Back up while I step through here, the rock and roll music said to the world. I’m gonna get a little loud. Stupid, too, but that’ll be forgiven in the fullness of time. I’ll have apologists, you see, and explicators and pundits. Important people to translate me to the dopes. I got three chords, and you can play ’em all with just your middle finger. Can you say “rock and roll?” Can you say “amen?” If you can say one, you can say the other.

“Glove.”

“What?”

“Glove.”

The ghost cop opened the glove compartment of the Dodge. There were maps and the owner’s manual. A yo-yo.

“This?”

“Not the yo-yo.”

It was a translucent-red Duncan that glittered in the light.

“Pretty.”

“Not the yo-yo.”

Three pencils, two sharpened. Pad. Two decades worth of registration papers. A metal pencil-case with a picture of Tom Mix stamped onto the cover. The colors were fading and vague, but there were no dents and not one speck of rust.

“That.”

Romeo Rodriguez handed the metal box with Tom Mix stamped on the cover to Precarious Lee, who took up the steering wheel with his knees and undid the small latch. Took out a joint. Relatched the box. Handed it back to the ghost cop.

“You’re kidding.”

“What?”

“You’re driving.”

The 1974 Dodge Monaco has brakes the size of picnic basket, and when they’re slammed against the car’s wheels they make a sound like EEEEEE and then the sedan was sitting idle on the shoulder. Precarious Lee stared at the young man in the passenger seat.

“Yeah. I’m fucking driving.”

And after several seconds, Romeo Rodriguez looked away and out the windshield.

Precarious let off the brake and back on the gas and then there they were again doing 80 miles per hour through America. Through burned-out towns and villages that used to be, through battlefields littered with the ghosts of teenagers, through the rhythmic factories and cyclical farms. Through the perfectly-tied nooses. Through the battered cities and crumpled countryside, and all the barns were red and shingled. Through deadman’s curves and depressive spirals and second acts. Through the whiskey and the laudanum and the acid and the jails and hospitals and institutions. Through the workhouses and Wall Street and the whorehouses and Fifth Avenue. Through the telegraph and the telephone and the teevee and the rockets that would rather explode than beat the Soviets. Through the rock and roll bands and the chain gangs. Through the tenements and the prairie and the plains and the cul-de-sacs and the lake with the kotchas beside it.

O, America, you motherfucker. Show yourself, you secretive whore. I can smell you; come out where I can see you.

“Never seen it before.”

“Hm?”

“The States. The whole thing. All of it.”

There was quiet in the car but for the radio, which did not know when to shut up.

“There’s so much of it.”

“Yeah.”

“Enough to go around.”

“That’s what I always figured.”

The morning was to the east and the evening was in the west. The billboards knew what you wanted and were excited to tell you about it. It was a hundred miles to somewhere and five hundred to somewhere farther away; these facts were printed in white on a green background, and they sparkled when you shown headlights against them because nothing mattered more on Route 77 than where you were going, and today an ex-roadie and a ghost cop were going nowhere in particular except the opposite direction from Little Aleppo, which is a neighborhood in America.

The Dead Did It First

“Hey, which one of us is most unpleasant to look at?”

“Keith.”

“Great, put him center stage.”

OR

I’m pretty sure this is a composite photo, but it is a fact that there was a lunar eclipse during the Dead’s last of three shows in Egypt. This picture could be categorized as a recreation, I guess, like on those true crime shows that ladies all like.

Gawk In The Sunshine

Oh, for fuck’s sake.

“Dark star.”

Right.

“The, uh, song’s not about an eclipse, though.”

What is Dark Star about?

“Usually about 20 minutes.”

Nice.

“That tune is actually perfect for a dyslexic.”

How so?

“If you mix the words up, it doesn’t make less sense.”

True. You enjoying the eclipse?

“It’s magical. You know when the guy pulls the rabbit out of his hat?”

Sure.

“This is better. Like, at least three times better.”

The Dead had some history with eclipses, didn’t they?

“You bet. Phil bought one in ’91. Crashed it in, uh, ’91.”

