House (1995 film)

House is a Canadian drama film, released in 1995. Written and directed by Laurie Lynd as an adaptation of Daniel MacIvor's one-man play House, the film stars MacIvor as Victor, an antisocial drifter with some hints of paranoid schizophrenia, who arrives in the town of Hope Springs and invites ten strangers into the local church to watch him perform a monologue about his struggles and disappointments in life.

The original play was performed solely by MacIvor. For the film, Lynd added several other actors, giving the audience members some moments of direct interaction and intercutting Victor's monologue with scenes which directly depict the stories he describes. The extended cast includes Anne Anglin, Ben Cardinal, Patricia Collins, Jerry Franken, Caroline Gillis, Kathryn Greenwood, Nicky Guadagni, Joan Heney, Rachel Luttrell, Stephen Ouimette, Simon Richards, Christofer Williamson and Jonathan Wilson.

The film premiered at the 1995 Toronto International Film Festival in the Perspectives Canada series, before going into general release in 1996.

Babes in Toyland (band)

Babes in Toyland is an American punk rock band formed in Minneapolis, Minnesota in 1987. The band was formed by Oregon native Kat Bjelland (lead vocals and guitar), with Lori Barbero (drums) and Michelle Leon (bass), who was later replaced by Maureen Herman in 1992.

Between 1989 and 1995, Babes in Toyland released three studio albums; Spanking Machine (1990), the commercially successful Fontanelle (1992), and Nemesisters (1995), before becoming inactive in 1997 and eventually disbanding in 2001. While the band was inspirational to some performers in the riot grrrl movement in the Pacific Northwest, Babes in Toyland never associated themselves with the movement.

In August 2014, Babes In Toyland announced that they would be reuniting.

History

Formation and early years (1987-1991)

Babes in Toyland formed in 1987, after frontwoman Kat Bjelland met drummer Lori Barbero at a friend's barbecue. Originally from Woodburn, Oregon and a former resident of San Francisco, Bjelland had moved to Minneapolis to form a band. Over the following months, Bjelland convinced Barbero to play drums and formed Babes in Toyland in winter 1987. In its initial formation in 1987, in addition to Bjelland and Barbero, the band included Kris Holetz on bass and singer Cindy Russell. It has been widely believed that, following the departures of Holetz and Russell, the band briefly recruited Bjelland's friend - and former bandmate of the band Pagan Babies - Courtney Love on bass. However, it is known that Love had lied to the press on multiple occasions about her involvement with the band. Love, who later went on to form the successful band Hole, only stood in Minneapolis a number of weeks before leaving as she was not in the band, but rather a roommate of Barbero's. She then stole money from the band and left Minneapolis. Bjelland, in an interview, once stated:

1790 House

Coordinates: 42°30′10″N 71°9′29″W / 42.50278°N 71.15806°W / 42.50278; -71.15806

The 1790 House, also called the Joseph Bartlett House or the Bartlett-Wheeler House, is a historic house located at 827 Main Street, Woburn, Massachusetts, and listed on the National Register of Historic Places. It is close to the Baldwin House, with the Middlesex Canal running between them.

The 1790 House, originally on Main Street, has been moved closer to the canal to make room for a hotel. It now faces more south than its original facing of southwest.

History

The Federal style house was originally built in 1790 on the banks of the Middlesex Canal, for Woburn lawyer Joseph Bartlett. Shortly before completion it was purchased by Col. Loammi Baldwin, noted engineer, who hoped to convince expatriate scientist and inventor Benjamin Thompson, Count Rumford, to return to his home town. Although this idea never came to fruition, author Frances Parkinson Keyes, who later spent childhood summers in the home, refers to it repeatedly in her memoirs as the Count Rumford House. The house also features in her autobiography, Roses in December.

Dog

The domestic dog (Canis lupus familiaris or Canis familiaris) is a domesticated canid which has been selectively bred for millennia for various behaviors, sensory capabilities, and physical attributes.

