Martin Kušej

Martin Kušej (born 14 May 1962) is an Austrian theatre and opera director, and current Artistic Director at the Residenz Theatre in Munich. According to German news magazine Focus, Kušej belongs to the ten most important theatre directors who have emerged in the German-speaking world since the millennium. He is considered one of the most important directors working today, acclaimed for his dark and incisive productions.

Born into the Slovene-speaking minority in the Austrian state of Carinthia he studied German, Literature and Sport Sciences at the University of Graz from 1979-82. He then moved to the local University of Music and Performing Arts and graduated from the MA course in theatre directing in 1984. His final showcase production was Ultramarine by David Brett; his Master thesis was on Robert Wilson.

In 1986, after his alternative civil service, he became an assistant director at the State Theatre in Salzburg from where he moved to the Slovenian National Theatre in Ljubljana in the same role.

Royal Opera

Royal Opera or Royal Opera House may refer to:

The Royal

The Royal is a British medical drama series produced by ITV that ran from 2003 to 2011. The show comprised one-hour episodes which were normally first aired on ITV in the Sunday early evening slot.

The title of the series refers to the fictional "St Aidan's Royal Free Hospital", located in Elsinby, a fictional rural seaside town, portrayed as being close to Aidensfield, the fictional setting of the UK TV series Heartbeat. The series was shot in Whitby and Scarborough, in the North Riding of Yorkshire. The Royal is an NHS hospital serving the local town, countryside and visitors. The show was set in the 1960s. It began as a spin-off from another popular ITV show set in North Yorkshire, Heartbeat.

Stars of the show included Ian Carmichael, Wendy Craig, Robert Daws, and Amy Robbins. The last episode of the show aired at 7.00 pm on Sunday, 31 July 2011 on ITV.

Overview

The Royal was introduced in the 14th episode of the 12th series of Heartbeat entitled 'Out Of The Blue' and The Royal benefited from this connection to the extremely popular parent series; several Heartbeat characters appeared in the first couple of series of The Royal, most notably Bill Maynard as a bed-ridden Claude Greengrass, but as the series progressed it generally dropped its character crossovers with Heartbeat to become its own entity.

The Royal Opera

The Royal Opera is a company based in central London, resident at the Royal Opera House, Covent Garden. Along with the English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, it was known by that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet.

When the company was formed, its policy was to perform all works in English, but since the late 1950s most operas have been performed in their original language. From the outset, performers have comprised a mixture of British and Commonwealth singers and international guest stars, but fostering the careers of singers from within the company was a consistent policy of the early years. Among the many guest performers have been Maria Callas, Plácido Domingo, Kirsten Flagstad, Hans Hotter, Birgit Nilsson, Luciano Pavarotti and Elisabeth Schwarzkopf. Among those who have risen to international prominence from the ranks of the company are Geraint Evans, Joan Sutherland, Kiri Te Kanawa and Jon Vickers.

The Flying Dutchman (opera)

The Flying Dutchman (German: Der fliegende Holländer), WWV 63, is a German-language opera, with libretto and music by Richard Wagner.

Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write the opera following a stormy sea crossing he made from Riga to London in July and August 1839. In his 1843 Autobiographic Sketch, Wagner acknowledged he had taken the story from Heinrich Heine's retelling of the legend in his 1833 satirical novel The Memoirs of Mister von Schnabelewopski (Aus den Memoiren des Herrn von Schnabelewopski). The central theme is redemption through love.

Wagner conducted the premiere at the Semper Oper in Dresden in 1843. This work shows early attempts at operatic styles that would characterise his later music dramas. In Der fliegende Holländer Wagner uses a number of leitmotifs (literally, "leading motifs") associated with the characters and themes. The leitmotifs are all introduced in the overture, which begins with a well-known ocean or storm motif before moving into the Dutchman and Senta motifs.