Everyone needs to stop making that joke.

“And, you know, Egypt.”

That’s what I was talking about. There was a lunar eclipse the last night while you guys were on.

“Right, yeah.”

Did you see it?

“Well, here’s the thing. Y’know those giant lights at rock concerts?”

Uh-huh.

“They’re generally pointed directly in the band’s eyes. Plus, we were too busy playing poorly.”

You did play poorly in Egypt.

“Oh, yeah. Well, you know, it was a big show. We pretty much had a rule about that.”

No “pretty much” about it.

“I remember having a band meeting on the plane ride over discussing how we were gonna fuck it up. And, uh, damnedest thing: Billy broke his own wrist right in front of us.”

That’s dedication.

“And then when we got to Egypt, uh, he stabbed four successive piano tuners.”

Billy’s pretty much the MVP of the trip.

“No ‘pretty much’ about it. He made us buy him a trophy.”

Any final thoughts on the eclipse?

“I need someone to help me up.”

How To Be A Male Feminist*

Poor, poor Joss Whedon. Not just for his stupid name, but for the trouble he’s got himself into: the popular writer/director of Buffy and The Avengers, among other entertainments, has found himself in a pickle (entirely created by his own pickle). Long an outspoken champion of Women’s Lib, Whedon has been exposed by his ex-wife as a lowdown cheater–a liar and mistreater–who used his position of power to hump young hot chicks despite being a paunchy, balding, aging, ginger who was married at the time.

And, thus, the righteous fall.

But let’s say that, despite Joss’ missteps, you’d still like to be a Male Feminist. Let TotD help you navigate the treacherous waters of wokeness so that Twitter might not cancel you.

Shut the fuck up.

This is great advice across the board: everyone should shut the fuck up. But if you’d like to be a Male Feminist, then shutting the fuck up is even more paramount. For example, instead of starting a sentence with the phrase “As a Male Feminist,” you should shut the fuck up. Perhaps you have thoughts on the newest Roxanne Gay essay. Keep them to yourself and shut the fuck up.

“But, TotD,” you’ll say. “If I don’t tell people I’m a Male Feminist, then how will they know?”

And I will poke you in your eyes like Moe used to do to Curly, and then tell you once more to shut the fuck up.

Want women to know you’re a MF? Do feminist shit. They’ll notice, trust me. Hell, women might you give you credit for being a MF if you just don’t actively treat them like shit. Women are observant as hell.

And then, when a woman does notice and calls you a MF, say, “Yes, I suppose I am.” And then shut the fuck up.

Try not to cheat on your wife.

Like, try really hard. Or find a wife that lets you stick your dick in strange. Or–and here’s a wild thought–if you’re the type of dude needs to fuck someone new every couple weeks: don’t get married.

(There may be some men out there thinking this last piece of advice means don’t get caught, but it does not. You will get caught. Everyone always gets caught. Like I said: women are observant.)

Remember that some women are not white.

This one’s for the Female Feminists, too.

Don’t have an ex-wife.

This is also all-purpose advice. Out of all the kinds of wives to have, ex-wife is the worst. You’d rather have a dead wife than an ex-wife. So, I guess what I’m saying is–

Oh, please don’t.

–choose murder over divorce.

And you ruined it.

I do that.

Constantly.

It’s my superpower.

 

*Premise stolen from Mr. Completely , who is both my guy and my dude.

Flight Of The Sun, Bird

“AAAAAAH!”

Who’s screaming?

“ME! AHHHHHHH! WHAT THE FUCK!?”

If this is the sun, then I can’t. I cannot have a conversation with the sun.

“Not the sun, jackass. It’s me.”

The bird?

“Avian-American, thank you.”

I didn’t know.

“You don’t get to call us birds anymore.”

I apologize.

“WHAT THE FUCK IS HAPPENING?”

It’s just an eclipse, buddy.

“The shitty Japanese car?”

I did that joke last night. Bring your new material, please.

“Hey, suck my whatever-it-is-that-passes-for-a-dick. I’m a little freaked out here.”

