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MELBOURNE INTERNATIONAL FILM FESTIVAL TRAGEDY GIRLS ★★★½ ACMI, August 11, 11.30pm
Sadie (Brianna Hildebrand) and McKayla (Alexandra Shipp) are best friends with a shared dream. Not content with hosting a true-crime video blog, they plan on becoming world-class serial killers in their own right – though as high-school graduation looms, they're yet to rack up a significant body count.
A twist on the slasher genre following two death-obsessed teenage girls who use their online show about real-life tragedies to send their small mid-western town into a frenzy.
When video home entertainment enters the market in 90s Beijing, a former projectionist ropes his young son into starting their own pirate movie company.
PACmen takes us into the inside workings of a Super-PAC to answer one of the lingering questions of America's strangest election: why did Ben Carson run for president?
Several years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several orphan girls into their home, soon becoming the target of his possessed creation, Annabelle.
A decade after An Inconvenient Truth brought climate change into the heart of popular culture comes the follow-up that shows just how close we are to a real energy revolution.
A twist on the slasher genre following two death-obsessed teenage girls who use their online show about real-life tragedies to send their small mid-western town into a frenzy.
Fast paced, cleverly constructed and very well cast, Tyler MacIntyre's audacious teen horror/comedy pays tribute to genre milestones like Heathers and Scream while upping the ante on ruthlessness and gore.
Like any good satirist, MacIntyre has a knack for having it both ways. If the self-absorption of the Instagram generation is mocked, so too are moral panics about what kids might be up to online.
Best friends plot to become world-class serial killers in Tragedy Girls. Photo: Asha Holmes Publicity
Similarly, the heroines' unrepentant evil overturns every sentimental cliche from movies about female friendship; yet their actions can also be read as payback for the way young women have been treated over the last half-century of slasher flicks.