Although initially thought to have originated as a manmade variant of an extant canid species (variously supposed as being the dhole,golden jackal, or gray wolf), extensive genetic studies undertaken during the 2010s indicate that dogs diverged from an extinct wolf-like canid in Eurasia 40,000 years ago. Being the oldest domesticated animal, their long association with people has allowed dogs to be uniquely attuned to human behavior, as well as thrive on a starch-rich diet which would be inadequate for other canid species.

Dogs perform many roles for people, such as hunting, herding, pulling loads, protection, assisting police and military, companionship, and, more recently, aiding handicapped individuals. This impact on human society has given them the nickname "man's best friend" in the Western world. In some cultures, however, dogs are a source of meat.

Dogs (Pink Floyd song)

"Dogs" (originally composed as "You've Got to Be Crazy") is a song by English progressive rock band Pink Floyd, released on the album Animals in 1977. This song was one of several to be considered for the band's "best of" album Echoes: The Best of Pink Floyd.

Musical composition

The music was written in 1974 by David Gilmour and Roger Waters, with lyrics by Waters, and originally titled "You've Got to Be Crazy". Waters modified the lyrics in some parts, transposed the key to suit both Gilmour's and his vocals, and retitled it "Dogs". The version on Animals is 17 minutes long.

The main theme features what were, for Pink Floyd, rather unusual chords. In the final version's key of D minor, the chords are D minor ninth, E♭maj7sus2/B♭, A sus2sus4, and A♭sus2(♯11). All these chords contain the tonic of the song, D—even as a tritone, as is the case in the fourth chord.

The song fades in with an acoustic guitar in D tuning strumming the chords with a lively, syncopated rhythm, with a droning Farfisa organ playing chord tones (A, B♭, A, and A♭, respectively). After the first sixteen-bar progression, Gilmour begins the vocal. For the third repetition, bass guitar, Hammond organ, drums and lead guitar (playing a subtle drone of D) enter. After this repetition comes the first of several guitar solos, played by Gilmour on a Fender Telecaster rather than his usual Fender Stratocaster. Next is another verse of lyrics, followed by a keyboard solo. Finally, after six repetitions of the main theme, the tempo is cut in half, dramatically slower, a new chord progression is introduced, resolving gradually to the relative major, F, with two lead guitars loudly playing a slow harmonized melody, and a quieter third guitar adding decorative string bends, with heavy use of reverb and echo.

Laura (Scissor Sisters song)

"Laura" is a song by American glam rock band Scissor Sisters and is the lead track on their self-titled debut album (see 2004 in music). It was released as the band's first single in October 2003 in the UK, placing at #54 in the UK Singles Chart (see 2003 in British music). It was later re-issued on June 7, 2004, charting at #12 in the same chart (see 2004 in British music).

In Australia, the song was ranked #58 on Triple J's Hottest 100 of 2004.

Track listings

Initial UK release

UK re-issue

Official remixes

Laura (What's He Got That I Ain't Got)

"Laura (What's He Got That I Ain't Got)" is a song co-written and recorded by American country music singer Leon Ashley. Recorded in 1967 and released on his own Ashley Records label, the song was his only No. 1 single that September. Frankie Laine and Brook Benton took cover versions to the pop and Adult Contemporary charts that year, while Claude King, Marty Robbins and Kenny Rogers charted their own versions on the country charts.

Background

Ashley had previously released several singles on the Goldband and Imperial record labels, but none of his singles were successful. Then, in 1967, Ashley founded his own label, Ashley Records. That year, he recorded a song he co-wrote with his wife, Margie Singleton: "Laura (What's He Got That I Ain't Got)." Released that July, "Laura" went on to become a No. 1 smash on the Billboard Hot Country Singles chart by the end of September.

Plot

The song is told from the perspective of Laura's husband, and depicts a confrontation the two are having regarding an apparently crumbling marriage.