It’s a natural phenomenon. Nothing to worry about.

“Avalanches and aneurysms are natural, and those are things to worry about.”

Neither of us needs to think about avalanches. We live in an entirely flat state where it never snows.

“I don’t like your tone.”

You seem like you’re looking to pick a fight.

“THE SUN WENT AWAY, ASSHOLE! I’m a little tense.”

Well, chill out. It’s gonna come back.

“How can you be sure?”

The scientists told me.

“Same scientists who can’t figure out whether coffee is good or bad for you?”

No. Different scientists. Very trustworthy.

“I’ll believe it when I see it.”

Give it like ten minutes. Everything’ll be back to normal. Well, 2017’s version of normal.

“You promise?”

Swear.

“Hmph. I am choosing to trust you momentarily.”

Thank you.

“You got any worms?”

I have a Twix bar in my backpack.

“Pass.”

Seriously, bro. Everything’s gonna be fine.

“It better be.”

Tell ya what: if the sun doesn’t come back, then you can find me and peck my eyes out or whatever.

“What if it does?”

You have to shit on some Confederate statues.

“Deal.”

Nice.

Fuck The Sun

I never knew that someone wrote me a theme song.

The Eclipse: An FAQ

What is an eclipse?

A shitty Japanese car.

No, that’s an Eclipse. What is an eclipse?

A rapper.

No, that’s Eeklipz. Stop fucking around.

A solar eclipse is when the moon passes directly between earth and the sun; this causes the sun to disappear for a minute or two. A lunar eclipse is when the earth passes between the sun and the moon, which blots out the moon for a similar period of time.

The sun just goes away?

Yup. Middle of the day. Boom.

That must have scared the shit out of people back in the day.

Oh, yeah. Mass sacrifice, armies would turn tail and run home, goats would explode. Imagine it: you’re walking around minding your own business at three in the afternoon, nice sunny day, and WHAMMO it’s pitch-black for a couple minutes. And, you know: the sun was pretty much God to most of these ancient fuckers, so they didn’t know whether to shit or go blind. I guess the ones who stared at the sun went blind. Everybody probably shit, though.

You can’t look at an eclipse? But the sun’s not there.

It is most certainly still there. The moon’s in front of it so you can’t see it, but the cosmic hoodoo the sun spits out will still fry your eyeballs if you look at it.

How can I view the eclipse, then?

Through your phone or a camera lens.* Or with special glasses that you can’t buy anymore and are almost certainly Chinese knock-offs that won’t work and will leave you blind.

What about that thing with the cardboard and the pinhole?

If you want to look like a second-grader on a field trip, sure. Oh, wait: Trump supporters can look directly at the eclipse.

Really?

Yeah. They’re immune from any ill effect. Trust me. In fact, they should start staring at the sun about an hour before the transit just so they can get some context.

I think you’re telling fibs.

No, I’m deliberately trying to hurt people.

Putting that aside. How often do eclipses happen?

Often. You can have anywhere from two to five eclipses in a calendar year.

So why is this one getting so much attention?

Because the earth is 66% ocean, so 66% of eclipses can only be seen from the ocean. Or way out in the hinterlands. Humans occupy the whole planet, but we only take up a little bit of it. Hell, this one’s cannonballing across the good ol’ USA and it still only hits four major-ish cities. The path of totality is only 70 miles wide. Plus, you know: it might be cloudy.

So much is dependent on the weather.

Verily.

When did humans start predicting eclipses?

Forever ago. When the sun disappears, the king puts his best brains on the job right away. Everyone figured it out: Greeks, Mayans, Chinese. Eclipses occur in regular patterns, so if you pay attention for a while, you can figure out the math and start predicting them.

Why do eclipses occur in patterns?

The cosmic ballet.

Just say that you don’t know.

Because everything in the universe rotates around something else. And while rotating, everything wobbles a little bit. These wobbles have a cycle to them.

That doesn’t explain anything.

Those three sentences literally explain orbital mechanics. And the tides. And the seasons.

No one likes a smartass.

Well aware of that, thank you.

End with an interesting story, please.

Sure. There was a place called Babylonia.

I heard they had condos made of stone-a.

Nicely done. Anyway, the Babylonians were some clever bastards. They invented just about everything.

What about the Chinese?

The Chinese also invented everything. I’m talking about the Western hemisphere. The Babylonians invented maps and writing and math and irrigation and the sailboat.

Wow.

Haven’t even mentioned the big thing yet.

Fidget spinners?

Kinda. They figured out the wheel. More specifically, the axle.

Fucking nerds.

Yup. And they also were the first folks we know of (who weren’t Chinese) that figured out the sky. That everything was in motion, and that motion was regular and could therefore be predicted. Cycles of the moon, movement of the planets, all that stuff. Plus eclipses.

Sound like some forward-thinking people.

Sure, but wait. Like I said: the sun was God to the majority of the world before the monotheisms and whatnot took over. (Even after that, most deities are still associated with the sun. Jesus is literally the son.) And, of course, the king was put on his throne by God.

Of course.

So for the sun to disappear in the middle of the day was seen as not propitious for the king.

But you said the Babylonians knew that eclipses were natural phenomena.

I didn’t mean all of them. Most Babylonians were farmers or merchants or craftsmen or whatnot. The rich fuckers might have understood that eclipses were just really big math problems, but your average guy or gal thought a dragon was eating the sun.

Dummies. We’re smarter than that.

You been watching the news lately?

I retract my statement.

Okay, so: an eclipse makes the king look bad. It’s like being president when an economic bubble bursts: might not be your fault, but you’re getting blamed for it. So what the Babylonians would do is find themselves a temp.

A temporary king?

A farmer or a gardener or a criminal. A patsy. The real king would dress up in rags and the new guy would put on the robes and say the prayers–I’m sure animals were sacrificed, too–and now the schmuck is the king.

Like in History of the World.

Pretty much. Then, when the eclipse was over, the men would switch places once again, and the king would thank the pauper by giving him a plot of land and a pension.

Really?

Fuck, no. Executed in public to appease the gods.

That sounds right.

Past was terrible.

Anything else we should know?

If you make a baby during the eclipse, it will be a werewolf.

Good to know.

Keep it in mind.

 

*It turns out that this is terrible advice and will destroy your phone or camera.

Freedom And Speech In Little Aleppo

You could always get laid at the Wayside Inn, at least you could in 1975. Something casual, or romantic, or sleazy and quick in the darkened backroom. Everyone was going to the gym that year, and tiny spoons bounced against bulging pecs; the lesbians rolled their eyes at the boys, and rolled up dollar bills right at the bar. The dance floor throbbed and sulked in equal order, and polyester competed with silk, and nothing could not be cured with penicillin. A trim man with a row of neat, white teeth was behind the bar; years later, he would be asked what he recalled of 1975.

“Titties and dicks, honey. Cocaine, and titties and dicks,” Manfred Pierce answered.

He was 40. Manfred remembered that as an impossibility, as ancient, as clueless and past-prime, but he knew in his heart he was still in his 20’s and no calendar would convince him otherwise. His driver’s license could say whatever it wanted–I disapprove of what you say, but I will defend to the death your right to say it–but Manfred was still 29 if you asked. Not that anyone did.

Christ, 40. The big fuck-off. No longer needed, no longer valid. Sagging balls and a new face in the mirror, which was sadder and full of nevermind. He did not recall needing to trim his eyebrows quite as frequently as he now did. Manfred shaved every day, sometimes twice, and got his hair cut once a week: it was longer than the Navy used to regulate, but not by much. He flossed regularly and with vigor. A man ought look his best, Manfred thought. Sloppiness was disrespectful and unproductive. Occasionally, he wondered if he were just vain, but always decided: no, I have made a studied moral decision.

He kept his small house on Fantic Street–more properly called a bungalow–in a similar fashion; he had lived there fifteen years and did not believe there had ever been a mess. The unpaid runaway labor helped. Manfred took in strays: the boys thrown out of their houses, and the girls who ran away from home. Locals and soon-to-be locals. Animals, too: one-eyed dachshunds, cats mussing tails, a turtle he named Myrtle. Manfred charged no rent. He’d feed the kids, buy them clothes. He’d bring them down to the Wayside and introduce them around. (To the right people. Some of the patrons should not have been introduced to teenagers.) The Wayside’s regulars looked out for each other, except the ones that were scheming against one another, and the cast-out children would find a home, a job, someone to love or at least fuck. A few went home, moved on. A lot stayed. When Manfred looked around the bar on some nights, he realized half the room had crashed on his couch after getting off a bus from Milwaukee with six bucks in their pockets. This made him very happy, and he would give out free drinks. (Manfred Pierce gave out too many free drinks, but the ones you paid for were overpriced, so it all evened out.)

Manfred took them in, all of them, all the sissy boys and butch girls that got chased off the family farm by various iterations of an angry God.

But you had to do your chores. Patch of lawn out back needed mowing, and the front bedroom with two twin beds and two dressers and two desks had to pass inspection. Living room was to be policed on every walkthrough.

“Kitchen requires constant vigilance, and there’s a system to the refrigerator.”

“Is the system democracy?”

“The opposite,” Manfred said.

Lower Montana put her hands in the pockets of her army jacket.

“Communism?”

“Communism is an economic philosophy; democracy is political. Can’t be opposites.”

“A monarchy?’

“Good enough. This house is a monarchy. And who’s the king? Don’t say Elvis.”

“You are.”

“You’re my new favorite person,” Manfred said, and he meant it. Then he showed Lower how the crisper was organized.

Lower Montana was from the neighborhood. She grew up on Themistocles Street, and she thought her parents were gone for the evening so she invited her friend Grace over to get high and listen to records. They both liked the Beatles, and both had their shirts off when Lower’s mom and dad walked in. Grace ran off, down the stairs, out the house clutching her top and forgetting her bra. Lower’s dad punched her in the eye, and her mom did not stop him, and so she ran out, too. When she returned a few hours later, there was a suitcase packed for her on the porch and the door was locked. Too scared to go to Grace’s, and not particularly good in emergencies, Lower sat in a Victory Diner booth all night. She dozed off with her head in her hand while eggs poached and the teevee played on mute. The sun woke Lower up, and the waitress did the kindest thing she could, which was ignore her. She washed her face and changed in the diner’s bathroom. Then she went to high school and took a quiz on the Hundred Years War.

She thought she’d be asked questions if she went back to the Victory Diner two nights in a row, so when the library closed and they threw her out, she walked north along the Main Drag up to Sylvester Street. Lower Montana knew what the Wayside was; her parents had always made sure to point it out when they passed. Lower ignored the bar, didn’t even look at, believed her mother and father could hear her heart pounding, changed the subject. She was only in eleventh grade, but could change the subject at a post-graduate level.

The sun had just set; it was that first little bit of night that belongs to the fireflies. Madame Cazee’s and the Wash n’ Slosh were on the south side of the street, and so was she. She circled the block once, twice, and then felt paranoid that people would think she was a narc or a spy. Teenagers always think the world’s looking at them. Lower jaywalked across Sylvester and strode up the to outer door–the Wayside had an outer and inner door separated by a curtain of thick black rubber–and flung it open and walked right in. Lower Montana had decided to pretend to be brave, and it worked, right up until she set foot in the bar.

The light was dim and flattering; several disco balls on the ceiling fought for dominance. The deejay was tall and black and shirtless–Lower would later learn he was also pantsless–on an elevated platform in one of the back corners of the room. Pool table opposite: a lithe man in a tank top was stripes, a burly woman in a flannel was solids. Door to the backroom in between made out of the same thick black rubber as the entrance curtain. It was early, so everyone was still dressed (except the deejay) and the dance floor was not full. Lower Montana could not move. She felt like it was the first day of school squared. Everyone seemed to know each other: they were kissing hello and hugging and teasing and dramatically ignoring one another.

Manfred could tell from the shoulders. A barman–a competent one, at least–keeps an eye on the door, and he had seen Lower Montana walk in like a lesbian lion only to immediately turn into a lesbian lamb. He had a liquor license now, he was legitimate now, he could get in trouble for having teenagers in the bar. But there was a black-and-white photo of a tall woman, smiling and with her friends, hanging above the top-shelf liquor behind him, and so when the girl looked at him he waved her over with the friendliest smile in his arsenal.

And then he said the thing he always said.

“Hello, beautiful.”

Lower Montana went home with him that night. He introduced her to Singal Maran, who was from Flagstaff, and also staying in the front bedroom. Manfred always preferred to have a boy and a girl in there; it cut down on the fucking.

She slept in her clothes, for fourteen hours straight.

Singal was gone when she woke, his bed made, and she was scared for a second but then remembered the kind bartender with his row of neat, white teeth and obviously-dyed mustache. There was a one-eyed dachshund curled up in the heat of her armpit. His name was Winky, and Lower Montana had been introduced to him the previous night.

“Hello,” she said.

Winky licked her nose and lips; she pulled her head back and scratched his belly. The dog started wiggling in furious glee.

And then Manfred explained the refrigerator to her.

At six, they walked down Fantic to the Main Drag and turned south towards the Downside, towards Yung Man’s. They were both wearing jeans; Manfred’s were tailored and tight, and Lower’s cuffs bagged up on the top of her Earth Shoes. Over wonton soup and pork fried rice, they told each other their stories of their lives. Their versions, at least. Manfred paid–Lower offered, but he pursed his lips and looked at her under lowered eyelids–and then they walked back up the Main Drag to Sylvester Street, where they turned east and walked towards the gaggle men in suits and women in dresses holding signs. One of them had a bullhorn. Her name was Brannie Dade. It was the first little bit of night, and the fireflies had were out.

Lower would have stopped walking–she did not like confrontation and still had a black eye–but Manfred grasped her upper arm and said,

“Stay with me,” and his chin and chest were jutting out, his blue eyes like a storm. She ducked her head down, tucked her long black hair behind her ear with the arm Manfred did not have hold of. Lower Montana was not five feet tall; she never would be. She was wearing too many rings and no longer had a home, but the man who had taken her in told her not to be afraid and so she decided not to be.

She said to Manfred out of the side of mouth,

“I have a knife.”

“Ooh, really?”

“Yeah.”

“Let me see.”

Lower Montana took her flick-knife out of the pocket of her army jacket. Manfred Pierce plucked it out of her hand, put it in the back pocket of his jeans, gave her the keys to the bar, said,

“You can have this back later. Go inside.”

“But, I–”

“Go. Inside. Now.”

She put her head down and walked through the protestors, ignoring their greetings. Flung open the door and disappeared into the dance floor.

Manfred Pierce was 5’9″ and weighed 144 pounds. This made him a welterweight; he knew this because that was the class he boxed at in the Navy and he was the exact same weight at 40 as he was at 20. He forced his hands out of fists and walked up to the protestor with the bullhorn. Her hair was brown, high, and swept-back; she was wearing a white sleeveless dress with a hem right below her knees and a high spread collar.  He asked her,

“Who are you?”

She answered,

“Brannie Dade.”

“From the teevee show?”

“Oh, you recognize me?”

“I do. You’ve aged horribly.”

Brannie Dade had giant teeth the color of a summer cloud; she was generically attractive and had once almost been nominated for an Emmy for her work as Glassy on Dracula Daddy, which was a sitcom about a dracula and his family that ran from 1970 to almost 1973. Nick Osferatu (a dracula) gets transferred from Transylvania to Cleveland; wackiness ensued for 41 episodes. Now she was standing outside the Wayside Inn with a bullhorn and a placard reading “HOMOSEXUALS RECRUIT CHILDREN.”

Manfred wanted to knock her out, choke her, shove her to the pavement and leap atop her skull nine or ten times. Recruit? Recruit, you bitch? You throw them out. You black their eyes and lock your doors on them, and I feed and shelter them. He didn’t, though. He kept his hands from becoming fists and said,

“I own this place. My name’s Manfred Pierce. What the fuck are you doing?”

“We don’t need that kind of language.”

“Fuck you. What are you doing?”

There were eight of them, including Brannie, and now they formed around her in a semi-circle and waved their signs at him. Manfred finally got a good look at all of them: several had the word SODOMITE written on them in very aggressive magic marker. One said HOMOS = COMMUNISTS, which just confused Manfred, as he was a small-business owner, and another said THE LORD IS WATCHING, which Manfred hoped was true.

It was 1975, so the men’s ties were as wide as the women’s hair was high. Pinch-faced and squinty-eyed, the lot of ’em, and with veins cording out of their forearms like road maps of anger. Manfred Pierce wondered why it was that the people so outraged by assfucking were always the people who would be most helped by being solidly fucked in the ass. It would relax them, he figured.

“We are letting the neighborhood know what kind of establishment you’re running, Mister Pierce.”

Brannie put a little English on that “mister.” She thought she was being clever.

“Well, Mizzzzzzzz Dade,” Manfred said, sinking to her level. “The neighborhood is well aware of what kind of establishment this is. The riot and the court cases kind of gave us away. And the flag.”

There were two flags hanging above the entrance to the Wayside Inn. One was red, white, and blue, and the other had more colors than that. The corners of Frannie Dade’s mouth twisted down, and her upper lip recoiled–it was halfway between a sneer and a snarl–and she said,

“The American flag shouldn’t be next to that filth. It shouldn’t be hanging above this place at all.”

And Manfred got up on his toes, just a little bit, and forced his hands out of fists and said,

“I will have you know, madam, that that flag is the one that was flying above the USS Dextrous in January 1953 when we took Communist shelling.”

(It wasn’t. He had bought it at the store.)

“You just joined the Navy for the perversion.”

“And the travel.”

“You are destroying America with your sin!”

Now Manfred became sarcastic, which is not the best way to deal with people to stupid to understand sarcasm, as they think they’re being mocked.

“Yes, ma’am,” he said and snapped off a perfect salute. “One cock at a time.”

This sort of language in front of a lady–one who had been on a sitcom, no less–upset the protestors and they became agitated; one dropped his placard and put up his dukes. Manfred went up unto the balls of his feet and then he was grabbed from behind by a group of Wayside regulars who had just walked up. They dragged him in the bar and when their eyes adjusted to the darkness, they saw Lower Montana behind the bar, kind of: her shoulders and head just barely peeked above the walnut surface. She was polishing pint glasses with a rag.

Manfred said,

“Why are you doing that, sweetie?”

“I saw it in a movie,” she answered.

“I appreciate the initiative, but stop it.”

She put the glass and rag on the bar and stood there not doing anything.

“Could you go check that the bathrooms are still there?”

“Is that a serious thing, or are you trying to get rid of me?”

“They’ve disappeared before.”

The teenager crossed the room to find out if the toilets still existed, and the 40-year-old went behind the bar. There was a system. Limes here, and glasses there, and the metal scoop hung from the icemaker by a thread of yellow yarn. The Wayside had only one beer on tap, and the handle was in the shape of an arrow whose tip was shaped like an “A.” The cash register was behind him, and above that was the bronze bell Manfred would ring to signal Last Call. There was tequila behind him, too, and he poured some and drank it, then took out glasses and poured shots for everyone.

Then he called the police.

“Is this the Wayside Inn?”

“Yes.”

And the police hung up on him. The courts had recently forced them to begin treating homosexuals like human beings, and they were still pissed about it.

Manfred sent out Zippy the bouncer to make sure no one hit any of the protestors, and had another drink because he realized he was paying someone to protect people calling for his death. Steppy Alouette suggested legal maneuvers when she came in. Finster Tabb, who wore a beret all through the seventies no matter how many jokes were made, quoted Shakespeare at him.

“When sorrows come, they come not single spies, but in battalions.”

“Act IV, scene V.”

“A scholar and a gentleman,” Finster smiled. Manfred poured him a shot of tequila, and himself one, and they raised their glasses and drained their glasses, and then Finster wandered across the dance floor to chat up a young man in a tight polyester shirt named Earl.

Brannie Dade and the protestors had left around ten. Zippy came back inside and tended bar while Manfred hit the bathroom for a line and then hit the backroom for a blowjob. The bar had filled up. Bars do that. The deejay was paying Never Too Late For Love by the Gordon Green Orchestra, and the dance floor was sweating and free. A drag queen broke kuh-SHPAK on the pool table; she had taken her heels off for stability and so stood barefoot on the slightly-sticky floor.

Lower Montana was sitting at the end of the bar by herself. Her straight brown hair was covering her face, and she shrunk inside her olive-green jacket that had so many pockets. She had a Coke.

Manfred placed her flick-knife and the keys to his house on the bar in front of her.

“Do you want a drink, sweetie?”

“I don’t like the taste of alcohol,” she said.

“No one does. You just get used to it.”

He pushed the hair from her face and looped in behind her ears and said,

“You’re among friends, y’know. Okay to show yourself here.”

Lower smiled and then she didn’t and brushed the hair back over the left side of her face where her eye was blacked. A small part of her still believed that Manfred’s kindness was a trick, and she would not meet his gaze.

“Sweetie?”

She glanced up for just a second. He said,

“Do you want a joint?”

Lower Montana looked to the left, right, back to the left.

“That would be cool, I guess.”

Manfred turned his head to the man sitting next to her and said,

“Tom?”

And the man who was sitting next to Lower, who was named Tom, pulled a cigarette case from his breast pocket and handed her a fat joint. Manfred forgave his tab, and asked him for a minute. Tom wandered into the backroom.

He reached under the bar, came up with an all-white pack of matches with. No logo, just a scratchy brown strip running horizontal across the bottom, and Manfred ran the gray paper match with the red tip across the strip; it made a sound like fftPOP, and Manfred cupped his hand around the flame as Lower lit the joint off it PWOF PWOF and then she inhaled deeply, held the smoke down like her cousin had taught her, blew out PHWOO, and then she handed the joint to him across the bar.

There were both pros and cons to owning a bar the cops refused to enter, Manfred thought. PHWOO. Gave it back.

It was better pot than Lower was used to, and she became very high very quickly. The deejay was playing Amethyst Evenings by Autumn Brice. The music seemed to de-coalesce, split into its constituencies. She could separate the horns from the drums, and then the drums from themselves: there was the hi-hat, there was the snare, and the bass guitar was dancing around in between them and also in her chest and hair and throbbing in her blacked eye. She sipped her Coke out of the can.

Manfred Pierce walked a few feet away. Fetched a glass, filled it with ice. Straw. Poured the soda in the glass, threw the can in the trash, set it back in front of her.

“Thank you,” she said.

And he smiled. Handed her back the joint, which she hit PHWOO and then she met his glance just for a second, but Manfred had known many teenagers and could see what she wanted.

“Ask me, sweetie.”

When she looked up, there were tears in her brown eyes.

“Why do they hate us?”

Manfred held out his hand and she gave him the joint.

“For the exact same reason as I took you in, sweetie. Because they decided to.”

“I don’t understand.”

“Yeah. Join the club.”

Manfred smiled and stood up straight with flashing eyes and gestured grandly around his bar. He said,

“Oh, wait. You have joined the club.”

Which got a smile out of her even through the tears which ran over her blacked eye and down her face that wore no makeup. He took her hand across the walnut bar and squeezed once, twice, and then he cried with her. Manfred Pierce would cry with you at the Wayside Inn, or dance with you. Fuck you if you were his type. Serve you a drink and a smile made of neat, white teeth under a dyed mustache no matter who you were. He’d buy you your first, in fact–second if you were cute–and welcome you in no matter who you were or what you had done in Little Aleppo, which is a neighborhood in America.

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